Jazz -- In Stock -- LPs  

One of Chico's classic recordings for Impulse, and a weird batch of tracks that have an off-beat sound to them that's hard to categorize. The group includes Ernie Hayes on organ, Arnie Lawrence on alto, Larry Coryell on guitar, and a guest appearance by Archie Shepp on piano. Tracks include "... read more

The kind of record we passed by for years, just because we weren't hip enough! Chico's mid and late 60s output is phenomenal, and it's got a sly sinister approach to rhythm that is nicely complemented by some incredible soloing by highly lyrical players. This album features work by Gabor Szabo,... read more

We used to pass up these later Chico Hamilton albums, but now we love them because they're so crazy and so off-kilter. Never one to rest just doing straight jazz stuff, Chico in this period was experimenting with all sorts of cool rhythm changes and interesting instrumentation. The title cut's a... read more

A totally excellent bit of funk from Chico Hamilton -- working with a great group that more than helps their leader live up to the album's title! The record's a real lost gem -- and it's got Chico working in much funkier territory than before, grooving with complicated rhythms, and a heavy sound... read more

One of the best of Johnny Hammond's albums for Kudu! The arrangements are by Pee Wee Ellis -- yes, THAT Pee Wee Ellis, the guy who played alto for James Brown! Ellis gives the record a slightly different feel than other Kudu arrangers (like Bob James) might have, and the usual slow building jazz... read more

One of the hippest albums ever cut by Lionel Hampton -- a badass batch of 70s funk tunes, recorded with arrangements from the Chicago powerhouse team at Brunswick Records! Lionel's vibes are mixed with tight drums, sweet bass, and some very soulful arrangements that make even the mellower tracks... read more

A lyrical masterpiece from the mid-60's. Freddie Hubbard and Herbie trade lines on extended compositions, as Herbie shows the world that he's more than just a soul jazz player by coming up with soqme of the most spiritual work of his career. Of course, that doesn't displace the treasure that is... read more

The start of funky funky Herbie Hancock! This album's the first to feature Herbie really breaking away from his straight jazz work -- moving into a groove that's nice and funky, using electric piano along with acoustic, to forge the sound that he'd develop famously over the 70s. The album's got a... read more

The start of funky funky Herbie Hancock! This album's the first to feature Herbie really breaking away from his straight jazz work -- moving into a groove that's nice and funky, using electric piano along with acoustic, to forge the sound that he'd develop famously over the 70s. The album's got a... read more

The future is now! Or at least it seemed to be back in 1983 when Herbie teamed up with Bill Laswell to record this classic album of computer-driven keyboard grooves! Whatever you might think of the music, the record was a genius move for Herbie -- who was kind of flopping around in a number of... read more

A seminal jazz funk session of the 70s -- Herbie Hancock's legendary meeting with The Headhunters, and a killer batch of tunes that really gave the combo their name! Herbie's playing a wide range of keys here -- including Fender Rhodes, clavinet, and Arp -- but almost even better is the work from... read more

A brilliant album -- and real turning point for Herbie Hancock! After first coming onto the scene as the soul jazz hero between Blue Note funky classics like "Watermelon Man" or "Blind Man, Blind Man" -- Herbie emerges here as a concerned modernist with a strand of spirituality... read more

An overlooked little gem in Herbie's 70s catalog -- and a nice record of smooth funky tunes that kind of adds an R&B edge to the Headhunters sound! Herbie's playing a heck of a lot of keys on the set -- from Arp to moog to Rhodes, and everything in between -- but the album never gets too crazy... read more

Killer electric work from Herbie Hancock -- right on par with his groundbreaking Headhunters set, but a bit spacier too! The album features a Headhunters-solid lineup -- with Bennie Maupin on saxes, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion -- all grooving... read more

Killer electric work from Herbie Hancock -- right on par with his groundbreaking Headhunters set, but a bit spacier too! The album features a Headhunters-solid lineup -- with Bennie Maupin on saxes, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion -- all grooving... read more

Very cool session recorded in the 60's, and also issued under the title Dimensions & Extensions. Herbie Hancock and Paul Chambers team up with Latin percussionists Willie Bobo and Osvaldo "Chihuahau" Martinez for a set of long improvised tracks in which Herbie states a basic line,... read more

Handy's really going for the college crowd here -- breaking away from the modernist hardbop of his post-Mingus years, going for a melange of styles put together with a host of hipper San Francisco players that includes Jerry Hahn on guitar and Michael White on violin. There's traces of some of... read more

Features Junior Cook on tenor, Slide Hampton on trombone, and Mucky Tucker on piano.... read more

One of the most legendary albums of jazz funk ever recorded! Rufus Harley was a saxophone player who also picked up the bagpipes for a few excellent 60s albums for Atlantic Records -- and although those records are great, this 1972 independent album is a real mind blower! By the time of this set,... read more

One of the wildest jazz albums ever recorded for Atlantic! Rufus plays amazingly soulful jazz lines on bagpipes (no kidding, he's really great, and as he points out, the instrument's of African origin originally, and not just Scottish), plus he also proves that he's a monster talent on other... read more

A pretty hip album -- despite a stupid title -- and one that proves the Harris was always willing to keep on growing as an artist. The record does include a few blues numbers, and Eddie does sing a bit -- but he does so through his electric saxophone, which creates this cool flanged-out sound that... read more

A super-long batch of messed-up funky jazz from Eddie Harris! The record's got Eddie working all aspects of the electric sax -- in a similar style to some of his other work on the best Atlantic albums of the 70s (like Instant Death of Plug It In) -- and the group features a shifting cast of hip... read more

Often overlooked, but a nice little record from Eddie's early electric period on Atlantic! The group is a very soulful one made up of Jodie Christian on electric piano, Louis Spears on bass, Billy Hart on drums, and Felix Henry on percussion. The overall sound is more restrained than some of... read more

One of the oddest Eddie Harris records for Vee Jay! One side's got a very young Muhal Richard Abrams doing the arrangements and playing piano, and features two great original tracks "Half & Half" and the extended "Yeah, Yeah, Yeah", which features chanting & percussion.... read more

Excellent quartet session by Eddie and his group that included funky bassist Melvin Jackson and pianist Jodie Christian -- two of the great underground jazz talents to come out of Chicago in the 60's. The set includes a lot of tracks with Eddie on amplified sax, and since Jackson's also using an... read more

Great stuff! The album's a crackling 1970 performance at the Newport Jazz Festival, one in which Eddie's got a hip Chicago group that includes Jodie Christian on electric piano, Louis Spears on bass, and Bob Crowder on drums. Tracks are long, with a mix of funk and soul -- and titles include... read more

Classic 60s soul jazz material by Eddie -- and proof that the move to Atlantic was a good one! As usual with Eddie's 60s sessions, the players are very hip -- and feature an amalgamation of younger and lesser-known talents like Melvin Jackson, Ray Codrington, and Sonny Philips. Cedar Walton also... read more

Great stuff -- even if the record is a repackaged version of some of Eddie's excellent work for Vee Jay records -- put in this package during a period when the Vee Jay catalog was up for grabs! The set features a nice range of tunes that perfectly show Eddie's young genius, and sinister style that... read more

No real dates or notes on the cover, but the album appears to include some of Eddie's excellent early work for the Vee Jay label -- a wonderful blend of soul jazz and slightly experimental phrasing, and the kind of groundbreaking material that got Eddie noticed very early on in his career. Titles... read more

A massive batch of funky soul jazz -- the Second Movement (to the first album Swiss Movement) of the collaboration of Eddie Harris and Les McCann! The vibe here is even freer, and hipper, than on the first set -- with a host of long tracks that have Les really working the Fender Rhodes into some... read more

Beautiful (and hard to find) album by Gene Harris cut for Blue Note shortly after the breakup of the Three Sounds. Harris is recorded in a swirling set of arrangements by Wade Marcus that have a very mellow funky groove to them, and which move Gene's piano playing style from the hard funk sound of... read more

Sweet sweet keyboards from the amazing Gene Harris -- one of his seminal electric sides for Blue Note in the 70s -- recorded between his earliest fame in the Three Sounds, and his later return to acoustic styles in the 80s! The sound here is equal parts jazz and soul -- as Gene's working with... read more

Hawes is really opening up his groove here -- working with a trio that features soul jazz players Henry Franklin on bass and Michael Carvin on drums, spinning out extended versions of tunes that far surpass even his earlier, already-stretched recordings! Each side has one long track -- and the... read more

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Broadway tunes, but done by Coleman Hawkins in a really great way -- laidback and soulful, in a style that really takes them far from their roots! Hawk is at his early 60s best here -- blowing with a mature tone that's filled with life, and also taking some surprising chances at times too --... read more

An obscure session that was nearly lost, because it was issued on a cheapo label -- but great work from Coleman Hawkins! The format is small combo, with long tracks that really open up -- and Hawk is blowing in that fantastic mode that he began to use a lot around the end of the 50s. His tone is... read more

Long, lean, and later work by Coleman Hawkins -- recorded in a beautifully stripped-down and free setting at the Village Gate! The tracks are all pushing the 10 minute mark -- and feature Hawk soloing in that open, exploratory way he was using during the time -- a mix of older traditions and... read more

Killer work from British tenor giant Tubby Hayes -- issued here for the first time ever, and material that's every bit as great as his famous Fontana Records sides from the 60s! These tracks are well-recorded gems from the BBC archives -- material recorded by Hayes for a special program, and... read more

A real standout in the career of drummer Roy Haynes -- and a sweet set of spiritual jazz from the 70s, unlike most other albums that Haynes ever cut! The lineup here is totally great -- with George Adams on tenor, Marvin Peterson on trumpet, and Roland Prince on guitar -- and the set has a... read more

The second album by this legendary 70s funk combo -- best known as Herbie Hancock's backing band, but sounding great here on their own. The album's much more of a solid soul effort than the first one -- which was great, but felt more like Herbie Had stepped out of the studio for a minute or two. ... read more

A landmark bit of jazz funk -- from one of the greatest backup groups of the 70s! Herbie Hancock first brought The Headhunters to light -- working with the San Francisco-based combo that included Bennie Maupin, Mike Clark, Paul Jackson, and Bill Summers -- using their sound to give his work the... read more

Nice soulful session by the member of The Heath Brothers. The record has a nice mellow Strata East vibe, with a sound that combines percussion by Heath with reeds by brother Jimmy, electric piano by Kenny Barron, bass by brother Percy, and guitar by Ted Dunbar. The overall effect is almost like... read more

A super-hip batch of soul jazz tracks by Albert Toodie Heath of the Heath Brothers -- working here on a rare session as a leader, with a sound that's right up there with the Heath Brothers' early work for Strata East!! The lineup is incredible -- as Heath is joined by players that include Don... read more

Great work by The Heath Brothers -- a lot slicker and smoother than their earlier album for Strata East, but still filled with a soulful jazzy approach that befits their rich talents! By the point of this set, Jimmy Heath, once a rougher talent on the tenor, had emerged as one of the smooth soul... read more

The 4th collaboration between electronics maestro Kieran Hebden & free jazz drum titan Steve Reid -- a duo that might have seemed an odd fit at first, but actually makes a lot of sense given their adventurous sensibilities -- and their joint body of work keeps growing in surprising ways! NYC... read more

Arista Freedom release of 2 different sessions by Julius Hemphill -- one from 1975, with Arthur Blythe, Hamiet Bluiett, and Abdul Wadud; the other from 1972, with Bluiett, Wadud, and Baikida Carroll. The 1972 session's a bit more interesting, and was recorded in St. Louis by Oliver Sain (of all... read more

Funky fusion doesn't get any funkier than this -- and the album's one of the greatest 70s recordings by jazz funk trumpeter Eddie Henderson! The album's got a harder edge than a lot of Eddie's other records of the decade -- razor sharp rhythms crackling away underneath a sublime space-heavy mix of... read more

After working for years in the Crusaders, then honing his production skills with excellent work for Fantasy and Mercury, Wayne Henderson put out this album of his own, which drew on a lot of the work he'd been doing during the mid 70s. The album's a showcase for his At Home productions team, and... read more

One of the few records ever cut by this fantastic alto player from the mid 50s! Henry most famously worked with Monk, but his albums as a leader are great -- and this one features Kenny Dorham, Kenny Drew, Wilbur Ware, and Art Taylor, all components of a totally solid Riverside lineup. Titles... read more

A unique album from Woody Herman -- a one-off recording for the Jazzland label, and one that has him working with both a full group (his Fourth Herd), and with a smaller combo of players! The album's noteworthy for the presence of some great solo stars -- Zoot Sims on tenor, Nat Adderley on cornet... read more

Frank's definitely got a new sound on this album -- one that's even groovier than before! The record still has Hernandez hitting that hard New York Latin groove that make all his 60s sets so nice -- but he's also working here in a more instrumental mode, and one that's got more than a few jazzy... read more

Killer Latin from South American drummer Frank Hernandez -- easily the king of the scene on his side of the globe! Frank's taking a key cue here from the harder sound of the New York scene of the time -- and the record's overflowing with great little tracks that mix together heavy percussion,... read more

Slamming Latin from drummer Frank Hernandez -- a real 60s cooker that grooves with the best from New York at the time! The group's really got the "ritmico" component of the set down strongly -- as the percussion is fast, frenetic, and really dominates the arrangements -- so much so that... read more

The grooviest work so far from the Hi-Fly Orchestra -- a set that moves even farther past the sublime territory of their debut, into a really classic blend of soul jazz and Latin rhythms -- produced to perfection with a wonderfully solid feel! Instrumentation here is all live -- a blend of sax,... read more

Dreamy harmony jazz from the great Hi-Los -- one of the hippest groups of the 50s, with a sweet quartet approach similar to The Four Freshmen, and which had a huge effect on pop in the 60s! The tunes on the set feature the group working with Frank Comstock -- in an amazing style that turns just... read more

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A cooker from DC tenorist Buck Hill -- one of those great local players who never got their due strongly until late in life! Buck's got a tremendous sound on his horn -- full and rich in feeling, with occasional raspy edges that really grab us, and a warm command of his instrument that really... read more

A tripped out bit of spiritual jazz from pianist Linda Hill, who also sings vocals on most of the tracks. The group's a west coast collective that features Adele Sebastian on flute, Sabir Matteen on tenor, Virilo Figueroa on percussion, and Everett Brown Jr on drums -- and the record's got a free... read more

A brilliant album of cosmic jazz from this up and coming German group! Hipnosis work in a territory that's half 70s fusion, and half underground club jazz -- in a style that kind of feels like what would have happened if Herbie Hancock recorded for Compost Records! The group boasts some excellent... read more

A really great set of spiritually-tuned jazz from the team of bassist Eric Hochberg and drummer Andrew Potter -- the latter of whom we love for his work in the Potter & Tillman team! This set was done a fair bit before that classic -- and has a freewheeling, exploratory sound that takes off in... read more

Blue Note swing material from the 78 days, pressed up on an LP for 50's trad fans. Art Hodes leads his "backroom boys" -- who included Max Kaminsky, Albert Nicholas, Israel Crosby, Al Lucas, and Baby Dodds -- and several other groups, like his trio and the Blue Five. Since these... read more

Nice collection of strong material from Hodges' late 50s Verve sessions, put together in the late 60s with a new cover, as part of the VSP series. The focus here is on long drawn-out bluesy material, with the sort of relaxed swinging style that Verve handled so well. Other players include Ben... read more

Johnny Hodges and Ben Webster hold down the frontlines here in this nice mellow set that includes Billy Strayhorn, Jimmy Woode, and Roy Eldridge. The solos have lots of warm chromatic moments, and are filled with the kind of perfectly recorded soul that makes Hodges' 50's sessions so great. ... read more

Johnny certainly is in a tender mood here -- playing soulful ballads and mellow tunes with a small combo that includes Flip Phillips on tenor, Lawrence Brown on trombone, Leroy Lovett on piano, and Ray Brown on bass. The sound is laidback and easily swinging -- with a real focus on Johnny's warm... read more

Straight ahead soul jazz traditionalism -- with a lineup that includes Johnny Hodges; alto sax. Wild Bill Davis; organ. Kenny Burrell; guitar. Joe Wilder; trumpet. Osie Johnson or Ed Shaughnessy; drums. Features Davis' "Stolen Sweets", Hodges' "A & R Blues", "Lost In... read more

A wonderful early 70s avant garde side, and one of our favorite ECM recordings. Dave Holland leads a group with Circle bandmates Anthony Braxton and Barry Altschul, adding reedist Sam Rivers to the mix, with whom Holland was also working extensively at the time. Rivers' emotive, flowing approach... read more

"Best of" that brings together 6 long organ jazz smokers that pair Red with either Jack McDuff, Lonnie Smith, or Big John Patton. The tracks on here are taken from Red's albums The Burner, Red Soul, and Cookin' Together -- and all of them have a classic Prestige organ jazz groove, with... read more

Tasty small group work from Groove -- with Mr Holmes himself on organ, and the great Larry Willis on electric piano -- coming up with a twin electric organ/piano sound that's similar to the one that Groove used on his Comin On Home LP for Blue Note. The difference here is that things aren't as... read more

One of Groove Holmes' best albums of the 70s -- thanks to some electric blacksploitation arrangements from the great Oliver Nelson! The format's a bit tighter here than on some of Holmes' Groove Merchant albums from the earlier part of the decade -- an approach that's almost like soundtrack... read more

A key album in the career of Richard Groove Holmes -- his first session ever for Prestige Records, and the one that yielded the monster crossover hit version of "Misty"! The sound here is much leaner and cleaner than Groove in his Pacific Jazz years -- a tight trio approach that brings... read more

Plenty of groove, and plenty of spice -- a set that has the heavy Holmes taking off in his best 60s soul jazz formation! The tracks are extremely tight -- a bit shorter than usual, but in a really good way -- almost to show that Grove Holmes could pack plenty of niceness into a tune, with less... read more

A great little album -- one that features Groove playing in front of larger arrangements from Chess Records soul maestro Richard Evans -- in a style that has the swinging power of some of Evan's best soul and jazz work at the Chicago label, and which makes for a slightly different approach for... read more

An excellent no-nonsense session from Groove and a cast of all-stars that includes Gene Ammons, Ben Webster, Les McCann, and Joe Pass. Larry Marable and Ron Jefferson also play drums, and George Freeman sneaks in a few licks on guitar -- always a treat for us -- but the real charm is Groove's... read more

Groovy set of soul jazz organ tracks that has Groove playing with a large-ish group that includes George Freeman, Tom Scott, Anthony Ortega, Wilton Felder, and Paul Humphrey. The set's not totally hard and funky, but it's got a nice soulful swinging groove, with a tight LA 60s sound to it. ... read more

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A tremendous little session from a hip DC group -- one led by trumpeter Allen Houser, and featuring some really great tenor from the great Buck Hill! Hill and Houser make the album worth the price of admission alone -- but the set's also got some wonderful rhythms too, courtesy of Vince Genova on... read more

One of Freddie Hubbard's greatest records! Backlash is a stellar LP, and the kind of record that makes you wish that Freddie Hubbard didn't mess around so much with all of the different recording concepts that marred his playing through the years. This set's a masterful group of tracks played by... read more

Baddest Hubbard or goodest Hubbard -- whatever you prefer, the set's a great sampling of Freddie's incredible work for the CTI label during the early 70s! The album only features 4 tracks, but for CTI, Freddie was cutting them so long, that's the only way you could go -- as his freewheeling... read more

Pivotal work from Freddie Hubbard -- a tight, edgey quintet side with a sound that approaches the Blue Note "new thing" sound, but which stays just this side of the fence to keep in line with Freddie's other soulful work of the 60s! The group features some great work by James Spaulding,... read more

A bundle of soul from Freddie Hubbard -- one that has him blowing beautifully over full arrangements from Bert DeCoteux -- the 70s super-soul maestro who really brings a new sound to Hubbard's music! The style's a bit smoother than other Freddie albums of the time, but still really great -- a... read more

Freddie Hubbard at the peak of his 70s powers -- and one of his finest albums of the decade! The record follows strongly in the tone that Freddie set at CTI on his mighty Red Clay set -- long, drawn out tracks -- done with lots of electricity in the rhythms, and a very cosmic approach to the solos!... read more

Warm and wonderful work from Freddie Hubbard -- a killer of a record recorded for CTI, and one of his most soulful efforts for the label! The album's got a bit more of a human heart than some of the more cosmic sessions Freddie cut at the time -- a bit more contemplative and introspective, but no... read more

Still a few electric touches here -- and some great vocals from Jeanie Tracy on a few cuts. Titles include "Splash", "Mystic Lady", "I'm Yours", "Touchdown", "You're Gonna Lose Me", and "Sister Stine".... read more

A sweet late 70s set from Freddie Hubbard -- a slight move away from some of his highly-electric sides of the CTI years, yet one that still has some of the most soulful qualities of that work! Freddie's trumpet has a nicely spacious quality throughout -- one that's flowing, and almost glowing at... read more

A definite sweet return from Freddie Hubbard -- a record with a cover and title that might appear to be smooth jazz, but one with a sound that's solidly acoustic and soulful all the way through! The album's a great example of Hubbard's amazing work in the early 80s -- a time when he was shaking... read more

An obscure date from trumpeter Freddie Hubbard and tenorist Benny Golson -- but some really great work from both players! The format here is relaxed and very open -- long tunes that allow both players to really stretch out on their solos with tremendous grace and imagination. And despite the low... read more

A monster -- and one of our jazz funk favorites of all-time! This is the best record ever cut by the great flute player Bobbi Humphrey -- and the record features some stellar production work by the great Larry Mizell, very much in the same vein as that which he used on classic sessions by Gary... read more

Sublime genius from funky flute player Bobbi Humphrey -- a record we'd rank right up there with her classic Blacks & Blues set -- and like that one, another fantastic collaboration with producer Larry Mizell! The groove here is tremendous throughout -- a heady mix of Bobbi's flute, Larry's... read more

This is the sort of side you could approach from a number of different angles. A percussion heavy summit of Louis Bellson, Shelly Manne, Willie Bobo and Paul Humphrey with some nice swinging, and occasionally funky, accompaniment by Bobby Bryant, Jerome Richardson, Mike Wofford and Chuck Domanico... read more

One of Bobby's last albums recorded with Harold Land -- and although the group's not as groundbreaking on some of the earlier albums, the record's still a great mix of soulful spiritual tracks, with a very strong Strata East vibe. Woody Shaw, Bill Henderson, and Emmanuel Boyd are in the group --... read more

A great title for this album from Bobby Hutcherson -- given the way he commands such great tones from his work on the vibes! The album's a real gem from his Landmark Records years -- that great back-to-basics point when Bobby was almost doing more by doing less -- especially in a record with... read more

One of Bobby Hutcherson's most important albums ever -- and an essential piece of "new thing" jazz that ranks up there with such key Blue note sessions of the genre as Tony Williams' album Life Time, Dolphy's Out To Lunch, and Jackie McLean's One Step Beyond! Hutcherson's sound on the... read more

One of Bobby Hutcherson's most important albums ever -- and an essential piece of "new thing" jazz that ranks up there with such key Blue note sessions of the genre as Tony Williams' album Life Time, Dolphy's Out To Lunch, and Jackie McLean's One Step Beyond! Hutcherson's sound on the... read more

One of Bobby's great back to basics albums for Landmark in the mid 80s -- a "return" to straight jazz and bop, oddly territory that Bobby never traveled much in the first place -- given his "new thing" status in the 60s! The record features Bobby working with a core quintet... read more

One of the most sophisticated albums that Bobby Hutcherson recorded with reedman Harold Land -- a very hip session that features the arrangements of piano player Todd Cochran -- also known as Bayete for a pair of early 70s albums on Prestige! The sound here is more farther-reaching than before for... read more

Very nice album of mellow vibes, recorded by Bobby Hutcherson in his post-Harold Land period, and with a bit more production than you'd find on his Blue Note recordings. This doesn't mar the album, though, and the set's got a very nice soulful feel, with added playing by George Cables, Hubert Laws... read more

Genius, pure genius! This album's possibly the most perfectly realized set by the team of Bobby Hutcherson and Harold Land -- who work here with an electric bass player and a bit of electric piano, hitting territory that's slightly funky, but which is also still touched by the modal spiritualism... read more

One of those budget Up Front issues, combining tracks from two great mid 70s Bobby Hutcherson LPs, Cirrus and Linger lane. "Even Later" and "Wrong Or Right" are off Cirrus, recorded at the tail end of the his association with Harold Land, and features the sort of wonderful... read more

Bobby Hutcherson breaks it down in two different ways -- solo on the first half of the record, and in a quartet on the rest! The set begins in a very spare way -- Bobby playing vibes, marimba, xylophone, and bells -- often a bit overdubbed, so that although alone, Hutcherson fills the tracks with... read more

Moody stuff recorded in 1968, and one of the first recordings to feature the excellent pairing of Hutcherson and Harold Land. Stanley Cowell is on piano, and the vibe is warm and spiritual, with good lyrical overtones. The set includes "Spiral", "Ruth", "Poor People's... read more