Jazz — In Stock — LPs  

Fantastic lost material from Jackie McLean! The set was recorded right before his "new thing" era – in the same period as the amazing Fickle Sonance album. And like that one, this features Jackie edging out towards modernist ideas, yet still swinging hard and fierce, with a firey... read more

A rough little killer from Jackie McLean – less well-formed than some of his Blue Note sides, but in a way that really gives him a great soulful edge! There's an open-blowing quality to the record, one that's almost a blowing session, but a bit tighter overall – a hint of the energy... read more

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Ok, so we hate Marian McPartland, both as a pianist and a radio announcer, but this LP kicks, and is waaaaay different from anything she ever did! Dave Bailey's on drums, and Ben Tucker's on bass, and the two of them kick her in the ass enough so that she really starts to jam on this set of bossa... read more

Extraordinary work from one of the true giants of the American scene – a mindblowing set of mostly solo sounds from reedman Joe McPhee – also working here on flugelhorn and a bit of percussion as well! The set begins with the incredible "Glasses" – a piece that appears... read more

A pairing of sax and trumpet player Joe McPhee and drummer Chris Corsano – recorded live in Paris on the duo's European tour in spring '10! McPhee's pedigree in improvisational music is as solid and uncompromisingly brilliant as just about any player we can think of – and his live work... read more

Although Charles McPherson's work for Mainstream isn't always among the best on the label (or in his career), this album has a nice easy slightly-electric groove, and features some nice guitar/piano lines backing up McPherson's soulful alto. Includes a nice slightly funky cover of "What's... read more

A fantastic album from this great Detroit alto player, and one that has a lot of beautiful lyrical passages that push him way past his straight bebop stuff. Barry Harris plays piano with a sweet mellow vibe, and Clifford Jordan lays down some of his usual sharp tenor solos. The title track is one... read more

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A mindblower from Menagerie – yet another deep musical chapter in the rich career of Lance Ferguson – an artist we loved for his early club work, then dug as a funk maestro with The Bamboos, now able to hit spiritual jazz sounds with this wonderful new group! The set's got a feel that's... read more

A killer tribute to the music of Herbie Nichols – played by a committed batch of modernists who are clearly inspired by his genius! Misha Mengelberg's in the group on piano – and his angular lines on the keys have plenty of Nichols and then some – lots of Misha's own inventive... read more

A brilliantly evocative album from Pat Metheny – one that's got a quietly epic feel, as Pat and group soar out across the American landscape in a set of tunes that subtly explore space and sound while still remaining wonderfully fluid. There's nothing forced here, and nothing too slick... read more

At the height of his success, Pat tries to prove to the world that he's still got cred – and hooks up with Ornette, Charlie Haden, and Denardo Coleman for a little bit of harmelodic jamming. Thing is, we actually liked the slick stuff better! Titles include "Mob Job", "Video... read more

Features Ella Fitzgerald on vocal performances of "April In Paris", "Party Blues", and "Every Day I Have The Blues" – with Count Basie backing. Also features a jam session version of "Billie's Bounce" – with Art Blakey, Charles Mingus, Tal Farlow... read more

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Some very groovy work – played by an LA septet with Mike Melvoin on organ and piano – plus Tom Scott on saxes, Gary Coleman on vibes, and Hal Blaine on drums! Also features work by Dennis Budimir on guitar, Larry Knechtel on bass, and Jim Horn on sax – on titles that include... read more

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Early work by Barry Miles – a drummer who would go onto cut some very hip sides in the 70s, and who here was only 14 at the time of the session! The "young genius" approach need not be stated on the cover or the notes, as Miles' drumming is great no matter how old he is – and... read more

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Hip trio material from pianist Bettye Miller!... read more

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The great Joe Henderson joins pianist Mulgrew Miller for this wonderful album – lending his sharp-edged tenor tone to really make the session stand out from Miller's more common trio dates! Henderson and Miller both have a great ear for the darker side of the spectrum – hitting notes... read more

A beautiful set from Mulgrew Miller – one of his greatest albums as a leader, and exemplary of the kind of underground jazz that was still bubbling strong in the 80s! The set features Miller's quintet with Kenny Garrett on alto and flute, Steve Nelson on vibes, Charnett Moffett on bass, and... read more

Titles include "Take A Pebble", "Morning Song", "Every Good Bun Has A Hole", and "Groovin Hard".... read more

Oh how we love this album – and we think it may well be the best album ever from Charles Mingus! The set was recorded in that magical Mingus year of 1957, but oddly not released until 1962 – missing some of the initial frenzy of his discovery during the Atlantic and Columbia years. ... read more

One of the great Mingus albums for Atlantic – and a record that brings together material from 2 different sessions: one from 1957, with Shafi Hadi on alto; and another from 1961, with Roland Kirk and Booker Ervin on saxes. The '57 session has a raw quintet sound, and features some haunting... read more

Genius work from trumpeter Blue Mitchell – one of his most solid sides as a leader from the 60s, and a well-deserved treasure in the Blue Note catalog! The album's quite different than the straight soul jazz of Blue's early days on Riverside – or the more arranged dates of the late 60s... read more

An excellent pairing of funk talents – the tight trumpet of Blue Mitchell, and the super-soulful backings of Monk Higgins! Higgins has a groove that was schooled in the funky 45 underground of Chicago – and here, he really finds a great way to pick things up for Mitchell –... read more

One of the most obscure records from trumpeter Blue Mitchell – a great session recorded in the 60s, during Blue's classic stretch with Blue Note – but not issued until 1980, and even then, only briefly! The record's a great example of Mitchell's strong capacity to play well in a larger... read more

The thing to do – is jam! Blue's sounding wonderful in this classic set for Blue Note – one of his best small group albums – recorded with a sound that's solidly in keeping with his lyrically melodic work in the Horace Silver group! The quintet features Chick Corea on piano... read more

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Killer work from a very unique little group – the short-lived union of bassist Red Mitchell and saxophonist Harold Land – heard here in one of the hippest dates from the LA scene of the early 60s! Mitchell's a well-known name from more straight ahead sides of the 50s, but working here... read more

The title's an apt one, as Roscoe Mitchell's working here in a rich flowing style – stepping off of a series of performances dedicated to the music of John Coltrane, but taking Coltrane's inspiration into an area of sound and space that's distinctly Mitchell-like! The title composition... read more

A Windy City classic – from Vee Jay Records! The MJT grooves like nobody's business, thanks to a core rhythm group that includes Harold Mabern on piano, Walter Perkins on drums, and Bob Cranshaw on bass! Add to the mix a young Frank Strozier on alto, fresh from Memphis (he made the trip to... read more

A rare second chapter to Mobley's famous Workout album – recorded in the early 60s, but not issued until the mid 80s – and even then, only momentarily on vinyl! The session's a great one – a quartet outing with a structure that's similar to Hank's classic Soul Station record, but... read more

One of the greatest Blue Note albums of all time! Hank Mobley leads an incredibly soulful group that includes Lee Morgan, Curtis Fuller, McCoy Tyner, and Billy Higgins – and the group plays this amazing mix of soul jazz and modal grooves that is hardly matched by anything else in the Blue... read more

Late work by tenor giant Hank Mobley, and one of the rarest Blue Note albums from the late 60's! The session's a great one – recorded in Paris, with a swinging sextet that includes Philly Joe Jones, Dizzy Reece (!), and Slide Hampton – all coming together magically with Mobley to craft... read more

An extremely well-titled set from the legendary Hank Mobley – one of his key Blue Notes of the 60s, and an album that glides along with an undeniable sense of joy, life, and soul! Mobley's really opening up his groove at this point – moving way beyond standard hard bop and soul jazz... read more

An extremely well-titled set from the legendary Hank Mobley – one of his key Blue Notes of the 60s, and an album that glides along with an undeniable sense of joy, life, and soul! Mobley's really opening up his groove at this point – moving way beyond standard hard bop and soul jazz... read more

Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing... read more

Simply astounding! Soul Station is a deceptively simple album that has tenor giant Hank Mobley playing standards and originals in a quartet with Wynton Kelly on piano, Paul Chambers on bass, and Art Blakey on drums– a spare and simple group, but one with a direct energy that's really amazing... read more

Features a long reading of "Pyramid" – plus "Django", "Romaine", "Vendome", and "It Don't Mean A Thing".... read more

Even at this early point in their career, the Modern Jazz Quartet were plenty proud of their relation to and reception in Paris – almost rubbing their international fame in the faces of other American combos with the title and cover of this record! The set's still got the quartet at their... read more

A classic set of high-class jazz from the MJQ – one that shows John Lewis' growing compositional skills, and the band's always tight ability to work in a compressed chamber format. Features the extended "Fontessa" suite, plus the tracks "Versailles", "Angel Eyes"... read more

One of the first MJQ albums on Atlantic – and a bit fresher than some of their later outings, when it seemed like they were churning records out at the drop of a hat! Titles include an extended medley of standards, all given the MJQ touch – plus the drum-heavy "La Ronde", and... read more

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A classic set of post-New Orleans Chicago trad jazz, recorded at the windy city's famous Jazz Ltd club, and featuring differing groupings of famous players like Mole, Evans, Don Ewell, Ralph Blank, Doc Cenardo, and others. The tracks have lot more opening up than you'd hear on the usual session of... read more

Two classic Riverside Monk LPs, reissued together in one nice set! Brilliant Corners was a real comeback for Monk from the late 50s, and a record that features some of his best writing for horns! The group is incredible – bringing together Clark Terry, Sonny Rollins, and Ernie Henry –... read more

One of our favorite Thelonious Monk albums ever – a bare bones, no nonsense session that's filled with great work from tenorist Charlie Rouse! The record's filled with everything that's great about the Monk/Rouse team in these years – an incredible interplay between sax and piano,... read more

The pair of great pianists don't play together – but are featured on a side apiece of the record, pulled from their Savoy recordings of the 50s. The album's most notable for the work of Nichols – some of the few sides he ever cut, and along with his two Blue Note LPs, and one for... read more

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Plenty of fire here – the kind of quick-witted piano work we've really come to admire from Tete Montoliu – who really hits a new level of genius on his 70s recordings for the Steeplechase label! Montoliu has this amazing way of hitting hard, with a real edge – then laying back... read more

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With Niels Henning Orsted Pedersen on bass and Albert Tootie Heath on drums – on titles that include "Invitation", "Love Man", "Some Other Blues", and "Lament".... read more

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A standout session from Jack Montrose – one of the most overlooked players on the west coast scene of the 50s! Montrose's tenor work is always a treat, but here, he's playing in an unusual setting that includes Red Norvo on vibes, Joe Maini on alto sax, and Jim Hall on guitar – all... read more

James Moody's definitely feelin it here – stepping back into a straighter hardbop mode after some funkier sets of the early 70s – really sounding great on tenor, alto, and flute – and working with a very hip quartet for the date! Kenny Barron's in the group on both electric and... read more

A magnificent little album – one of James Moody's first collaborations with arranger Tom McIntosh – one of the most sensitive jazz voices of his time. McIntosh works in a world of many tones and colors – and he really pushes Moody past straighter solo approaches, into a mode... read more

One of the many very groovy albums cut by pianist/comedian/actor Dudley Moore. Unlike his films, the album's filled with a great range of emotion and talent – and the set features some stunning original by Dud, played with a nice lively groove by his classic trio. Includes the rolling... read more

Of course it's about time for Joe – because as Dave Brubeck's drummer, he was constantly caught in recording sessions that were all about unusual rhythms and timings in jazz! This set's actually a bit looser and freer than some of the Brubeck ones – more straight jazz, recorded with a... read more

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One of our favorite Lee Morgan albums – and one of his least known! Recorded in the crucial last 5 years of his life, this album is a sparkling mix of hard bop, soul jazz, and slight bits of modernism – that magical mix that Lee was hitting as he reached farther and farther with his... read more

A sock-solid sextet session from the mighty Lee Morgan – recorded for Blue Note at the height of his mid 60s powers, and carried off in a beautiful blend of soul jazz and some slight modern touches! The group here is top-shelf all the way through – Jackie McLean on alto, Hank Mobley on... read more

A rock-solid sextet session from the mighty Lee Morgan – recorded for Blue Note at the height of his mid 60s powers, and carried off in a beautiful blend of soul jazz and some slight modern touches! The group here is top-shelf all the way through – Jackie McLean on alto, Hank Mobley on... read more

One of Lee Morgan's first-ever recordings as a leader, cut way back when he was just a hip teenager from Philly with a bucketful of promise on the trumpet! The session's a crack hard bop date – with an all-star cast that includes Hank Mobley on tenor, Hank Jones on piano, Doug Watkins on... read more

An excellent early session from a young Lee Morgan – a set that we'd rank right up there with his best Blue Note material of the time! The set's from a time when Lee's trumpet was a key force in the Jazz Messengers – and there's definitely a Messengers vibe going on here, thanks to... read more

A brilliant album that proves that even at the height of his success, Lee Morgan was one of the freest thinkers on Blue Note – always coming up with fresh ideas that continued to grow his talents! The first cut on the album is keep roof of that fact – the title track "Search For... read more

A jazz classic if there ever was one – and the best-selling album ever by Lee Morgan, thanks to the use of the title track in a car commercial! Sure, you've probably heard "The Sidewinder" enough that you think you know the album already – but the rest of the tunes really... read more

Beautiful late work from Lee Morgan! The last five years of Lee's life saw him really stretching out to do some fantastic writing, playing, and leading – and this record stands today as one of the best examples of that period – a pure act of genius, with a sound that really takes off... read more

A rare non-Blue Note outing from Lee Morgan – and a record that's sometimes mistaken as a large group effort because of the "twelve" in the title, but which is a tight small group set that's equally cooking as some of Lee's better known records! As with the best mid 60s Blue Note... read more

One of our top 5 favorite Blue Note records of all time – a bold and powerful session from trumpeter Lee Morgan, but one that sat in the vaults for 15 years before release! The session was recorded around the same time as Morgan's hit The Sidewinder (which eclipsed its release at the time)... read more

One of the rarest albums on the Groove Merchant label – and one of the best! Ramon Morris has a sweet tone on the tenor that works very well with the electric piano in his tight little combo – grooving with a style that's like the best Black Jazz funk records of the time – mixing... read more

Searing 60s work from Dick Morrissey – a UK tenor player who only ever recorded a handful of dates as a leader! This smoking material features Dick at the top of his game – right up there at the same level as his classic early 60s sides, like Here & Now – blowing tight and... read more

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Early, early Blue Note sides, from the dawn of the label, a transitional period in jazz. These sessions, led by Benny Morton and Jimmy Hamilton are truly hard-to-get in their original format, not to mention in any pressing, and these recordings reflect a side of the Blue Note catalog that's rarely... read more

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Jelly Roll Morton plays and sings – in a group with Eddie Williams on alto sax, Albert Nicholas on clarinet, and Red Allen on trumpet!... read more

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Moss plays soprano sax, flute, and clarinet – with cool instrumentation that includes Badal Roy on tabla, guitar, piano, and other percussion that includes dumbeg, ekthara, and wood blocks. Titles include "Bonaparte's Retreat", "Jig", "Astral Blue", and "Ins... read more

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One of the best albums ever recorded by this Brazilian saxophone giant! This rare 1968 album features Moura working with a quartet that includes Wagner Tiso on piano, Luiz Carlos on bass, and Paschoal Meirelles on drums – gently grooving with a darker edge than usual, and a definite... read more