Jazz — In Stock — LPs  

Very cool! This is a nifty new reproduction of one of the classic Vogue picture disc records from the 40s. The record is a 10" single with a cool vintage illustration on each side – and unlike the original single, this one plays at 45rpm – so you can play it on any sort of record... read more

The last session that The Mastersounds ever cut as a group – and a strangely compelling montage of tracks from the musical Kismet. Brothers Buddy and Monk Montgomery are joined here by brother Wes – then an emerging star on guitar, and a strong addition to the set, one who expands the... read more

One of the only early albums as a leader from pianist Ronnie Mathews – a player who recorded more often in later years, but who really sounds incredible in this rare session for Prestige! Although a lyrical player at heart, Mathews also has a very hard edge here – more of a soul jazz... read more

Funky spaciness from one of the 70's best arrangers! The set's a largeish orchestral work dedicated to Dune and other sci-fi books and films. Sounds goofy, but it's pretty darn great – and Dave Matthews takes his work with James Brown and makes the whole thing come out pretty darn funky. ... read more

With Eirc Gale, John Tropea, and David Spinozza on guitars!... read more

Arranger Onzy Matthews plays piano and leads a nice tight band that includes LA soul jazz players like Curtis Amy, Clifford Scott, Bobby Bryant, Ray Crawford, and Horace Tapscott! The title sums up the sound of the session perfectly, as the tracks are bluesy, but with an elegant sense of... read more

Sounds for the 60s indeed – and a great set of jazzy instrumentals that step out with a lean Capitol groove! Onzy's on piano and at the head of the group – and the record features some nice solo work by Curtis Amy and Clifford Scott, both of whom bring a surprising dose of soul to a... read more

One of the most earthy, organic offerings of the Herbie Hancock scene of the 70s – a session that's led by Headhunter reedman Bennie Maupin, and which also features Herbie on acoustic and electric piano – all in a sound that's quite different from his own work of the time! The tracks... read more

Bennie Maupin's first LP for Mercury, and a great bit of spiritual funky jazz that recalls a lot of the sound of his work with The Headhunters. The first track, "It Remains to Be Seen", is an excellent groover, with some very dark keyboard work by Patrice Rushen, and the rest of the... read more

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Very groovy stuff – with Joanne Grauer on organ, Victor Feldman on percussion, Plas Johnson on saxes, and Mayorga on piano and harpsichord!... read more

One of the most outside sets we've heard from Rob Mazurek in years – a combination of his own cornet and work on ring modulator – creating a blend of jazz and electronics that's really mindblowing! Mazurek's not alone in his creative expressions – as he's joined here by a group... read more

One of the most striking records so far from the mighty Rob Mazurek – a set that makes us more than glad we've been following his musical journey for the past two decades! The set's got a nicely compressed feel – one that takes some of the looser energy that's been bubbling up in... read more

A beautifully spiritual session from the loft jazz years of the NYC mid 70s scene – featuring a strong sextet led by McBee, with Chico Freeman on flute and tenor, Joe Gardner on trumpet, Dennis Moorman on piano, Don Moye on drums, and Steve McCall on percussion. The album has a warm soulful... read more

One of only two albums cut by the Four Souls group of drummer Lenny McBrowne – a really cooking combo that should have gotten greater exposure back in the day! The west coast group were clearly one of the hippest acts working on their scene at the time – as they've got a unique blend... read more

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A killer little set from Les McCann – one of his greatest records of the 60s, thanks to a fair bit of Latin Soul influences! The album's got a groove that's much grittier than Les' other work – a solid, soulful emphasis on bottom rhythms – which are mostly in a boogaloo and shing-... read more

A killer little set from Les McCann – one of his greatest records of the 60s, thanks to a fair bit of Latin Soul influences! The album's got a groove that's much grittier than Les' other work – a solid, soulful emphasis on bottom rhythms – which are mostly in a boogaloo and shing-... read more

Early work from Les – recording at the Jazz Workshop in SF, with his famous trio that included Herbie Lewis on bass and Ron Jefferson on drums. The album's pretty standard fare – short soul jazz piano numbers, with more than a bit of church in the grooves. Titles include "Come On... read more

An early vocal set from Les McCann – quite unusual, and pretty darn soulful as well! The album's done in a mode that foreshadows Les' move to soul during the 70s, and features him singing to some hip arrangements by Gerald Wilson – in a soulful, jazzy style that was common for LA of... read more

A great Latin groove from the mighty Les McCann – a smoking set that adds in extra percussion from Willie Correa – who gives the record a sound that's quite a change from the usual McCann groove! The percussion is wonderful throughout – and given that the great Paul Humphrey is... read more

A really hard-hitting groover from the great 60s trio of Les McCann – a set that adds in some extra guitar from Joe Pass, who definitely sounds his most soulful on the set! Joe grooves perfectly with Les' piano – and has almost a Kenny Burrell-like depth in tone throughout – one... read more

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With Les McCann on piano and vocals, Houston Person on tenor, Bobby Bryant on tenor and soprano sax, Lou Volpe on guitar, and Richard Malcolm on percussion. Produced by Creed Taylor – with cuts that include "The Longer You Wait", "Hold My Hand", "Volkswagen... read more

A classic set of soul jazz from Chicago – a rare indie date recorded in the early 80s, but with a tight and swinging feel that's more 70s jazz funk than you might think! Corky's on Yamaha keyboards, and he's backed by a hip group of Chicago players that includes Curtis Prince on drums, Artee... read more

Tight funky instrumentals from Brother Jack McDuff – an Atlantic groover that's probably closer to his late 60s gems for Cadet Records than it is his earlier work for Prestige! The solos are shorter, but they're packed nicely around the rhythms – played by a combo that features a young... read more

A really unusual album for Jack McDuff – one that was recorded in Memphis, with a lineup and a feel that's quite different from other Blue Note sessions of the time! There's a lot of electricity bubbling in the record – and although McDuff normally never worked with a bassist on... read more

A really unusual album for Jack McDuff – one that was recorded in Memphis, with a lineup and a feel that's quite different from other Blue Note sessions of the time! There's a lot of electricity bubbling in the record – and although McDuff normally never worked with a bassist on... read more

A killer diller of a live set from Brother Jack McDuff – a cut that burns with energy that almost beats his studio 60s classics for Prestige! The group is one of Jack's best ever – a lineup that includes the twin tenors of Red Holloway and Harold Vick, plus incredibly sharp guitar from... read more

Amazing! This fantastic album by Jack McDuff is one of his best from the late 60's, and it almost never turns up on vinyl anymore. The album's a massive set of grooves that pits McDuff's funky organ against some very heavy soul jazz arrangements by Richard Evans. Evans provides a beautiful set... read more

A monster record by Brother Jack McDuff, and one of his best-ever – in our humble opinion! At first glance, the album appears to be just a bunch of jazz covers of standards and pop tracks – like "Tobacco Road", "Shadow Of Your Smile", "This Bitter Earth",... read more

One of Jack McDuff's first albums as a leader – and a really solid cooker that also features vibes and tenor sax! Given that McDuff hardly ever recorded with vibes again, the session's got a real standout sound that deserves to be heard – as Jack's smoking work on the Hammond comes... read more

Great stuff from Gary – one of his more obscure albums, and a record dedicated to the signs of the Zodiac! The tracks are a mixture of Gary's usual easy jazz approach – with vibes, whistling, and bossa-style rhythms showing up a lot – plus a few more driving numbers that are more... read more

Wild stuff – and very different than Gary McFarland's earlier albums! Today was recorded late in Gary's career, and is has him moving a bit away from jazz – into a more sunshine pop feel – one that still retains plenty of the bossa and breezy elements of his Verve work, but which... read more

Trombonist McGarity is joined by Doc Severinsen on trumpet, Bob Wilber on clarinet, tenor sax & baritone clarinet, Dick Cary on piano, alto horn & trumpet, George Barnes on guitar, Jack Lesberg on bass and Don Marino on drums. The album has a nice batch of subdued New Orleans-type brass... read more

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One of Jimmy's funkiest albums ever – a sweeeeet batch of short, hard, and funky cuts – and a record that ranks right up there with the mighty Soul Sugar for sheer funkiness! Jimmy takes an upbeat and easygoing approach to the late 60s funk sound, with a nice, rubbery bass and the... read more

Double-length work from Jimmy McGriff – 2 albums in 1 from the Groove Merchant label! The first half of the set features the album Fly Dude – some great down-home work from Jimmy McGriff, and a session that's a bit less funk-based than some of his others for the Groove Merchant label,... read more

A nice bit of funky organ work from Jimmy McGriff! The record's recorded with a slightly larger than usual band – but that's a good thing here, as players like Horace Ott, Cliff Davis, Richard Evans, and Everett Barksdale provide a strong bouncy groove, which Jimmy uses to solo over the top... read more

Funky early 70s work by Jimmy McGriff – a mix of tight groovers and more open soul jazz numbers – all of which represent some of his best moments for the Groove Merchant label! Jimmy's got a lean, mean sound on these tracks – and even when the backings are full, they've got the... read more

Funky early 70s work by Jimmy McGriff – a mix of tight groovers and more open soul jazz numbers – all of which represent some of his best moments for the Groove Merchant label! Jimmy's got a lean, mean sound on these tracks – and even when the backings are full, they've got the... read more

Sweet 70s electric work from Jimmy McGriff – material that's different than his grittier grooves of the 60s, but still plenty darn great! The style's clearly influenced by CTI – as Jimmy's using electric piano as much as organ – and is getting some fuller support in the backings... read more

A fantastic album, and one of Jimmy's hardest to find! The set is quite different than most of Jimmy's other work – and it features short, hard, funky tracks that feel more like obscure 7" singles than any of Jimmy's straighter soul jazz work. It almost sounds like The JBs are backing... read more

Sweet funky blues from the team of Junior Parker and Jimmy McGriff – coming together here in a way that's even groovier than some of their previous work! Junior's got a sweet approach to the lyrics that grooves nicely with Jimmy's Hammond – and the set's got some full and soulful... read more

Groove Holmes and Jimmy McGriff go head to head in this double-organ extravaganza! The set was recorded live in Boston in 1973, and it features some of the most furiously funky live organ grooving you'll find this side of Root Down – and a whole lot of super tight jazz jamming! The group's... read more

A weird concept for a record, but a nice record too – one that features one side of solo piano from Dave McKenna, but an especially nice second side – with searing quartet work from Wilbur Little, featuring Frank Foster on tenor and soprano sax! This side is especially soulful –... read more

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A great slice from Jackie McLean's rare unissued 60s sessions for Blue Note – a rollingly soulful session that stands in stark contrast to some of his more modern sides of the time! The set's got Jackie working with a group that includes Lee Morgan on trumpet and Harold Mabern on piano... read more

A modernist classic from 60s Blue Note! The album's one of Jackie McLean's greatest from the time – and one of his seminal "new thing" sessions cut with young modernists Grachan Moncur and Bobby Hutcherson. 3 of the 4 long tracks on the record were written by Moncur, and have a... read more

Stunning! This is one of Jackie McLean's best-ever albums, and it's a haunting mix of hard bop and some of the more modernist tendencies that would inform his "new thing" period. Butch Warren plays bass, and he drives the set with an intensity that reminds us of Mingus – and which... read more

A real classic by Jackie McLean – a record that's pulled from 2 different sessions, but which stands out with a strikingly unified feel! The album was cut during the height of Jackie's bop years for Blue Note – with one 1959 session that featured Donald Byrd and Sonny Clark, and... read more

2 great unreleased sessions by Jackie McLean! One session has him in the kind of group you'd expect on a Lee Morgan record – with Morgan and Charles Tolliver on trumpets, plus Larry Willis, Larry Ridley, and Jack DeJohnette. The other session's got a mellower quartet setting, with Willis... read more

Great stuff, and one of Jackie McLean's best for Blue Note from the "new thing" period! The album features Jackie working out a wealth of new ideas, in a quartet that includes Larry Willis on piano, Bob Cranshaw on bass, and Clifford Jarvis on drums. Jackie holds down the frontline... read more

Nice hard-blowing material from the Prestige scene of the late 50s – and more a set of group jam sessions, than an album that's led by Jackie. Still, the bop alto master's in great form here – and he shines nicely in the company of Mal Waldron, Webster Young, and Art Taylor – who... read more

Fantastic lost material from Jackie McLean! The set was recorded right before his "new thing" era – in the same period as the amazing Fickle Sonance album. And like that one, this features Jackie edging out towards modernist ideas, yet still swinging hard and fierce, with a firey... read more

A rough little killer from Jackie McLean – less well-formed than some of his Blue Note sides, but in a way that really gives him a great soulful edge! There's an open-blowing quality to the record, one that's almost a blowing session, but a bit tighter overall – a hint of the energy... read more

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Ok, so we hate Marian McPartland, both as a pianist and a radio announcer, but this LP kicks, and is waaaaay different from anything she ever did! Dave Bailey's on drums, and Ben Tucker's on bass, and the two of them kick her in the ass enough so that she really starts to jam on this set of bossa... read more

Amazing work from Joe McPhee – heard here in an unbridled setting that features only the drums of Chris Corsano for accompaniment! The set was recorded in the tiny Sugar Maple club in Milwaukee – and has Joe and Chris paying tribute to some of their big inspirations, both musically and... read more

A pairing of sax and trumpet player Joe McPhee and drummer Chris Corsano – recorded live in Paris on the duo's European tour in spring '10! McPhee's pedigree in improvisational music is as solid and uncompromisingly brilliant as just about any player we can think of – and his live work... read more

Although Charles McPherson's work for Mainstream isn't always among the best on the label (or in his career), this album has a nice easy slightly-electric groove, and features some nice guitar/piano lines backing up McPherson's soulful alto. Includes a nice slightly funky cover of "What's... read more

A fantastic album from this great Detroit alto player, and one that has a lot of beautiful lyrical passages that push him way past his straight bebop stuff. Barry Harris plays piano with a sweet mellow vibe, and Clifford Jordan lays down some of his usual sharp tenor solos. The title track is one... read more

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A mindblower from Menagerie – yet another deep musical chapter in the rich career of Lance Ferguson – an artist we loved for his early club work, then dug as a funk maestro with The Bamboos, now able to hit spiritual jazz sounds with this wonderful new group! The set's got a feel that's... read more

A killer tribute to the music of Herbie Nichols – played by a committed batch of modernists who are clearly inspired by his genius! Misha Mengelberg's in the group on piano – and his angular lines on the keys have plenty of Nichols and then some – lots of Misha's own inventive... read more

A brilliantly evocative album from Pat Metheny – one that's got a quietly epic feel, as Pat and group soar out across the American landscape in a set of tunes that subtly explore space and sound while still remaining wonderfully fluid. There's nothing forced here, and nothing too slick... read more

At the height of his success, Pat tries to prove to the world that he's still got cred – and hooks up with Ornette, Charlie Haden, and Denardo Coleman for a little bit of harmelodic jamming. Thing is, we actually liked the slick stuff better! Titles include "Mob Job", "Video... read more

Features Ella Fitzgerald on vocal performances of "April In Paris", "Party Blues", and "Every Day I Have The Blues" – with Count Basie backing. Also features a jam session version of "Billie's Bounce" – with Art Blakey, Charles Mingus, Tal Farlow... read more

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Some very groovy work – played by an LA septet with Mike Melvoin on organ and piano – plus Tom Scott on saxes, Gary Coleman on vibes, and Hal Blaine on drums! Also features work by Dennis Budimir on guitar, Larry Knechtel on bass, and Jim Horn on sax – on titles that include... read more

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Early work by Barry Miles – a drummer who would go onto cut some very hip sides in the 70s, and who here was only 14 at the time of the session! The "young genius" approach need not be stated on the cover or the notes, as Miles' drumming is great no matter how old he is – and... read more

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Hip trio material from pianist Bettye Miller!... read more

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The great Joe Henderson joins pianist Mulgrew Miller for this wonderful album – lending his sharp-edged tenor tone to really make the session stand out from Miller's more common trio dates! Henderson and Miller both have a great ear for the darker side of the spectrum – hitting notes... read more

A beautiful set from Mulgrew Miller – one of his greatest albums as a leader, and exemplary of the kind of underground jazz that was still bubbling strong in the 80s! The set features Miller's quintet with Kenny Garrett on alto and flute, Steve Nelson on vibes, Charnett Moffett on bass, and... read more

Titles include "Take A Pebble", "Morning Song", "Every Good Bun Has A Hole", and "Groovin Hard".... read more

Oh how we love this album – and we think it may well be the best album ever from Charles Mingus! The set was recorded in that magical Mingus year of 1957, but oddly not released until 1962 – missing some of the initial frenzy of his discovery during the Atlantic and Columbia years. ... read more

One of the great Mingus albums for Atlantic – and a record that brings together material from 2 different sessions: one from 1957, with Shafi Hadi on alto; and another from 1961, with Roland Kirk and Booker Ervin on saxes. The '57 session has a raw quintet sound, and features some haunting... read more

Genius work from trumpeter Blue Mitchell – one of his most solid sides as a leader from the 60s, and a well-deserved treasure in the Blue Note catalog! The album's quite different than the straight soul jazz of Blue's early days on Riverside – or the more arranged dates of the late 60s... read more

An excellent pairing of funk talents – the tight trumpet of Blue Mitchell, and the super-soulful backings of Monk Higgins! Higgins has a groove that was schooled in the funky 45 underground of Chicago – and here, he really finds a great way to pick things up for Mitchell –... read more

One of the most obscure records from trumpeter Blue Mitchell – a great session recorded in the 60s, during Blue's classic stretch with Blue Note – but not issued until 1980, and even then, only briefly! The record's a great example of Mitchell's strong capacity to play well in a larger... read more

The thing to do – is jam! Blue's sounding wonderful in this classic set for Blue Note – one of his best small group albums – recorded with a sound that's solidly in keeping with his lyrically melodic work in the Horace Silver group! The quintet features Chick Corea on piano... read more

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Killer work from a very unique little group – the short-lived union of bassist Red Mitchell and saxophonist Harold Land – heard here in one of the hippest dates from the LA scene of the early 60s! Mitchell's a well-known name from more straight ahead sides of the 50s, but working here... read more

The title's an apt one, as Roscoe Mitchell's working here in a rich flowing style – stepping off of a series of performances dedicated to the music of John Coltrane, but taking Coltrane's inspiration into an area of sound and space that's distinctly Mitchell-like! The title composition... read more

A Windy City classic – from Vee Jay Records! The MJT grooves like nobody's business, thanks to a core rhythm group that includes Harold Mabern on piano, Walter Perkins on drums, and Bob Cranshaw on bass! Add to the mix a young Frank Strozier on alto, fresh from Memphis (he made the trip to... read more

A rare second chapter to Mobley's famous Workout album – recorded in the early 60s, but not issued until the mid 80s – and even then, only momentarily on vinyl! The session's a great one – a quartet outing with a structure that's similar to Hank's classic Soul Station record, but... read more

One of the greatest Blue Note albums of all time! Hank Mobley leads an incredibly soulful group that includes Lee Morgan, Curtis Fuller, McCoy Tyner, and Billy Higgins – and the group plays this amazing mix of soul jazz and modal grooves that is hardly matched by anything else in the Blue... read more