Ahmed Abdul-Malik —
Spellbound ... CD Prestige/Dusty Groove, 1964. New Copy ...
Just Sold Out!
Sublime sounds from the always-amazing Ahmed Abdul-Malik – a jazz bassist at heart, but also a musician with a great ear for Eastern instrumentation as well! Ahmed cut a few key records at the end of the 50s and start of the 60s – and this spellbinding set may well be one of his ... read moreCD
(On the Dusty Groove label.)
Group – Live ... CD No Business (Lithuania), 1986. New Copy ...
Vintage work from this overlooked group from the New York scene of the 80s – an all-star lineup that features Ahmed Abdullah on trumpet, Marion Brown on alto sax, Billy Bang on violin, Sirone and Fred Hopkins on bass, and Andrew Cyrille on drums! The tracks are long, and there's a loose, ... read moreCD
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the ... read moreCD
Amazing work from one of the greatest jazz musicians working today – vibist Jason Adasiewicz, a player with a sound that's unlike anyone else we can think of! It's been years since we've been this excited about anyone on the vibes – and Adasiewicz not only returns the instrument to the ... read moreCD
Jason Adasiewicz —
Spacer ... CD Delmark, 2011. New Copy ...
Just Sold Out!
One of the most amazing players to ever pick up the vibes – an artist with the sort of boundless creativity that Walt Dickerson and Bobby Hutcherson brought to the instrument in the 60s! Jason Adasiewicz has an amazing ear for both sound and music – and manages to balance the two ... read moreCD
Jason Adasiewicz —
Sunrooms ... CD Delmark, 2010. New Copy ...
Just Sold Out!
Quite possibly the freshest vibist we've heard in years – a player whose records are always exploding with amazing sounds on his instrument – and the kind of intensity we'd reserve for a rare few on the vibes – maybe Bobby Hutcherson, Walt Dickerson, or Steve Nelson! Jason ... read moreCD
Cannonball Adderley —
Black Messiah ... CD Capitol/Dusty Groove, Early 70s. New Copy 2 CDs ...
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much ... read moreCD
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by ... read moreCD
One of the trippiest albums we've heard from Delmark in recent years – a really creative session from bassist Jason Ajemian, and one that links the label's avant jazz work to some of the deeper sides of Chicago's indie scene! Ajemian is free to work without any sense of genre or convention ... read moreCD
The music here is as evocative as the title – almost a mix of contemporary Blue Note modes with older ECM styles – all served up as a perfect showcase for the ever-growing talents of trumpeter Ambrose Akinmusire! We've really dug the last two records from Ambrose, and this one seems to ... read moreCD
A sweet Japanese set from Toshiko Akioshi – recorded at the Blue Note in Tokyo, with a group that really replicates the sound of her big band from the 70s! Key partner from those years – Lew Tabackin – is in the group playing loads of great tenor and flute solos – and other ... read moreCD
Toshiko Akiyoshi —
Finesse ... CD Concord (Japan), 1978. New Copy ...
A wonderfully intimate set from pianist Toshiko Akiyoshi – quite different than her bigger band records of the 70s, but equally great in its own way! The album's a great throwback to the earliest days of Akiyoshi on record – as it has the pianist really opening up in a trio setting, ... read moreCD
Toshiko Akiyoshi —
Kogun ... CD RCA (Japan), 1974. New Copy ...
Brilliantly bold work from pianist Toshiko Akiyoshi – an artist who's really coming into her own for the 70s – stepping out in a big band format that would win her a wide new audience on both sides of the Pacific! The album's one of the first to feature the ensemble co-led with husband ... read moreCD
A sublime set from this hip Polish ensemble – a group who got their start in funky fusion, but who really stretch out here in a more sophisticated space too – mixing some of their electric elements with these really beautiful horn passages – arranged at a level that's full of ... read moreCD
Not the soundtrack to the popular TV drama of the same name – but a set that returns tenorist Eric Alexander to all the fire he brought to his early years on the Chicago scene! Alexander's set up here with a key range of players from this years – longtime associates Harold Mabern on ... read moreCD
JD Allen —
Bloom ... CD Savant, 2014. New Copy ...
JD Allen just gets more and more deft with each new release – able to craft these sharp, angular lines on tenor sax that seem to spill effortlessly out of his horn – yet all with this wonderfully spontaneous quality too! Allen's lead is a great match for the album's piano work from ... read moreCD
The title definitely gets it right – as the quintet's an all-star lineup that features Marshall Allen on alto sax, Kidd Jordan on tenor, Hamid Drake on drums, and both Alan Silva and William Parker on bass! The twin basses are really wonderful – and have this deep texture that really ... read moreCD
A rare early Mose Allison album – a mostly-instrumental outing that focuses on Allison's wonderful talents on the piano – already honed by this time through participation in a number of key sessions with other leaders! Side one of the album features the beautiful "Back Country ... read moreCD
A really lovely record from pianist Misha Alperin – a set that might initially seem to be one of the ECM New Series albums, but which has more of the sensitive feel of older work on the label! Misha plays piano with this gently lyrical feel, mixed with these earthy lines on French horn and ... read moreCD
Barry Altschul —
For Stu ... CD Soul Note (Italy), 1979. New Copy ...
An album dedicated to the late drummer Stu Martin – and a set that features some very dynamic drum work from longtime friend Barry Altschul! The album has Altschul really hitting some new notes in his music – stepping off with a bit more dynamic energy than some of his other 70s ... read moreCD
(Official pressing of the CD, with full artwork – not the CDr pressing found at other online retailers.)
Gene Ammons —
Brasswind ... CD Prestige/Universal (Japan), 1973. New Copy ...
Gene Ammons gets the Cannonball Adderley treatment – as he blows funky solos over an album arranged and conducted by David Axelrod! Brasswind has a larger, fuller funky sound than some of his earlier work for Prestige – and it works very well! The overall sound's a bit smoother, but ... read moreCD
A pair of funky killers from tenorist Gene Ammons! Black Cat is one of the great funky albums that Gene Ammons cut for Prestige at the start of the 70s – quite different than his earlier work for the label, and a very different showcase for his tenor genius! The whole lineup here is amazing ... read moreCD
Fred Anderson, Hamid Drake, K Jordan & W Parker —
2 Days In April ... CD Eremite, 1994. New Copy 2 CDs ...
Two great days in April – each featuring some very free improvisation from a group that includes Fred Anderson and Kidd Jordan on tenors, William Parker on bass, and Hamid Drake on drums – a quartet with boundless energy, and a really rich sense of each other's place within the sound! ... read moreCD
Louis Armstrong hits the Flying Dutchman label – and unlocks a whole new spiritual side of his talents – a mode that's quite different than some of his crossover pop of the 60s! The style here has a bit of righteous elements in the lyrics, and lots of spiritual jazz in the backings ... read moreCD
One of the grooviest records ever – a sublime blend of African percussion, soulful orchestrations, and Dorothy Ashby's amazing electric harp! By the time of this landmark album, Dorothy had been knocking around the jazz world for a number of years, but it wasn't until she hooked up with ... read moreCD
One of the grooviest Dorothy Ashby albums of the 60s – a set that has her already-great jazz work on harp backed by Chicago soul arrangements from Richard Evans – all in a blend that's somewhere in the territory of the Soulful Strings, but even groovier! And as an added bonus, Odell ... read moreCD
A great follow-up to the previous collaboration between pianist Ehud Asherie and tenorist Harry Allen – this time titled after a darker corner of downtown New York! As with the other date, this one features no other instrumentation at all – just warmly expressive duets on piano and ... read moreCD
Nothing too high-toned here, despite the title – as the set's a nicely mellow batch of duets between pianist Ehud Asherie and tenorist Harry Allen – caught in a laidback, open-ended style that's mighty nice! As with some of Allen's best work, there's a strong sense of nostalgia going ... read moreCD
Some of the hippest early jazz to come from Australia – and an major indication that something great was going on in the scene down under! The album's got a bright modern edge right from the start – none of the hoke you'd guess from the title and cover image – and features ... read moreCD
A killer set of Danish modern jazz – recorded at the start of the 60s with a really searing lineup! The set's go-led by pianist Bent Axen and tenorist Bent Jaedig – two guys with a very hip approach to their music, an a keen ear for the sharper sides of jazz at the time – a blend ... read moreCD
Pure genius from the B Baker Chocolate Company – a set that's equal parts fusion and soul, held together by these rich arrangements that really send the whole thing home! The album's never too slick, yet has a sense of perfection that matches some of the best soulful fusion dates at Blue ... read moreCD
The debut as a leader from bassist Harrison Bankhead – long an important figure on the Chicago jazz scene as a sideman, really stepping forth here with a bold new vision of his own! The album's got a very free, open sort of vibe – definitely in the spirit of the AACM, but with some 70s ... read moreCD
(In a beautiful hand-pressed cover, too!)
Gato Barbieri —
Fenix ... CD Flying Dutchman/BGP (UK), 1971. New Copy ...
Just Sold Out!
One of Gato's best! The record's neither too out, nor too poppy – and it has Barbieri playing with that incredible raspy tone – and working over modal grooves laid down by a hip group that includes Lonnie Liston Smith on acoustic and electric pianos, Ron Carter on bass, Lennie White on ... read moreCD
Gato Barbieri —
Third World ... CD Flying Dutchman/BGP (UK), 1969. New Copy ...
Just Sold Out!
One of the hippest albums Gato Barbieri ever cut – and a key link between his late 60s avant work with Don Cherry, and his Latin-tinged albums of the 70s! The album features Barbieri working with a New York group of avant players – including Beaver Harris on drums, Roswell Rudd on ... read moreCD
Kenny Barron & Buster Williams —
Two As One ... CD Red (Italy), 1986. New Copy ...
A wonderful little date from pianist Kenny Barron – one that has him working in drumless duo mode, with only the bass of Buster Williams for accompaniment! The tunes are often quite long, and it's beautiful to hear the way Kenny stretches out on the keys – buoyed up warmly by Williams' ... read moreCD
Funky wonderfulness from Gary Bartz – one of his hip sets from the early 70s recorded with his NTU group – a very righteous blend of soul, jazz, and funky elements! Huber Eaves plays some great electric piano on the record – and so does Bartz, alongside his usual soprano and alto ... read moreCD
Gary Bartz —
Shadow Do ... CD Prestige/Universal (Japan), 1975. New Copy ...
Just Sold Out!
A key early pairing of saxophonist Gary Bartz and producer Larry Mizell – working here together before their more famous collaboration on Capitol Records, in a sound that's even more freewheeling and open-ended! Bartz still has a bit of an edge in his horn here – the style laid down ... read moreCD
One of the last Gary Bartz albums for Prestige – and a really unique session with a different feel than some of his earlier work! Gary's still got plenty of angular funk in his sound here – thanks to some edgey keyboards from Hubert Eaves – but he's also tightened things up a bit ... read moreCD
Ben & The Platano Group —
Paris Soul ... CD Barclay/Dare Dare (France), 1971. New Copy ...
A rare groove from 70s France – the legendary Paris Soul album from this totally cooking combo! Despite their European origins, the group have a strong American approach – a groove that's heavy on bass and congas at the bottom, with almost the same Latin funk touches you might find in ... read moreCD
An expanded edition of an earlier 10" LP – featuring a group led by bassist Max Bennett, one that includes Charlie Mariano on alto, Stan Levy on drums, Claude Williamson on piano, and Frank Rosolino on trombone! Helen Carr makes a vocal appearance on a track or two, and the album's got ... read moreCD
George Benson's first LP for Columbia – a hard, heavy, soul jazz slammer that bears no resemblance to his overproduced work of the 70s! The album's a real cooker – recorded hot on the heels of Benson's classic work on Prestige with the Jack McDuff group, and sounding a lot like McDuff's ... read moreCD
The Posi-tone label is turning out to be one of the best sources for old school Hammond sessions these days – and this sweet set from guitarist Will Bernard is great proof of that fact! Bernard plays with a tight sense of line and color that really takes us back to some of our favorites from ... read moreCD
One of a rare few electric albums from the great Walter Bishop Jr – a pianist who started during the bop years, but really grew into new modes in the 70s! The set's an album on Muse, but one with the same hip grooves as Walter Bishop's pair of excellent albums for the Black Jazz label – ... read moreCD
One of Walter Bishop's greatest records – an amazing session that's as funky as it is spiritual – and quite different than most of Bishop's other work! The vibe here is wonderful – as Bish plays a host of keyboards, not just piano – and works in the company of other players ... read moreCD
Cindy Blackman's looking a bit foxy on the cover, but her sound here is solidly soulful – a forceful batch of tunes that really match the best energy of the Muse Records soulbop scene of the early 90s! There's a nice blend of modern ideas and straight jazz energy here – sounds that ... read moreCD
Brian Blade —
Landmarks ... CD Blue Note, 2014. New Copy Gatefold ...
Brian Blade's Fellowship Band keeps on getting better and bolder over the years – really soaring out here under the leadership Blade's great drums – with a soulfully expressive feel that takes us back to his Blue Note albums from the last few years of the 20th century! Pianist Jon ... read moreCD
Really amazing early work from pianist Ran Blake – an artist who's continued to blow our minds in more recent years, but who sounds especially outstanding hear in an early session for the ESP label! The album's quite different from some of the freer, bolder music you'd normally associate ... read moreCD
The tenor sound of Seamus Blake is always a treat – and he really stretches out here on a set of long, live tracks with a great group! Most titles go way past the ten minute mark, and the always-inventive Blake manages to make plenty happen with all that time – working deftly in a ... read moreCD
The rarest of all of Art Blakey's percussion group projects – and quite possibly the best, too! The session features Blakey at the head of a strong mix of jazz and percussion players – with Art Taylor and Philly Joe Jones on the regular drum kit, Donald Byrd on trumpet and Ray Bryant ... read moreCD
Long, lean live energy from Art Blakey and a well-remembered version of The Jazz Messengers – a group that includes both Branford Marsalis on alto and Wynton Marsalis on trumpet – plus great tenor from Bill Pierce as well! The vibe is nicely different than the 60s years of the group ... read moreCD
A killer early album by Art Blakey and his first incarnation of The Messengers – recorded before Horace Silver left the group, and a rare non-Blue Note outing done for Columbia Records! The ensemble here features Donald Byrd on trumpet, Hank Mobley on tenor, and Doug Watkins on bass – ... read moreCD
The only performance ever from this really special group – the Astrogeny Quartet, formed as a new project from pianist John Blum, with key participation from bassist William Parker, reedman Antonio Grippi, and drummer Dennis Charles – but a group that never continued after this date, ... read moreCD
One of the few small group recordings ever cut by pianist Francy Boland – and a set that cooks every bit as much as his work with the larger Clarke Boland Big Band on MPS! The reason for the cooking is clear – Francy's got key rhythmic help from group members Jimmy Woode on bass and ... read moreCD
Fabrizio Bosso —
Purple ... CD Verve (Italy), 2013. New Copy ...
A really unusual project for this great Italian trumpeter – a set that has Fabrizio Bosso working with his Spiritual Trio – a group that features lots of Hammond organ, and plenty of tight drums! The "spiritual" in their name is a reference to an American gospel and soul ... read moreCD
Fabrizio Bosso & Marco Moreggia —
Magic Susi ... CD Verve (Italy), 2014. New Copy ...
One of the more electronic projects we've heard from trumpeter Fabrizio Bosso – a set of work done with electronic musician Marco Moreggia, who creates a very different sound for Fabrizio's horn! The music is a blend of sound sources, keyboards, and other elements – sometimes augmented ... read moreCD
Four friends in Bari, making really beautiful music together – a lineup that features sparkling trumpet from the great Fabrizio Bosso, plus guitar from Guido Di Leone, bass from Giuseppi Bassi, and drums from Mimmo Capanale! The set's got all the subtle charm of Bosso's best work in recent ... read moreCD
A really rockin little set – and one that shows that saxophonist Earl Bostic was way more than just a jazz musician! The package has a strong focus on Earl's more R&B-influenced sides for King Records in the early 50s – work that resonates strongly with the King sides by Wynonie ... read moreCD
Tenorist Ralph Bowen blows some strong magic here – the kind of tone and timing that really transforms the more familiar numbers chosen for the set – so that older standards are turned inside out and opened up as new vehicles for expression – yet all while still managing to swing! ... read moreCD
A real departure for saxophonist David Boykin – an album of solo material, performed on soprano sax and Bb Clarinet – in a style that recalls the most experimental work of Roscoe Mitchell, and which also has ties to the solo recordings of Evan Parker and Steve Lacy! Boykin's really ... read moreCD
Spare improvisations from Chicago saxophonist David Boykin – recorded as a duet with butoh artist Nicole Legette, who also seems to be vocalizing a bit on the record! The album's easily one of the most challenging that Boykin's ever given us – quite open, and very expressive – ... read moreCD
One of the most spiritual albums we've ever heard from reedman David Boykin – a beautiful batch of long, flowing tunes that have tremendous modal energy and a very cohesive feel! We've always loved Boykin, right from the start – but here he's showing an even deeper sense of ... read moreCD
Joanne Brackeen's at the top of her game here – working in a unique set of duets with bassist Eddie Gomez – at a level that matches the fire and fury of any of her work with a larger group! Brackeen's got this tremendous command of the keyboard right from the start – a wide sweep ... read moreCD
Ruby Braff has a ball on this rare date for Bethlehem Records – a set that's got a live, loose feel that's quite different than some of Ruby's other records! The date was recorded on New Years Eve, at the end of 1954 – and it features Braff stepping out with these surprisingly human, ... read moreCD
No holiday for Ruby Braff – not when he's working so hard to make a record like this sound so great! The session's an overlooked gem recorded for Bethlehem in the 50s – and it's got Ruby's trumpet stepping out strongly with a larger group arranged by Bob Wilber – in a great mix ... read moreCD
They're not kidding about the title – because the album's one of Ruby Braff's most swingin from the time – a sharp-edged quartet session that's filled with well-blown notes! Ruby's in the lead on all numbers on trumpet – getting support from Johnny Guarnieri on piano, Walter Page ... read moreCD
George Braith —
Musart ... CD Prestige/Dusty Groove, 1967. New Copy ...
One of our favorite-ever albums on Prestige Records from the 60s – and a set that's a fair bit different than most of the other work on the label! The set's an unusual outing for saxophonist George Braith – cut after his famous albums for Blue Note, and in a mode that's quite different ... read moreCD
Some of the most dynamic music we've heard from Anthony Braxton in years – a set of duets recorded with European bassist Joelle Leandre! We've always loved Leandre's basswork – as she often bows the instrument, creating these beautifully deep tones that ground any sort of ... read moreCD
Swedish wood, with plenty of brass – thanks to bold, imaginative work as a leader from trumpeter Magnus Broo – easily one of the most important voices on his instrument working today! The group is a beautifully tight quartet – and Broo's trumpet gains plenty from the equally bold ... read moreCD
One of those rare Blue Note sessions from tenorist Tina Brooks – originally recorded for the label in 1960, but never issued at the time – yet easily on a par with their more famous work of the period! Brooks' horn has a nice hard edge here – that sharp-edged modernism you'd hear ... read moreCD
Wonderful! This is the fourth session that tenorist Tina Brooks cut for Blue Note – and it's finally getting reissued! The material did appear briefly in the Tina Brooks box set on Mosaic, but it went out of print immediately, and has never before been presented with a proper cover. It's ... read moreCD
A legendary team, heard here at the height of their powers – at a time when both Peter Brotzmann and Sonny Sharrock were finding a bold musical space alongside each other! The pair had worked in Last Exit with a bit more of a frenetic rock jazz vibe – but here, the style is much more ... read moreCD
Some of the earliest work ever recorded by Peter Brotzmann – a rare live performance from 1966! Broztmann plays both alto and baritone sax here – already blowing with the intensity of his Machine Gun years, but working in a more stripped down setting – a trio with Peter Kowald on ... read moreCD
Peter Brotzmann/Adasiewicz/Edwards/Noble —
Mental Shake ... CD OTOroku (UK), 2014. New Copy Gatefold ...
A brilliant free improvisation from a really great lineup – a quartet that brings together the legendary reed work of Peter Brotzmann and the vibes of Jason Adasiewicz – already great enough on their own, but matched here with the bass of John Edwards and drums of Steve Noble – ... read moreCD
Peter Brotzmann blows beautifully here – in a set that's dedicated to bassist Peter Kowald, and which features some especially great work from William Parker in the group! Brotzmann's got some soulful tones right at the start – almost an exotic quality in his reeds that spins out ... read moreCD
The great Ari Brown, in wonderful form – hardly a player who needs any awakening at all, since he's been working strongly on the Chicago scene since the 70s! Ari's done famous work with his group The Awakening, Ramsey Lewis, and other bigger names – but we've really grown to love his ... read moreCD
Seminal work from one of the greatest trumpeters of the 20th Century – and a musician who helped his instrument find a whole new voice in jazz during his short time on this planet! The set brings together all of Clifford Brown's classic work for Blue Note, but in their original format – ... read moreCD
A stunning debut from drummer Otis Brown III – a player you may know from his work with Esperanza Spaulding, Somi, Joe Lovano, and others – stepping forth here with a rich musical vision of his own! The set was co-produced with Derrick Hodge, of Robert Glasper's group – and ... read moreCD
One of the few albums ever as a leader from alto saxophonist Pete Brown – a less-remembered talent of his times, but a key link between the generations of bop and swing! The set was only issued as a 10" LP, but packs the full punch of most longer albums – sublime alto from Brown ... read moreCD
Beautiful later work by the Dave Brubeck Quartet – an overlooked gem from their 60s Columbia sessions, and an album that features interpretations of tunes written by the great Matt Dennis! Dennis had a way with a tune that often put dark corners in the back of lovely melodies – and ... read moreCD
Dave and the quartet pay tribute to the songwriting genius of Cole Porter – working with familiar older tunes, but nicely unlocking them with a strong sense of Brubeck modernism! Things start out slow, but get extremely playful as the set goes on – with fresh timings and phrasings that ... read moreCD
Way more than just a gimmicky bossa nova session – and a surprisingly great showcase for the inventive rhythms of the Brubeck group, and the sensitive alto work of Paul Desmond! The record's got a really different feel than some of Dave's other work for Columbia – in that the modernism ... read moreCD
Like Dave Brubeck's legendary Time Out set? Try this one – a great record that takes off from the concept of the first, but which goes in some very fresh new directions – using the same great group with Paul Desmond on alto, Eugene Wright on bass, and Joe Morello on drums! Dave's ... read moreCD
One of the coolest collaborations of Dave Brubeck's years at Columbia Records – and one of the greatest jazz sessions from vocalist Jimmy Rushing too! On paper, the modernist Brubeck and Kansas City roots singer Rushing would seem to be a very unlikely pair – but by this time in his ... read moreCD
Weird instrumental grooves from composer Sandro Brugnolini – played by a small combo that almost has a sound library feel! We know Brugnolini most from his soundtrack work, and this set's got a similar flair for odd sounds and weird rhythms – played here by a group that features organ, ... read moreCD
A very striking album – one of Ray Bryant's most noteworthy of the time! The album features Ray playing solo piano – quite unusual for the period, as most piano jazz records, especially his, were at least cut in a trio format – with additional bass and drums. Yet the approach ... read moreCD
Hard-hitting trio work from Ray – one of his early albums for Columbia, and the record that gave him a surprisingly big hit! "Little Susie" is one of those early 60s soul jazz standards, the kind of catchy tune that got played all over the place on radio, and which forever put the ... read moreCD
A great early trio session from Ray Bryant – the kind of record that instantly shows why he caught such fire on the scene! There's a simplicity here that's almost invisible – a command of the keys that's strong, but not nearly as show-offy as some of Bryant's contemporaries. And given ... read moreCD
One of the hardest, heaviest albums that Ray Bryant ever cut – even on the ballads – a monster little record that grabs you from the very first note! Ray did the arrangements for this one himself – working with his core trio that featured Ron Carter on bass and Grady Tate on ... read moreCD
A monster – and one of the best jazz funk albums ever on Prestige! Rusty Bryant blows his top off on this one – taking his tenor stylings out of the more staid R&B mode of earlier years, working with some younger heavy funk jazz players to craft a brilliant album of long searing ... read moreCD
An 80s classic from guitarist Hiram Bullock – a fusion set with a lot more smooth edges than the gritty surface of Hiram's well-played guitar on the cover! The set's quite polished, but still pretty great – never too overdone, and still based mostly around instrumentation by a core ... read moreCD
Ralph Burns —
Bijou ... CD Bethlehem/Solid (Japan), 1954. New Copy ...
Amazing small group work from Ralph Burns – a real standout, given the amount of his larger ensemble sessions in the 50s! The album features Burns on piano – overdubbed on some tracks – working with a combo that includes Jimmy Raney on guitar, Clyde Lombardi on bass, and Osie ... read moreCD
A rare treasure – material that Kenny Burrell recorded for Columbia in the early 60s, but which wasn't ever issued until an early 80s LP! Ostensibly, the sides were recorded around the same time as Kenny's Weaver Of Dreams album for Columbia (an obscure enough session in itself!) – and ... read moreCD
Straight, strong, and soulful sounds from guitarist Kenny Burrell – quite possibly one of his best albums of the 60s, thanks to a really well-focused sound throughout! The groove here is nice and tight – a cooking little rhythm section that features Richard Wyands on piano, Martin ... read moreCD
Gary Burton —
Duster ... CD RCA (Japan), 1967. New Copy ...
A really incredible record from the great Gary Burton – a key 60s set that definitely has him finding a musical voice that's all his own – a way of using the vibes that nobody else had ever attempted before! The instrument is a flurry of chromatic beauty – tones and light ... read moreCD
Classic work from the great Gary Burton – two sessions that forever established his place at the forefront of jazz! Duster is a really incredible record from the great Gary Burton – a key 60s set that definitely has him finding a musical voice that's all his own – a way of using ... read moreCD
A wonderful live set from Gary Burton – originally issued only in Japan, but a wonderful record that stands strongly with Gary's classic early 70s work for Atlantic and ECM Records! The group's a quartet – and has Gary's vibes alongside warm guitar lines from Sam Brown – a player ... read moreCD
Quite an unusual session from Gary Burton – recorded in Nashville, with a mix of jazz and country session players – coming together in an open-ended sound that's got lots of complicated touches. Gary's jazz side is represented by Roy Haynes on drums, Steve Swallow on bass, and Steve ... read moreCD
One of the great ones! No kidding, Jaki Byard was an amazing talent in the 60s – and records like this one are rare treasures to be sought-after by any serious jazz fan. Byard had an incredible range of talents and influences – and, like his frequent bandmate Roland Kirk, he could ... read moreCD
Charlie Byrd gets some top-shelf treatment here – in a wonderful album of tunes by Antonio Carlos Jobim, all recorded with full backing arrangements, and sound quality that's a lot better than some of Byrd's previous albums! The setting has Charlie's acoustic guitar right up front in the mix ... read moreCD
A rock-solid set from Donald Byrd and a great group of players – a record that's got the same sharp edges and dark undercurrents of late 60s classics like Black Jack, Mustang, and Slow Drag! As with those gems, this album's got Donald really experimenting a bit more – especially with ... read moreCD