Ahmed Abdul-Malik —
Spellbound ... CD Prestige/Dusty Groove, 1964. New Copy ...
Sublime sounds from the always-amazing Ahmed Abdul-Malik – a jazz bassist at heart, but also a musician with a great ear for Eastern instrumentation as well! Ahmed cut a few key records at the end of the 50s and start of the 60s – and this spellbinding set may well be one of his ... read moreCD
(On the Dusty Groove label.)
Group – Live ... CD No Business (Lithuania), 1986. New Copy ...
Vintage work from this overlooked group from the New York scene of the 80s – an all-star lineup that features Ahmed Abdullah on trumpet, Marion Brown on alto sax, Billy Bang on violin, Sirone and Fred Hopkins on bass, and Andrew Cyrille on drums! The tracks are long, and there's a loose, ... read moreCD
Some of the most meditative, spiritual sounds we've ever heard from the great Josh Abrams – a record that goes way past his more familiar work on bass – even though that's pretty darn great! For this set, Abrams reaches out to a host of different instruments – including the ... read moreCD
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the ... read moreCD
Amazing work from one of the greatest jazz musicians working today – vibist Jason Adasiewicz, a player with a sound that's unlike anyone else we can think of! It's been years since we've been this excited about anyone on the vibes – and Adasiewicz not only returns the instrument to the ... read moreCD
Jason Adasiewicz —
Spacer ... CD Delmark, 2011. New Copy ...
One of the most amazing players to ever pick up the vibes – an artist with the sort of boundless creativity that Walt Dickerson and Bobby Hutcherson brought to the instrument in the 60s! Jason Adasiewicz has an amazing ear for both sound and music – and manages to balance the two ... read moreCD
Quite possibly the freshest vibist we've heard in years – a player whose records are always exploding with amazing sounds on his instrument – and the kind of intensity we'd reserve for a rare few on the vibes – maybe Bobby Hutcherson, Walt Dickerson, or Steve Nelson! Jason ... read moreCD
A triple-header of hardbop albums – a great package that features 3 Savoy Records classics from 1955, with bonus tracks and great notes too! First up is Bohemia After Dark – an excellent hardbop session from the glory days of the Savoy label – easily one of the label's key 50s ... read moreCD
Cannonball Adderley —
Black Messiah ... CD Capitol/Dusty Groove, Early 70s. New Copy 2 CDs ...
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much ... read moreCD
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and ... read moreCD
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's ... read moreCD
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by ... read moreCD
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling ... read moreCD
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record ... read moreCD
One of the trippiest albums we've heard from Delmark in recent years – a really creative session from bassist Jason Ajemian, and one that links the label's avant jazz work to some of the deeper sides of Chicago's indie scene! Ajemian is free to work without any sense of genre or convention ... read moreCD
The music here is as evocative as the title – almost a mix of contemporary Blue Note modes with older ECM styles – all served up as a perfect showcase for the ever-growing talents of trumpeter Ambrose Akinmusire! We've really dug the last two records from Ambrose, and this one seems to ... read moreCD
Toshiko Akiyoshi —
Finesse ... CD Concord (Japan), 1978. New Copy ...
A wonderfully intimate set from pianist Toshiko Akiyoshi – quite different than her bigger band records of the 70s, but equally great in its own way! The album's a great throwback to the earliest days of Akiyoshi on record – as it has the pianist really opening up in a trio setting, ... read moreCD
Toshiko Akiyoshi —
Kogun ... CD RCA (Japan), 1974. New Copy ...
Brilliantly bold work from pianist Toshiko Akiyoshi – an artist who's really coming into her own for the 70s – stepping out in a big band format that would win her a wide new audience on both sides of the Pacific! The album's one of the first to feature the ensemble co-led with husband ... read moreCD
A sublime set from this hip Polish ensemble – a group who got their start in funky fusion, but who really stretch out here in a more sophisticated space too – mixing some of their electric elements with these really beautiful horn passages – arranged at a level that's full of ... read moreCD
A really great second chapter in the Harlem/Kingston series from Monty Alexander – and material that may well be some of his most exciting in years! Monty's always been very upfront about his Jamaican roots – and has expressed them in a number of ways on a number of different sessions ... read moreCD
JD Allen —
Bloom ... CD Savant, 2014. New Copy ...
JD Allen just gets more and more deft with each new release – able to craft these sharp, angular lines on tenor sax that seem to spill effortlessly out of his horn – yet all with this wonderfully spontaneous quality too! Allen's lead is a great match for the album's piano work from ... read moreCD
The title definitely gets it right – as the quintet's an all-star lineup that features Marshall Allen on alto sax, Kidd Jordan on tenor, Hamid Drake on drums, and both Alan Silva and William Parker on bass! The twin basses are really wonderful – and have this deep texture that really ... read moreCD
A really lovely record from pianist Misha Alperin – a set that might initially seem to be one of the ECM New Series albums, but which has more of the sensitive feel of older work on the label! Misha plays piano with this gently lyrical feel, mixed with these earthy lines on French horn and ... read moreCD
Barry Altschul —
For Stu ... CD Soul Note (Italy), 1979. New Copy ...
An album dedicated to the late drummer Stu Martin – and a set that features some very dynamic drum work from longtime friend Barry Altschul! The album has Altschul really hitting some new notes in his music – stepping off with a bit more dynamic energy than some of his other 70s ... read moreCD
(Official pressing of the CD, with full artwork – not the CDr pressing found at other online retailers.)
Gene Ammons —
Brasswind ... CD Prestige/Universal (Japan), 1973. New Copy ...
Gene Ammons gets the Cannonball Adderley treatment – as he blows funky solos over an album arranged and conducted by David Axelrod! Brasswind has a larger, fuller funky sound than some of his earlier work for Prestige – and it works very well! The overall sound's a bit smoother, but ... read moreCD
A pair of funky killers from tenorist Gene Ammons! Black Cat is one of the great funky albums that Gene Ammons cut for Prestige at the start of the 70s – quite different than his earlier work for the label, and a very different showcase for his tenor genius! The whole lineup here is amazing ... read moreCD
Fred Anderson, Hamid Drake, & William Parker —
Blue Winter ... CD Eremite, 2005. New Copy 2 CDs ...
A beautiful tribute to the strengths of these players working together in a trio – the sense of respect and patience they each have for each other – letting the sound come at just the right moment in just the right way, as things build together in this amazing way – then leap ... read moreCD
Fred Anderson, Hamid Drake, K Jordan & W Parker —
2 Days In April ... CD Eremite, 1994. New Copy 2 CDs ...
Two great days in April – each featuring some very free improvisation from a group that includes Fred Anderson and Kidd Jordan on tenors, William Parker on bass, and Hamid Drake on drums – a quartet with boundless energy, and a really rich sense of each other's place within the sound! ... read moreCD
A bit later than classic vintage for the UK jazz-rock scene – but a set that's right up there with the best of the early years, thanks to a flurry of keyboards from the great Neil Ardley! Neil's keys have more of a 70s feel than some of the 60s elements used before – heavy on Arp ... read moreCD
A sweet session of 70s electric jazz – recorded as a unique live all-star outing by a group of Arista's best jazz players at the time! The group's an octet, but plays together in differing formations throughout the record – with Warren Bernhardt on keyboards, Michael Brecker on saxes, ... read moreCD
Louis Armstrong hits the Flying Dutchman label – and unlocks a whole new spiritual side of his talents – a mode that's quite different than some of his crossover pop of the 60s! The style here has a bit of righteous elements in the lyrics, and lots of spiritual jazz in the backings ... read moreCD
An incredible package – and one that features three of the most important records ever cut by the Art Ensemble Of Chicago! All three albums were recorded at the Saravah Studios in the summer of 1969 – during a time when the Art Ensemble of Chicago were making big waves on the Parisian ... read moreCD
A rare treasure from the Art Ensemble Of Chicago – recorded as a supposed third album for Atlantic records in 1974, but unissued for years until the group released it on their own! The session is a live one, recorded at the Montreux Jazz Festival – and features the unique addition of ... read moreCD
One of the grooviest records ever – a sublime blend of African percussion, soulful orchestrations, and Dorothy Ashby's amazing electric harp! By the time of this landmark album, Dorothy had been knocking around the jazz world for a number of years, but it wasn't until she hooked up with ... read moreCD
A great follow-up to the previous collaboration between pianist Ehud Asherie and tenorist Harry Allen – this time titled after a darker corner of downtown New York! As with the other date, this one features no other instrumentation at all – just warmly expressive duets on piano and ... read moreCD
Nothing too high-toned here, despite the title – as the set's a nicely mellow batch of duets between pianist Ehud Asherie and tenorist Harry Allen – caught in a laidback, open-ended style that's mighty nice! As with some of Allen's best work, there's a strong sense of nostalgia going ... read moreCD
Some of the hippest early jazz to come from Australia – and an major indication that something great was going on in the scene down under! The album's got a bright modern edge right from the start – none of the hoke you'd guess from the title and cover image – and features ... read moreCD
An incredibly well-crafted set from bassist Omer Avital – a player who's really got a bold vision for his group here, and manages to lead a host of strong players through a set of very personal material! There's some great righteous energy going on here – making the set easily one of ... read moreCD
It's great to see that David Axelrod's finally getting his due – and this reissue of material from Fantasy is one of the first reissues of his work in the US! Most cuts here are much more jazz-based than Axelrod's higher-concept material under his own name for Capitol in the late 60s – ... read moreCD
Pure genius from the B Baker Chocolate Company – a set that's equal parts fusion and soul, held together by these rich arrangements that really send the whole thing home! The album's never too slick, yet has a sense of perfection that matches some of the best soulful fusion dates at Blue ... read moreCD
The debut as a leader from bassist Harrison Bankhead – long an important figure on the Chicago jazz scene as a sideman, really stepping forth here with a bold new vision of his own! The album's got a very free, open sort of vibe – definitely in the spirit of the AACM, but with some 70s ... read moreCD
(In a beautiful hand-pressed cover, too!)
Gato Barbieri —
El Pampero ... CD Flying Dutchman/BGP (UK), 1972. New Copy ...
A real killer from Gato Barbieri – part of an excellent run of early 70s sessions for the Flying Dutchman label! The album was recorded live, and it's one of those real cookers that have him sounding a heck of a lot like Pharoah Sanders – blowing with these sharp, soulful tones – ... read moreCD
Kenny Barron & Buster Williams —
Two As One ... CD Red (Italy), 1986. New Copy ...
A wonderful little date from pianist Kenny Barron – one that has him working in drumless duo mode, with only the bass of Buster Williams for accompaniment! The tunes are often quite long, and it's beautiful to hear the way Kenny stretches out on the keys – buoyed up warmly by Williams' ... read moreCD
Bruce Barth is a pianist who always knows how to open up and run – making him an excellent choice for the Smalls Live series – easily some of the best-recorded live jazz CDs in recent years! Barth's touch on the keys is amazing – very fluid, and a mixture of sharp tones and ... read moreCD
Funky wonderfulness from Gary Bartz – one of his hip sets from the early 70s recorded with his NTU group – a very righteous blend of soul, jazz, and funky elements! Huber Eaves plays some great electric piano on the record – and so does Bartz, alongside his usual soprano and alto ... read moreCD
Gary Bartz —
Shadow Do ... CD Prestige/Universal (Japan), 1975. New Copy ...
A key early pairing of saxophonist Gary Bartz and producer Larry Mizell – working here together before their more famous collaboration on Capitol Records, in a sound that's even more freewheeling and open-ended! Bartz still has a bit of an edge in his horn here – the style laid down ... read moreCD
One of the last Gary Bartz albums for Prestige – and a really unique session with a different feel than some of his earlier work! Gary's still got plenty of angular funk in his sound here – thanks to some edgey keyboards from Hubert Eaves – but he's also tightened things up a bit ... read moreCD
Some of the best modern jazz Italy had to offer in the postwar years – and a record that's gone onto be the blueprint for countless recent work from groups on labels like Schema and Deja Vu! Tracks are short, but very groove-centered – often mixing modal jazz rhythms with hardbop solo ... read moreCD
A really landmark album in European jazz – one of those records that always tops the lists of collectors, and for good reason too! The sextet of trumpeter Oscar Valdambrini and tenorist Gianni Basso was easily one of the greatest things going in jazz on that side of the Atlantic in the early ... read moreCD
Synopsis ... CD Amiga (Germany), 1974. New Copy ...
Bold sounds from this German quartet – a group who certainly deliver one of the most striking avant jazz sessions on the legendary Amiga label! The set's got a free frenzy that's right up there with the 70s best from FMP – played by musicians who often made key appearances on that ... read moreCD
Ben & The Platano Group —
Paris Soul ... CD Barclay/Dare Dare (France), 1971. New Copy ...
A rare groove from 70s France – the legendary Paris Soul album from this totally cooking combo! Despite their European origins, the group have a strong American approach – a groove that's heavy on bass and congas at the bottom, with almost the same Latin funk touches you might find in ... read moreCD
An expanded edition of an earlier 10" LP – featuring a group led by bassist Max Bennett, one that includes Charlie Mariano on alto, Stan Levy on drums, Claude Williamson on piano, and Frank Rosolino on trombone! Helen Carr makes a vocal appearance on a track or two, and the album's got ... read moreCD
A great live date in the excellent Smalls series – and a wonderful group outing not just for pianist David Berkman, but for trumpeter Tom Harrell as well! Tom gets a lot of room to really open up and solo beautifully on the record – in ways that are quite different than his own studio ... read moreCD
The Posi-tone label is turning out to be one of the best sources for old school Hammond sessions these days – and this sweet set from guitarist Will Bernard is great proof of that fact! Bernard plays with a tight sense of line and color that really takes us back to some of our favorites from ... read moreCD
A trio of modern talents, working beautifully together on a set of extended live tracks! The group features guitar from Peter Bernstein, Hammond from Larry Goldings, and drums from Bill Stewart – coming together in ways that remind us of the hipper side of 60s organ combos – those ... read moreCD
A dream of a record from the LA spiritual underground of the 70s – and one of the only records we've ever seen from reedman Gary Bias! The date's got a soulful depth that makes it one of the most compelling albums on the legendary Nimbus label – a rhythmic pulse that's often modal, and ... read moreCD
One of a rare few electric albums from the great Walter Bishop Jr – a pianist who started during the bop years, but really grew into new modes in the 70s! The set's an album on Muse, but one with the same hip grooves as Walter Bishop's pair of excellent albums for the Black Jazz label – ... read moreCD
One of Walter Bishop's greatest records – an amazing session that's as funky as it is spiritual – and quite different than most of Bishop's other work! The vibe here is wonderful – as Bish plays a host of keyboards, not just piano – and works in the company of other players ... read moreCD
Cindy Blackman's looking a bit foxy on the cover, but her sound here is solidly soulful – a forceful batch of tunes that really match the best energy of the Muse Records soulbop scene of the early 90s! There's a nice blend of modern ideas and straight jazz energy here – sounds that ... read moreCD
Brian Blade —
Landmarks ... CD Blue Note, 2014. New Copy Gatefold ...
Brian Blade's Fellowship Band keeps on getting better and bolder over the years – really soaring out here under the leadership Blade's great drums – with a soulfully expressive feel that takes us back to his Blue Note albums from the last few years of the 20th century! Pianist Jon ... read moreCD
Don't worry about the title, because drummer Jonathan Blake is very much with us – stepping out strongly in his Criss Cross debut as a leader! The set's got a unique approach – a quartet with no piano, just drums and bass – plus tenor and flute from Chris Potter, and tenor and ... read moreCD
Really amazing early work from pianist Ran Blake – an artist who's continued to blow our minds in more recent years, but who sounds especially outstanding hear in an early session for the ESP label! The album's quite different from some of the freer, bolder music you'd normally associate ... read moreCD
The tenor sound of Seamus Blake is always a treat – and he really stretches out here on a set of long, live tracks with a great group! Most titles go way past the ten minute mark, and the always-inventive Blake manages to make plenty happen with all that time – working deftly in a ... read moreCD
Seamus Blake & Chris Cheek —
Reeds Ramble ... CD Criss Cross (Netherlands), 2014. New Copy ...
No rambling here – as the reed players are very focused – both Chris Cheek on tenor and soprano sax, and Seamus Blake on his consistently well-blown tenor! The pair come together in ways that are very fresh for a twin-sax session of this nature – more woven together in spirit, ... read moreCD
The rarest of all of Art Blakey's percussion group projects – and quite possibly the best, too! The session features Blakey at the head of a strong mix of jazz and percussion players – with Art Taylor and Philly Joe Jones on the regular drum kit, Donald Byrd on trumpet and Ray Bryant ... read moreCD
Long, lean live energy from Art Blakey and a well-remembered version of The Jazz Messengers – a group that includes both Branford Marsalis on alto and Wynton Marsalis on trumpet – plus great tenor from Bill Pierce as well! The vibe is nicely different than the 60s years of the group ... read moreCD
A killer album – one of Art Blakey's best non-Blue Note sides, and a blinding set of hard-driving jazz that well earns its title! The group is one of Blakey's pre-Timmons/Morgan/Shorter ones – with Jackie McLean on alto, Bill Hardman on trumpet, Spanky DeBrest on bass, and Sam Dockery ... read moreCD
A lost treasure – never-issued material from the legendary Blue Notes combo – and a set that really helps fill some space in their all-too-small recorded catalog! The set captures the group at the end of the 70s, working in their most openly-creative mode – a style that partly ... read moreCD
A long-overdue look at one of the most important groups to grace the British jazz scene of the 60s and 70s – the legendary Blue Notes, a group of South African expatriates with an undeniably huge influence on the music of their new homeland! The ensemble featured key players who went onto do ... read moreCD
One of the few small group recordings ever cut by pianist Francy Boland – and a set that cooks every bit as much as his work with the larger Clarke Boland Big Band on MPS! The reason for the cooking is clear – Francy's got key rhythmic help from group members Jimmy Woode on bass and ... read moreCD
The "joy" in the title is certainly well-placed – as the music here has a buoyant, ebullient quality that's unlike most we're used to hearing from the artists on the record – and from ECM in recent years! The group's led by pianist Stefano Bollini, whose light tones ring out ... read moreCD
Fabrizio Bosso —
Purple ... CD Verve (Italy), 2013. New Copy ...
A really unusual project for this great Italian trumpeter – a set that has Fabrizio Bosso working with his Spiritual Trio – a group that features lots of Hammond organ, and plenty of tight drums! The "spiritual" in their name is a reference to an American gospel and soul ... read moreCD
Fabrizio Bosso & Marco Moreggia —
Magic Susi ... CD Verve (Italy), 2014. New Copy ...
One of the more electronic projects we've heard from trumpeter Fabrizio Bosso – a set of work done with electronic musician Marco Moreggia, who creates a very different sound for Fabrizio's horn! The music is a blend of sound sources, keyboards, and other elements – sometimes augmented ... read moreCD
Four friends in Bari, making really beautiful music together – a lineup that features sparkling trumpet from the great Fabrizio Bosso, plus guitar from Guido Di Leone, bass from Giuseppi Bassi, and drums from Mimmo Capanale! The set's got all the subtle charm of Bosso's best work in recent ... read moreCD
A really rockin little set – and one that shows that saxophonist Earl Bostic was way more than just a jazz musician! The package has a strong focus on Earl's more R&B-influenced sides for King Records in the early 50s – work that resonates strongly with the King sides by Wynonie ... read moreCD
Tenorist Ralph Bowen blows some strong magic here – the kind of tone and timing that really transforms the more familiar numbers chosen for the set – so that older standards are turned inside out and opened up as new vehicles for expression – yet all while still managing to swing! ... read moreCD
A cooker of a record from Lester Bowie – one that takes the earlier sound of the Brass Fantasy ensemble, and focuses it into a mode that shows his growing love of soul and funk! The set was issued on the the short-lived Venture imprint of Virgin – a surprisingly strong outlook for ... read moreCD
A real departure for saxophonist David Boykin – an album of solo material, performed on soprano sax and Bb Clarinet – in a style that recalls the most experimental work of Roscoe Mitchell, and which also has ties to the solo recordings of Evan Parker and Steve Lacy! Boykin's really ... read moreCD
Spare improvisations from Chicago saxophonist David Boykin – recorded as a duet with butoh artist Nicole Legette, who also seems to be vocalizing a bit on the record! The album's easily one of the most challenging that Boykin's ever given us – quite open, and very expressive – ... read moreCD
One of the most spiritual albums we've ever heard from reedman David Boykin – a beautiful batch of long, flowing tunes that have tremendous modal energy and a very cohesive feel! We've always loved Boykin, right from the start – but here he's showing an even deeper sense of ... read moreCD
One of the most ambitious recordings to date from Chicago improviser David Boykin – a large group performance done in the freely collaborative spirit of older AACM recordings! There's a relaxed, spontaneous vibe here that we really love – as Boykin and other Chicago players work ... read moreCD
A raw, live set from Chicago saxophonist David Boykin – but a great little record that really reminds us of a classic 60s session on ESP! Boykin's reeds are wonderful throughout – filled with the depth of soul we might expect from Kalaparusha or Albert Ayler – and set up here in ... read moreCD
A great lost performance from David Boykin's Expanse group – one of the boldest forces in Chicago underground jazz a few years back! The lineup here is great – with Boykin on tenor, Nicole Mitchell on flute, Josh Abrams on bass, James Baker on piano, and Myron Cherry on drums – ... read moreCD
"Expanse" is a mighty big name for the group that David Boykin uses on this record – especially given that the combo's only a quintet – but that's ok with us, because the sound here is more than large enough to warrant the name! Boykin's working with a great batch of players ... read moreCD
Seminal sounds from cornet player Bobby Bradford – a date recorded in the UK in the early 70s, but with all the free-thinking and imaginative energy as his best sessions in LA! The group pits Bobby's horn against three young modernists – Trevor Watts on alto and soprano sax, Kent ... read moreCD
Ruby Braff has a ball on this rare date for Bethlehem Records – a set that's got a live, loose feel that's quite different than some of Ruby's other records! The date was recorded on New Years Eve, at the end of 1954 – and it features Braff stepping out with these surprisingly human, ... read moreCD
George Braith —
Musart ... CD Prestige/Dusty Groove, 1967. New Copy ...
One of our favorite-ever albums on Prestige Records from the 60s – and a set that's a fair bit different than most of the other work on the label! The set's an unusual outing for saxophonist George Braith – cut after his famous albums for Blue Note, and in a mode that's quite different ... read moreCD
Bassist Peter Brendler is at the helm of the set, but we're especially enamored of the trumpet work here – played by Peter Evans on both standard and piccolo trumpet – the latter of which has this wonderfully personal sound! Almost all tunes are originals from Brendler, who turns out ... read moreCD
Amazing sounds from the righteous Roy Brooks – a drummer who worked strongly in the soul jazz mainstream of the 60s, then stepped out into even headier territory here in the 70s! The album's a spiritual masterpiece all the way through – an album on par with early 70s Impulse sides from ... read moreCD
One of those rare Blue Note sessions from tenorist Tina Brooks – originally recorded for the label in 1960, but never issued at the time – yet easily on a par with their more famous work of the period! Brooks' horn has a nice hard edge here – that sharp-edged modernism you'd hear ... read moreCD
Wonderful! This is the fourth session that tenorist Tina Brooks cut for Blue Note – and it's finally getting reissued! The material did appear briefly in the Tina Brooks box set on Mosaic, but it went out of print immediately, and has never before been presented with a proper cover. It's ... read moreCD
A legendary team, heard here at the height of their powers – at a time when both Peter Brotzmann and Sonny Sharrock were finding a bold musical space alongside each other! The pair had worked in Last Exit with a bit more of a frenetic rock jazz vibe – but here, the style is much more ... read moreCD
Some of the earliest work ever recorded by Peter Brotzmann – a rare live performance from 1966! Broztmann plays both alto and baritone sax here – already blowing with the intensity of his Machine Gun years, but working in a more stripped down setting – a trio with Peter Kowald on ... read moreCD
The great Ari Brown, in wonderful form – hardly a player who needs any awakening at all, since he's been working strongly on the Chicago scene since the 70s! Ari's done famous work with his group The Awakening, Ramsey Lewis, and other bigger names – but we've really grown to love his ... read moreCD
Seminal work from one of the greatest trumpeters of the 20th Century – and a musician who helped his instrument find a whole new voice in jazz during his short time on this planet! The set brings together all of Clifford Brown's classic work for Blue Note, but in their original format – ... read moreCD
A compelling conception from drummer Jaimeo Brown – a set that mixes the jazz performance of his trio with inspiration from older gospel music – in particular the famous work of the Gee's Bend Singers, who are sampled here on a number of tracks! About half the record draws vocals from ... read moreCD
A stunning debut from drummer Otis Brown III – a player you may know from his work with Esperanza Spaulding, Somi, Joe Lovano, and others – stepping forth here with a rich musical vision of his own! The set was co-produced with Derrick Hodge, of Robert Glasper's group – and ... read moreCD
One of the few albums ever as a leader from alto saxophonist Pete Brown – a less-remembered talent of his times, but a key link between the generations of bop and swing! The set was only issued as a 10" LP, but packs the full punch of most longer albums – sublime alto from Brown ... read moreCD
Beautiful later work by the Dave Brubeck Quartet – an overlooked gem from their 60s Columbia sessions, and an album that features interpretations of tunes written by the great Matt Dennis! Dennis had a way with a tune that often put dark corners in the back of lovely melodies – and ... read moreCD
Dave and the quartet pay tribute to the songwriting genius of Cole Porter – working with familiar older tunes, but nicely unlocking them with a strong sense of Brubeck modernism! Things start out slow, but get extremely playful as the set goes on – with fresh timings and phrasings that ... read moreCD