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Essential work from Eddie Henderson – one of the trumpeter's hippest albums of the 70s, and a key link between his early righteous days and his later smoother sound! The set's a near-perfect blend of all elements involved – tight funky rhythms, spacey soulful instrumentation, and... read more

An excellent document of how the rawer soul jazz spiritualism of the early 70s smoothed out to become the spacey mellow fusion of the late 70s. The players all have their jazz funk chops – and include Paul Humphrey, Herbie Hancock, Bennie Maupin, and Bill Summers – and they've taken... read more

Funky fusion doesn't get any funkier than this – and the album's one of the greatest 70s recordings by jazz funk trumpeter Eddie Henderson! The album's got a harder edge than a lot of Eddie's other records of the decade – razor sharp rhythms crackling away underneath a sublime space-hea... read more

Some of the most ambitious electric work from Joe Henderson to date – a record that really has him stretching out from his previous small combo keyboard sets, into a space that's much fuller and even more righteous! Frequent partner George Cables is very much in force on electric piano... read more

One of Joe Henderson's greatest albums ever – a real treasure from his electric years at Milestone Records, and a set that showed he really had a lot more to offer for the scene of the 70s! The sound here is quite different than Joe's earlier work for Blue Note – a style that's... read more

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Matthew Herbert never fails to amaze our ears, but he does so even more than ever on this stunning Big Band set! The album's more dynamic, more creative, and more experimental than any of Herbert's other work – hardly the slower, cinematic modes of some recordings – or the jazz-meets-gr... read more

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A young group, but one with a great take on an older aesthetic in jazz – the chamber styles of the late 50s modern scene, recast here with a hell of a lot more energy than before! The group play together in differing formations – from trio to septet – and their vision here is... read more

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Conrad Herwig really has a way of making other players cook – a special sort of something that comes through in both his rich vision for the music, and his strong inspiration as a soloist too! This album's key testament to that quality in Herwig's music – as it has all players sounding... read more

Really lovely sounds from Jana Herzen – a set that features her own vocals and guitar, with just the bass of Charnett Moffett for accompaniment! The spare setting is beautiful – and Jana sparkles here in ways that few other singers could hope to match – bringing out a key... read more

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A warm and soulful set of tracks by John Hicks – a wonderful album that moves past his more familiar trio modes, and shows how great he can sound with some horn players in the mix! The lineup here is wonderful – with a core combo that features Curtis Lundy's bass and Cecil Brooks'... read more

A wonderful session by Andrew Hill – recorded in 1968, but issued only briefly in 1981 – and out of print for years! The session is a key one in understanding Hill's work – as it's a bridge between the arch modernism of his early Blue Note sides, and the more soul-oriented... read more

A bold return to Blue Note for pianist Andrew Hill – his first record for the label in over 15 years, and a record that echoes with the modern tones of Hill's legendary Blue Note run in the 60s! The sound here is a bit more starkly modern and obtuse – done with more of a sense of space... read more

One of our favorite albums ever on the legendary Nimbus label – and the only set we've ever seen from pianist Linda Hill as a leader! The set's got the same open-ended, spiritually-expressive sound as Adele Sebastian's record for the label – and Sebastian's also a key part of the group... read more

Another lost gem in this excellent Jazz In Paris series! This one features pianist Earl Hines working with a French rhythm combo of Guy Pederson on bass and Gus Wallez on drums. The material is relatively straightforward, but Hines is in great form – and the set includes 2 unissued bonus... read more

Sweet electric fusion from Japanese drummer Motohiko Hino – a set that's got a deeper vibe than some of his other work of the 70s! The set's a live one, and all tracks are quite long – played with an open, exploratory feel by the group – in ways that are almost an extension of... read more

An early showcase for the talents of Japanese trumpeter Terumasa Hino – a smoking set that showcases his talents in two different settings! The album begins with a quintet that features Hino with Takeru Muraoka on tenor and Hiromasa Suzuki on piano – working through a great open-ended... read more

One of the great ones from the young Terumasa Hino – a beautiful quartet session that really demonstrates his strength as a soloist on the trumpet! As you might guess from the title, there's a nice sense of melancholy to the record – a blueness that's carried off wonderfully by Hino on... read more

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Two Verve albums from Johnny Hodges – both relatively obscure, and both pretty darn great! The Eleventh Hour is an overlooked gem from Johnny Hodges – a 60s session that hearkens back to the "with strings" Verve mode of the 50s – but one that also updates the approach... read more

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Amazing stuff – a really incredible dip into the life, mind, and music of Billie Holiday – with some rare studio banter that's almost as compelling as her famous recordings for Verve! Amazing package, too – a real standard-setter for CDs when it came out!... read more

With Chris Potter, Robin Eubanks, Steve Nelson, and Billy Kilson. 8 tracks in all: "Looking Up", "Make Believe", "A Seeking Spirit", "High Wire", "Jugglers Paradise", "Candlelight Vigil", "Wonders Never Cease" and "Down... read more

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Funky funky Groove Holmes – one of his tightest albums ever! The set's a monumental batch of organ jazz groovers – recorded with some larger backings from Manny Albam, and a super-dope, super-funk sort of 70s feel that's really outta site! The tracks are lean and very rhythmically... read more

Straight trio grooving from Takehiro Honda – but pretty darn great work nonetheless! The album's a nice bridge between the harder, more rhythmic pulse of his early soul jazz sessions, and the later, freer sound of his more lyrical trio sides – and the whole album shows Honda opening up... read more

A great trio date that has Takehiro Honda working with Reggie Workman on bass and Motohiko Hino on drums – an extremely great group that really takes off in this setting! The record is one of the freer sides from Honda at the time – done in the more open, lyrical modes that were coming... read more

A great early album from Japanese pianist Takehiro Honda – one of the key jazz talents of Japan in the 70s, and a wonderfully lyrical keyboardist with a style that's right up there with the best American players of the 60s. Unlike later albums, which have Honda grooving with a bit more of an... read more

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A brilliant showcase for the drums of William Hooker – ringing out loudly and proudly here in the company of younger players who really help support his energy! Hooker's got this sharp punch that comes through right away – that mixture of freewheeling rhythms and more expressive... read more

An amazing album – and a really unique slice of the underground of jazz in the 60s! The session was put together in 1963 by Walt Dickerson, and was conceived as an attempt to draw attention to the incredible amount of great jazz players who were then currently serving time in prison for... read more

A seminal recording from this duo who were a key part of the Northeastern improv scene in the 80s – bassist Fred Hopkins and cellist Deirdre Murray, who between the two of them manage to cover a hell of a lot of space with their instruments! Both players work together with an energy on the... read more

Back to back jazz soundtracks – the cream of the crop of the early 60s! First up is The Hustler – a killer jazz score from Kenyon Hopkins – a composer we can almost always trust to turn around a killer jass score! The work is mostly in a jazz ensemble mode – and moves... read more

One of the most starkly beautiful recordings in Paul Horn's career – with spiritually resonant, almost spine tingling solo flute and some chants, all recorded in the Taj Majal one day in April of 1968! It's really all about the atmosphere, as it would have to be given the location –... read more

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A brilliant return from the Hot 8 Brass Band – a New Orleans combo who take tradition into some great funky new territory! As you'd guess from their name, the instrumentation is heavy on brass – played with a gritty, soulful edge – in the way you'd find during some street... read more

A cool collection of rare recordings from trumpeter Allen Houser – mostly recorded around the DC scene of the 70s, all with hip small group players and a pretty soulful feel overall! Houser's trumpet is set up in quartet, quintet, and sextet formations – often with a groove that draws... read more

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Hu Vibrational brings a pounding instrumental mix of percussion, electronic beats, and African-inspired jazz! The loose group feature multi-instrumentalist Adam Rudolph (who has played with Pharoah Sanders, Herbie Hancock and Don Cherry to name a few) on all types of acoustic drums, shakers,... read more

A totally fantastic set from the turn of the 70s, and one of Freddie Hubbard's most soulful, spiritual albums ever – a seminal chapter in the evolution of soul jazz – and a record that was a keen inspiration for changes to come on labels like Strata East and Black Jazz! The group here... read more

A real standout in the early career of trumpeter Freddie Hubbard – a very unique session that has him working with some larger arrangements in the background – blowing these magical solos over the top, while still hitting a great edge with the rest of the musicians as well! There's a... read more

A bundle of soul from Freddie Hubbard – one that has him blowing beautifully over full arrangements from Bert DeCoteux – the 70s super-soul maestro who really brings a new sound to Hubbard's music! The style's a bit smoother than other Freddie albums of the time, but still really great... read more

Sweet early CTI work from trumpeter Freddie Hubbard – the kind of groundbreaking electric jazz that really helped him find a new space in the 70s! The album follows strongly from Freddie's classic Red Clay set for CTI – and like that one, it features extended tracks that build... read more

Sweet electric Freddie Hubbard – a wonderfully laidback session that's filled with space and soul – hardly what you'd expect from the title! The album follows nicely in the style that Hubbard hit at CTI – an openly flowing groove that has Freddie's trumpet on top of long electric... read more

An overlooked gem from Freddie Hubbard – a late fusion outing, done for the Japanese market at a time when most of his American work was returning to more acoustic modes! Freddie's trumpet sparkles brilliantly in the lead – hitting the same sort of soulful, stretching vibe as his best... read more

One of Freddie Hubbard's wildest records ever – a really unique experiment with electronics, and a set that sounds way different than his other albums for Atlantic, Blue Note, or CTI! The key factor here is experimentalist Ilhan Mimaroglu – who adds lots of electronics and processed... read more

The title reads like a typo, but the album's a great set of smooth fusion from Freddie Hubbard – self-produced, and almost a summation of all the styles he'd mastered in the 70s! The session's never too over the top or too ambitious – just features Freddie working with a hip group in a... read more

A wonderful session of hip soul jazz tracks from Freddie Hubbard – mostly short tight and groovy, but played with a sophisticated style that points the way towards the soul jazz sound of the 70s. Soul Experiment is a fitting title – as Freddie works hard with hip players like Billy... read more

An obscure date from trumpeter Freddie Hubbard and tenorist Benny Golson – but some really great work from both players! The format here is relaxed and very open – long tunes that allow both players to really stretch out on their solos with tremendous grace and imagination. And... read more

The title's a great way to sum up the unique mood of this session from drummer Daniel Humair – a really wonderful blend of his own percussion with saxes, accordion, and bass – a mix of sounds that's definitely got plenty of French jazz touches! The sweet moments are those warm passages... read more

A monster – and one of our jazz funk favorites of all-time! This is the best record ever cut by the great flute player Bobbi Humphrey – and the record features some stellar production work by the great Larry Mizell, very much in the same vein as that which he used on classic sessions... read more

Sublime genius from funky flute player Bobbi Humphrey – a record we'd rank right up there with her classic Blacks & Blues set – and like that one, another fantastic collaboration with producer Larry Mizell! The groove here is tremendous throughout – a heady mix of Bobbi's... read more

Some of Bobbi Humphrey's greatest work of the post-Blue Note years – an album that's filled with soulful fusion tunes throughout, all with a great focus on her funky flute! Bobbi also sings a bit on the set, but in a way that's pretty darn great – wonderfully sweet at times, with a bit... read more

A great setting for the 7 string guitar of Charlie Hunter – served up here in a spare set of duets with drummer Scott Amendola! The sound is nice and wide – way fuller than you might expect from two instruments, thanks to some lush phrasing from Charlie, as he moves nicely along with... read more

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The Charlie Hunter quartet offers their take on Bob Marley's groundbreaking album Natty Dread – taking the original Jamaican grooves of the set, and performing them in a laidback jazz funk style! The lineup includes Charlie on 8-string guitar, plus alto sax, tenor sax, and drums – on... read more

An incredible collection of work from vibist Bobby Hutcherson – some of his most righteous recordings ever, spread out over the span of 5 albums recorded for Blue Note in the mid 70s – one of which was only ever issued in Japan! The work here has Bobby taking off nicely from his years... read more

Beautiful late Blue Note work from vibist Bobby Hutcherson – laidback, warm, electric, and with a mixture of CTI funk and some of the more lyrical soul jazz work of his years with Harold Land! Part of the credit for the set should go to George Cables – who plays both acoustic and... read more

A beautiful later Blue Note album from vibist Bobby Hutcherson – a set recorded after his famous association with Harold Land, but with a groove that's wonderfully soulful in a whole different way! Bobby plays marimbas instead of vibes this time around, and he's working with his own... read more

One of the most wonderful 70s albums from Bobby Hutcherson – and one of the most deeply spiritual, too! As with others in Blue Note's Montreux series, the tracks are long and very open – with a different flavor than the artists' studio work. Hutcherson works with a hip small group... read more

A lost set of work from the team of Bobby Hutcherson and Harold Land – recorded right around the same time as their famous San Francisco album! The album's overflowing with the soulful, righteous tones the pair could create together – sublime vibes from Hutcherson, both tenor and flute... read more

A really heady set of tracks from vibist Bobby Hutcherson – a record that has him stepping away from the harder sounds of his early modern years – and moving into the sublime mix of soulful and modal styles that would really grow strongly by the end of the 60s! The album's a treasure... read more

A real charmer from Bobby Hutcherson – and a set that features his vibes in a quartet with great Hammond from Joey DeFrancesco! We haven't heard Hutcherson with organ in many years – and the pairing is a wonderful treat, and really takes us back to some of his Blue Note moments of the... read more

Moody material from Bobby Hutcherson – and one of the first records to feature his vibes in the company of tenorist Harold Land – a player who would help Hutcherson make some mighty fine music over the years! The set's got a super-hip group – with Stanley Cowell on piano, giving... read more

The sticks are up, and Bobby Hutcherson is at the top of his game – hitting a whole new groove here in this sublime session of modal numbers for Blue Note – a slightly warmer set than his more modern albums of the "new thing" years, and a great indication of the directions he'd... read more

Sweet 70s grooves from Bobby Hutcherson – an overlooked mid 70s gem for Blue Note – done in a style that's a bit more laidback than some of his other work for the label! The group here is similar to that used on the Waiting album – and Emmanuel Boyd turns in some great tenor and... read more

Soaring, spiritual jazz from Bobby Hutcherson – one of his soulful, modal killers for Blue Note in the 70s – and a record that's done in a style that's very similar to Bobby's work with Harold Land! This time around, Emanuel Boyd is on deck on tenor, flute, and soprano sax –... read more

A soaring set of solo piano from Weber Iago – music that bubbles and flows with a beautifully spontaneous quality – almost in the mode of a lost ECM session from the 70, but with all the warmth we've come to love from the Adventure Music label! The set may well be the best so far in... read more

A soaring set of solo piano from Weber Iago – music that bubbles and flows with a beautifully spontaneous quality – almost in the mode of a lost ECM session from the 70, but with all the warmth we've come to love from the Adventure Music label! The set may well be the best so far in... read more

A heavy funk party from the Japanese jazz scene of the 70s – and a set that hits a lot harder than some of the smoother fusion of the time! There's a grit here that hearkens back to some of the best American jazz funk at the start of the decade – a nice edge that you often don't find... read more

A landmark New York session from Dollar Brand – recorded in the late 70s, with a larger group than usual! Brand spins out some really magical African-tinged jazz grooves – stretching forth in his usual modal mode, but augmented by a great set of horn parts that includes work by Don... read more

A beautiful second album from Idea 6 – the cool Italian combo who first blew our minds with their excellent Metropoli set! The style here is similar to that great album – a recasting of older Italian jazz modes from the 60s – the mix of hardbop and modalism that flourished during... read more

One of the greatest jazz rock albums to come out of the British scene at the end of the 60s – a record that's filled with tight changes, bluesy overtones, and some wonderfully choppy moments – all played by a legendary lineup that includes Terry Smith on guitar, John Healing on organ,... read more

The sweet second album from If – a Brit jazz-rock combo with a really great sound! The album was produced by Lew Futterman, the talent behind some of Jack McDuff's large-arrangement albums for Blue Note – and Lew seems to bring in a similar ambitious feel to the set that really brings... read more

A beautiful little record – one of those really unique, really sensitively soulful sessions of jazz that were coming out of the Japanese scene in the 70s – quite different than work you'd hear from any other point of the globe! The group's led by bassist Yoshio Ikeda – who has a... read more

One of the most roosty albums on Blue Note – and a fairly straight session of African percussion tracks by Solomon Ilori and his Afro Drum Ensemble! Unlike similar albums by Art Blakey, this one lacks any strong sort of jazz component – and really just features fairly straight African... read more

Great long piano grooves from the trio of Masaru Imada – augmented here with additional instrumentation as well! Masaru alone is already great – a Japanese pianist with a strong sense of rhythm – those rolling lines we love in his trio dates from the 70s, usually with a nice dose... read more

Twin pianos here – the acoustic of Masaru Imada, and the mixed acoustic and electric of Kenji Kohsei – working here together to co-lead a quartet in a sublime session from the 70s! Imadu's a really great player, with a wonderful sense of blocking out a tune – moving slowly at... read more

Incredible work from one of the hippest groups in the contemporary underground – Detroit's In The Tradition, a combo with a righteous sound that takes us back to the 70s days of Strata East and Tribe Records! This double-length set is a bold step forward for the group – as some tracks... read more

Not the disco promised in the title – but a sweet batch of funky tracks from Japanese reedman Jiro Inagaki – easily one of his hippest albums of the 70s! Rhythms are super-tight – very much in the best mid 70s space of Fatback Band or Kool & The Gang – and carried off... read more

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Brilliant work from this band we've been digging for years – but who never seem to get their due on the global scene, because most of their music comes out in expensive limited packages like this one! But take it from us, the price is well worth it – because Indigo Jam Unit serve up a... read more

Some of the coolest work we've ever heard from Chicago flautist Nicole Mitchell – a really wonderful record that shows the full spectrum of her talents! The set's recorded with a trio that includes Hamid Drake on percussion and Harrison Bankhead on bass and cello – both players who can... read more

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A great little album from talented tenorist Jon Irabagon – served up with a cover that's sort of a parody of a hip hop record – but delivered with a bold musical sound that's right up there with Jon's work in Mostly Other People Do The Killing! The tenor's really out front in most... read more

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Weldon Irvine meets Strata East – and the result is one of the keyboardist's funkiest albums ever! The set's more jazz-based than the soul/funk outings Weldon cut for RCA and his own label – with great focus on Weldon's lines on clavinet and Fender Rhodes – supported by sweet... read more

Massively funky work from the mighty Weldon Irvine – sublimely cosmic and filled with soul throughout! The vibe here is a bit more focused than on some of Weldon's earlier albums – a moody blend of electric keys, heavy percussion, and some slight bits of jazzy solo work by trumpeters... read more