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Plenty of sass, and plenty of soul – a great mix of modes from the mighty Lou Donaldson! The set has Lou expanding his sound a bit from the harder funk of Blue Note dates from a few years before – working with arranger George Butler, who gives the record a cool electric vibe –... read more

A killer by Lou Donaldson – one of his earliest sides for the Argo label, recorded right after his landmark organ jazz sides for Blue Note – Natural Soul and Here 'Tis – and like those, recorded with a lineup that includes Big John Patton on organ! The rest of the group features... read more

A really unique album for Lou Donaldson – especially for his early 70s run on Blue Note! The session lives up to its title by offering up a batch of soulful ballads from Lou – tunes that really focus on his sweet lines on alto, yet set amidst some larger backing arranged by Wade Marcus... read more

Sweet Lou, but funky Lou too – a perfect blend of modes that makes for one of Donaldson's last great albums for Blue Note! The set's got some fuller arrangements from Horace Ott – but given Ott's work in the indie soul world during the 60s, there's still a nice edge to the record too... read more

Denise Donatelli gets some great backings here from Geoff Keezer – mostly in a straight jazz mode, but sometimes in a fuller style that really opens her up! Donatelli's got a sound that's rooted in jazz, but more expressive than most – and Keezer really sets her up nicely for the... read more

An overlooked gem from keyboardist Joao Donato – cut in a mid 80s stretch when he was hardly doing any recording at all! The set's almost more of a jazz record than some of Donato's previous work – recorded with a warm vibe that's right up there with the best Brazilian fusion of the... read more

Great early work from Joao Donato – the US issue of some recordings that (we think) made up the Polygram album Muito A Vontade. The tracks were recorded in Brazil, with Donato on piano, and rhythm by Milton Banana drums, Sebastian Neto bass, and Amaury Rodrigues on bongos and pandiero. The... read more

The legendary meeting of the two biggest Brazilian keyboard talents of the 70s – Joao Donato and Eumir Deodato – coming together in beautifully funky formation! The sound is a great blend of the moody electric work of Donato's classic Quem E Quem album, and some of the fuller, funkier... read more

With Jerome Hunter on bass and Ray Mosca on drums.... read more

Dorothy Donegan tickles the ivories with a mighty nice touch – on a set that shows why she was quite a popular attraction on the 50s scene! Donegan's got a way of approaching the piano with a heck of a lot of vitality – really working the keyboard with great imagination, moving up and... read more

Wonderfully sensitive work from the quartet of pianist Axel Donner – a group who play here with a timeless quality that makes the record feel like some lost indie American album from the 70s! Donner can have a sharp tone when he wants, but he's also penned some really wonderful tunes for the... read more

Classic early work from Kenny Dorham as a leader – a brilliant set that sparkles with modern touches! The group's a quartet that pairs Kenny's trumpet with the alto sax of the late Ernie Henry – a perfect accompanist that brings out both the brightness in Kenny's horn, and the edgier... read more

Classic early work from Kenny Dorham as a leader – a brilliant set that sparkles with modern touches! The group's a quartet that pairs Kenny's trumpet with the alto sax of the late Ernie Henry – a perfect accompanist that brings out both the brightness in Kenny's horn, and the edgier... read more

Kenny may be quiet, but he's never muted – and the record is far from the sleepy session you might guess from the title! The album's a real standout in the Dorham catalog – a set that let's Kenny's trumpet sparkle beautifully in a quartet that includes piano from Tommy Flanagan, bass... read more

One of our favorite albums ever by Kenny Dorham – and a really different session than his usual studio work! The album captures Kenny in a relaxed live setting, with a bit more dirt on his horn than usual – blowing with a tone that's much more open and a bit less poised – in the... read more

An excellent groover from Kenny Dorham – possibly one of his best ever albums for Blue Note – a record that shows how much he was pushing past his bop roots in his later years! The tracks are extremely long, and with a Latiny feel that's surprising when you look at Dorham's earlier... read more

Arguably one of the most lyrical and expressive trumpeters in the history of Jazz, Kenny Dorham was unquestionably the one the foremost players of his generation. An absolute must own for all fans of the mid 50's to late 60's hard bop as defined by this side and many other contemporaneous... read more

Arguably one of the most lyrical and expressive trumpeters in the history of Jazz, Kenny Dorham was unquestionably one of the foremost players of his generation. An absolute must own for all fans of the mid 50's to late 60's hard bop as defined by this side and many other contemporaneous selections... read more

This is the kind of CD that makes us love reissues! Why? Well, because it features 2 incredibly rare jazz albums – both of which never turn up on vinyl, and are lovingly packaged here on 1 CD filled with a dozen hard bop grooves. The album Matador was originally issued under Kenny Dorham's... read more

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Includes "Tiger Rag", "After You've Gone", "I'm Just Wild About Harry", and "St Louis Blues".... read more

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One of the best albums we've heard in years from trumpeter Dave Douglas – a really in the pocket session that's filled with rhythmic intensity, and some of the boldest music we've heard from Dave in years! There's plenty of edges to the set – especially the trumpet of Douglas and tenor... read more

Quite a compelling project from trumpeter Dave Douglas – a record that has him working strongly with singer/guitarist Aoife O'Donovan, whose presence really helps transform the sound of the set! Aoife's got a folksy touch on her vocals, and colors things in with some great earthy tones that... read more

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Bassist Dezron Douglas can be one hell of a leader – especially when he's working with a group and setting as great as this! The album's got that solid punch we love in the Smalls Live series – a way of allowing players to really open up and be themselves, yet also find a cohesiveness... read more

Amazing work from British reedman Bob Downes – a host of previously-unissued 70s recordings, all of them trio numbers with a wonderfully stripped-down feel! Downes is possibly best known for his larger group experiments of the Open Music years – but here, he comes across as much more... read more

More amazing work from the legendary Bob Downes – the British reedman/arranger/composer who's getting really rediscovered these days – represented here in a host of previously unissued tracks! Bob put together the package from his vaults, and we've got to say that the music here is... read more

Two albums in one package – both of them featuring excellent work from groundbreaking British reedman Bob Downes! Mixed Bag is nothing like you might expect from its title – because while the set does feature a variety of different sessions from Downes, it's also got a very unified... read more

A brilliant 70s session from UK reedman Bob Downes – one of his most compelling records ever, even if it wasn't widely issued at the time! The set's based on Downes' impressions of New York in the 70s – and it's got a really expansive vibe – surprising undercurrents of funk on... read more

A clunky title, a so-so cover, a later recording date – and yet, the record's wonderful overall – a surprisingly funky effort from British reedman Bob Downes! The album is Bob's tribute to funky sounds oif the 60s and 70s – and although it includes a few tracks penned by Downes... read more

Really righteous work from the Chicago scene – a very hip album that features some especially nice guest work on flute from Nicole Mitchell! The group is headed up by percussionist Hamid Drake, who really sounds great here – almost more relaxed and organic in his handling of drums and... read more

A nice little funky fusion set by Dreams – who were basically the Brecker Brothers, before they stepped out on their own and started calling themselves by that name! The fusion super group actually hews a little closer to the rock side of the fusion game at times, but there's no shortage of... read more

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Familiar numbers – but done quite nicely, thanks to the warm early talents of Kenny Drew! The style here is a bit more lyrically evocative than some of the other Riverside piano work of the time – less modern-tinged, but still in a really expressive way that unlocks new corners of... read more

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A wonderful album from George Duke – and one of our favorite records from his legendary years at Columbia! George Duke's always had plenty of Brazilian elements in his music – but this album really brings them all together – offering up a perfect blend of Duke's keyboards and... read more

A sweet bit of modern funk from George Duke – working here in a mode that's definitely tighter and more soul-based than his trippier albums of the early 70s – but also in a groove that's pretty darn sweet! George wonderfully blends together his jazz roots and some of the wider soul... read more

A sweet bit of modern funk from George Duke – working here in a mode that's definitely tighter and more soul-based than his trippier albums of the early 70s – but also in a groove that's pretty darn sweet! George wonderfully blends together his jazz roots and some of the wider soul... read more

Heavily layered work from George Duke – a record that seems to push all his influences and aspects at once, sometimes getting in the way of each other, but sometimes making for some very nice grooves! The best tunes on the set are those that have a bit of space in them – letting Duke... read more

One of George Duke's best albums for the MPS label – and a set that has a sound that's a little bit more soul than before! The album uses a fair bit of vocals alongside Duke's funky keyboards – but in a way that's not nearly as smooth as some of his albums for Epic, and which still... read more

An underappreciated soul set from George Duke for Epic – his Rendezvous from '84 – an engagement worth keeping! Given the mid 80s release date, you might be expecting a whole lot of programming and drum machine action – there's a bit of it, but this is a really lively set with... read more

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Some tracks feature trumpeter Sonny Dunham leading a group with Dick Wilson on tenor, Floyd Smith on guitar, Buddy Miller on alto, and Mary Lou Williams on piano – others feature pianist Joe Sullivan with Coleman Hawkins on tenor and Billy Carton on trumpet.... read more

A heavy record with a heavy pedigree – a smoking set of funky instrumentals, all recorded directly to tape! The trio has a hard-burning sound that takes us back to the Prestige records jazz funk sound of the early 70s – the sort of groove you might have heard from Leon Spencer or... read more

A heavy record with a heavy pedigree – a smoking set of funky instrumentals, all recorded directly to tape, then pressed directly on heavy colored wax! The trio has a hard-burning sound that takes us back to the Prestige records jazz funk sound of the early 70s – the sort of groove you... read more

A monster – and Charles Earland's second album for Prestige, the follow-up to his groundbreaking Black Talk album! This set's as great as that classic set – a tight batch of groovers that features Earland's Hammond work right out front, grooving away in a soaring, exploratory style... read more

A pivotal album in the development of the use of the Hammond organ in jazz – and Charles Earland's first exposure to a large audience! Durign the 60s, Charles was bumping around the Philly scene quite a bit – and recorded some small group indie sides that first gave a glimpse of his... read more

An excellent collection of Charles Earland's early 70s work for Prestige – a great set of grooves that trace his evolution from straight organ/tenor soul jazz, into the realm of more complicated arrangements that would show up heavily in his later fusion work! Players on the tunes include... read more

A great set that brings together 2 live albums from organist Charles Earland! Live At The Lighthouse is a real killer – with that tight jazzy groove that Earland had on his first few albums for Prestige, a mix of jazz funk and soul jazz, handled with an incredible touch on the organ! The... read more

Charles Earland – really stretching things out, and sounding great in the process! The album's an important one, as it shows that Earland wasn't just a funky Hammond player leading a small group – but a visionary player who could put together a session with a larger, cosmic concept. ... read more

Stellar grooves from Charles Earland – a great mix of jazz, soul, and funk – put together in a way that's quite different from his previous records on Prestige or Mercury Records! The sound here is tight 80s soul – put together by Tom Tom Washington, who gives the whole thing a... read more

A great little groover from keyboardist Charles Earland – and an album that definitely lives up to its title! There's plenty of street sounds going on here – lots of modern R&B modes that echo the changing styles of early 80s soul music, especially on the east coast! And as part... read more

After his run of funky organ records for Prestige in the early 70s, Charles took a similar route to Herbie and others, and picked up a host of electric keyboards for his spacey fusion records on Mercury. The core of Earland's groove here is the Arp, which he plays masterfully – running from... read more

Classic club jazz from Charles Earland – one of the best LPs from his late 70s, post-Hammond period – when he was really opening up and exploring the use of a variety of keyboards! The set was done in conjunction with Randy Muller – who arranged, produced, and wrote the tracks... read more

One of the fine fine albums of spacey keyboard funk that Charles cut for the Mercury label during the late 70s. Earland starts with a Herbie Hancock approach – and no surprise, he's got Paul Jackson and Harvey Mason in the group – but then he changes the groove to show off more of his... read more

An extremely righteous bit of soul jazz – originally issued in a very small pressing by Folkway Records, at a time when the label was doing some great underground recordings! The sound is loose and free – spiritually building in a manner that recalls the work of Ahmed Abdul Malik, Phil... read more

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A very groovy take on the work of Jimmy Webb – a sweet instrumental set from German maestro Kurt Edelhagen – featuring a host of hip jazz players from around the European scene, and some great arrangements by Quincy Jones! The tunes are all hits by Jimmy – but they're redone... read more

A very groovy take on the work of Jimmy Webb – a sweet instrumental set from German maestro Kurt Edelhagen – featuring a host of hip jazz players from around the European scene, and some great arrangements by Quincy Jones! The tunes are all hits by Jimmy – but they're redone... read more

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Tight session of hard post-swing jazz, but still very straight ahead. With Jimmy Forrest on tenor adding a nice hard edge to Harry Edison's trumpet sound, and a large rhythm section featuring Jimmy Jones, Freddie Greene, Joe Benjamin and Charlie Persip. 6 in all: "Nasty", "Pussy... read more

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Harry Edison plays trumpet and Eddie Davis plays tenor – with Dolo Coker on piano, Harvey Newmark on bass, and Jimmie Smith on drums.... read more

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The second album recorded by underground Chicago tenor wailer Cozy Eggleston – recorded nearly 15 years after his first one, the massive Grand Slam, and with a similar approach, but one that's been softened by the styles of the times. The great Karl Johnson is still on organ, but he also... read more

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Ah for the days when Holland seemed to be filled with hard-jamming fusion combos! Ekseption were one of the country's best – and crossed over big to the rock crowd during the prog years. Here, on their 5th album, the group's actually pretty jazzy overall – taking a few tips from... read more

An amazing lost recording from Kahil El'Zabar – and a Ritual Trio record to rival the great sessions cut for the Sound Aspects label in the 80s! As on some of those records, this one features Kahil's beautiful percussion blended with the bass work of Malachi Favors and trumpet of Lester... read more

One of the freshest albums in years from Chicago percussion legend Kahil El'Zabar – the recording debut of a great little combo he's been heading for the past few years – and a group who would have been right at home during the more progressive 60s years at Blue Note! The sound here is... read more

Pretty great 60s performances – by a group that features Eldridge on trumpet, Kamuca on tenor, Dick Katz on piano, Tommy Potter on bass, and Eddie Locke on drums!... read more

A triple-trumpet session with a really wonderful sound – the kind of all-star date that only a label like Verve could have done so well! As you'll guess from the title, the record's a showcase for the three trumpeters in the lead – and the tracks are long, with plenty of space for each... read more

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A pair of surprisingly sweet albums from the Elgart brothers – back to back on a single CD! Girl Watchers is maybe the grooviest album ever from the team of Les & Larry Elgart – as you can probably guess from the title! The set's awash in groovy tunes from the late 60s – not... read more

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One of Duke's last albums – and a great one! The session is right up there with some of Ellington's best late "suites" – an extended work that features writing around exotic themes, played by stalwarts like Paul Gonsalves, Harold Ashby, Rufus Jones, Cootie Williams, and Harry... read more

A beautiful jazzy score by Duke Ellington – and a fitting companion to this classic Otto Preminger film! The record captures Ellington at a perfect moment – right during his Indigos period of increased sophistication, when his band was at an all-time level of perfection – and... read more

An important larger work from Duke Ellington – a suite of tracks that encompasses a range of styles and emotions in African-American expression! The work features some key guest work from Mahalia Jackson – singing here in a way that's different than other vocalists who worked with Duke... read more

A magnificent decade of music from Duke Ellington – the bulk of his fifties recordings for Columbia Records – all albums that really show the Duke stretching forth and greatly developing his style! The scope of performances here is breathtaking – as Ellington works with key... read more

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Includes "Black & Tan Fantasy", "Tishomingo Blues", "Birmingham Breakdown", "Tiger Rag (parts 1 & 2)", and "Jazz Convulsions".... read more

Includes "Wall Street Wail", "Mood Indigo", "Rockin In Rhythm", "Creole Rhapsody", and "Twelfth Street Rag".... read more