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Amazing live documents of Miles Davis and his incredible mid-to-late 60s quintet – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – complete concert recordings from Antwerp, Copenhagen and Paris on 3CDs seeing release for the first time... read more

The long-awaited release of some brilliant live sessions from the key Miles Davis group at the end of the 60s – the really freewheeling quintet that featured Chick Corea on electric piano, Wayne Shorter on tenor and soprano sax, Dave Holland on bass, and Jack DeJohnette on drums! Rhythms... read more

Excellent early hardbop work by Miles – recorded in 1952 and 1954, and some of his best early sides as a leader! The CD features remastered versions of the material, sparkling with the talents of Rudy Van Gelder – and the sessions feature JJ Johnson, Gil Coggins, Art Blakey, Kenny... read more

Miles Davis' first-ever performance in Japan – a really unique concert that featured the quintet with Herbie Hancock, Ron Carter, and Tony Williams – augmented by a young Sam Rivers on tenor! The presence of Rivers really gives the set an edge – and although Miles is holding Sam... read more

A rare treat for Miles Davis fans – a special 7" single with edits of "Miles Runs The Voodoo Down" and "In A Silent Way" – all packaged in a cool limited pic sleeve too! The box also comes with a blue/yellow/red Miles t-shirt – XL, printed on a dark black... read more

One of our 50s favorites by Miles Davis – and a record that offers the same twin-sax sound as his classic Kind Of Blue – with both John Coltrane and Cannonball Adderley working alongside Miles in the group! Rhythm here is by the Prestige-era trio of Red Garland on piano, Paul Chambers... read more

A beautiful little record by Miles Davis – oft overlooked next to some of the better-titled Prestige sessions of the 50s, but a great one nonetheless! The session features Miles working with trio backing from Red Garland on piano, Oscar Pettford on bass, and Philly Joe Jones on drums –... read more

A beautiful little record by Miles Davis – oft overlooked next to some of the better-titled Prestige sessions of the 50s, but a great one nonetheless! The session features Miles working with trio backing from Red Garland on piano, Oscar Pettford on bass, and Philly Joe Jones on drums –... read more

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With Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams, recorded in Paris, France, November 6, 1967. 8 tracks: "'Rond About Midnight", "No Blues", "Mascalero", "I Fall In Love Too Easily", 'Riot", "Walkin'", "Green Dolphin... read more

Way more than just a simple version of work from Porgy & Bess – and instead, a key collaboration between Miles Davis and Gil Evans – done with a sound that really transforms the tunes! True, the work here is all based on George Gershwin's original compositions – but through... read more

Moody magic from Miles Davis and Gil Evans – one of the pair's most perfectly poised albums together, and a set with a slight bossa nova undercurrent! Evans' shimmering horn patterns are in fine form here – complicated, but never in cold and too-modern ways – just the right sort... read more

One of the classic early Miles Davis & John Coltrane sessions for Prestige – a well-crafted quintet album that shows Miles finding a stronger voice than ever, and Coltrane beginning to emerge as a key force on his own! Backing is subtle and soulful – handled by the trio of Red... read more

Thelonious Monk wrote the title tune, but Miles Davis makes it almost his own here – blowing with a subtly moody magic that makes the album one of his true treasures from the early Columbia years! John Coltrane's along on tenor sax – helping Davis expand the sound the pair first forged... read more

Thelonious Monk wrote the title tune, but Miles Davis makes it almost his own here – blowing with a subtly moody magic that makes the album one of his true treasures from the early Columbia years! John Coltrane's along on tenor sax – helping Davis expand the sound the pair first forged... read more

One of Miles' last great albums – a soundtrack composed in conjunction with Marcus Miller, and recorded with a mix of atmospheric electronics and trumpet solos, coming off in a way that sounds far better than most of his other attempts at this style fro the time. Miller plays all the other... read more

A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an... read more

A beautiful collaboration between Miles Davis and the great Gil Evans – and perhaps the most perfectly realized of all their projects! The album's got a wonderfully unified feel – as it begins with long compositions that have a distinct Spanish-tinge (and not a Latin-tinge, which is an... read more

The tenor sax here makes the album a standout – as John Coltrane still works with Miles Davis on 2 tracks for the record, but Blue Note stalwart Hank Mobley joins in on the rest! The approach is similar to that of the classic Coltrane/Davis years – and in a way, the record's kind of a... read more

With Gary Bartz, Keith Jarrett, Michael Henderson, Leon Ndugu Chancler, Don Alias, James Mtume Foreman, Jack DeJohnette, Jumma Santos and Airto Moreira. Recorded in Vienna November 5, 1971 and San Francisco, October 17, 1970. Titles include "Directions", "Honky Tonk", "Wha... read more

Sweeter studio Miles Davis from the 80s – a record that takes the 70s electric experiments and fuses them into a sound that's got a lot more R&B influence than before! The style is a bit poppy at times, but never in a way that's too slick – and often, Davis is using his muted... read more

Incredible stuff – and a rare meeting of two giant jazz talents you'd never thought would appear on the same stage! The album features a 1960 concert in Sweden – Miles and Sonny upfront, with backing by the trio of Wyton Kelly, Paul Chambers, and Jimmy Cobb. Tracks are long, fiery,... read more

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One of the greatest albums we've heard from Ernest Dawkins in years – and one of the straightest, too! The set's got a hardbop fury we've not always heard from Dawkins – a tight, soulful energy that's spun out beautifully by the local group in the set – a lineup that includes... read more

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With Sidney De Paris on cornet, Omer Simeon on clarinet, Don Kirkpatrick on piano, and Harold Jackson on bass.... read more

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A sweet blend of west coast jazz and Brazilian rhythms – and one of our favorite records ever from trombonist Raul De Souza! The session's got a more soulful, jazzy feel than some of Raul's other dates from the 70s – not nearly as tight as his sets for Capitol, with an earthy... read more

A wonderful tribute to the mighty talents of trombonist Raul De Souza – a package that features individual DVD and CD performances by the musician, brought together in one cool little set! Both formats feature recent material, ostensibly recorded for this package – and all tracks on... read more

2 lesser-known sides of Blossom Dearie – both recorded in Paris in the 50s! The first 8 tracks on the set are from a rare 10" session recorded in 1955 – one that features Blossom only at the piano, not singing, but swinging in a solid trio format. Tracks on that session include... read more

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An album that's every bit as hip as you'd expect from its Sam Rivers-inspired cover image – a beautiful tribute to the modal jazz scene of the 60s, particularly the work of John Coltrane and some of his followers on Impulse Records! Apart from a cover of "Naima", though, the set's... read more

The amazing second album from Deep Jazz – and every bit as spiritual and soulful as the first! These guys really blew us away with their debut, and we're loving them even more this time around – and can honestly say that they're one of the few contemporary combos to ever get our... read more

Two spiritual jazz gems – back to back, and both from the excellent Deep Jazz combo! "Spirits Up Above" is that great Roland Kirk classic – taken here at a tightly swinging pace, and with a female lead vocal duo that really gives it a great flavor – putting the lyrics... read more

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A real lost treasure – and an incredible session that offers a real meeting of minds that's far more than you'd expect from the simple cover and title! The set is a later one for Vee Jay, and it brings together half of the Jazz Messengers with a batch of west coast players – in a... read more

One of the records that really broke Buddy DeFranco out of the box – a loosely structured early Verve side, done with tracks that are longer than usual – letting Buddy and his combo really swing! The group features strong rhythm from Kenny Drew on piano, Milt Hinton on bass, and Art... read more

One of the records that really broke Buddy DeFranco out of the box – a loosely structured early Verve side, done with tracks that are longer than usual – letting Buddy and his combo really swing! The group features strong rhythm from Kenny Drew on piano, Milt Hinton on bass, and Art... read more

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A quadruple-header of a set – four great albums together in one cool box! First up is the first album from the great Special Edition group of drummer Jack DeJohnette – a wickedly sharp record that's as equally tight on the reeds as it is on the drums! The album features brilliant work... read more

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An excellent album of funky drumbreaks – cut by a drummer who's a legend among funk fans, but who hardly ever gets mentioned in history books of jazz. Les was a little known LA player, but he had a monster approach to the kit – and most of the few albums he cut are very in demand for... read more

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Two post-CTI gems from Deodato – back to back on a single CD! Whirlwinds is sweet keyboard soul from Deodato – a set that steps off nicely from the strengths of his big hits on CTI, hitting a similarly flowing groove that's really great! The instrumentation here is a bit more expanded... read more

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A cool jazz classic from altoist Paul Desmond and guitarist Jim Hall! The album was recorded under Desmond's name, but Hall's the guitarist throughout, and his playing lends an indescribably wonderful edge to the set, making the album a real team effort! Unlike other RCA sides by Hall and Desmond... read more

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An album of sublime understatement from alto genius Paul Desmond! Desmond was one of the few players who resisted the lure of the 70s electric CTI sound – and stuck pretty much in his usual bag of easy-going grooves, blowing alto with effortless ease, working here with a quartet that... read more

An album of sublime understatement from alto genius Paul Desmond! Desmond was one of the few players who resisted the lure of the 70s electric CTI sound – and stuck pretty much in his usual bag of easy-going grooves, blowing alto with effortless ease, working here with a quartet that... read more

A very nice 70s session from Dave Brubeck's famous alto player. If you don't know the record, it works surprisingly well – as Desmond's icy cool alto is brought into play with the wam production sound of CTI, and the moody backing of Bob James, Gabor Szabo, Ron Carter, and Jack DeJohnette. ... read more

Sweet soul jazz from the 70s Detroit scene – and a record with a ties to the same scene as Tribe Records! The sound here is straightforward and soulful – a bit of electricity at the bottom and some fluidly gliding horn work on the top – plus some key vocals from a group that... read more

Unbelievable – and a record that's one of our favorites by the fantastic Italian jazz pianist! Marco Di Marco is a richly talented player with a keen ear for lyrical beauty and a strong sense of the groove – and here, he's working in quartet formation, in New York, with a group that... read more

A set that features DiMeola moving into some very dynamic territory – jamming out heavy on a mix of electric and acoustic guitars, with additional help from Paco DeLucia on acoustic at points. The instrumentation also features heavy electric piano from Jan Hammer, other keyboards from Barry... read more

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Features Ruby Braff on trumpet, Steve Jordan on guitar, Sir Charles Thompson on piano, and Edmond Hall on clarinet.... read more

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A great trad revival set from trombonist Vic Dickenson – working here with trumpeter Joe Thomas, in a style that really shows the respect that Atlantic Records had for older jazz modes – even during the height of their R&B and modern jazz years! The group's a great one – with... read more

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An excellent album by vibist Walt Dickerson – perhaps his most adventurous work from the early days! The title track's a seventeen minute long swirling mix of vibes, piano, bass, and drums – with an excellent moody feel and a cool set of chromatic changes of the sort that characterized... read more

An album led by pianist Aaron Diehl – but a set that also features some especially great vibes from Warren Wolf – one of our favorite players on the instrument in the past decade or so! Wolf's tones ring out beautifully – with that richness he really brings to his own albums, and... read more

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Includes backing by Matthew Shipp, William Parker, David S Ware, Khan Jamal and others.... read more

The album's hardly breakthrough for pianist Eldar Djangirov, given his success in recent years – but it is another bold step forward, served up in his richly flowing approach to the keys! Eldar's trio rolls out here with tight energy from the start – gathering force as they move... read more

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Great small group work – and the Johnny Dodds group features trumpet from Charlie Shavers, while the Jimmy Noone combo features both Shavers on trumpet and Pete Brown on alto!... read more

Includes the tracks "Wild Man Blues" by Johnny Dodds' Black Bottom Stompers, "Oh Lizzie" by Johnny Dodds' Trio, "Georgia Grind" and "Deadman Blues" by Edmonia Henderson accompanied by Jelly Roll Morton, "Snag It" by King Olifver & His Dixie... read more

Smoking stuff – and one of Bill Doggett's best albums away from the King record label! The style here is even tighter than on King – somewhere in a space between 60s soul jazz and soul instrumental modes – with Doggett's organ right out front in the mix, stepping along some great... read more

Groovy organ jazz session from the late 60's that has Bill's funky keyboards backed by a larger group that includes players like Billy Butler, Chuck Rainey, Jimmy Castor, and Ray Lucas. The set's got reprises of a few of Doggett's classics – like "Honky Tonk" and "Hold It"... read more

Funky funky Hammond – a rare late 60s album from organist Bill Doggett, done with some help from James Brown – and a set that's unlike anything Doggett ever recorded before – or since! There's a blasting groove to the record right from the start – thanks to help from The... read more

A nice little groover from Bill Doggett – recorded after his years at King Records, with a sound that's even more jazz based than his original work! The set features Doggett hitting the Hammond hard, on short instrumental grooves with a mixture of soul jazz and R&B lines to them. ... read more

Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that... read more

Searing live work from Eric Dolphy – part of a series of recordings that set a whole new standard for live jazz recording! The record features Dolphy going even farther out than on his studio sides from the time – as the record features very long tracks performed by a crack group that... read more

One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on... read more

One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on... read more

Part 3 to the Five Spot recordings from Eric Dolphy – issued here as a "memorial" to Booker Little, even though Little was still alive for the recording! The album features especially searing work from Dolphy, and was part of a series of recordings that set a whole new standard for... read more

Eric Dolphy's first meeting in the studio with trumpeter Booker Little – a brilliant batch of modernism that's easily one of the hippest records Little ever worked on! The Dolphy heard here is Eric at his most inventive – sharp-edged and angular one minute, then spiritually lyrical the... read more

Excellent funky work from Lou – and a groundbreaking record that was the first to feature him playing on Blue Note with drummer Idris Muhammad – who is listed on the session under his birth name, Leo Morris! Muhammad gives the album that crackling funky bottom sound that instantly... read more

Excellent funky work from Lou – and a groundbreaking record that was the first to feature him playing on Blue Note with drummer Idris Muhammad – who is listed on the session under his birth name, Leo Morris! Muhammad gives the album that crackling funky bottom sound that instantly... read more

Post-Blue Note, and not nearly as funky as Lou's earlier work. Lou hits more of an R&B sax groove, and the production's pretty slick overall. The record's not terrible, and it has some appeal in kind of a 70s easy soul sax kind of way – but there's not the breaks and grooves you'd... read more

The title's no lie – because the album is one of the shining jewels of Lou Donaldson's legendary funk years for Blue Note – that second period when he returned to the label at the end of the 60s, and really helped redefine the sound of soul jazz at the time! The format here is very... read more

Classic 60s soul jazz from Lou Donaldson – and one of the first albums that has him working with Grant Green on guitar and Baby Face Willette on organ! Both players were discovered by Lou and brought to New York for Blue Note – a move that not only helped give the Donaldson sound a... read more

From the title, to the cover, to the gritty grooves way down in the wax – this has got to be one of the funkiest Blue Note albums ever – a real landmark from the legendary Lou Donaldson! The set kicks off with a hard and heavy groove from the very first note – thanks to some... read more

A killer from Lou Donaldson's early hardbop years at Blue Note – recorded right during his classic run of albums for the label, but not issued until many years later! There's a sweet bounce to most tracks here – the kind of vibe that Lou had most famously on his Blues Walk album –... read more

A real smoker from Lou Donaldson's years at Cadet – and an organ-driven session with Big John Patton on the Hammond! The record's got a slightly lighter groove than the Patton/Donaldson albums for Blue Note – but that's the great thing about the record, as it's kind of a nice bridge... read more