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A classic outing of solo piano by Thelonious Monk – a format that wasn't used often, but which always made for some really compelling work! Monk in this mode is often different than the bolder leader of a trio or larger group – and there's a more introspective quality to the record... read more

A classic outing of solo piano by Thelonious Monk – a format that wasn't used often, but which always made for some really compelling work! Monk in this mode is often different than the bolder leader of a trio or larger group – and there's a more introspective quality to the record... read more

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Blues, but with an undercurrent of New Orleans jazz – no surprise, given the Louisiana roots of Eurreal "Little Brother" Montgomery! The album's a classic set recorded in Chicago in the early 60s – featuring both Montgomery in a spare solo setting, and with help from a small... read more

An incredible album from Wes Montgomery – and the beginning of a whole new sound for his guitar! Wes moves away from his small combo soul jazz roots on the set – and hits a wonderfully sweet new vibe with larger arrangements from Don Sebesky – bigger backdrops that fill in the... read more

Super-dope work from the great Wes Montgomery – set to excellent early CTI arrangements from Don Sebesky and Deodato! The groove is nice and airy – with Wes' guitar floating over the top, yet still present enough to ring out loud and clear on all the tightly plucked notes – and... read more

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They're not kidding with the title of this one – because although the record was only Wes Montgomery's second album as a leader, he was already making plenty of waves with the sound of his guitar! The session lines Wes up with the very tight rhythm team of Tommy Flanagan on piano, Percy... read more

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A standout session from Jack Montrose – one of the most overlooked players on the west coast scene of the 50s! Montrose's tenor work is always a treat, but here, he's playing in an unusual setting that includes Red Norvo on vibes, Joe Maini on alto sax, and Jim Hall on guitar – all... read more

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James Moody's definitely feelin it here – stepping back into a straighter hardbop mode after some funkier sets of the early 70s – really sounding great on tenor, alto, and flute – and working with a very hip quartet for the date! Kenny Barron's in the group on both electric and... read more

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One of the best early albums from the legendary Moondog – a set that got wider circulation than his first few releases, and really helped expand his reach beyond New York City! Moondog's still at his simple best here – working in a blend of rhythmic percussion, stringed instruments,... read more

One of the many very groovy albums cut by pianist/comedian/actor Dudley Moore. Unlike his films, the album's filled with a great range of emotion and talent – and the set features some stunning original by Dud, played with a nice lively groove by his classic trio. Includes the rolling... read more

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A (completely) terrific and (totally) powerful jazz funk trio set from Galactic drummer Stanton Moore – even if we don't know why all the tunes have parenthesis! There's no question that the set is emphatic – with Moore just killing it on the kit – backed just as dexterously... read more

New work from pianist Jason Moran – one of Blue Note's more exciting new talents of the past 10 years. Moran's joined on the album by Sam Rivers, which is fitting, as the best tracks have a soulful spirit that recalls the creativity of Rivers' best "new thing" years at Blue Note. ... read more

Lee Morgan on the hippest side of his 60s talents – working here in a style that's really stretching out, and in the same territory as similar unreleased gems from the time – like Tom Cat or Sonic Boom! The group here is very inventive – Jackie McLean on alto, Larry Willis on... read more

Brilliant work – the last LP ever cut by Lee Morgan, a mindblowing session that always leaves us wondering how massive he would have become if he hadn't been tragically murdered shortly after it was recorded! The album's got lots of extended compositions, free flowing numbers played by a... read more

A brilliant album that proves that even at the height of his success, Lee Morgan was one of the freest thinkers on Blue Note – always coming up with fresh ideas that continued to grow his talents! The first cut on the album is keep roof of that fact – the title track "Search For... read more

A jazz classic if there ever was one – and the best-selling album ever by Lee Morgan, thanks to the use of the title track in a car commercial! Sure, you've probably heard "The Sidewinder" enough that you think you know the album already – but the rest of the tunes really... read more

A jazz classic if there ever was one – and the best-selling album ever by Lee Morgan, thanks to the use of the title track in a car commercial! Sure, you've probably heard "The Sidewinder" enough that you think you know the album already – but the rest of the tunes really... read more

Unreleased genius from Lee Morgan – a key session from the later years of his too-short life, but one that wasn't issued until nearly a decade after his death! The sound here is completely sublime – a mix of the best later Morgan modes – soulful, lyrical, and modal – played... read more

One of our top 5 favorite Blue Note records of all time – a bold and powerful session from trumpeter Lee Morgan, but one that sat in the vaults for 15 years before release! The session was recorded around the same time as Morgan's hit The Sidewinder (which eclipsed its release at the time)... read more

Hardly just The Birdland Story – and instead, some incredible work from three key players of the hardbop years – often lost to time because of its appearance in this underwhelming package! The first half features incredible material from both John Coltrane and Lee Morgan – some... read more

One of the rarest albums on the Groove Merchant label – and one of the best! Ramon Morris has a sweet tone on the tenor that works very well with the electric piano in his tight little combo – grooving with a style that's like the best Black Jazz funk records of the time – mixing... read more

Searing 60s work from Dick Morrissey – a UK tenor player who only ever recorded a handful of dates as a leader! This smoking material features Dick at the top of his game – right up there at the same level as his classic early 60s sides, like Here & Now – blowing tight and... read more

Damn great work from one of the greatest British tenorists of the 60s – reedman Dick Morrissey, an artist who never cracked our shores as strongly as Tubby Hayes or Ronnie Scott – but whose work is equally wonderful! Like both Hayes and Scott, Morrissey's got a way of mixing solid... read more

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Jelly Roll Morton plays and sings – in a group with Eddie Williams on alto sax, Albert Nicholas on clarinet, and Red Allen on trumpet!... read more

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With a great lineup that includes David Friedman on vibes, Bill Frissel on guitar, Terumasa Hino on cornet, Jim Pepper on tenor, and guest vocals from Toni Wilson, Jeanne Lee, and Sheila Jordan.... read more

Moss plays soprano sax, flute, and clarinet – with cool instrumentation that includes Badal Roy on tabla, guitar, piano, and other percussion that includes dumbeg, ekthara, and wood blocks. Titles include "Bonaparte's Retreat", "Jig", "Astral Blue", and "Ins... read more

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Music that really made the career of drummer Paul Motian – work that firmly established his power as a leader in the 70s, and showed the world that he had a huge range of music to offer beyond his initial fame with Bill Evans! Motian works here both on percussion and a standard drum kit... read more

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A heavy heavy set from the legendary Alphonse Mouzon – one of his drum-heavy funk records for Blue Note! Alphonse has a style that's a bit different than some of his other work here – very direct, with plenty of soul undercurrents – although definitely some of the rockish... read more

A really unique album from funky drummer Alphonse Mouzon – a set that has him putting away some of the guitars used heavily on other Blue Note records, in exchange for a keyboard-heavy groove that almost sounds a bit like Gene Harris a the time! In addition to drums, Alphonse solos a fair... read more

A monstrous bit of jazz funk from drummer Alphonse Mouzon – spacey tracks in a choppy style that reminds us a bit of some of the best European fusion albums from the period, but with a harder groove overall! Mini Moog and ARP trip out the sound throughout, but the underlying rhythms are nice... read more

A monstrous bit of jazz funk from drummer Alphonse Mouzon – spacey tracks in a choppy style that reminds us a bit of some of the best European fusion albums from the period, but with a harder groove overall! Mini Moog and ARP trip out the sound throughout, but the underlying rhythms are nice... read more

Drummer Alphonse Mouzon cut some of the hardest, heaviest fusion albums ever to hit the Blue Note label in the 70s – including this legendary powerhouse of a record! The set features Mouzon with one of his longtime partners – guitarist Tommy Bolin – hitting a hard-rocking, heavy... read more

Mr Drum, you're one heck of a funky player – a mysterious Japanese musician from the early 70s, and one who really knows how to kick into a groove! The drums are definitely at the forefront here – breaking hard right at the start of the record, and mixing with raw guitar and freaky big... read more

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Two classics from the legendary Idris Muhammad! Black Rhythm Revolution is one of the first records ever as a leader from funky drummer Idris Muhammad – a set that was cut right at the same time Idris was burning up the kit on his classic jazz funk sessions with other Prestige label players!... read more

Very different than Idris' earlier work as a heavy backbeat thumper with Lou Donaldson – but great stuff nonetheless! David Matthews arranged the tracks, and he's given them a slick but soulful sound, with lots of spacey fusion elements, and a nice funky soul vibe that's a bit similar to... read more

Pure insanity from the mighty Mulatu – one of his few American albums from the 60s! The record's an incredible blend of New York Latin and some of the more Afro-styled grooves Mulatu explored more freely on his Ethiopian recordings – served up in a jazzy style that has plenty of vibes... read more

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A classic live album by Gerry – featuring one set of tracks recorded in Stockton, CA in 1954, with Chico Hamilton, Red Mitchell, and Jon Eardley; and another recorded in San Diego the same year, with Zoot Sims, Bob Brookmeyer, Larry Bunker, Red Mitchell, and Eardley. Gerry even plays a bit... read more

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One of those great overlooked dates from Gerry Mulligan's sometimes-ignored stretch of the mid 70s – a time when he was really trying out some excellent new musical experiments! This cooking set features his baritone in a group that really cooks nicely – and in ways that are quite... read more

Mulligan always sounds great next to a tenor – especially in the Verve series that has him teamed up with players like Johnny Hodges, Paul Desmond, or Stan Getz. This release, cut with Ben Webster upfront, is one of the best of that series – and features the pair blowing easily and... read more

Features tracks from Mulligan's work on I Want To Live – and Brookmeyer's Kansas City Revisited album. Bob's also listed as "Bobbie" on the cover!... read more

Great early west coast jazz! This album puts together 2 different sessions both recorded by Gene Norman in the early 50s. One features Shorty Rogers heading up a great group with Art Pepper and Jimmy Giuffre – on the tracks "Four Mothers", "Didi", "Sam & The... read more

Electric funk, with some mighty nice horns – a mix of saxes from Takeru Muraoka – plus trumpet and flugelhorn from Susumo Kazuhara too! We're not sure, but it almost feels as if Takeru's a bit overdubbed – using alto, tenor, and soprano together at various points to give the... read more

An odd title, but a really wonderful album from Mark Murphy – an 80s session for Muse that easily matches some of his most creative moments for the label in the 70s! There's some wonderful versions of soulful jazz tracks here – takes on "Effendi" by McCoy Tyner, "Beauty... read more

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A key recording from the early years of David Murray – a sharp-edged trio recording that instantly placed him in a strong lineage of tenor improvisers that includes Sonny Rollins and Albert Ayler! The record's a live date – recorded at the Wilisau Jazz Festival in 1978 with a trio that... read more

A really bold step forward for David Murray – a seminal live recording that features one of the hippest big bands you'll ever hope to find! Murray really uses the date as a chance to express the full range of his musical talents – and often shows modes that are more traditional than... read more

One of the greatest gifts of the Soul Note label was the way that it could take sessions with avant-oriented players, and make them turn out straighter jazz material – but with a really nice edge! This session's a perfect example of that legacy – as it features David Murray at the head... read more

A surprisingly nice album of straight ahead tenor tracks from David Murray – playing here in a quartet with guitarist Stanley Franks, drummer Andrew Cyrille, and the great Don Pullen, who plays organ on the session! The album's not exactly in the classic soul jazz organ/tenor mode –... read more

One of the more electric projects we've heard from reedman David Murray in recent years – a collaboration with bassist Jamaaladeen Tacuma, who's still got the same righteous sound he had back in the 80s! The bass shades in the songs right from the start – as does the guitar of Mingus... read more

The first volume in this seminal series from the mid 70s – one that did a great job of documenting some of the formative underground playing that was happening in the New York loft scene, almost more creative work than in previous generations, thanks to a lack of commercial venues, and hence,... read more

One of the grooviest takes on The Beatles we've ever heard – served up by a hip group of LA players led by pianist Don Randi! The style here is very hard and percussive – more soulful and swinging than the original tunes on the Rubber Soul album, and often done with a tightly vamping... read more

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An incredible album of Fender Rhodes work from 70s Italy – every bit as soft and swinging as the title implies! The set's a great 70s update of the sound of Romanu Mussolini – a pianist who reached bigger fame in straighter settings during the postwar years – but who sounds... read more

A great little album – even if it tries to promise too much! The set bills itself as "the swinginest Hammond organ album since the birth of psychedelia" – and while that sort of a claim is so high that nobody could ever match it, the album is a great batch of offbeat soul... read more

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The group's only a quartet, but they've got a combination of sounds and instruments to rival that of a much larger ensemble! The strength of the record really comes from the twin horn talents of Goran Kajfes and Jonas Kullhammar – the former on cornet, bass trumpet, flexatone, electric... read more

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One of the few non-Polish albums issued by Polish alto genius Zbigniew Namyslowski – a really great player who rarely got any Western exposure during the Soviet era! The set's got a tight funky fusion feel – reeds mixed with Fender Rhodes, bass, and drums – all in a blend of... read more

Great Arnold Roth cover on this one!... read more

Lewis Nash isn't just a hell of a drummer, he's a hell of a leader too – although one who hardly ever gets to cut sessions up front like this – which makes every one of them a treasure! Nash has really picked some top-shelf talent for this date – a quintet lineup that features... read more

A lively band of young British players, packed into a large group with a tight swinging sound that evokes some of the better continental bands of the sort at the time – like the Clarke-Boland Ensemble, the Johnny Dankworth group, and even bits of Mike Westbrook's early work. The set list is... read more

Native Soul is Peter Brainin, Noah Haidu, Marcus McLaurine and Steve Johns.... read more

A fantastic bit of spiritual jazz funk – and one of the rarest 70s albums on Fantasy Records! The group's headed up by Nat Adderley Jr (son of the famous Nat Sr) on keyboards and vocals – and the ensemble is a hip, young collective with an approach that reminds us of work by Oneness Of... read more

Late 60s issue of some material that was recorded early in the producing career of Orrin Keepnews – and which features Navarro in the company of a hip group of boppers like Allan Eager, Curly Russell, Kenny Clarke, and Tadd Dameron. Dameron wrote a good portion of tracks on the set –... read more

A great collection of work by Fats Navarro – his complete Blue Note recordings, and a masterful collection of trumpet-based bop! There's are a total of 26 songs on this 2 LP set and several groups that Navarro played with are represented – The Tadd Dameron Sextet & Septet, The... read more

An incredible departure for Meshell Ndegeocello – a jazz-based project with a sound that's different than any of her other work! The album shows a depth that we never expected – a richly instrumental mode that's only touched by vocals on a few songs – and which is mostly... read more

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A wealth of unusual records – not just under Oliver Nelson's name, but material for other artists too! The set features the Oliver Nelson-led sessions for Full Nelson, Fantabulous, Jazz Interactions Orchestra/Jazzhattan Suite, Kennedy Dream, and Sound Pieces – plus music from Jimmy... read more

A relaxed small group session from saxophonist Oliver Nelson – a record that's quite different than some of his more tightly arranged dates, and a good reminder of this side of his talents! Oliver plays both alto and tenor sax on the album, and he's joined by a perfect group for the easy... read more

One of the most impressive albums ever from arranger Oliver Nelson – a set that really shows the full depth of his mighty talents! Side one features Nelson working with a larger orchestra – similar to the kind of ensemble he arranged for other artists in the 60s, but handled here with... read more