Jazz — In Stock — All Formats  

A wicked fusion set from saxophonist Michael Paulo – noteworthy not just for the efforts of the leader, but for the album's sweet keyboards from Herbie Hancock too! The style's relatively stripped-down – electric, but never too polished, nor too jamming – often with the kind of... read more

... read more

... read more

Pivotal work from Duke Pearson – a brilliant set that perfectly sums up all the criss-crossing of styles he was working on in the late 60s – and comes up with a wonderful blend of electric jazz, Brazilian rhythms, and just a touch of 70s soul! Pearson plays some sweet Fender Rhodes on... read more

Dark genius from Duke Pearson – quite possibly one of his hippest records ever, and an album that's filled with surprising twists and turns! At one level, the set seems to be a simple batch of soul jazz tunes – in the mode of Pearson's mid-60s classics on Blue Note – but at... read more

... read more

... read more

A set that features the successful Dave Pell Octet of the mid 50s – a group who was playing a lot of swing-oriented gigs at colleges around the country, hence the title. The set features Pell leading players that include Andre Previn, Don Fagerquist, and other smooth west coasters –... read more

A pretty strange concept for an album – a bunch of LA jazz players get together and do versions of songs usually associated with the south! This penchant for swinging tunes from unusual sources was one of Pell's strongest 50s tricks, though, and he makes it come off pretty well with a group... read more

Jazz in romantic places, but some pretty groovy ones too – a host of global destinations all referenced in the track selection for the set! Dave Pell's tenor is at the lead on most numbers, but the octet's in fine formation too – arranged by Jack Montrose, Marty Paich, Johnny Mandel,... read more

... read more

An important and overlooked British ensemble of the late 60s – a group who were contemporaries of the Spontaneous Music Ensemble and AMM, but who never fully received the same sort of attention! The People Band have a relatively loose approach to improvisation – one that's sometimes a... read more

A lesser-known set by Art Pepper from his late 70s years – recorded among a quartet of "friends" who include Russ Freeman on piano, Bob Magnussen on bass, and Frank Butler on drums! The tracks are longish, and mostly older standards – and overall, Pepper's a bit more inside... read more

... read more

One of Art Pepper's classic recordings, in which he plays with a spare quartet backing by Miles Davis' rhythm section at the time – Paul Chambers, Red Garland, and Philly Joe Jones. An essential "east meets west" jazz recording, with Art at the top of his game, playing in a unique... read more

One of our favorite albums ever by Art Pepper – even if it isn't a proper album! The set features material recorded in the late 50s, pulled together to form an album in the early 70s – and overall, it's some of the best Art Pepper work on record we can think of. Pepper plays... read more

An amazing little set – one that's got a sound we could hardly expect! The album's a unique Latin jazz session that brings together some of the best talents of the west coast scene of the late 50s – one that features arrangements from Bill Holman, Benny Carter, and Art Pepper –... read more

Nice set of funky fusion recorded in Canada, but performed by a group of Italians, including keyboardist Franco D'Andrea. The record's got some good spacey grooves with electric keyboards, and nice choppy fusion tracks in a European 70's style. There's a bit of vocals, but nothing too bad, and... read more

A beautiful album of crispy cool jazz from the LA scene of the 50s – one that features the octet of Bill Perkins recorded live in Hollywood, but in a "special hi-fi theater recording" that has sound as sublime as his studio work! The group includes Perkins on tenor, Bud Shank on... read more

One of the few albums as a leader cut by legendary LA pianist Carl Perkins – an amazing talent on his instrument, and one who had an unusual "sideways" approach to the keys! Perkins kind of leaned alongside the piano – so that his body was parallel to the instrument, and his... read more

... read more

... read more

A killer hardbop session – and a long lost classic! This stunning set is one of the best, and hardest sessions ever cut for the Bethlehem label – and it's got a raw pounding groove that sounds a lot more like some of the classic soul-tinged hardbop coming out on Prestige during the... read more

A fantastic session that's also one of Houston Person's rarest! The set is a bit more complicated than some of his earlier work – moving away from the hard and funky organ lineup, into a more lyrically swinging quintet mode, with Cedar Walton on piano, Alan Dawson on vibes, Bob Cranshaw on... read more

With Melvin Sparks on guitar, Jon Logan on orban, Bad Bascomb on bass, and Bernard Purdie on drums!... read more

Naturally great work from soul jazz legend Houston Person – who's still going strong – and delivers one of the best of his High Note records to date! Person has always had an easygoing approach, which is probably something of a recipe for graceful aging – but whatever his secret... read more

A sweet little set from Houston Person – a record that's a nice return to basics, much needed after some of his overproduced sessions of the mid 70s! The group here features a number of old Prestige stalwarts, helping Houston to hit a laidback soul jazz vibe – players who include Jimmy... read more

One of the boldest, most righteous 70s statements from trumpeter Hannibal Marvin Peterson – and that's saying a heck of a lot, given his previous body of work! The set's cast in the same large ensemble mode as Hannibal's Children Of The Fire album – and like that one, it features an... read more

One of Oscar Peterson's most sophisticated albums of the 60s – an extended suite of tracks dedicated to the soul and spirit of Canada! The tunes are all originals, and have a really lush, vivid sort of feel – one that still has undercurrents of Peterson's usual soulful style, but which... read more

... read more

... read more

If you ever needed proof of Oscar Peterson's genius on the piano, this CD may well be it – as it captures Peterson in a set of different early live performances at Carnegie hall – all of them mindblowing! The tunes here are a bit longer and looser than some of Oscar's studio work for... read more

We love Oscar Peterson with strings – a setting he never got to use that often, given the popularity of his famous trio recordings! When Oscar gets set up with strings, he seems to play even more freely than with a combo – let loose from rhythm a bit more than before, and instead... read more

With Joe Pass on guitar, Niels Pedersen on bass, and Louis Bellson on drums.... read more

A pair of Oscar Peterson gems – back to back on a single CD! Night Train is one of Oscar Peterson's biggest records ever – one of those albums we turn up time and time again when digging through classic jazz collections – and for good reason too, given the lasting power of the... read more

Includes material from two early Jazz At The Philharmonic 10" LPs – Volumes 9 and 10 – with cuts that include "Nuages", "Avalon", "Come To The Mardi Gras", "Pompton Turnpike", and "Swingin On A Star".... read more

Cole Porter's tunes are great enough on their own, but Oscar really opens them up on this set – picking up the inherent rhythms in the numbers and really working them over – in a way that makes the outing one of the most lively in Peterson's songbook series for Verve! Oscar's fluid... read more

One of the classic Verve series of recordings from the 1957 Newport Jazz Festival, and an album that features one side of the Oscar Peterson trio with Ray Brown and Herb Ellis, plus a side of the trio joined by Jo Jones, Sonny Stitt and Roy Eldridge. 8 tracks in all, including "Will You Still... read more

A near-lost gem in Oscar Peterson's mid-50s catalog for Verve – and a sparkling set of trio numbers recorded at the Shakespeare Festival in Ontario! Despite the literate setting of the recording, the work's never stuffy or academic – and Peterson swings things mightily with his trio... read more

Kind of a companion to the better-known Sound Of The Trio set recorded at London House – an album that features more material from that date, but issued here without the indication of a live album. The style is still as great as before, though – really cooking work from the classic... read more

Peterson plays over a larger set of arrangements from Rick Wolkins – on titles that include "When Summer Comes", "Jubilation", "The Empty Cathedral", "Royal Honeymoon", and "Heraldry".... read more

About as close as you'll get to soul jazz with Oscar Peterson – and a very groovy set recorded with some good Latiny influences in the playing, and kind of a pop soul style in the arrangements! The core trio of Peterson on piano, Sam Jones on bass, and Louis Hayes on drums (a very soulful... read more

Clean, clear, and incredibly soulful – a wonderful rare live performance that's way more than just another muddy concert record – and instead a key addition to the Oscar Peterson catalog that stands proudly with his best Verve albums of the time! This 1960 performance features Ray... read more

The West Side Story score – but handled here by the great Oscar Peterson Trio – in ways that really push the tunes past their Broadway roots! The approach is tight, soulful, and filled with strong lines from Peterson on piano – plus bass by Ray Brown and drums from Ed Thigpen... read more

Oscar Peterson takes on two famous scores – back to back on a single CD! West Side Story features music from the famous musical – but handled here by the great Oscar Peterson Trio – in ways that really push the tunes past their Broadway roots! The approach is tight, soulful, and... read more

A striking little record – and the kind that both players could only have made with the new freedoms in jazz recording of the 70s! Although Peterson and Gillespie had played together before on earlier Verve albums, the setting was never like this – because the album's only a duet... read more

Two of the few, and nobody else – a set of duets between pianist Oscar Peterson and vibist Milt Jackson – recorded here in a really stripped-down setting, especially for the date! Both players bring a really classic feel to their style here – almost making the date feel like some... read more

One of those great stripped-down Peterson-plus dates for Pablo Records from the 70s – a session that features Oscar on both piano and organ, working alongside the trumpet of Roy Eldridge! There's no other instrumentation at all, and the sound is completely charming – intimate without... read more

... read more

A fairly adventurous record for drummer Ralph Peterson – a quartet session with vibes, soprano sax, and bass – all playing together in angular modes that mix jagged rhythms with more soulful solos. Titles include "Insanity", "Bottom", "Further Fo", "So... read more

... read more

A book, a CD, and a richly collaborative project – one that brings together the writings of Alexandre Pierrepont and the improvisational work of Didier Petit – with help from a huge host of other musicians as well! The music's the main attraction to our ears – as the set... read more

... read more

Excellent work from Oscar Pettiford – his last sessions, in case you couldn't tell by the title, recorded in Copenhagen in 1959 and 1960, with players that include Allan Botchinsky on trumpet, Jan Johansson on piano, Erik Nordstrom on tenor, and Luis Hjulmand on vibes. Despite the... read more

Rare work from the German years of bassist Oscar Pettiford – a late 50s stretch when Pettiford got even more freedom to explore his musical vision than in the US! The material here often features Pettiford's bass or cello in the company of some of the best European soloists of the time... read more

Rare work from the German years of bassist Oscar Pettiford – a late 50s stretch when Pettiford got even more freedom to explore his musical vision than in the US! The material here often features Pettiford's bass or cello in the company of some of the best European soloists of the time... read more

Pettiford's second album of big band tracks for ABC during the 50s – a more open-ended set than the previous one, with modernist touches that really make the set sparkle nicely. Part of these are due to Gigi Gryce, who plays alto on the record, and probably had a bit of a hand in... read more

A real gem in the 50s catalog of bassist Oscar Pettiford, and one of his strongest dates as a leader! Pettiford really sparkles here – leading a great group that features key 50s modernists like Gigi Gryce on alto, Jerome Richardson on tenor, Bob Brookmeyer on trombone, and Donald Byrd on... read more

A split album that combines work from 2 different early 10" LPs on Bethlehem – both led by some of the best bassists to record for the label at the time! The first 6 tracks are classic work by Oscar Pettiford – some of his best as a leader, and cut with a hip group that includes... read more

The great Luv N' Haight album of unreleased material by legendary Chicago soul jazz group Pharaohs – live tracks that serve as a vital document of the group outside the studio! There's 5 long tracks here, 4 of them recorded live, plus an unreleased gem from the Awakening sessions. Standouts... read more

Keyboardist Sonny Phillips was one of the lesser-known talents on the Prestige roster of jazz funk greats in the early 70s – and this nice 2-in-1 CD brings together his 2 best albums for the label, both of which feature Phillips on organ, along with giants like Ivan Boogaloo Joe Jones on... read more

... read more

... read more

... read more

Much more of a soul-based effort than usual from Pieces Of A Dream – a tight set of hook-heavy grooves with a sharp late 80s vibe! There's still some of the jazz of the group's roots in place – often heard on the keyboards – but the focus has shifted most strongly to vocals, and... read more

A great return to basics for Pieces Of A Dream – a set that's tightly jazzy, yet still filled with plenty of soul! The style's a great illustration of the smooth jazz roots the group first offered the world – a style that was really coming into its own at the time of this release, but... read more

... read more

Mindblowing work from one of the greatest Italian pianists of the 70s – the legendary Enrico Pieranunzi, a player who's almost more amazing here in a solo session than in a group! There's a fluid feel to the record right from the start – boundless energy and imagination from Pieranunzi'... read more

A pair of killers from Dave Pike – early work in a tremendous career in music! First up is Bossa Nova Carnival – a sublime set of bossa nova numbers, all written by the bossa pianist Joao Donato! Joao doesn't actually play on the record, but his compositions here are enough – as... read more

Groovily tripped-out work from vibist Dave Pike – and one of the few American albums that matches the experimental sound of his work for MPS! The session's often quite free and open – in a way that not only uses odd instrumental combinations and arrangements, but which also features... read more

Amazing grooves from the legendary Dave Pike – one of the American vibists' few albums for the MPS label – and quite possibly the trippiest of the bunch! The set's a beautiful illustration of the freedoms that the MPS label offered American players like Pike – a chance to really... read more

Early work by Dave Pike – one of his first albums ever, recorded with an all-star lineup that includes Barry Harris on piano, Reggie Workman on bass, and Billy Higgins on drums. Pike's got less of the groovy and fuzzed-out sound of his later work – but even at this young age, he's a... read more

A classic little album that's every bit as groovy as its cover – served up by vibist Dave Pike, and one of the first true expressions of his talents! The set's a standout early American date that predates Pike's later experiments for MPS – done in a great blend of soul jazz and some... read more

A classic little album that's every bit as groovy as its cover – served up by vibist Dave Pike, and one of the first true expressions of his talents! The set's a standout early American date that predates Pike's later experiments for MPS – done in a great blend of soul jazz and some... read more

Another one of the post-Europe Dave Pike recordings, with a sound that's a bit straighter than usual, but still with his usual great take on jazzy vibes playing. The title track's a nice breezy groover, and the LP also includes two more originals, one with a Latiny feel called "Set the... read more

Funky, fantastic, and nicely tripped-out – one of the legendary MPS classics by the Dave Pike Set of the late 60s – a combo that did a great job of mixing Dave's vibes with some headier sounds and psychedelic elements! There's a warmth here that's missing from some of the other Pike... read more

Funky vibes, electric sitar, and a madly tripped-out album – one of the best of the MPS psychedelic jazz sessions from the end of the 60s! Back in the US, Dave Pike was always a pretty straight vibist – but he's working here with his European combo that included the legendary Volker... read more

An overlooked gem from the Japanese scene at the start of the 70s – a record that's got a great mix of funky and groovy touches, all of which come across like better-known work from the Japanese Columbia label! Reedman Richard Pine leads the group on soprano sax, tenor, alto, and flute... read more

... read more

Includes "New Orleans Wiggle", "Do Doodle Oom", "Mama's Gone Goodbya", "West Indies Blues", "Red Man Blues", and "Do Just As I Say".... read more

The second amazing album from Placebo – a wicked mix of funky fusion styles, and a real standout on the European scene of the early 70s! The group's the brainchild of Marc Moulin – who wrote all tracks, and plays a wealth of great keyboards, in ways that almost make him the European... read more

A great New York group – and one that features the heavy frontline talents of Joe Magnarelli on trumpet, Jerry Weldon on tenor, and Peter Bernstein on guitar – plus razor-sharp rhythms from Spike Wilner on piano, Neal Miner on bass, and Joe Strasser on drums! As you'd guess from the... read more

Bumping, bass-heavy jazz from Lonnie Plaxico – a set that certainly has some of the traces of the Arsenio Hall-ish image on the front cover, but also some slightly hipper elements as well! Plaxico's basswork has a nice sense of darkness on some of the best numbers – almost a version of... read more

Fantastic jazz funk by one of the best bands in the genre! This is probably Pleasure's most sought-after album, and it includes the classic breakbeat cut "Bouncy Lady", which begins with a nice hard drumbreak, and ends the same way! The record has a tight, smooth, soulful feel –... read more

... read more

... read more

Sweet soulful work from Plunky Nakabinde – a set that has him hitting a different mode than his earlier sounds with Oneness Of Juju – yet still working in a great criss-crossing of styles throughout! The vibe here is righteous early 90s soul and jazz – blended together on the... read more

A stone classic from New Orleans reedman Pony Poindexter – a set that's steeped in tradition, but also has a groovy feel too – and a date that features Pony on both alto and soprano sax! The latter instrument is especially nice, played with echoes of earlier Crescent City modes, but... read more

A stone classic from New Orleans reedman Pony Poindexter – a set that's steeped in tradition, but also has a groovy feel too – and a date that features Pony on both alto and soprano sax! The latter instrument is especially nice, played with echoes of earlier Crescent City modes, but... read more

... read more

... read more

Incredibly hip big band work from trumpeter Herb Pomeroy – proof that the Boston influence in the 50s was a very good force in modern jazz! The group here is large, but the sound is often quite lean – done with an open focus on the strongest soloists in the group – players who... read more

Smooth mellow jazz funk from guitarist Jimmy Ponder – a player who hit harder notes in earlier days, but who's playing here in a sweet slick style that's a bit Wes Montgomery, and a bit George Benson. Most of the tracks have large arrangements with backing vocals – but Jimmy's guitar... read more

Surprisingly sweet grooves from guitarist Jimmy Ponder – one of the few from the jazz funk generation who kept on going strong into the 80s! Jimmy's sound here is nicely laidback – a nice change from his smoother albums of a few years before, and set up in an almost-classic sort of... read more

A great Jean Luc Ponty album – quite possibly his best, with a hip approach that's more MPS than World Pacific! The record has Ponty working under the supervision of George Gruntz, with an incredibly hip group that includes Carmell Jones on trumpet, Leo Wright on alto and flute, Daniel... read more

... read more

A great double-header – one that features 2 classic Jean-Luc Ponty albums from the 60s! Record one presents the album King Kong – an album that features Ponty, who was working with Frank Zappa at the time, playing a set of electric jazz takes on Zappa tunes – with lots of added... read more

One of the few cats who could ever make us learn to love the violin in jazz – presented here in a host of classic 70s albums for Atlantic Records! By the time of these sides, Ponty had already been making some key sounds in the European and American scenes for a decade or more – yet... read more

... read more

... read more