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Ambitious fusion work from Gian Piero Reverberi – an Italian keyboardist with a really sweet sound! The set's kind of in a disco-fusion mode, with some slightly more serious touches – and a few of the tracks on the album have a nice laidback and funky approach, thanks to drums from... read more

A beautiful example of the maturation of American avant jazz in the 70s – a set that has the Revolutionary Ensemble really drawing their sound into focus, drawing on older experimental modes and forging them into a rich new vision – one that would certainly live up to the AACM's promise... read more

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The set begins with a smoker that's almost worth the price of admission alone – a totally great cover of "Summer Madness", done in a live slow funk mode – with wordless vocals and tenor added to the group's core sound! The version of the cut is perfect, and really sets the... read more

A very groovy little set – one that features jazz guitar versions of a host of familiar tunes – including takes on The Pharcyde's "Runnin" and the Souls Of Mischief classic "93 Til Infinity"! The approach is very nice – mostly jazz guitar in the lead of the... read more

Although Buddy's always been a bit laughable, he was always trying to keep his bag moving, and his band of the late 60s included some pretty darn nice players. The group on this session includes Ernie Watts and Bobby Shew, and the band wails hard and fast in a live setting with lots of tight... read more

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Late work by jazz drum giant Buddy Rich – captured in a surprisingly energetic, firey, and sometimes funky mode at Ronnie Scott's Club in 1980! Buddy really pulled off some bright, buoyant, funk influenced work in the 70s and this set finds him at the tail end of that groove – playing... read more

One of the tightest 70s albums from Buddy Rich – a record that's got some smooth and soulful touches, and a groove that's quite different than most of his other work! Chicago soul maestro Richard Evans handled the arrangements for the record – and he's got a great way of making things... read more

Heavy drums from this mighty pair – presented together on two classic albums! Burnin Beat is a drum-heavy spectacular that returns Gene Krupa and Buddy Rich to their big band roots – thanks to some hard-swinging arrangements from George Williams! The tracks are a bit shorter and done... read more

One of the grooviest albums to come from the godlike hands of Emil Richards – a hip LA vibist who touched equally the worlds of jazz, soul, rock, and easy! This album's got a bit more punch than some of Richard's more jazz-based sessions – with Emil playing a wide range of percussion... read more

A killer album from Johnny Richards – possibly the best he ever cut! The album sparkles with all the intensity he brought to Stan Kenton's Cuban Fire album – with bits of Latin, jazz, and some of the modernist scoring that Kenton, Richards, and Pete Rugolo were using at the time. ... read more

A batch of long, extremely inventive tracks from the quintet of reedman Tim Ries – a group that features just the right sort of heavyweight talents to make the whole thing work! The lineup features Chris Potter on tenor, alongside Ries' tenor and soprano sax – plus John Patitucci on... read more

Previously-unreleased recordings from a brilliant British trio of the 70s – and easily some of the most striking work we've ever heard from pianist Howard Riley! Riley's already one of the freest, most adventurous piano players of the 70s British scene – but here he stretches out even... read more

Way more than a trio recording – as the piano's just one of the key elements in this sound – as bold and free as anything else we've ever heard from Howard Riley, but matched equally by sounds from Barry Guy on bass and Tony Oxley on drums! Both Guy and Oxley are using a bit of... read more

A frenetic stormer from the group of pianist Marc Riordan – a tight combo who work here with a great old school approach to modern jazz! There's a strong sense of unity to the group – a really well-conceived vision built around Riordan's wonderful piano lines – angular, well-state... read more

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Sweet grooves from Lee Ritenour – a collection of the guitarist's classic recordings for the GRP label! Lee was one of the key talents who helped forge the GRP sound right from the start – that great blend of soulful and smooth that went onto have an impact on jazz for generations to... read more

Smooth jazzy fusion from Lee Ritenour – a classic set that was originally only released in Japan, part of the underground Japanese Fusion movement of the late 70s, famous for groove hounds for that added level of soul that often wasn't showing up in American releases at the time! The album... read more

Some of the freest, most far-reaching work that Sam Rivers ever cut for Blue Note – a set recorded in 1967, but not issued until nearly a decade later by the label! The album's a great precursor of some of the work that Sam would do later in the 70s – still somewhat in a "new... read more

One of the greatest modern moments on Blue Note – ever! From the cover, to the compositions, to the playing on the set – the whole album crackles with an unbelievable fire that was hardly ever matched again. A young Sam Rivers leads a quartet that includes Jaki Byard on piano, Ron... read more

One of the greatest modern moments on Blue Note – ever! From the cover, to the compositions, to the playing on the set – the whole album crackles with an unbelievable fire that was hardly ever matched again. A young Sam Rivers leads a quartet that includes Jaki Byard on piano, Ron... read more

A mindblowing moment from the young Sam Rivers – and definitely a set that warrants the "new conception" of the title! Unlike some of Rivers' other material of the time, which often featured original inventive compositions, this set's based around classic standards – but all... read more

An amazing reunion of a legendary group – the 70s free jazz trio of Sam Rivers on reeds, Dave Holland on bass, and Barry Altschul on drums! Rivers had already carved out a strong name for himself with earlier work – but his meeting with Holland and Altschul really helped the reedman... read more

Vital late work from the amazing Sam Rivers – masterful, energetic jazz orchestra pieces recorded live and in the studio with players culled from Orlando and the Central Florida areas around Rivers' adopted home – a treasure that finds Sam sounding as spry and fiercely creative in his... read more

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Smoking work on Hammond from Freddie Roach – a key player in the Blue Note lineup of the 60s, and a strong link between the label's soul jazz and modern sides! The sound here is a really beautiful one – partly in the organ/tenor mode forged by Baby Face Willette and John Patton in... read more

Freddie Roach always makes a good move on his Blue Note sessions – going for a lean and tight style on the organ that never fails to please! On this set, he's working with a mixed group of hardbop and soul jazz players that include Blue Mitchell, Hank Mobley, Eddie Wright, and Clarence... read more

Freddie Roach always makes a good move on his Blue Note sessions – going for a lean and tight style on the organ that never fails to please! On this set, he's working with a mixed group of hardbop and soul jazz players that include Blue Mitchell, Hank Mobley, Eddie Wright, and Clarence... read more

A great little album from Max Roach – one that has him finding a whole new voice in jazz! The set was recorded on the heels of Max's time with Clifford Brown – and it's a great little album that has him bouncing back nicely from the loss by moving into a new realm that shows off his... read more

A beautiful blend of jazz, voices, and soul – a landmark record in Max Roach's vocal experimental tradition, and a fitting companion piece to Billy Harper's classic Capra Black album – an equally soulful blend of styles! Like Capra Black, this set features Harper's sharp and soulful... read more

A beautiful blend of jazz, voices, and soul – a landmark record in Max Roach's vocal experimental tradition, and a fitting companion piece to Billy Harper's classic Capra Black album – an equally soulful blend of styles! Like Capra Black, this set features Harper's sharp and soulful... read more

An amazing album – one of our favorite records ever from drummer Max Roach, and a set that also features some of the best 70s work by tenorist Billy Harper too! The session's a unique date done for the Horo label – and soars even farther than other Horo classics from the time –... read more

Max Roach's masterpiece! This record is one of his most perfectly realized visions – and it's a marvelous album that combines politics and modern jazz, yet still manages to swing! The players are some of the hippest that Roach ever worked with – and include Eric Dolphy, Booker Little,... read more

Fantastic stuff, and a record that was virtually the blueprint for spiritual soul jazz in the 70s! Although Max Roach first rose to fame during the bop years, by the time of this set he'd really stretched out a lot – moving past initial righteous projects in the Civil Rights era, to even... read more

Very groovy! The record's a hip batch of jazzy tracks played by the great Howard Roberts, caught here at the height of his 60s groovy bossa style, and playing with his regular combo plus backing by a larger group of horns. Jack Marshall and Shorty Rogers helped Howard with the arrangements, and... read more

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A brilliant set with a real 60s modern feel overall – in case you couldn't guess from the hip cover image! The group's got a sound that's definitely in the sharper side of the Italian jazz spectrum – kind of a Basso-Valdambrini groove, but with some bolder tones at times – all... read more

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A sweet funky set from the Canadian scene – served up by a combo headed by organist Vanessa Rodrigues – one of the few female players you'll find handling the Hammond these days! The album's got a really nice, lean sort of groove – almost funky jazz as much as it is deep funk... read more

A great little album from Shorty – and not that easy to find, either! The title gives away the concept – as all tracks are in a jazz waltz format, which means that they swing very nicely, often with a groove that hints at big band modal work that would show up on labels like MPS. The... read more

A great little album from Shorty – and not that easy to find, either! The title gives away the concept – as all tracks are in a jazz waltz format, which means that they swing very nicely, often with a groove that hints at big band modal work that would show up on labels like MPS. The... read more

One of Shorty Rogers' greatest records – and a very nice set of tight west coast arrangements that really shows off the Rogers sense of sparkle and swing – a vibe that definitely comes through in the famous cover image too! Shorty wrote nearly all of the tracks, and the writing's a... read more

Lots of Swingin Friends here – Al Cohn and Zoot Sims on tenor, Clark Terry and Snooky Young on trumpets, and Jimmy Knepper on trombone!... read more

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Incredible! If you've ever wondered why people think Sonny Rollins is so great, you owe it to yourself to own this album, because it's one that stands as one of the best 5 that Rollins ever cut, and because it features him playing in a stripped-down raw setting that lets his full solo talent come... read more

One of Sonny Rollins' classic sides for Blue Note from the 50s – all of which are excellent! For the set, Sonny's working in a relatively free quartet format, with Wynton Kelly on piano, and rhythm from the team of Doug Watkins and Philly Joe Jones. Overall, the session's got a bit more of... read more

One of the greatest Sonny Rollins records ever! The set is a legendary batch of trio tracks that feature Sonny working in a format that is incredibly free for the time, and which show him as more of a modernist than a bopper – although his solos are still pretty darn fantastic from a bop... read more

A sweet electric set from Sonny Rollins – and maybe the closest he ever came to cutting a funk record! The set's got that mellow electric funk approach that Prestige was using often in the mid 70s – Sonny's tenor lines getting some great Bay Area studio support from George Duke on... read more

A sweet electric set from Sonny Rollins – and maybe the closest he ever came to cutting a funk record! The set's got that mellow electric funk approach that Prestige was using often in the mid 70s – Sonny's tenor lines getting some great Bay Area studio support from George Duke on... read more

One of Sonny Rollins' best albums ever, and a totally inspired, totally non-stop freewheeling live set, recorded with Don Cherry, Bob Cranshaw, and Billy Higgins! Working on long tracks in an unfettered setting, Rollins' hits one of those rare moments of genius where he can turn his solo over and... read more

An overlooked Sonny Rollins set from the early 80s – one that has him recording with a fair bit of guitar, but still staying very much in his best form as an improviser! The group here features both Bobby Broom on electric guitar, and Yoshiaki Masuo on acoustic and electric – both... read more

Quite possibly THE greatest Sonny Rollins album of the early years – or at least the one that has received the most accolades over the years! The record is a brilliant batch of quartet tracks that reinvents bop through Sonny's complicated, yet seemingly automatic solos – an excellent... read more

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One of Sonny's brilliant west coast sessions for Contemporary – records that shouldn't sparkle as much as they do, but which actually stand with his best work of the 50s! Sonny's blowing in front of a session of "leaders" that includes Hampton Hawes, Barney Kessel, Leroy Vinnegar,... read more

The rarest of all the Sonny Rollins Blue Note sessions – and possibly the best! The record captures Rollins at a key turning point – emerging from his firey bop years, moving into a much more complicated, introspective tenor style that was a perfect showcase for his developing genius... read more

As classic as it comes for late 50s Blue Note – and a key meeting between Sonny Rollins and Thelonious Monk! The group on the set features Rollins and Monk with JJ Johnson, Paul Chambers, and Art Blakey – all of whom push things more in the direction of Blue Note's sound of the time,... read more

A groundbreaking album from Sonny Rollins, largely for the extended track "Tenor Madness", which runs on for 13 minutes, and features him and Coltrane blowing head to head – redefining the sound of the tenor sax in jazz through the course of that amazing track! Backing is by the... read more

A groundbreaking album from Sonny Rollins, largely for the extended track "Tenor Madness", which runs on for 13 minutes, and features him and Coltrane blowing head to head – redefining the sound of the tenor sax in jazz through the course of that amazing track! Backing is by the... read more

A groundbreaking album from Sonny Rollins, largely for the extended track "Tenor Madness", which runs on for 13 minutes, and features him and Coltrane blowing head to head – redefining the sound of the tenor sax in jazz through the course of that amazing track! Backing is by the... read more

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A great little overlooked session of large group work from George Romanis – really noteworthy for some incredible solo work from a variety of top-shelf players! At first glance, the record appears to be nothing fancy – versions of work by Gershwin, Ellington, Cole Porter, and Rodgers... read more

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One of Wallace Roney's best sessions from the time – an album with a great sense of balance and fullness, and a tremendous tribute to Roney's strength as a leader on Muse Records! The album features equally great contributions from Antoine Roney on tenor – a player who balances out... read more

Wallace Roney is one of those players who never lets us down – and here on this recent set, he's every bit as soaringly soulful as on his early albums from the 80s! The trumpeter's got a fluid groove right from the start – sweeping forward with these notes that have a beautiful balance... read more

A stone smoker from Rongetz Foundation – and a record that's even better than anything else we've heard from them! This time around, the sound is very live – recorded in the US, with help from heavyweights like Ronnie Cuber on baritone sax and Bruce Williams on alto – plus killer... read more

A stone smoker from Rongetz Foundation – and a record that's even better than anything else we've heard from them! This time around, the sound is very live – recorded in the US, with help from heavyweights like Ronnie Cuber on baritone sax and Bruce Williams on alto – plus killer... read more

The Delmark debut as a leader from drummer Frank Rosaly – and a very unique little record! Rosaly's a player we've really dug on other folks' records, and his vision here at the helm is pretty darn great – a real change from some of the modes used by his avant Chicago contemporaries... read more

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One of the rarest albums by Frank Rosolino – and a surprisingly great vocal set as well! The tunes are short, but Frank manages to both sing and turn in his usual trombone solo work here – and while the latter is great, we especially love the former! Frank's vocals have a raspy,... read more

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A rare American release from British baritonist Ronnie Ross – working here in the sharp-edged company of drummer Allan Ganley! The group's got a really tight sound throughout – that best sharp-lead mode of the Brit scene of the 50s – but with a looser feel on the solos, which are... read more

The band may be riding in a carriage on the cover, but there's nothing old-timey about this set – as the record represents some of the best modern jazz on the Danish scene at the start of the 60s! The album's a rare gem from drummer Bjarne Rostvold – one of the key exponents of his... read more

A fantastic group of well-matched players – one we've heard together often on albums for other labels, but who really find a new sort of energy here in the Smalls Live series! Trumpeter Jim Rotondi's joined here by equal frontmen Eric Alexander on tenor, David Hazeltine on piano and Fender... read more

Incredible reed interplay from the Rova Sax Quartet – still an amazing ensemble after all these years, with a mixture of complex creativity and surprising soul that few other groups of this nature can touch! On a record like this, Rova remind us that there's still plenty of freshness in the... read more

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A rare Japanese-only album from trombonist Roswell Rudd – one of his few full length statements of genius from the mid 70s! The album's got a very collaborative feel overall – one that takes off from some of Rudd's better-known work of the "new thing" era, but opens things up... read more

One of the last great albums that Rudd played on before going into retirement! The group features Rudd on trombone, Enrico Rava on trumpet, Dve Burrell on piano, Stafford James on bass, and Harold White on drums – and the overall feel is similar to some of the best ESP work of the 60s. The... read more

A dreamlike flow of elemental sounds and masterful mood from Adam Rudolph & Ralph James – conceived and performed as a dialogue between multi-instrumentalists Adam Rudolph and Ralph Jones on a date at Michigan's Delta College Theatre in 2009! Rudolph works with African percussion and... read more

Another standout set from Howard Rumsey's Lighthouse All Stars – the kind of group who should have been a gimmicky way to promote his nightclub, but who actually managed to cut some of the best LA records of the time! The lineup here features Rumsey on bass, Bud Shank on alto, Bob Cooper on... read more

An unusual albums from the west coast scene of the 50s – recorded under the name of the Lighthouse All Stars, but featuring arrangements and compositions by Bob Cooper – who was the real driving force behind the set. Conte Candoli's in the group on trumpet – and other players... read more

One of the greatest records we've ever heard from pianist Mario Rusca – a really open, fluid sort of set – and one that features electric bass in the trio, which really gives things a different sort of vibe! Mario plays acoustic piano throughout, but the use of electric bass (played by... read more