Jazz — In Stock  

... read more

... read more

A gem of a record from pianist Renato Sellani – and a set that cooks with all of the best energy of the Italian scene in the 70s! Like some other classics on the Carosello label, this record's got a vibe that mixes strong acoustic leads with a slight touch of electricity in the mix –... read more

... read more

A beautiful second set from Seval – even more powerful and personal than the group's debut – with sublime compositions and cello by Fred Lonberg-Holm, and these fragile yet soulful vocals from Sofia Jernberg! Instrumentation is quite spare – just cello, guitar, trumpet, and bass... read more

A beautiful document of the work of Sevda – a cool Swedish group from the early 70s, and one who mixed together equal parts jazz and Turkish music! First up is their Jazz I Sverige album form 1972 – a mixture of jazz and folkloric influences – a really unique album that shows the... read more

... read more

Sublime early work from Bud Shank – one of our favorite west coast players ever – captured here away from some of his better-known work on Pacific Jazz! There's a nicely rough edge to some of the material – with Bud really blowing alto strongly on some of the leadoff tracks... read more

One of the few albums as a leader cut by pianist Ralph Sharon – a player who's best known for his years supporting singer Tony Bennett, but who sounds really wonderful here in an instrumental setting too! Sharon's got a way of coming up both with a punch and a fluid sort of groove –... read more

An interesting project from Elliott Sharp – a set that mixes his older downtown sounds with some surprising rootsy elements – all in a blend that really helps his music stretch out strongly! Sharp's guitar work is still incredible – whether arch and arty, or acoustic and bluesy... read more

... read more

... read more

Soaring spiritual soul jazz from the LA scene – a CD that features a beautiful performance by the Jesse Sharps Quintet, plus a longer extended track from Horace Tapscott's Pan Afrikan Peoples Arkestra! We'll be honest in saying that we'd never heard of Sharps before this CD – but he's... read more

One of the best-ever Sonny Sharrock albums – and one of the few that really captures the fresh genius of his approach! The set was recorded in New York during the period when Sonny had just come out of Herbie Mann's group with Roy Ayers – but the sound is far far different than the... read more

Wow! This is one of Sonny Sharrock's rare early recordings, recorded in France shortly after he had been playing with Herbie Mann. The groove's kind of crazy, and it's amazing that Sonny jumped out so soon after leaving the sort of pop-jazz environs he was in with Herbie – but hey, lots of... read more

Shavers blows in a mellow and late nite mode – working with backings by Sy Oliver to craft some laidback readings of Gershwin classics! The strings are used with a nice level of economy, and Shavers' tone is perfect for the set – a bit trad, but also opening up to take the tunes past... read more

Includes the tracks "September Song", "Carioca", "Frenesi", and "Special Delivery Stomp".... read more

... read more

Shaw's on clarinet (natch!), and the rest of the group includes Hank Jones on piano, Joe Puma on guitar, Tommy Potter on bass, and Irv Kluger on drums. The whole thing's packaged in a lovely David Stone Martin abstract cover – and titles include "Sad Sack" and "Sunny Side... read more

Shaw's on clarinet (natch!), and the rest of the group includes Hank Jones on piano, Joe Puma on guitar, Tommy Potter on bass, and Irv Kluger on drums. The whole thing's packaged in a lovely David Stone Martin abstract cover – and titles include "Tenderly" and "When The Quail... read more

... read more

... read more

Really rich sounds from Woody Shaw – one of his sublime studio sessions for Columbia Records – a major label, but one who really let Woody explore some new ideas in his music! There's a depth here that surpasses some of Shaw's straight small group sessions – really magnificent... read more

A late date for Woody Shaw, but a great one too – a bit more straightforward than some of his more righteous albums of the 70s, but still proof that Shaw is easily one of the greatest trumpeters of his generation! The album's got a laidback sort of feel, and features a fair bit of familiar... read more

A fantastic album by Woody Shaw – spiritual, soulful, and filled with some nice modal grooving! The group's one of the best he ever worked with on Muse – with Billy Harper on tenor, plus Rene McLean, Steve Turre, Joe Bonner, and Cecil McBee – and the approach reminds us of some... read more

One of Woody's last albums – a back to basics set, recorded with a group that include Kenny Garret on alto sax, Kenny Barron on piano, and guest guitar work on one track by Peter Leitch. The approach is straight modal hardbop – in the spirit of Woody's first recordings for Muse –... read more

Soulful brilliance from Woody Shaw – a searing live set that matches the power of earlier classics like Moontrane and Blackstone Legacy! The album's got Woody working with a heck of a great group – Carter Jefferson on tenor and soprano sax, Onaje Allan Gumbs on piano, Clint Houston on... read more

A brilliant date from the later years of Woody Shaw – an album that equally shows Woody's own talents, and those of his key group of younger players too! Shaw's trumpet is perfect in both modes here – the hard-blown righteous numbers Woody first gave the world from his start, and the... read more

An overlooked 60s gem from George Shearing – mellow and jazzy, and done with a slightly different style than usual! Deep Velvet takes Shearing's piano and vibes and backs them up with a 12-piece woodwind choir – one that creates a shimmering backdrop of colors and tones for the core... read more

... read more

An unusual one for George Shearing – in that this Capitol session's a trio date, instead of Shearing's usual quintet mode – working in an Ahmad Jamal-like trio with drums by Vernel Fournier and bass by the late Israel Crosby! There's flowing, subtly soulful sound going on here –... read more

... read more

... read more

... read more

... read more

... read more

... read more

... read more

... read more

Some of jazz's most sensitive artists get together in a lyrical set of light-handed ditties. Shearing's piano is a surprisingly nice complement to the vibes/bass/guitar sound of The Montgomery Brothers – and the group is augmented by some nice Latin percussion. Tracks are short, and titles... read more

Just duets – with Don Thompson on piano and bass, and George Shearing on piano and (surprisingly!) a bit of vocals!... read more

... read more

Really great work from trumpeter Jack Sheldon – a bigger band record that doesn't suppress his horn, and which instead really gives him a tight energy that he doesn't always have on other records! Sheldon's playing here with a pretty nice group of players – including Billy Root, who... read more

A classic of spiritual, soulful jazz – and one of Archie Shepp's greatest albums! The set was recorded in New York after a few free and festive years in Paris, and it's an amazing about-face that has Archie stepping into a world of righteous, full-on, political, and funky themes – the... read more

A classic of spiritual, soulful jazz – and one of Archie Shepp's greatest albums! The set was recorded in New York after a few free and festive years in Paris, and it's an amazing about-face that has Archie stepping into a world of righteous, full-on, political, and funky themes – the... read more

An amazing Impulse debut from Archie Shepp – easily one of his boldest musical statements ever, and a key announcement to the world that a new generation of modernists was on the rise! The album was co-produced by John Coltrane – who brought Shepp to the label, and almost gets out-done... read more

A rare live set – recorded in Algiers during the Panafrican Festival in 1969, featuring a set of work that is some of Shepp's rootsiest of the 60s! The recording features a core group of Shepp, Grachan Moncur, Clifford Thorton, and Dave Burrell – all joined by a host of Algerian and... read more

Beautifully balanced 60s work from Archie Shepp – a record that mixes newer freedoms with sharper vision – all wrapped up with some wonderfully intense solo work! As with some of Shepp's other great dates for Impulse at the time, the group's a largeish one – a nonet of players... read more

Growing brilliance from the young Archie Shepp – a record that's not just about Archie's own amazing work on the tenor, but also his keen modern vision as a leader! The combo here is an ensemble that features some of the hippest modernists of the 60s – Roswell Rudd and Grachan Moncur... read more

Growing brilliance from the young Archie Shepp – a record that's not just about Archie's own amazing work on the tenor, but also his keen modern vision as a leader! The combo here is an ensemble that features some of the hippest modernists of the 60s – Roswell Rudd and Grachan Moncur... read more

A brilliant second volume to this classic series of live recordings from Archie Shepp – and a record that shows both ways he could really shine in the 70s! The record's got a wonderful 28 minute take on Archie's classic "Blues For Brother George Jackson" – an Attica Blues-era... read more

A fierce and full-on session from Archie Shepp – a real return to avant jamming, in a style that recalls his best French work of the late 60s, but which also has some of the soulful touches of his late 70s years! The group features Sigfried Kessler on piano, Clifford Jarvis on drums, and... read more

A seminal live set from tenorist Archie Shepp – and some of his freest, least-structured material ever! Shepp's still a righteous force here on his horn, but there also seems to be equal emphasis on the contributions of all members of the group – woven together in a really rich... read more

... read more

One of the first European recordings from Sahib Shihab – a classic set that's the start of an amazing 60s run on the continent! Shihab here is quite different than his American dates of the 50s – bolder, and blowing with a really open, fluid sort of groove that marks a great... read more

A legendary album from saxophonist Sahib Shihab – a record that's gone onto become the birth of all things modal and club jazz in the current scene! Shihab always sounded great, no matter what the setting, but there was definitely something magical going on with this session – a one-of-... read more

A fantastic early record by Sahib Shihab – a motherlode of modal jazz grooves, cut during the early days of the Clarke-Boland Big Band! The record features a core group of players from that ensemble – including Shihab on alto, baritone, and flute, plus Francy Boland on piano, Jimmy... read more

Duets between alto saxophonist Rob Brown and pianist Matthew Shipp, recorded at a time when Shipp was first bursting into public consciousness as one of the stronger figures of the east coast avant garde of the past 25 years. Most tracks are numbered versions of "Sonic Exploration"... read more

A late 50s stormer from Japanese drummer Hideo Shiraki – caught here at a great point in his early career! The album's got a bit more of a swing-based feel than some of Shiraki's later sides – a bit more Verve-like energy than Blue Note style – which is a-ok with us, because the... read more

Bossa jazz from 60s Japan – a set recorded right around the same time that Verve first started hitting bossa grooves in the US! The sound here is sharper than a Verve bossa album, though – with some of the same hardbop inflections you'd hear on other Hideo Shiraki albums from the time... read more

The music of Horace Silver is magically presented here by drummer Hideo Shiraki – grooving nicely in the same exotic approach to soul jazz you'd find on Silver's best Blue Note sides of the late 50s! Shiraki's always had a bit of a Jazz Messengers approach in his music – at least at... read more

Not sure what they mean by "Ameriachi" in the title – but from the sound of the music, there's definitely a great A&M Records-styled mix of jazz, Latin, and South American modes! The set begins with a set of cookers from drummer Hideo Shiraki – working with an excellent... read more

... read more

... read more

... read more

An incredible album – one of our favorite Blue Notes ever! Despite the fact that the album's a spare quartet session, the record is one of Wayne Shorter's richest – and features his gutsy young tenor soloing insanely with a rhythmically intense combo that includes Herbie Hancock,... read more

An excellent set of some fairly out material – performed by Shorter with a group that includes Freddie Hubbard, Grachan Moncur, James Spaulding, Herbie Hancock, and a rare appearance by his brother Alan on flugelhorn! At times, the record builds into a sound that's freer and more... read more

A perfect illustration of the rich new directions Wayne Shorter was taking at the start of the 70s – an amazing flurry of sounds and styles that's light years ahead of where he began in the 60s! Shorter's one of those players who was already great at the start – an amazing tenorist,... read more

... read more

A really classic-styled set – as you might guess from the Art Blakey homage image on the front cover – a cracker of a session that features some great players from the contemporary Italian scene! There's a bold hardbop vibe to the whole thing – a mode that hangs right up there in... read more

... read more

Fanstastic LP! Produced by Nathan Davis, and released on the same label as his first two U.S. albums (after his return from Europe), this is a mad mix of breezy jazz and breakbeats. Break fans will looooove the cuts "Lunar Invasion" and "Fonky First", which both have a tight... read more

Sweet guitar and smooth grooves – a remastered version of this mellow jam from Ricardo Silveira from the mid 90s – brought out with rich new fidelity here in an Adventure Music pressing! There seems to be less of the slickness of the previous issue, and a lot more warmth – that... read more

Classic Blue Note work by Horace Silver – the stuff that soul jazz legends are made of, and an album that showed he was destined to be a huge force away from the Jazz Messengers! Blue Mitchell and Junior Cook hold down the frontline with Horace – playing in a mellifluous style that... read more

Classic Blue Note work by Horace Silver – the stuff that soul jazz legends are made of, and an album that showed he was destined to be a huge force away from the Jazz Messengers! Blue Mitchell and Junior Cook hold down the frontline with Horace – playing in a mellifluous style that... read more

A surprisingly great later album from Horace – with Steve Turre on trombone, Ronnie Cuber on baritone, Claudio Roditi on trumpet, and Michael Brecker on tenor.... read more

Early 60s magic from Horace Silver – working here at the height of his youthful powers! The album's a perfect example of the sound that Silver created while at Blue Note – a lyrically melodic approach to soul jazz, but one that was able to open up the rhythms past stock riffs and... read more

A real watershed album from Horace Silver – a record that has him stepping strongly into the 70s – but with a rich new groove that's different both from his 60s work, and from the heavy politics of his United States series too! The album has Horace picking up a slightly electric sound,... read more

The quintessential sound of late 60s Horace Silver – on one hand still very much in the Blue Note soul jazz groove that earned him plenty of jukebox single play, but on the other hand really stretching out with a style that's a bit more righteous than before! Horace shows that he can still... read more

A beautifully soulful set from Horace Silver – hardly the "with brass" session you might guess from the title, and instead a well-integrated album that really showcases a new level of arranging genius from Horace! The set is heavy on hip horns – with work from Oscar Brashear,... read more

A beautiful, beautiful record from Horace Silver – one of his great 70s experiments for Blue Note – and a set that has him working in the same "jazz with voices" mode explored by Max Roach and Donald Byrd in earlier years! The core of the set is focused around the great work... read more

An excellent 70s album from Horace Silver – one that's often overlooked, but which yields of listening joy, once you open it up! The set's got some wonderful modal/spiritual numbers – in a mode that would make the record highly prized if it were issued on Strata East, and which is... read more

Horace Silver's last record for Blue Note – and an amazing end to his decades of work for the legendary label! The set's a perfect summation of all the new directions that Horace took in the 70s – new territory that's deeply spiritual, and undeniably righteous – yet which also... read more

Wonderful work from Horace Silver – part of a great run of late 70s sides for Blue Note that unlock a whole new side of his soulful talents! The vibe here is different than the previous United States trilogy – still very righteous, with an overt message too – but served up in... read more

Wonderful work from Horace Silver – part of a great run of late 70s sides for Blue Note that unlock a whole new side of his soulful talents! The vibe here is different than the previous United States trilogy – still very righteous, with an overt message too – but served up in... read more

An incredible record – the kind of album that only Blue Note could put out, and an instant classic that will sound wonderful forever! The album's truly one of the great ones – one of those Blue Notes that still makes you stop and pause when you hear it, even though you've heard it a... read more

One of the most righteous Horace Silver albums for Blue Note – and a far-reaching, politically-bent batch of tracks that feature vocals by Andy Bey, in a similar style to the work he did on the Gary Bartz records from the time – very hip, and quite different than other jazz vocal work... read more

One of the most righteous Horace Silver albums for Blue Note – and a far-reaching, politically-bent batch of tracks that feature vocals by Andy Bey, in a similar style to the work he did on the Gary Bartz records from the time – very hip, and quite different than other jazz vocal work... read more

One of Horace Silver's greatest records ever – and the album that always makes us remember how many of his tunes are now etched in the memory of modern jazz! The album's got a slightly exotic bent that you might guess from the title – a furthering of the sound that Silver first started... read more

Horace Silver at his most righteous – stepping out here in the amazing Phase 2 of his United States Of The Mind series – with some heavy vocals from the great Andy Bey! The grooves are more complicated than Silver was laying down a few years before – yet still equally soulful... read more

Horace Silver at his most righteous – stepping out here in the amazing Phase 2 of his United States Of The Mind series – with some heavy vocals from the great Andy Bey! The grooves are more complicated than Silver was laying down a few years before – yet still equally soulful... read more

A great late 60s gem from pianist Horace Silver – and a great bridge between his earlier soul jazz for Blue Note, and some of his more righteous work to come in the 70s! At one level, the sound here steps off from classics like Serenade To A Soul Sister or The Jody Grind – but at... read more

An amazing document of righteous soul jazz – the full recordings for Horace Silver's United States Of Mind trilogy – done in collaboration with singers Andy and Salome Bey! The sound is completely different from Silver's work of the 60s – very righteous and message-oriented, with... read more

No blues here, but a hell of a great soul jazz set from Norman Simmons – the pianist who was a big part of the early 60s scene in Chicago, and who never really recorded that many albums as a leader! The record's got a super-hip lineup – with Clifford Jordan on tenor, Jimmy Owens on... read more

Brilliant work – and one of the rare few albums to feature the genius alto of Sonny Simmons from the 60s! The session has the fierceness of other ESP sessions from the time, but it's also tempered with a bit of spiritualism, too – somewhat more introspective in the heavy moments than... read more

... read more

The very last performance at the legendary Keystone Korner in San Francisco – a well-blown session from Zoot Sims' overlooked years on Pablo Records! Like other Pablo dates, this one's got a very easygoing groove – a relaxed format that allows Sims to really stretch out on his horn... read more

A motherlode of great music from Zoot Sims – mid 70s recordings done for the Groove Merchant label, presented here in a late 70s package! Although Groove Merchant was mostly known for its funkier sounds, the work here is nicely back to basics for Sims – small group sessions that give... read more

A swinging east coast set featuring the reeds of Zoot Sims, Al Cohn, and Tony Scott. Trigger Alpert is actually the leader on these sides, in spite of the way the album is billed, and he plays bass in a piano-less rhythm section alongside Ed Shaughnessy on drums. The front line also includes Joe... read more

One of Sinatra's greatest records ever – pure genius all the way through! Frank's backed here by the orchestra of Count Basie, with some incredible arrangements by Quincy Jones that really have a jazzy, syncopated kick to them. The move seems to be an unintentional way of covering for Frank'... read more