A wonderful larger-concept piece from reedman Mats Gustafsson – and an important recording that really stands to only complement some of his freer, looser work of the time! The set's got a vibe that's similar to some of the best mixed composition/improvisation works of the 90s – put ... read moreCD
Two great large group works from bassist Barry Guy – both with the sort of individual qualities we love in his music with the London Jazz Composers Orchestra! The players here are from a wider range of European sources, and all work together as a whole, but get plenty of space for personal ... read moreCD
One more amazing chapter in the mighty development of drummer Chico Hamilton – a killer 70s session for Blue Note – and a record that goes way beyond his earlier experiments of the 50s, modal grooves of the 60s, and funk work for the Flying Dutchman label! The style here is fusion, but ... read moreCD
One of the first statements of greatness from tenorist Scott Hamilton – a young player who emerged in the late 70s, but one with a definite old school sound! Scott blows here with a wind that's plenty good – very deep-toned, and with a raspy, honest quality that almost takes us back to ... read moreCD
An amazing bit of jazz funk from Johnny Hammond – and one of his greatest LPs! This is the first album that Johnny recorded with Larry Mizell, cut right before the pair of them went onto do the landmark Gears album. While this one never became as famous as Gears, it's got some fantastic ... read moreCD
One of the hippest albums ever cut by Lionel Hampton – a badass batch of 70s funk tunes, recorded with arrangements from the Chicago powerhouse team at Brunswick Records! Lionel's vibes are mixed with tight drums, sweet bass, and some very soulful arrangements that make even the mellower ... read moreCD
Herbie Hancock —
Directstep ... CD CBS/Sony/Wounded Bird, 1978. New Copy ...
A rare Japanese-only session from Herbie Hancock – very electric, and nicely funky in all the right parts! The set was recorded at the end of the 70s with amazing fidelity – and features a unique lineup that includes Webster Lewis on additional keyboards and Alphonse Mouzon on drums ... read moreCD
A trio of great albums from Herbie Hancock – funky, spiritual, and plenty soulful – and presented here with bonus tracks too! First up is Fat Albert Rotunda – the first album to feature Herbie really breaking away from his straight jazz work – moving into a groove that's ... read moreCD
Herbie Hancock really earns his name in the title on this set – as he stretches out on a host of cool keyboards – all with a spacious, open style that's mighty nice! There's a gentle groove to the record, but still some of the more open qualities of Herbie's wilder electric records of ... read moreCD
Jake Hanna was one of the strongest drummers to work for Concord Records in the 70s – and as a result, the label often gave him a chance to showcase his talents as a leader – including this well-done live date with trombonist Carl Fontana! Fontana's a later entry to the school of ... read moreCD
One of Kip Hanrahan's incredible albums for American Clave – sides that are beyond description, and which seemed to emerge out of nowhere, offering some of the few true cross-cultural experiments in jazz in the 80s that didn't sound like they were forced or prepackaged! Kip's got a strong ... read moreCD
Maybe the trippiest album we've ever heard from guitarist Fareed Haque – but you've probably already guessed that from the image on the cover! The set's filled with all the kind of cool sounds you'd expect – and is almost a throwback to the great run of jazz-meets Eastern-meets funk ... read moreCD
Nobuo Hara convenes the Sharps & Flats ensemble in this excellent set from the end of the 60s – a magnificent blend of tones and colors from the horns, all wrapped up in Hara's wicked sense of arranging! The group's got a groove that's really unique – not like American or European ... read moreCD
One of the hippest entries so far in Ropeadope's Experiment series – every bit as amazing as their previous experimental excursions to Philadelphia and Detroit! Like those previous sets, this one attempts to refine the best sounds of a local scene – focusing here on the rich array of ... read moreCD
A recent recording by tenorist Billy Harper – but one that follows strongly in the tradition of his 70s classics recorded in Japan! Like those records, this one was done for the Japanese label DIW – and features Harper in a free sort of setting that really lets him unfold with ... read moreCD
A fantastic lost slice of work by one of the greatest modern jazz forces on the British jazz scene of the 60s – Jamaican-born saxophonist Joe Harriott, known for his groundbreaking avant jazz sessions and his experiments with Indian classical music! The sound here is quite different than ... read moreCD
The best of British modern jazz meets the world of post-colonial music on the London scene – and the result is a groundbreaking blend of cultural styles! Reedman Joe Harriott and his trumpeter Shake Keane both brought a fresh West Indian sensibility to the London scene in the 50s – and ... read moreCD
Mindblowing electric work from the great Eddie Harris – heard here on his famous late 60s combo that also features bass from the great Melvin Jackson! The music's got all the soulful currents of Eddie's earlier work, yet also takes on a trippier vibe too – since Harris plays an ... read moreCD
A nice little funk album from Eddie – one that shouldn't work, but does nicely, thanks to a unique approach to the groove! Eddie's still playing plenty of electric sax on the set – and is going for a sound here that's equal parts soul jazz, modal groove, and down and dirty funk! The ... read moreCD
Damn great work from the amazing Eddie Harris – a record that's got a perfect blend of jazz and funk, but still holds onto more righteous elements too! Eddie's using his electric sax in a really great way – not as a gimmick at all, but as a way of linking both the soulful and ... read moreCD
A pair of killers from keyboardist Gene Harris – both recorded for Blue Note, and back to back on a single CD! First up is Gene Harris/The 3 Sounds – the last Three Sounds album for Blue Note – and the funkiest too – thanks to lots more electrification than usual, and some ... read moreCD
Wonderful ensemble work from drummer Fritz Hauser – a player whose recent music has gone far beyond jazz, with a mixture of compositional ideals and creative improvisation! This set features Hauser working with a larger percussion ensemble – really exploring his sense of texture and ... read moreCD
Not the sprawling session you'd usually get from a record with "all stars" in the title, and instead a tight small group record that features Coleman Hawkins at his later best! The setting is an outwardly trad one – recorded for the Swingville label with Joe Thomas on trumpet and ... read moreCD
Tasty bluesy organ material from Prestige, featuring 2 hard-to-find records, back-to-back in a single set! Billy Hawks sings and plays organ with a groove that's in between jazz, blues, and deep soul. On New Genius Of The Blues he's fronting a trio that includes a young Ivan "Boogaloo ... read moreCD
Pretty great work from Tubby Hayes – even if the sound quality is sometimes a bit "live"! Tubby's one of our favorite tenor players ever, and he really shines in this set of live recordings from the years 1963 to 1965 – cut when Tubby was really opening up his sound a lot, ... read moreCD
Proof that this Smalls Live series really brings out the best in most players – as pianist Kevin Hays grabs our ears here more than ever! The set's got an open, spontaneous energy – lots of really long tracks from Hays and his trio of Doug Weiss on bass and Bill Stewart on drums. Yet ... read moreCD
Pianist David Hazeltine always sounds great in a trio, but we love him even more with a horn player – as on this session with Seamus Blake on tenor! The pairing of players seems to give Blake the sort of sharp, soulful focus we love best for his instrument – a rock-solid, soulfully-groo ... read moreCD
Amazing sounds from the SF scene of the 70s – previously unreleased work that really opens up a whole new chapter of jazz on the west coast! The HE3 Project is the brainchild of keyboardist Herman Ebertizsch – who plays lots of Fender Rhodes and moog on this sweet little record – ... read moreCD
The coolest chapter so far in the long-lost story of the He3 Project – wonderfully spiritual jazz sounds from the San Francisco scene of the early 70s – recorded with a wicked blend of instrumentation and vocals, and a really cosmic sound overall! The music isn't just the usual ... read moreCD
A hell of a great large group session from Jimmy Heath – filled with those special tones and colors we always love in his arrangements, and that special sort of soul that usually makes his bigger band records swing like most small combo dates! The album's one of the best we've heard from ... read moreCD
There's nothing standard about this set – as Joe Henderson always brings something special to a recording session – especially at this point in his career! The album has a wonderful format – Joe's unique tenor tone set up beautifully alongside the bass of Rufus Reid and drums of ... read moreCD
A great set from tenorist Ian Hendrickson Smith – a player you might know from his work with Sharon Jones & The Dap-Kings! Smith was in the Dap-Kings for a good part of the oughties, but has really opened up as a jazz musician too – and here, he really cooks in the wonderful ... read moreCD
A strong, soulful set from alto saxophonist Vincent Herring – of the sort he always seemed to get on earlier recordings, but which he hardly ever hits this well these days! The album's got a no-nonsense quality that really brings out the best in Vincent's horn – with a rock-solid ... read moreCD
Drummer Billy Higgins added his talents to so many other albums as a sideman – but by this time of this early 90s date, he'd really come into his own as a leader – crafting creative energy from the drum kit through the rest of the trio – and getting some especially great help on ... read moreCD
Billy Higgins —
Soweto ... CD Red (Italy), 1979. New Copy ...
Wonderfully hip work from drummer Billy Higgins – a crucial session from the end of the 70s, and one that shows just how far he'd come since the decade before! Higgins has always been great, but here he works in the company of some key Eastern Rebellion musicians – Bob Berg on tenor ... read moreCD
A rare and beautiful Andrew Hill session, and one of the classic Blue Note entries into the "jazz and voices" sound that the label pioneered with Donald Byrd and Eddie Gale. Hill leads a core jazz group that includes Woody Shaw on trumpet, Carlos Garnett on tenor, Richard Davis on bass, ... read moreCD
One of the greatest Japanese jazz drummers breaks out in his first album as a leader! Hino had played drums in the modernist bop group of (brother?) Terumasa Hino during the late 60s – but this set is the first that really lets his unique vision shine through. The album features Hino ... read moreCD
Terumasa Hino/Masabumi Kikuchi Quintet —
Acoustic Boogie ... CD Somethin Else/Blue Note (Japan), 1995. New Copy ...
A pair of Japanese jazz giants – sounding really wonderful here in a mid 90s session for the Somethin Else/Blue Note label! The set definitely lives up to its title – as both Hino and Kikuchi had played often in electric modes, but are heard here in a tight quintet that's very back to ... read moreCD
One of the best (and few) sessions ever cut as a leader by bassist Milt Hinton – a crucially important player on his instrument, and an important force behind countless sessions of his generation! The album's a nicely laidback one – the kind that lets you get to hear Milt's bass work ... read moreCD
An amazing debut from bassist Derrick Hodge – an artist we've loved for his work in the Robert Glaper Experiment, and his previous performances with Terence Blanchard, Common, and Maxwell! Hodge has a deep, round sound that really bridges different worlds of jazz and soul – and while ... read moreCD
You know, we've never been sure what they mean by "collates" in the title of this one – but we're guessing the title was chosen because of the way Johnny blows sheets and sheets of sweet sound together on alto sax! The recordings are in an Ellington mode, but taken to a small group ... read moreCD
Forget the "punk" in the group's name, and just focus on the "bop" – as the quintet have a nicely angular sort of energy, one that's definitely modern, but which certainly owes a lot to the sharp changes of jazz generations gone by! The instrumentation really draws a lot ... read moreCD
Landmark improvisations from two of the most important bassists in avant garde jazz – Dave Holland and Barre Phillips – two players each coming from two different scenes and styles, but working together here perfectly in a groundbreaking session of all-bass work! Holland plays a bit of ... read moreCD
Nice double-length CD that brings together tuff soul jazz tenor tracks culled from some mid 60s sessions that Red Holloway cut with Brother Jack McDuff. Some of the tracks appeared on the albums Cookin' Together and The Dynamic Jack McDuff, and the material is a mix of quartet sides and larger ... read moreCD
Groove Holmes and Gerald Wilson – a wonderful combination on this late 60s session – in a style that's everything great about mainstream LA jazz at the time! Wilson really has a way with the charts on the session – and although the group is large, they've got a lean, clean sound ... read moreCD
A brilliant meeting of Swedish jazz generations – the older tenor modernist Gilbert Holmstrom, working here with a crack quartet of the best players on the mighty Moserobie label! Holmstrom's sound and style are vastly overlooked, but they burst forth freshly here with a really rich quality ... read moreCD
A trio of 70s Freddie Hubbard – all packaged together in one sweet set! First up is Keep Your Soul Together – Freddie Hubbard at the peak of his 70s powers – and one of his finest albums of the decade! The record follows strongly in the tone that Freddie set at CTI on his mighty ... read moreCD
An overlooked gem from Freddie Hubbard – a late fusion outing, done for the Japanese market at a time when most of his American work was returning to more acoustic modes! Freddie's trumpet sparkles brilliantly in the lead – hitting the same sort of soulful, stretching vibe as his best ... read moreCD
Bobbi Humphrey —
Dig This! ... CD Blue Note/Dusty Groove, 1972. New Copy ...
A stone killer from funky flute player Bobbi Humphrey – one of her early albums for Blue Note Records, and a set that's a perfect summation of the best sides of her talents! The album's got a slightly different feel than Bobbi's work with Larry Mizell – yet still sports a similar ... read moreCD
(On the Dusty Groove label.)
Bobbi Humphrey —
Flute-In ... CD Blue Note (Japan), 1971. New Copy ...
Early Blue Note work from the legendary Bobbi Humphrey – a session cut before she hooked up with producer Larry Mizell, but one that's still got a righteously soulful vibe! The arrangements here are by Wade Marcus, but he still has the great idea of giving Bobbi a bit more expanded sound in ... read moreCD
Some of Bobbi Humphrey's greatest work of the post-Blue Note years – an album that's filled with soulful fusion tunes throughout, all with a great focus on her funky flute! Bobbi also sings a bit on the set, but in a way that's pretty darn great – wonderfully sweet at times, with a bit ... read moreCD
A rare gem on 60s Prestige Records – and one of the earliest records to feature the incredible talents of reedman Sonny Fortune! Sonny burst into fame in the 70s as a spiritual player with a really freewheeling groove – but this late 60s date has Fortune in the company of Hammond ... read moreCD
Robert Hurst is way more than just a bassist – and over the years, he's developed into a hell of a leader who's got an ear for really reworking sounds way past the obvious! This set takes off strongly even from Robert's previous albums – and has a compelling mix of modes that sometimes ... read moreCD
Bobby Hutcherson/David Sanborn/Joey DeFrancesco —
Enjoy The View ... CD Blue Note, 2014. New Copy ...
Just Sold Out!
Bobby Hutcherson returns to Blue Note – on a set that's got a surprisingly fresh sound! The format's different both from Bobby's previous work for the label, and from his more recent albums on other imprints – in that it mixes his masterful vibes with Hammond from Joey DeFrancesco ... read moreCD
One of the most enigmatic albums we've ever heard from the legendary Abdullah Ibrahim – a set that not only features beautiful work on piano, but some flute and voice as well! The style is quite different than some of Ibrahim's better-known records – as the music has this really gentle ... read moreCD
Subtle brilliance from Japanese pianist Masaru Imada – a record that bubbles beautifully with some spare and personal touches – sometimes slightly free, sometimes wonderfully melodic – always with a strong sense of vision and energy! The group here features Imada on acoustic ... read moreCD
(Blu Spec CD.)
Jiro Inagaki & His Soul Media —
Head Rock ... CD Columbia (Japan), 1970. New Copy ...
A definite head rocker here – a brilliant bit of funky jazz from Japan, and a record that beautifully balances acoustic and electric elements! Jiro Inagaki plays some heavy tenor and soprano sax on the record – working with a combo that includes electric guitar, electric bass, and ... read moreCD
The drum method here is often hard and heavy – a very funky style that makes the album one of the grooviest ever recorded by Japanese drummer Takeshi Inomata! The group here is his Sound Ltd ensemble – a bigger lineup directed by Norio Maeda with plenty of funky styles – almost a ... read moreCD
Ethan Iverson, Albert Tootie Heath, & Ben Street —
Live At Smalls ... CD Smalls Live, 2009. New Copy ...
An amazing little record from a trio that features pianist Ethan Iverson, bassist Ben Street, and drummer Albert Tootie Heath – way more than you'd expect from the outside, and proof again that these Live At Smalls albums are some incredible gems! Iverson's a player with a great sense of ... read moreCD
Vijay Iyer on ECM – a great new setting for one of the most-discussed pianists in recent years – and a chance for him to offer up some even more creative sides of his talents! The record still features Vijay playing piano with some of those blocky tones and rhythmic pulses that we love ... read moreCD
A marvelous document of the power of bassist Chubby Jackson at his best – served up here in a double-length package of rare recordings from the end of the 40s! Chubby has a really unique place in jazz – a special space between bop and swing, where he was able to work with some of the ... read moreCD
A sweet larger group session from vibist Milt Jackson – proof that he was really trying to stretch his wings, and get into new things during the 60s! The set's got Milt working with some great help from Tadd Dameron and Ernie Wilkins on larger group arrangements – nicely swinging ... read moreCD
A rare Italian session from vibes genius Milt Jackson – and a set that features Milt on vocals instead of his usual instrument! The format here is really wonderful – and quite a change from what you might expect – as Milt's got this warm, raspy style of singing that's completely ... read moreCD
Heavy tenor from Willis Jackson – two early 60s killers for Prestige, back to back on a single CD! First up is Keep On A Blowin – an album that has hard wailin' soul jazz solos by Brother Jack McDuff on organ and Wild Bill Jennings on guitar! Those two, plus Gator, make up the core of ... read moreCD
Seminal early work from Willis Jackson – two classics back to back on a single CD! Blue Gator is a massive early Prestige set from tenorist Willis – and just the kind of record that set him firmly in the soul jazz camp for the 60s! By the time of the set, Jackson had already won ... read moreCD
Never-heard work from tenorist Bent Jaedig – easily one of the most important figures on the Danish jazz scene in the 60s! Bent's working here in a loose, open style that's quite different from some of his more tightly arranged albums of the decade – a mode that's still got lots of ... read moreCD
A rare early session from vibist Khan Jamal – recorded with his Philly-based Creative Arts Ensemble collective! The group follows strongly in the spirit of similar combos from Chicago and St Louis – particularly the latter – and Jamal's group is working here in a mode that's ... read moreCD
A side of Bob James that we maybe never knew existed – a solo piano mode, but spun out here with all the fluid sensibility we love from Bob's Fender Rhodes days! The acoustic keys are filled with warmth and tone – and the playing here definitely shares James' traditional love of space ... read moreCD
Early 80s Bob James back to back – two very big albums on a single CD! H has a cover that might be a bit gimmicky – with a giant image of a hot dog – but the album's actually one of the more sensitive outings from keyboardist Bob James at the time – a really refreshing ... read moreCD
Bob James —
Three ... CD Tappan Zee/Red River, 1976. New Copy ...
Dark genius from keyboardist Bob James – one of his seminal 70s classics for CTI! The album follows strongly in the spirit of the records One and Two – using James' spacious approach to Fender Rhodes alongside some backings that are electric, yet have an earthily funky quality that ... read moreCD
A pair of grand pianos, played in a beautifully open space during a live performance by Jan Jarczyk and John Stetch – both players who can really balance their energies between melody and much freer expression! The set's not nearly as outside as you might guess from the format – and ... read moreCD
Keith Jarrett —
No End ... CD ECM (Germany), 1986. New Copy 2 CDs ...
One of the coolest, most exotic albums ever cut by Keith Jarrett – a set of previously-unreleased material from the mid 80s – but with the feel of some more tripped-out jazz experiments from the late 60s! Keith plays piano, but also mixes it in with lots of work on electric guitar, ... read moreCD
Keith Jarrett & Charlie Haden —
Last Dance ... CD ECM (Germany), 2014. New Copy ...
Keith Jarrett and Charlie Haden have been playing together for many decades – growing together in each other's musical lives, and continuing to find rich new ways of expression – even on more subtle sessions like this! The duo take on some of the standards territory that Keith's ... read moreCD
Jazz A La Mode Trio —
Less Is More ... CD Cinedelic (Italy), 2013. New Copy Gatefold ...
A sweet Italian combo, and one who's got a very classic soul jazz sort of feel – a 60s-styled blend of Hammond and tenor that's mighty nice, and very much in the spirit of the vintage look of the cover! The record's got a great no-nonsense feel – just the right production to fit the ... read moreCD
The trumpet of Jeremy Pelt really makes this album sparkle – blown with a mixture of lyrical tones and sharper edges, and getting great support from a lineup that features Anthony Wonsey on piano, Dezron Douglas on bass, and Louis Hayes on drums! The solo horn in the lead also gives the ... read moreCD
A real classic from Swedish pianist Jan Johansson – and a key effort to link the modernism of his nation's postwar years with their rich centuries of cultural traditions! The tunes here are mostly from folk sources, but they're recast by Johansson in a moody modern jazz mode – often ... read moreCD
A great small group session from trombonist JJ Johnson – a record that sets him up with a crack rhythm section, then really lets him open up on his solos! The approach is a great change from some of the more tightly arranged Johnson albums for Columbia – and is a great reminder of the ... read moreCD
JJ Johnson's greatest album – without a doubt! This gem of a session was recorded in 1960 in New York, with an incredibly hip sextet that includes Cedar Walton, Clifford Jordan, and Freddie Hubbard. The tracks are all long, hip, and very much in a Blue Note soul jazz mode – very ... read moreCD
Osie Johnson looks a bit blurry on the cover, but the music on the record is razor-sharp – a great demonstration not only of Johnson's skill on the drums, but also his rare talents as a leader! Osie graced countless top-shelf sessions in the 50s, but only got a rare few chances to work up ... read moreCD
A stunning early set as a leader from Elvin Jones – both a tremendous demonstration of the free energy he let loose after the passing of John Coltrane, and a set that's also still got some key Coltrane-esque elements! As with other Jones albums to follow, Elvin's got some key reedmen on hand ... read moreCD
Elvin Jones —
Genesis ... CD Blue Note (Japan), 1971. New Copy ...
Elvin Jones rose to fame in the company of one of the greatest saxophone players ever – the mighty John Coltrane – and his post-Coltrane work like this really continues a keen respect for the role of the reeds in jazz – and really does a lot to push it forward as well! There's a ... read moreCD
The title's a great one for this post-Coltrane cooker from Elvin Jones – as the set really has Elvin exploring some really fresh currents in jazz, with a range of complicated rhythms that really pull the whole session along strongly! Rhythm is really set free on the record – as Elvin ... read moreCD
An incredible trio album – not just for the powerful drums of the great Elvin Jones, but also for amazing work on reeds by a young Joe Farrell! Farrell's in his pre-CTI years here, and really lets loose in the space of the album's open setting – a trio that just features Jones on drums ... read moreCD
A great 2-in-1 CD that combines the last two albums that Ivan Boogaloo Joe Jones cut for Prestige! Unlike some of the other players on Prestige during the early 70s – who often got a bit weaker as the decade moved on, thanks to the departure of some of the better forces arranging and ... read moreCD
Trumpeter Sean Jones's best album yet for Mack Avenue – a quartet set that finds him taking a conscious step into a more spontaneous style – and it works incredibly well! It's not that Jones has suddenly left his classic hard bop influences behind for a raw, free jazz aesthetic. There' ... read moreCD
A really amazing set of work from tenorist Clifford Jordan – a player who first rose to fame in the hardbop scene of the late 50s, but who moved into tremendous new territory with these Strata East recordings of the late 60s and early 70s! Jordan was a Chicago contemporary of players like ... read moreCD
We love the piano work of Tizian Jost – a player with a really special way of ringing out his tone on the keys, often with this sort of joyful flow that comes across right away! A few notches either way, and Jost might be too sentimental or too smooth – but instead, he's got this ... read moreCD
A very weird little record from Finnish singer Acre Kari – not really jazz, but not really not jazz either – almost a postmodern pastiche of a range of different styles, all wrapped up in a really playful sort of way! Kari really lives up to his swaggering, smirking image on the cover ... read moreCD
Siegfried Kessler with Archie Shepp —
Invitation ... CD Impro (France), 1979. New Copy ...
One of the coolest sets we've ever heard from pianist Siegfried Kessler – not just because it features Archie Shepp on two great tracks, but also because it's filled with some of his most dynamic energy on piano! Shepp begins the set by stepping out strongly on a sublime reading of "Invi ... read moreCD
A totally amazing album – and one of the clearest examples of Roland Kirk's genius approach to reeds! The set's essentially solo, and features Kirk playing without any tape tricks or overdubbing – but still at a level that has multiple saxophones layered on top of one another – ... read moreCD
Tarasarus ... CD Plastic Strip Press (Norway), 2007. New Copy ...
Heady work from Kiruna – a contemporary combo, but one with a feel that's like some of the darkest fusion of the 70s! The group's a trio – with a lineup that includes Fender Rhodes and organ, bass, and drums – but all used in really weird, wonderful ways that often abstract the ... read moreCD
Klima Kalima —
Finn Noir ... CD Yellow Bird (Germany), 2012. New Copy ...
A compelling set of work that draws heavily from the Finnish film noir for inspiration – the films of Aki Kaurismaki, Mikko Niskanen, and Matti Kassila – all of which serve as jumping-off points for the ideas in the music! The lineup features this raspy, wide-sounding electric guitar ... read moreCD
Great work from one of the most compelling trombonists of the 50s! Jimmy Knepper is probably best known for his excellent work on some of Charles Mingus' best records – but this set from 1957 shows that Knepper was also an extremely capable (if under-recorded) leader in his own right! The ... read moreCD
Hardly a set of minor meetings at all – given that tenorist Hans Koller works here in the company of a host of great musicians from the late 50s German scene, in a set of tracks that ranks with the best of his long career as a leader! By the time of these sides, Koller was already one of the ... read moreCD
Incredible early work from German guitarist Volker Kriegel – rare recordings that easily stand strong alongside his classic work for the MPS label – including his trippy sides with the Dave Pike set! A number of tracks here preface his work with Pike – and feature vibes from ... read moreCD
Peter Kuhn Quartet —
Kill ... CD Soul Note (Italy), 1982. New Copy ...
Modernist clarinet at its best – handled deftly by Peter Kuhn, in a range of modes that moves between hard-swinging jazz and much more spacious, sonic textures! Kuhn plays both standard and bass clarinet – using the latter with an especially great sound that reminds us of some of the ... read moreCD
(Official pressing of the CD, with full artwork – not the CDr pressing found at other online retailers.)
Brilliant work from a guy who gets our vote as one of the best young saxophone talents working today! Jonas Kullhammar's a hell of a great player – one who can be free one minute, focused the next – always working with a long-range creative vision in his solos – of the sort we ... read moreCD
An incredible step forward for reedman Jonas Kullhammar – an album that's put together as a summation of his feelings after taking a brief break from the recording business – but which also stands as one of his greatest moments to date! We've always loved Jonas' music, but there's a ... read moreCD
Jonas Kullhammar/Kresten Osgood/Ole Morten Vagan —
Andratx ... CD Moserobie (Sweden), 2007. New Copy ...
Genius work from one of the greatest young tenorists in many years – Sweden's Jonas Kullhammar, heard here with his Andratx trio – a group based on tenor, bass, and drums – all with a fluidly creative sound that takes us back to Sonny Rollins at the Village Vanguard in the late ... read moreCD
Jonas Kullhammar/Reine Fiske/Torbjorn Zetterberg —
Svenska Kaputt ... CD Moserobie (Sweden), 2012. New Copy ...
Nothing's kaput here – certainly not the creativity of the players involved – as the album's easily one of the most beautiful, most evocative sets we've ever heard from reedman Jonas Kullhammar! The quartet session is definitely a group effort – as all players work together in ... read moreCD