Ahmed Abdul-Malik —
Spellbound ... CD Prestige/Dusty Groove, 1964. New Copy ...
Sublime sounds from the always-amazing Ahmed Abdul-Malik – a jazz bassist at heart, but also a musician with a great ear for Eastern instrumentation as well! Ahmed cut a few key records at the end of the 50s and start of the 60s – and this spellbinding set may well be one of his ... read moreCD
(On the Dusty Groove label.)
Group – Live ... CD No Business (Lithuania), 1986. New Copy ...
Vintage work from this overlooked group from the New York scene of the 80s – an all-star lineup that features Ahmed Abdullah on trumpet, Marion Brown on alto sax, Billy Bang on violin, Sirone and Fred Hopkins on bass, and Andrew Cyrille on drums! The tracks are long, and there's a loose, ... read moreCD
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the ... read moreCD
Amazing work from one of the greatest jazz musicians working today – vibist Jason Adasiewicz, a player with a sound that's unlike anyone else we can think of! It's been years since we've been this excited about anyone on the vibes – and Adasiewicz not only returns the instrument to the ... read moreCD
Jason Adasiewicz —
Spacer ... CD Delmark, 2011. New Copy ...
One of the most amazing players to ever pick up the vibes – an artist with the sort of boundless creativity that Walt Dickerson and Bobby Hutcherson brought to the instrument in the 60s! Jason Adasiewicz has an amazing ear for both sound and music – and manages to balance the two ... read moreCD
Quite possibly the freshest vibist we've heard in years – a player whose records are always exploding with amazing sounds on his instrument – and the kind of intensity we'd reserve for a rare few on the vibes – maybe Bobby Hutcherson, Walt Dickerson, or Steve Nelson! Jason ... read moreCD
A triple-header of hardbop albums – a great package that features 3 Savoy Records classics from 1955, with bonus tracks and great notes too! First up is Bohemia After Dark – an excellent hardbop session from the glory days of the Savoy label – easily one of the label's key 50s ... read moreCD
Cannonball Adderley —
Black Messiah ... CD Capitol/Dusty Groove, Early 70s. New Copy 2 CDs ...
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much ... read moreCD
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by ... read moreCD
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling ... read moreCD
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record ... read moreCD
The music here is as evocative as the title – almost a mix of contemporary Blue Note modes with older ECM styles – all served up as a perfect showcase for the ever-growing talents of trumpeter Ambrose Akinmusire! We've really dug the last two records from Ambrose, and this one seems to ... read moreCD
Toshiko Akiyoshi —
Finesse ... CD Concord (Japan), 1978. New Copy ...
A wonderfully intimate set from pianist Toshiko Akiyoshi – quite different than her bigger band records of the 70s, but equally great in its own way! The album's a great throwback to the earliest days of Akiyoshi on record – as it has the pianist really opening up in a trio setting, ... read moreCD
Toshiko Akiyoshi —
Kogun ... CD RCA (Japan), 1974. New Copy ...
Brilliantly bold work from pianist Toshiko Akiyoshi – an artist who's really coming into her own for the 70s – stepping out in a big band format that would win her a wide new audience on both sides of the Pacific! The album's one of the first to feature the ensemble co-led with husband ... read moreCD
A sublime set from this hip Polish ensemble – a group who got their start in funky fusion, but who really stretch out here in a more sophisticated space too – mixing some of their electric elements with these really beautiful horn passages – arranged at a level that's full of ... read moreCD
A whole new setting for tenorist Eric Alexander – and a great one too! The album's got Alexander in a bossa-styled mode – but less like the facile bossa jazz projects of the 60s than some of the harder-edged ones you'd get from players like Ike Quebec or Charlie Rouse! The sharpness ... read moreCD
A really lovely record from pianist Misha Alperin – a set that might initially seem to be one of the ECM New Series albums, but which has more of the sensitive feel of older work on the label! Misha plays piano with this gently lyrical feel, mixed with these earthy lines on French horn and ... read moreCD
Barry Altschul —
For Stu ... CD Soul Note (Italy), 1979. New Copy ...
An album dedicated to the late drummer Stu Martin – and a set that features some very dynamic drum work from longtime friend Barry Altschul! The album has Altschul really hitting some new notes in his music – stepping off with a bit more dynamic energy than some of his other 70s ... read moreCD
(Official pressing of the CD, with full artwork – not the CDr pressing found at other online retailers.)
Franco Ambrosetti —
Heart Bop ... CD Enja/Ultra Vybe (Japan), 1981. New Copy ...
That's "heart bop", not "hardbop" – a title that really gets at the warm feeling and sense of soul on this overlooked date! The album's an early 80s gem from Enja – cut at a time when the label was really finding its own, and doing an especially great job of giving ... read moreCD
A record with an unassuming group name, title, and cover – but a rare set from the New Orleans scene – and one that offers up early work from Ellis Marsalis, both Alvin and Harold Battiste, and even a young Ed Blackwell too! The record's a rare example of the kind of forward-thinking ... read moreCD
(Please note: This is a CD-R pressing.)
Gene Ammons —
Brasswind ... CD Prestige/Universal (Japan), 1973. New Copy ...
Gene Ammons gets the Cannonball Adderley treatment – as he blows funky solos over an album arranged and conducted by David Axelrod! Brasswind has a larger, fuller funky sound than some of his earlier work for Prestige – and it works very well! The overall sound's a bit smoother, but ... read moreCD
A pair of funky killers from tenorist Gene Ammons! Black Cat is one of the great funky albums that Gene Ammons cut for Prestige at the start of the 70s – quite different than his earlier work for the label, and a very different showcase for his tenor genius! The whole lineup here is amazing ... read moreCD
Fred Anderson, Hamid Drake, & William Parker —
Blue Winter ... CD Eremite, 2005. New Copy 2 CDs ...
A beautiful tribute to the strengths of these players working together in a trio – the sense of respect and patience they each have for each other – letting the sound come at just the right moment in just the right way, as things build together in this amazing way – then leap ... read moreCD
Angles 9 —
Injuries ... CD Clean Feed (Portugal), 2014. New Copy Gatefold ...
Wonderful work from this Swedish collection – a group of players you might know from their excellent work on the Moserobie label, coming together here in one of their most ambitious projects ever! The lineup is relatively large, but the sound is nice and lean – as many musicians often ... read moreCD
A bit later than classic vintage for the UK jazz-rock scene – but a set that's right up there with the best of the early years, thanks to a flurry of keyboards from the great Neil Ardley! Neil's keys have more of a 70s feel than some of the 60s elements used before – heavy on Arp ... read moreCD
A sweet session of 70s electric jazz – recorded as a unique live all-star outing by a group of Arista's best jazz players at the time! The group's an octet, but plays together in differing formations throughout the record – with Warren Bernhardt on keyboards, Michael Brecker on saxes, ... read moreCD
Louis Armstrong hits the Flying Dutchman label – and unlocks a whole new spiritual side of his talents – a mode that's quite different than some of his crossover pop of the 60s! The style here has a bit of righteous elements in the lyrics, and lots of spiritual jazz in the backings ... read moreCD
An incredible package – and one that features three of the most important records ever cut by the Art Ensemble Of Chicago! All three albums were recorded at the Saravah Studios in the summer of 1969 – during a time when the Art Ensemble of Chicago were making big waves on the Parisian ... read moreCD
One of the grooviest records ever – a sublime blend of African percussion, soulful orchestrations, and Dorothy Ashby's amazing electric harp! By the time of this landmark album, Dorothy had been knocking around the jazz world for a number of years, but it wasn't until she hooked up with ... read moreCD
A great follow-up to the previous collaboration between pianist Ehud Asherie and tenorist Harry Allen – this time titled after a darker corner of downtown New York! As with the other date, this one features no other instrumentation at all – just warmly expressive duets on piano and ... read moreCD
Nothing too high-toned here, despite the title – as the set's a nicely mellow batch of duets between pianist Ehud Asherie and tenorist Harry Allen – caught in a laidback, open-ended style that's mighty nice! As with some of Allen's best work, there's a strong sense of nostalgia going ... read moreCD
Some of the hippest early jazz to come from Australia – and an major indication that something great was going on in the scene down under! The album's got a bright modern edge right from the start – none of the hoke you'd guess from the title and cover image – and features ... read moreCD
A pivotal moment in the development of Australian jazz – as a quintet featuring Don Burrows, the country's greatest reed player of the 60s and 70s, got this rare chance to cut a record for a US label during an American tour! Even at a young age, Burrows is fantastic on a range of horns ... read moreCD
One of the coolest records ever from this unique 50s group – not just for the presence of drummer Osie Johnson, who's the "plus one" in the title – but also for the range of interesting material in the set! Side one features the extended "Jazz In D Minor" suite ... read moreCD
Weird winds make this a mighty nice record – a blend of the tenor and bassoon of Errol Buddle and alto and flute of Dick Healy – all set to piano from Bryce Rhode, and vibes from the great Jack Brokensha! All players have a very strong sense of tone and color – and move together ... read moreCD
The style's never too free here – not in an avant jazz way – but the group's definitely opening up a bit more than before, and making even more magic with their music! The lineup has changed a bit from earlier albums from this combo – but key Australian players are still very ... read moreCD
Soaring spiritual sounds from bassis Omer Avital – a musician we love more and more with each new record, and one who only seems to be honing his vision even more strongly over recent years! The material is all original by Avital – performed by a core quintet that features sparkling ... read moreCD
An incredibly well-crafted set from bassist Omer Avital – a player who's really got a bold vision for his group here, and manages to lead a host of strong players through a set of very personal material! There's some great righteous energy going on here – making the set easily one of ... read moreCD
It's great to see that David Axelrod's finally getting his due – and this reissue of material from Fantasy is one of the first reissues of his work in the US! Most cuts here are much more jazz-based than Axelrod's higher-concept material under his own name for Capitol in the late 60s – ... read moreCD
A crucial European performance by Albert Ayler in the mid 60s – one that wasn't issued until many years after the recording, but which has become one of the sharpest pictures of his genius at the time! The vibe here is different than the Ayler albums for ESP – still very much in the ... read moreCD
Stunning live recordings from Albert Ayler's European tour of late 1966 – during a peak creative period for Ayler – while working with an incredible group! This excellent CD captures them in Stockholm for Swedish radio on November 10, 1966 – followed by an equally well ... read moreCD
Pure genius from the B Baker Chocolate Company – a set that's equal parts fusion and soul, held together by these rich arrangements that really send the whole thing home! The album's never too slick, yet has a sense of perfection that matches some of the best soulful fusion dates at Blue ... read moreCD
Gato Barbieri —
El Pampero ... CD Flying Dutchman/BGP (UK), 1972. New Copy ...
A real killer from Gato Barbieri – part of an excellent run of early 70s sessions for the Flying Dutchman label! The album was recorded live, and it's one of those real cookers that have him sounding a heck of a lot like Pharoah Sanders – blowing with these sharp, soulful tones – ... read moreCD
One of the hippest albums Gato Barbieri ever cut – and a key link between his late 60s avant work with Don Cherry, and his Latin-tinged albums of the 70s! The album features Barbieri working with a New York group of avant players – including Beaver Harris on drums, Roswell Rudd on ... read moreCD
Kenny Barron & Buster Williams —
Two As One ... CD Red (Italy), 1986. New Copy ...
A wonderful little date from pianist Kenny Barron – one that has him working in drumless duo mode, with only the bass of Buster Williams for accompaniment! The tunes are often quite long, and it's beautiful to hear the way Kenny stretches out on the keys – buoyed up warmly by Williams' ... read moreCD
Bruce Barth is a pianist who always knows how to open up and run – making him an excellent choice for the Smalls Live series – easily some of the best-recorded live jazz CDs in recent years! Barth's touch on the keys is amazing – very fluid, and a mixture of sharp tones and ... read moreCD
Funky wonderfulness from Gary Bartz – one of his hip sets from the early 70s recorded with his NTU group – a very righteous blend of soul, jazz, and funky elements! Huber Eaves plays some great electric piano on the record – and so does Bartz, alongside his usual soprano and alto ... read moreCD
One of the last Gary Bartz albums for Prestige – and a really unique session with a different feel than some of his earlier work! Gary's still got plenty of angular funk in his sound here – thanks to some edgey keyboards from Hubert Eaves – but he's also tightened things up a bit ... read moreCD
Nothing basic about this album by Count Basie – as the album has the legend working for the MPS label – whose own big band scene he really helped inspire! The band here is really dynamic – working with great arrangements from Chico O'Farrill, who's inherent sense of groove really ... read moreCD
Count Basie with Oliver Nelson —
Afrique ... CD Flying Dutchman/BGP (UK), 1971. New Copy ...
One of the deepest albums that Count Basie ever recorded – thanks to some great arrangements and backings by Oliver Nelson! Nelson's working in the same groovy mode he used with Jimmy Smith's excellent Verve sessions – and although the record doesn't have the same sort of star soloist ... read moreCD
Wonderful work from one of the greatest Italian jazz groups of the 60s – heard here in two of their rarest recordings! The set brings together material from two sessions that were only issued on the Fonit sound library label – but both are every bit as sharp and soulful as the best ... read moreCD
Some of the best modern jazz Italy had to offer in the postwar years – and a record that's gone onto be the blueprint for countless recent work from groups on labels like Schema and Deja Vu! Tracks are short, but very groove-centered – often mixing modal jazz rhythms with hardbop solo ... read moreCD
A really landmark album in European jazz – one of those records that always tops the lists of collectors, and for good reason too! The sextet of trumpeter Oscar Valdambrini and tenorist Gianni Basso was easily one of the greatest things going in jazz on that side of the Atlantic in the early ... read moreCD
Synopsis ... CD Amiga (Germany), 1974. New Copy ...
Bold sounds from this German quartet – a group who certainly deliver one of the most striking avant jazz sessions on the legendary Amiga label! The set's got a free frenzy that's right up there with the 70s best from FMP – played by musicians who often made key appearances on that ... read moreCD
Ben & The Platano Group —
Paris Soul ... CD Barclay/Dare Dare (France), 1971. New Copy ...
A rare groove from 70s France – the legendary Paris Soul album from this totally cooking combo! Despite their European origins, the group have a strong American approach – a groove that's heavy on bass and congas at the bottom, with almost the same Latin funk touches you might find in ... read moreCD
An expanded edition of an earlier 10" LP – featuring a group led by bassist Max Bennett, one that includes Charlie Mariano on alto, Stan Levy on drums, Claude Williamson on piano, and Frank Rosolino on trombone! Helen Carr makes a vocal appearance on a track or two, and the album's got ... read moreCD
A super huge hit for George – the record that took him from being a funky jazz guitarist into an R&B superstar! The album features George playing and singing over arrangements by Claus Ogerman – some of Ogerman's best of the 70s, ones that mix together his trademark pillow of sound ... read moreCD
Beautiful piano work from Karl Berger – an artist we first came to love for his groundbreaking work on vibes, but who also sounds really wonderful on the acoustic piano too! Maybe it's his experience with vibes, but Berger has a way of hitting the keys so that the notes ring out in this ... read moreCD
A great live date in the excellent Smalls series – and a wonderful group outing not just for pianist David Berkman, but for trumpeter Tom Harrell as well! Tom gets a lot of room to really open up and solo beautifully on the record – in ways that are quite different than his own studio ... read moreCD
The Posi-tone label is turning out to be one of the best sources for old school Hammond sessions these days – and this sweet set from guitarist Will Bernard is great proof of that fact! Bernard plays with a tight sense of line and color that really takes us back to some of our favorites from ... read moreCD
A trio of modern talents, working beautifully together on a set of extended live tracks! The group features guitar from Peter Bernstein, Hammond from Larry Goldings, and drums from Bill Stewart – coming together in ways that remind us of the hipper side of 60s organ combos – those ... read moreCD
Sublime solo guitar from Peter Bernstein – an artist who's already had a group outing in the Smalls Live series, but who sounds completely different here on his own! Bernstein's always got these chromatic qualities that make his work with other players so wonderful – and that aspect of ... read moreCD
One of a rare few electric albums from the great Walter Bishop Jr – a pianist who started during the bop years, but really grew into new modes in the 70s! The set's an album on Muse, but one with the same hip grooves as Walter Bishop's pair of excellent albums for the Black Jazz label – ... read moreCD
Brian Blade —
Landmarks ... CD Blue Note, 2014. New Copy Gatefold ...
Brian Blade's Fellowship Band keeps on getting better and bolder over the years – really soaring out here under the leadership Blade's great drums – with a soulfully expressive feel that takes us back to his Blue Note albums from the last few years of the 20th century! Pianist Jon ... read moreCD
Keyboardist Wil Blades always gets our attention – but here he somehow sounds even better than before – working in a sweet funky trio with a deeply soulful feel, and maybe some of the funkiest guitar we've ever heard from the great Jeff Parker! Parker's probably best known for some of ... read moreCD
Don't worry about the title, because drummer Jonathan Blake is very much with us – stepping out strongly in his Criss Cross debut as a leader! The set's got a unique approach – a quartet with no piano, just drums and bass – plus tenor and flute from Chris Potter, and tenor and ... read moreCD
Really amazing early work from pianist Ran Blake – an artist who's continued to blow our minds in more recent years, but who sounds especially outstanding hear in an early session for the ESP label! The album's quite different from some of the freer, bolder music you'd normally associate ... read moreCD
The tenor sound of Seamus Blake is always a treat – and he really stretches out here on a set of long, live tracks with a great group! Most titles go way past the ten minute mark, and the always-inventive Blake manages to make plenty happen with all that time – working deftly in a ... read moreCD
Seamus Blake & Chris Cheek —
Reeds Ramble ... CD Criss Cross (Netherlands), 2014. New Copy ...
No rambling here – as the reed players are very focused – both Chris Cheek on tenor and soprano sax, and Seamus Blake on his consistently well-blown tenor! The pair come together in ways that are very fresh for a twin-sax session of this nature – more woven together in spirit, ... read moreCD
The rarest of all of Art Blakey's percussion group projects – and quite possibly the best, too! The session features Blakey at the head of a strong mix of jazz and percussion players – with Art Taylor and Philly Joe Jones on the regular drum kit, Donald Byrd on trumpet and Ray Bryant ... read moreCD
The music of Alan Jay Lerner and Frederick Loewe – composers usually associated with the Broadway stage, brought into a whole new light here by the late 50s Jazz Messengers! The album's one of Art Blakey's more unusual outings – part of that great 1957 run away from Blue Note – ... read moreCD
Long, lean live energy from Art Blakey and a well-remembered version of The Jazz Messengers – a group that includes both Branford Marsalis on alto and Wynton Marsalis on trumpet – plus great tenor from Bill Pierce as well! The vibe is nicely different than the 60s years of the group ... read moreCD
One of our favorite albums ever from Art Blakey and the Jazz Messengers – but a set that was unreleased by Blue Note for quite a few years! The set's one of two gems the group recorded in 1961, but which were held back until the end of the 60s – and it features a stellar version of the ... read moreCD
A killer album – one of Art Blakey's best non-Blue Note sides, and a blinding set of hard-driving jazz that well earns its title! The group is one of Blakey's pre-Timmons/Morgan/Shorter ones – with Jackie McLean on alto, Bill Hardman on trumpet, Spanky DeBrest on bass, and Sam Dockery ... read moreCD
A killer early album by Art Blakey and his first incarnation of The Messengers – recorded before Horace Silver left the group, and a rare non-Blue Note outing done for Columbia Records! The ensemble here features Donald Byrd on trumpet, Hank Mobley on tenor, and Doug Watkins on bass – ... read moreCD
One of the few small group recordings ever cut by pianist Francy Boland – and a set that cooks every bit as much as his work with the larger Clarke Boland Big Band on MPS! The reason for the cooking is clear – Francy's got key rhythmic help from group members Jimmy Woode on bass and ... read moreCD
The "joy" in the title is certainly well-placed – as the music here has a buoyant, ebullient quality that's unlike most we're used to hearing from the artists on the record – and from ECM in recent years! The group's led by pianist Stefano Bollini, whose light tones ring out ... read moreCD
Fabrizio Bosso —
Purple ... CD Verve (Italy), 2013. New Copy ...
A really unusual project for this great Italian trumpeter – a set that has Fabrizio Bosso working with his Spiritual Trio – a group that features lots of Hammond organ, and plenty of tight drums! The "spiritual" in their name is a reference to an American gospel and soul ... read moreCD
Fabrizio Bosso & Marco Moreggia —
Magic Susi ... CD Verve (Italy), 2014. New Copy ...
One of the more electronic projects we've heard from trumpeter Fabrizio Bosso – a set of work done with electronic musician Marco Moreggia, who creates a very different sound for Fabrizio's horn! The music is a blend of sound sources, keyboards, and other elements – sometimes augmented ... read moreCD
Four friends in Bari, making really beautiful music together – a lineup that features sparkling trumpet from the great Fabrizio Bosso, plus guitar from Guido Di Leone, bass from Giuseppi Bassi, and drums from Mimmo Capanale! The set's got all the subtle charm of Bosso's best work in recent ... read moreCD
Tenorist Ralph Bowen blows some strong magic here – the kind of tone and timing that really transforms the more familiar numbers chosen for the set – so that older standards are turned inside out and opened up as new vehicles for expression – yet all while still managing to swing! ... read moreCD
Smoking tenor and organ work here from the team of Ralph Bowen and Jared Gold – two players who find a wonderful space together right from the start! Bowen's tenor has just the sort of sharp tone to match the energy of Gold's Hammond – able to take off right away, yet also stop on a ... read moreCD
A cooker of a record from Lester Bowie – one that takes the earlier sound of the Brass Fantasy ensemble, and focuses it into a mode that shows his growing love of soul and funk! The set was issued on the the short-lived Venture imprint of Virgin – a surprisingly strong outlook for ... read moreCD
A real departure for saxophonist David Boykin – an album of solo material, performed on soprano sax and Bb Clarinet – in a style that recalls the most experimental work of Roscoe Mitchell, and which also has ties to the solo recordings of Evan Parker and Steve Lacy! Boykin's really ... read moreCD
Spare improvisations from Chicago saxophonist David Boykin – recorded as a duet with butoh artist Nicole Legette, who also seems to be vocalizing a bit on the record! The album's easily one of the most challenging that Boykin's ever given us – quite open, and very expressive – ... read moreCD
Bobby Bradford/John Carter Quintet —
Comin On ... CD Hatology (Switzerland), 1988. New Copy ...
A brilliant reinvention of the Bobby Bradford/John Carter partnership – a key force on the LA avant scene of the late 60s and early 70s – still filled with fire in this later recording! Bradford's cornet has lost none of its force – and the real shift here is Carter, who works ... read moreCD
Ruby Braff has a ball on this rare date for Bethlehem Records – a set that's got a live, loose feel that's quite different than some of Ruby's other records! The date was recorded on New Years Eve, at the end of 1954 – and it features Braff stepping out with these surprisingly human, ... read moreCD
George Braith —
Musart ... CD Prestige/Dusty Groove, 1967. New Copy ...
One of our favorite-ever albums on Prestige Records from the 60s – and a set that's a fair bit different than most of the other work on the label! The set's an unusual outing for saxophonist George Braith – cut after his famous albums for Blue Note, and in a mode that's quite different ... read moreCD
One of those great records that really reminds us that Anthony Braxton's roots in jazz run plenty plenty deep – despite his longstanding reputation as an individual! This set of Lennie Tristano compositions offers up some great old school blowing from Braxton – alto that's as sharp and ... read moreCD
Bassist Peter Brendler is at the helm of the set, but we're especially enamored of the trumpet work here – played by Peter Evans on both standard and piccolo trumpet – the latter of which has this wonderfully personal sound! Almost all tunes are originals from Brendler, who turns out ... read moreCD
Pure genius throughout – two great albums on a single CD! Trombone Jazz Samba is an overlooked gem from Bob Brookmeyer – and a set that fits in strongly with the other Verve Records bossa nova albums of the 60s! Bob's the center star on valve trombone, but the record's awash in work ... read moreCD
Amazing sounds from the righteous Roy Brooks – a drummer who worked strongly in the soul jazz mainstream of the 60s, then stepped out into even headier territory here in the 70s! The album's a spiritual masterpiece all the way through – an album on par with early 70s Impulse sides from ... read moreCD
One of those rare Blue Note sessions from tenorist Tina Brooks – originally recorded for the label in 1960, but never issued at the time – yet easily on a par with their more famous work of the period! Brooks' horn has a nice hard edge here – that sharp-edged modernism you'd hear ... read moreCD
Wonderful! This is the fourth session that tenorist Tina Brooks cut for Blue Note – and it's finally getting reissued! The material did appear briefly in the Tina Brooks box set on Mosaic, but it went out of print immediately, and has never before been presented with a proper cover. It's ... read moreCD
A legendary team, heard here at the height of their powers – at a time when both Peter Brotzmann and Sonny Sharrock were finding a bold musical space alongside each other! The pair had worked in Last Exit with a bit more of a frenetic rock jazz vibe – but here, the style is much more ... read moreCD
Some of the earliest work ever recorded by Peter Brotzmann – a rare live performance from 1966! Broztmann plays both alto and baritone sax here – already blowing with the intensity of his Machine Gun years, but working in a more stripped down setting – a trio with Peter Kowald on ... read moreCD
Peter Brotzmann/Adasiewicz/Edwards/Noble —
Mental Shake ... CD OTOroku (UK), 2014. New Copy Gatefold ...
A brilliant free improvisation from a really great lineup – a quartet that brings together the legendary reed work of Peter Brotzmann and the vibes of Jason Adasiewicz – already great enough on their own, but matched here with the bass of John Edwards and drums of Steve Noble – ... read moreCD
The great Ari Brown, in wonderful form – hardly a player who needs any awakening at all, since he's been working strongly on the Chicago scene since the 70s! Ari's done famous work with his group The Awakening, Ramsey Lewis, and other bigger names – but we've really grown to love his ... read moreCD
Seminal work from one of the greatest trumpeters of the 20th Century – and a musician who helped his instrument find a whole new voice in jazz during his short time on this planet! The set brings together all of Clifford Brown's classic work for Blue Note, but in their original format – ... read moreCD
A compelling conception from drummer Jaimeo Brown – a set that mixes the jazz performance of his trio with inspiration from older gospel music – in particular the famous work of the Gee's Bend Singers, who are sampled here on a number of tracks! About half the record draws vocals from ... read moreCD