Neo Soul — All Formats  

A smashing selection of soulful tunes from the Hurst series – all contemporary numbers, all underground, with plenty of gems you've likely not heard before! As with the first volume, the ear for a great track is key to the set – a really well-chosen batch of tunes that goes past the obvious heavy-hitters in the Neo Soul scene, to present some key up and comers, as well as a few familiar talents in some new mixes. Titles include the excellent 12" gem "1960 What (Gerardo Frisina Cuban soul mix)" by Gregory Porter – plus "Hit The Devil" by Room 56, "Pay Day" by Milan Ring, "Be Free" by Moonchild, "I'm Waiting On You" by Michon Young, "I'll Take You There" by Boukou Groove, "Everything I Need (ext mix)" by Maz, "Renovation" by Jazz Collective, and "Freedom" by Gabriele Poso.

Amalia's future soul full length debut for Tokyo Dawn! On Art Slave, Amalia does a pretty amazing job of showing off a broad range of inspiration, but delivering a record that's fresh and uniquely her own. She's one of more expressive contemporary soul vocalists on the international scene – with a voice that can deliver catchy soul hooks and spacey funk wierdness with equal brilliance – and her range is incredible, too! The production on this set is pretty heavy with spacey electro funk – and titles include "Art Slave", "Welcome To Me", "4 U", "All The Funk I Need", "Bonafide", "Psychoanalyze", "Stop Please", "Zebra Butt-A-Fly", "Luxurious (Ad Bourke Remix)", "Freeze That!", "I'm The Woman" and more.

A spacey, soulful and funky showcase for singer Amalia – one the finds her collaborating with an impressive roster of guests including Atjazz, Portformat, Opolopo and others! Amalia blends inspirations that range from heartfelt, though trippy 70s soul and funk, to 80s electro and the more creative underground soul of the hip hop generation and beyond. What sets Making Of Amalia apart is the way that she's adapting it all so seamlessly into a vibe of her own. It doesn't hurt that she has an amazing vocal range, and the creative mind to use it as a spontaneous, unpredictable instrument above all others. Nor does it hurt that the record is filled to catchy, sexy and spacey songs that are a flat out blast to listen to! Creative and stylistically daring soul in the tradition of Chaka Khan, Betty Davis, Erykah Badu, Labelle and other free spirits! Titles include "Just Like Magic" with B Bravo & Teeko, "Get Caught" and "Cuttify It!" credited to Cutty Lark & Amalia, "Where Do I Belong" (Portformat & Amalia)", "She Want It All" (Bakura feat Amalia), "Hysteria" (Reggie B & Amalia), "Still In Love With You" (Sage Monk & Amalia) and more.

The second chapter of Erykah Badu's New Amerykah – recorded for the most part, quite incredibly, during the same period and with the same collaborators as the mind-altering, murky and righteous hip hop funk experimentalism that was Part One – some months that must be among the most dizzyingly creative in Badu's career! We're reluctant to call Return Of The The Ankh a lighter listen than its predecessor, but, it's a less dense and outwardly experimental batch in the sonic realm – the emotionalism and the head nodding warmth is at the forefront, yet she's as uncompromising and real as ever. The sound is still innovative, unique and her own on all fronts, but the songs chosen for Part Two are ones you want to approach and embrace from the opening seconds – there's not as much of a tripped out overall vibe and you don't need to acclimate from a distance – these songs pull you right in! Includes collaborations with James Poyser, Shafiq Husayn, Ta'Raach, Karriem Riggins, Madlib and Georgia Anne Muldrow. Includes "20 Feet Tall", "Window Seat", "Agitation", "Turn Me Away (Get Munny)", "Gone Baby, Don't Be Long", "Love", "Out My Mind, Just In Time" and more.

The second chapter of Erykah Badu's New Amerykah – recorded for the most part, quite incredibly, during the same period and with the same collaborators as the mind-altering, murky and righteous hip hop funk experimentalism that was Part One – some months that must be among the most dizzyingly creative in Badu's career! We're reluctant to call Return Of The The Ankh a lighter listen than its predecessor, but, it's a less dense and outwardly experimental batch in the sonic realm – the emotionalism and the head nodding warmth is at the forefront, yet she's as uncompromising and real as ever. The sound is still innovative, unique and her own on all fronts, but the songs chosen for Part Two are ones you want to approach and embrace from the opening seconds – there's not as much of a tripped out overall vibe and you don't need to acclimate from a distance – these songs pull you right in! Includes collaborations with James Poyser, Shafiq Husayn, Ta'Raach, Karriem Riggins, Madlib and Georgia Anne Muldrow. Includes "20 Feet Tall", "Window Seat", "Agitation", "Turn Me Away (Get Munny)", "Gone Baby, Don't Be Long", "Love", "Out My Mind, Just In Time" and more.

Tremendous work from Bilal – and further proof that his life on the indie side of the soul spectrum has been a very good thing! There's a crispness to the record that crackles right from the start – slight cosmic touches in the beats, but never too over the top – just enough to electrify the vocals and push Bilal past any sort of mainstream soul – and help him deliver the rich promise we first heard in his music so many years ago – but never found this fully formed during his major label stretch! There's some nice electric bits that percolate forth – moogy keys or sparkling samples – yet the vocals still have all the core warmth that's kept us coming back. Titles include "Astray", "Lost For Now", "West Side Girl", "Back To Love", "Longing & Waiting", and "Butterfly", which features a guest appearance from Robert Glasper!

An excellent upbeat club number – sung in Japanese by the lovely Bird, and produced by Shinichi Osawa of Mondo Grosso. The track's probably one of our favorites from Bird's latest LP – and it's got these kick-start beats at the beginning that are mixed with burst of strings that sound totally great. The vocals are extremely soulful, and mix in with these keyboard lines that percolate the track – swirling together in a way that makes the cut instantly compelling!

Deborah Bond's long, long, LONG awaited second proper album – her first all new set since the phenomenal Day After knocked us out way back '03 – a great one and it's totally worth the wait! Even on her debut, Deborah brought depth, elegance and maturity that was flat out stunning, and that's once again a huge strength. The songs are genuinely soulful in both style and emotion, and her vocals nearly render us speechless. She's so great at bringing out just what the songs need – be it intimacy or soaring emotion – she's all about warmth, truth and soul. The production and arrangements are timeless, too, with keys, guitar, bass, drums, percussion, and occasional brass. Includes " Nothing Matters", "Blind Paradise", "Think Twice", "Highest Mountain", "Say It", "You're The One", "Mr Day's Dream", "Never Was", plus a special treat: a duet with the great Lewis Taylor – another stellar soul singer who doesn't release a ton of records, called "If I Didn't Need You".

Strongly emotional and slowly simmering craft from Ty Causey – a veteran of the midwestern smooth, jazzy soul scene – and his efforts are as strong as ever here! There's an easygoing confidence in Ty's approach that he's carried for a while – and that continues in full effect here. His songs speak to straight forward, soulful truth, with a relaxed style and emotional and spiritual depth. The production is just as sweet – with a smooth soul pace, and subtly dexterous musicianship. Some guitar, a bit of flute or sax come into play with nice keys and percolating percussion. Includes "Must Be Magic", "Too Much Baggage", "Tap Into This Chemistry", "I'll Wait For You", "I'll Wait For You", "You'll Never Be Lonely", "False Faces", "Love Call", "A Reason Why", "Hot 2 Night", "The Limit of Love", "Bold And Beautiful".