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Sylvia's Decca recording with backing by the Ralph Burns Orchestra, tracks include "Lilac Wine", "My Ship", "Woman's Intuition", "I'm So Happy I Could Cry", "Experiment" and "Honey In The Honeycomb".... read more

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Grady's most obscure album – and one that's got much more of a jazzy tip than his other ones. Richard Tee plays electric piano, and the band includes Billy Butler, George Coleman, and Ron Carter – all of whom do their best to keep things hip, and not fall into some of the schmaltzier... read more

Vocal jazz, but with plenty of tripped-out touches – hardly what you'd expect from a Norwegian group with plenty of Christian leanings! That's Why were one of the key groups to reform the sound of church music in Norway at the end of the 60s – and work here with a unique hybrid of jazz... read more

Vocal jazz, but with plenty of tripped-out touches – hardly what you'd expect from a Norwegian group with plenty of Christian leanings! That's Why were one of the key groups to reform the sound of church music in Norway at the end of the 60s – and work here with a unique hybrid of jazz... read more

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Two sweet bossa groovers from singer Pat Thomas – both of them with backings by Lalo Schifrin! The tunes were pulled from Pat's album of the same name on MGM – issued here in a pic sleeve by Verve, with "first vocal version in English" next to "Desafinado"!... read more

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Excellent work from singer Maureen Tomson – a vocalist who originally hails from Scotland, and who sings here with the well-articulated style of some of the best British singers of the 60s! The album's definitely an old school vocal affair, but Maureen brings a nice sort of punch to the... read more

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One of the most beautiful albums ever from the great Mel Torme – and a set that's a bit different than his other work for the Bethlehem label too! The set features Mel singing to lush backings from arranger Al Pellegrini – who brings in a mode that definitely lives up to the blue tones... read more

An incredible album from Mel Torme – easily his best set ever, and a record that helped raise the bar for all other singers back in the 50s! A key part of the success of the set is the presence of Marty Paich as an arranger – as Marty swings the whole thing with a fluid groove that's... read more

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One of the best-ever Mel Torme jazz vocal albums – right up there with his best Bethlehem recordings! The set was recorded with Marty Paich's Dek-tette, who set the tone perfectly for the warmly perfect style of The Velvet Fog – and who, like Mel, manage to be totally polished, yet... read more

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One of our favorite-ever albums from Mel Torme – a set that sparkles with the same smooth swing as his best late 50s dates for Bethlehem records! Like those sets, this one features Torme's voice really taking off over some tight jazzy charts – arranged by Johnny Williams, Shorty Rogers... read more

An incredible album from Mel Torme – easily his best set ever, and a record that helped raise the bar for all other singers back in the 50s! A key part of the success of the set is the presence of Marty Paich as an arranger – as Marty swings the whole thing with a fluid groove that's... read more

One of our favorite recordings ever of George Gershwin's Porgy & Bess – done by Bethlehem Records in the mid 50s, and featuring nearly every one of the label's great talents at the time! The choice of the lead characters is a bit odd – as Mel Torme plays Porgy and Francis Faye... read more

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A spiritually-resonant set from vocalist Dwight Trible – one of the greatest jazz singers of the past few decades! Trible's got a depth that few others can match – a quality that takes us back to the glory days of Leon Thomas with Pharoah Sanders, or Joe Lee Wilson on the Paris scene... read more

An excellent bit of LA pop with a nice bossa groove! Triste Janero were a lost combo that mixed Sergio Mendes-ish grooves with some nice vocalization that's slightly in the vein of Free Design. The overall mix of tracks includes some nice bossa groovers, plus other well selected pop material,... read more

Sunshine pop meets bossa nova – an excellent album of groovy tunes that falls somewhere between the work of Brasil 66 and The Free Design! The set was recorded in Dallas (of all places!) at the end of the 60s, and features some very nicely stripped-down rhythms played by a group that... read more

Very hip work from one of the coolest cats of the 50s – the amazing Bobby Troup, heard here at the height of his powers in a very sweet setting! The group's actually a quartet – given that Bobby's on piano, alongside Howard Roberts on guitar, Bob Enevoldsen on bass, and Don Heath on... read more

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Joe Turner rides again – but in a style that's a bit more like his Kansas City roots than some of the R&B he was cutting for Atlantic Records in the 50s! There's a nice jazz vibe to the record – thanks to sharp arrangements from Ernie Wilkins, who's really coming into his own here... read more

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Swinging British pop tracks by two of England's loveliest ladies of the 60s – neither of which is well known as a singer, but both of whom sound pretty darn groovy here! The first 4 tracks on the CD are from a 1966 EP by Twiggy – recorded early in her fame as a model, and with some... read more

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Features some great jazzy arrangements from Johnny Keating!... read more

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One of the grooviest Verve albums of all time – a rare American session from Brazilian legend Marcos Valle – and his only US album to feature vocals! The album's even dreamier than Valle's early bossa sides from Brazil – and the setting has some nice Verve-like touches from... read more

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Titles include "Paradise", "Time On My Hands", "Make Yourself Comfortable", "Honey", and "It's Magic".... read more

Some of the most important recordings in the career of Sarah Vaughan – rich package of albums that really helped her refine her style strongly, and unlock an approach to jazz that nobody else could touch! Vaughan had always been a great singer, no matter what the setting – but here,... read more

Early Mercury magic from Sarah Vaughan – pressed up here on a rare 10" album issued before the full LP with "divine" in its title! Things here are pretty mellow and laidback, a perfect illustration of the sound that made Vaughan stand out from the rest of her contemporaries... read more

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Titles include "Interlude", "Mean To Me", "No Smokes Blues", "Signing Off", and "East Of The Sun".... read more

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A really rich album by Sarah Vaughan – recorded in Paris in 1958, with orchestrations by Quincy Jones – and large group backing that includes some great tenor work by Zoot Sims! The session's one of Vaughan's most cohesive albums of the period, and although it's got "violins"... read more

Vaughan is backed by an orchestra for this collection of standards that she does in a style all her own. Tracks include "Tenderly", "Don't Blame Me", "I'm Thru With Love", "I Cover The Waterfront", "The Man I Love", "I've Got A Crush On... read more

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One of Sarah's few albums for Columbia – and quite possibly the best, thanks to some great small group backing, heard on 8 of the album's 12 tunes! The group's a really great one – with Miles Davis on trumpet, Benny Green on trombone, Buddy Johnson on tenor, Tony Scott on clarinet,... read more

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One of the few albums ever cut by singer Vi Velasco – and a great vocal follow-up to the Zoot Sims bossa albums on Colpix! Zoot plays tenor on this record too – mixing his solos with Vi's vocals in a style that's like the interplay between Stan Getz and Astrud Gilberto – with a... read more

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With backings from Leonard DePaur – and titles that include "Strange Fruit", "Lamento Esclavo", "Partisian Song", "Oh Freedom", and "Cry The Beloved Country".... read more

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Funky rhythms and modal grooves – all held together nicely by the raspy vocals of JJ Vianello! The record's got echoes of other recent work from Italy – particularly some of the Mario Biondi recordings, in its mix of well-chosen modes from the 60s! But JJ's also got a bent that's more... read more

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That's "swinging pool", not "swimming pool" – a distinction that's easy to get once you hear the first few notes of the album! The set's an obscure 80s vocal jazz date from East Germany – recorded by female singer Pascal Von Wroblewsky in a style that feels more... read more

A stunner from the Scott Walker – and possibly the most archly-dramatic, unique and alluring work he'd done up to this point! Since Scott Walker albums have become once per decade events, a lot more is at stake with each one, and it's nothing short of amazing that he manages to get more and... read more

A massive box set of Scott Walker at his most essential – Scott 1, Scott 2, Scott 3, Scott 4 and 'Til The Band Comes In – and it includes a lavish, full-sized and full color 40+ page booklet! This is the place to start with Scott Walker – his initial years as a solo artist –... read more

Amazing! Although Scott Walker had issued one solo album before this one, Scott 2 is the record that really has his true genius beginning to shine through! The record still features Scott singing dark moody takes on 60s pop tunes – like "Best Of Both Worlds" and "Black Sheep... read more

Quite possibly the greatest moment ever from the legendary Scott Walker – a set that strongly steps beyond even the genius of his first two solo albums, thanks to an amazing assortment of original tunes! Scott's dark vision of masculinity is emerging full-blown here – in an array of... read more

It's plenty easy to make way for Dionne Warwick with an album as great as this – the kind of set that spawned countless imitators in later years, but which still sounds better than most of the rest! Hearing the record is almost like going back to the headwaters of 60s pop – especially... read more

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Titles include "September In The Rain", "Mixed Emotions", "Harbor Lights", "What A Difference A Day Makes", and "Time Out For Tears".... read more

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Titles include "What A Difference A Day Makes", "Manhattan", "Time After Time", "It's Magic", "I Won't Cry Anymore", and "I Thought About You".... read more

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One of a rare few albums ever from singer Patty Waters – an extremely experimental vocalist who was part of the mid 60s ESP Records scene! Patty was one of the first to ever go way past conventional singing – and work more in a vocalizing style that had just begun in avant classical... read more

One of 2 ESP sessions by Patty Waters – one of the most groundbreaking vocalists of the 60s, and a singer with a style that mixed equal parts jazz and folk! In a way, Patty's got a sound that's somewhat like Nina Simone at her best – in that she dominates a tune completely, singing as... read more

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A beautiful little concept for a beautiful little album – a "duologue" in which Lee Wiley sings one track, then Ellis Larkins plays the next, and so on – making for a split LP, but one with a lot of variety along the way! Wiley sings on about two thirds of the tracks on the... read more

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Joe Williams was really reviving his career as a vocalist at this point – working with the Thad Jones/Mel Lewis big band on a few well-selling records, and on this smoother set with arrangements by Horace Ott. The overall feel is kind of in a swinging Grady Tate mode, with jazziness... read more

A classic set from this massively underrated singer/songwriter! Paul Williams was definitely at the height of his mainstream popularity by the time of this set – with endless appearances on countless TV shows, not to mention work in The Planet Of The Apes films – yet the record's got a... read more

Yes, that's right – THE Paul Williams: the short blonde guy who was a bit of a celebrity in the early 70s, showing up on countless variety and talk shows, and even making an appearance in the later Planet Of The Apes movies. Despite Williams' short stature and strange looks, he was actually... read more

Subtle sounds and gentle soul from Paul Williams – the wonderful singer/songwriter who cut some real gems for A&M Records in the early 70s! The album's filled with Williams' wonderful compositions – including a few penned with Roger Nichols – those great songs that other... read more

That's Paul Williams, lost amidst the whiteness of the cover – kind of fuzzy around the edges, just like the warm feelings in his music! The album's got all the best elements that Williams had to offer in the 70s – some incredible songs that are instantly more personal and more upfront... read more

A real gem from Paul Williams – the kind of well-penned, subtly-arranged record that marked his best work for A&M! Williams is getting a bit more confidence in his songwriting, yet also knows that he sounds best as a singer when he's got a slightly fragile feel – often recorded... read more

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Beautiful work from Cassandra Wilson – a record that's every bit as great as some of her best from previous years – and one that also has a new sort of vibe, too! There's a quality to the set that's nicely laidback – a feeling that comes from the album's strong use of acoustic... read more

Don't let the title put you off, because Cassandra Wilson's sounding as soulful as ever – with none of the fluff that you might think from an album called "Glamoured"! The sound is mellow and laidback, with a group that includes Wilson on guitar, alongside a few other guitarists,... read more

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A pretty darn great album – way better than some of the snoozier 60s work by both of the artists involved! Basie's group gets hard and soulful on the record – and even a little funky on the best cuts – and Jackie's in a raw bluesy vocal style that recalls the best moments of his... read more

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A pair of great Nancy Wilson albums from the mid 70s in a single set! All In Love Is Far is a sophisticated album of soul tracks arranged and produced by Gene Page, in a string-heavy, slightly-funky style that reminds us of Gene's work with Barry White at the time. The tracks are all pretty hip... read more

Overlooked genius from Nancy Wilson – a pair of gems, back to back on a single CD! Can't Take My Eyes Off You is a really great album from Nancy Wilson – a set that still has her working with the jazzy undercurrents of her best 60s work for Capitol Records – yet also moving into... read more

A real sweet soul gem from Nancy! The record has her working with arrangements and production by Gene and Billy Page – who give the record a great smooth 70s soul finish, and a feel that's a lot more unified than some of her other efforts from the decade. Nancy sings some great versions of... read more

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A sweet set of soulful numbers from Nancy Wilson – tracks that offer up a perfect fusion of her jazzy roots and soul-based styles of later years – wrapped up in lush arrangements from Japanese jazzman Masahiko Satoh! The record follows a similar approach to Wilson's Keep You Satisfied... read more

A pair of stunners from Nancy Wilson – back to back in a single set! Music On My Mind is an overlooked gem from Wilson's excellent 70s run on Capitol Records – a set that goes way beyond the spirit of some of her earlier records, and features a very unified vibe overall! The set was... read more

A wonderfully groovy album from Nancy – filled with the kind of hip soul that was her best stuff during the 60s! The LP's got a nice jaunty groove – not exactly in the David Axelrod funky Capitol mode, but with that tight sound that graced the best of Capitol's crossover country albums... read more

A very groovy set of standards and 60s pop tunes – all done by Nancy in her great soulful swinging style! The record's got far more to offer than you'd guess from the track list, as Nancy's at the height of her early career here – and she's getting backing from a very sympathetic west... read more

Nancy Wilson sings lots of familiar tunes and is accompanied by Gerald Wilson and his big band orchestra. Tracks include "The Song Is You", "Satin Doll", "Bewitched", "Suffering With The Blues", "Someone To Watch Over Me", "The Best Is Yet To... read more

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One of the greatest albums ever from vocalist Norma Winstone – a set that really helps bring her talents into sharp focus! Like Karin Krog, Annette Peacock, Sheila Jordan, and other female jazz singers of her generation, Winstone was always pushing the boundaries of her craft – taking... read more