Vocalists — In Stock  

Gil Scott-Heron at his early best and most revolutionary – circa Small Talk At 125th And Lenox, Pieces Of Man and Free Will, plus a host of rare and unreleased material – the complete Flying Dutchman Masters in a masterfully compiled anthology! Rather than simply collecting the... read more

Lovely work from vocalist Seung-Hee – a singer who really knows how to stretch out, even on more familiar numbers – finding an expressive space that makes her voice come across almost more like an instrument at times! Backing here is by a quartet with piano and tenor, but Seung-Hee's... read more

A beautiful second set from Seval – even more powerful and personal than the group's debut – with sublime compositions and cello by Fred Lonberg-Holm, and these fragile yet soulful vocals from Sofia Jernberg! Instrumentation is quite spare – just cello, guitar, trumpet, and bass... read more

A soulful set of swinging jazz vocals – and one of a handful of rare albums cut by singer Joan Shaw in the 60s! The set's got some great backings from the Herman Foster Trio – who give the whole thing a Chess/Argo sort of vibe – with plenty of soul jazz undercurrents beneath the... read more

A sweet set of sophisticated soul from the always-great Marlena Shaw! After cutting some jazzier sides at Cadet in the late 60s, and some super mellow fusion ones at Blue Note in the early 70s, Marlena moved to big fame at Columbia during the mid 70s – working in a righteous smooth soul... read more

Soaring soul from Marlena Shaw – her last recording for Blue Note, and a set that points the way towards her bigger fame to come at Columbia Records! Like some of her previous sets, there's definitely still some jazzy elements in the mix – yet the overall sound is much more fully... read more

A classic! This is one of the best-ever albums by the legendary Marlena Shaw – and it's a tremendous live set that really lives up to the righteous promise of her earlier work on Cadet Records! The album was cut with a small combo, and the overall feel is incredibly hip – a mixture of... read more

A classic! This is one of the best-ever albums by the legendary Marlena Shaw – and it's a tremendous live set that really lives up to the righteous promise of her earlier work on Cadet Records! The album was cut with a small combo, and the overall feel is incredibly hip – a mixture of... read more

Marlena Shaw's first-ever album – and while not as all-out righteous as some of her later work, still a really unique record that quickly put Marlena head and shoulders above the rest of the pack! The record's a mix of jazzy vocal numbers and heavier soul tunes – arranged by Richard... read more

An amazing batch of sophisticated soul tracks – and a favorite with the righteous groove scene! On the surface, the record's a combination of jazz and soul tracks in the same mode that you'd find on some of Nancy Wilson's albums for Capitol during the same time – but digging deeper,... read more

A great record from the mid 70s – one that has Marlena Shaw further developing her style as a sophisticated soul diva with a sharp modern edge! Although already great in the 60s, Shaw emerges here as an all-adult, all-woman singer – dealing with issues that never would have gotten... read more

Just duets – with Don Thompson on piano and bass, and George Shearing on piano and (surprisingly!) a bit of vocals!... read more

Cybil Shepherd sings Cole Porter tunes as they were originally written – meaning that all the double meanings and "blue" lyrics are intact without the editing that was later done for the general listening public. Her singing is not bad, very much in the style of a Broadway musical... read more

Dinah Shore's definitely got a bouquet of blues here – thanks to some backings that echo the moody, late nite image on the cover! The set's one of Shore's most blue-hued ever – a surprisingly beautiful little record that features orchestrations from Henri Rene, Frank DeVol, and Harry... read more

Think what you want about Dinah Shore, she could serve up some pretty great vocals at her best moments – and this album is definitely one of those moments! The style here is laidback and late nite – with Dinah singing alongside backing from the trio of Andre Previn on piano, Red... read more

Recorded in the 70s, but a key document of the songwriting talents of George & Ira Gershwin – thanks to some timeless interpretations by the legendary Bobby Short! The style here is a bit less staid than you might think, and Bobby digs deep into the raspier side of his vocal range for... read more

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One of Ben Sidran's biggest records from the 70s – a smooth combination of jazz, fusion, soul, and a bit of New Orleans groove! There's still a very unique feel to Sidran's music here – a sense of personality that really makes the whole thing sparkle – and which keeps the record... read more

A bit smoother than Ben's earlier albums – but a great little set all the way through – and about as classic as you can get for Sidran in the 70s! The album's got a bit more soul in the mix, but still has some jazzy elements in the backings – and where things were sometimes... read more

A mad bit of funk and jazz from Ben Sidran – much more tripped-out than his later work! Ben's got a great bunch of musicians on the album – with either Tony Williams or "funky drummer" Clyde Stubblefield on drums, and Phil Upchurch on bass, laying down a nice dark groove on... read more

An amazing document of righteous soul jazz – the full recordings for Horace Silver's United States Of Mind trilogy – done in collaboration with singers Andy and Salome Bey! The sound is completely different from Silver's work of the 60s – very righteous and message-oriented, with... read more

A real standout 70s set from Nina Simone – a one-off date for CTI Records, done with a sound that's different than her earlier work for RCA, Philips, and Colpix! The groove here is often as soul-based as it is vocal jazz – thanks to arrangements from David Matthews, who brings a... read more

Quite possibly the greatest music that Nina Simone ever recorded – brought together beautifully in one compact yet complete set! Nina Simone recorded some great music before she hit the RCA label in the late 60s – but her time at that company really saw a flowering of her unique... read more

Wonderful work by Nina – the kind of record that once made purists turn up their noses, but which is now being rediscovered as a unique jazz/soul crossover album, filled with loads of nice moments! The instrumentation's pretty darn interesting – and includes sitar, harp, Spanish guitar... read more

One of Nina's first for RCA – a mixture of jazz and soul tunes handled with some classy arrangements by Sammy Lowe, most of which feature nice electric bass work at the bottom by Gene Taylor! Taylor's bass gives the tracks a nice "dip" that's not exactly funky, but does provide a... read more

A landmark album from Nina – one that broke down countless barriers with the classic tune "Four Women" – a righteous portrait of 4 different women and their struggles, unique for its time, and a key part of the early Women's Liberation movement! The rest of the album has a... read more

Very groovy work from the daughter of Nina Simone – vocalist Lisa Celeste Stroud, working here under her mother's last name! As you'd guess from the title, Simone's singing songs that her mother did strongly back in the day – but the setting's nicely different than Nina's originals... read more

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A standout late 60s set from ol' blue eyes – and a record that gave him one of the last great songs of his career! The title cut's a well-known gem, but the whole thing's pretty sweet – arranged and conducted by Don Costa, and done in that maturing masculine mode Sinatra was hitting at... read more

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One of Sinatra's greatest records ever – pure genius all the way through! Frank's backed here by the orchestra of Count Basie, with some incredible arrangements by Quincy Jones that really have a jazzy, syncopated kick to them. The move seems to be an unintentional way of covering for Frank'... read more

Titles include "Follow Me"," Sunny", "All I Need Is You Girl", "I Like The Sunrise", and "Yellow Days".... read more

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Country, Nancy's way – but fortunately that way includes some great help from Lee Hazlewood, who's working here at the height of his powers! The set's got that sly, sexy twangy cowboy mode that was Lee's greatest contribution to Nancy – and the way the album's set up, it's almost more... read more

Though one of her groovy Hazlewood produced albums, she only does two Hazlewood-penned tunes on this one: "Coastin", and "Sugar Town". The rest of the songs are the old-timey standards like "Sweet Georgia Brown", "Vagabond Shoes", "Let's Fall In... read more

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Incredibly groovy vocal work from Japan – a double-length album featuring work by a number of different groups! The first half of the set features the wonderful Singers 3 – a trio of female vocalists who sing together with a soaring, breezy groove that's totally great – one that... read more

A very cool little 70s set from jazz vocalist Carol Sloane – the kind of small label affair that showed that the genre was alive and well at the time! The feel here is intimate, but never sleepy – with backing by a small combo that's always pretty "live" – backing... read more

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The complete Columbia recordings by vocalist Bessie Smith – an insane amount of material recorded in the decade between 1923 and 1933 – all music that went on to have a huge impact on the growth of jazz and blues for decades to come! This comprehensive package brings together all the... read more

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One of the late 50s Jazz Archive LPs on Riverside – in which they dig through older sides, and issue the material in LP format with nice notes. Most of the material here is from the pivotal late 20s years, milestones in the formation of the American female blues singer! Also features work... read more

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A great date from the non-Louis Prima years of Keely Smith – a rare radio performance done with backing from the Count Basie Band! Both Keely and Basie are at the height of their powers here – and the album has a format that alternates vocal numbers with some equally great instrumental... read more

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Ahhh . . . What a mix – and the music is as evocative and smokey as the title and the cover! Jeri Southern's never sounded so good – working here with Lennie Hayton on a set of sad songs of lost love – and the album's proof that she could really be a great jazz-styled singer when... read more

An incredible relic of the righteous underground of the late 60s from the Spirit House Movers – and one of the few classic albums on the Jihad label! The group was a vocal group of sorts – sometimes singing, sometimes rapping in a Last Poets-styled way – often doing both at the... read more

A landmark album for Dusty Springfield – one in which she more than proves her soul music talents, by taking a trip to Memphis, and recording in a sweet Atlantic soul mode! The album's handled by stellar talents all the way through – arrangements by Tom Dowd and Arif Mardin, production... read more

All the great ones – "Stay Awhile", "You Don't Have To Say You Love Me", "Wishin & Hopin", "All Cried Out", "I Only Want To Be With You", and "In The Middle Of Nowhere".... read more

Some of the earliest work from Dusty Springfield!... read more

One of the greatest of all Dusty Springfield albums – a gem of a record that mixes British pop, soul, and some very groovy orchestrations! The whole session has that kind of strident bounce that Dusty had on her best records – but which was possibly never done nearly as well as on this... read more

Rare work from British singer Rosemary Squires – a vocalist we hardly know at all, but one who really stands out strongly in these excellent 60s recordings! Rosemary's got a mature, sophisticated style that's very much the best female mode of the time – that all-adult style of singing... read more

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Beautiful work from Kay Starr – a set that's still got that remarkable vocal style in place, but which also comes across with a more mature sound too – a mode that's never too emotive, but which is full of feeling – and really makes great use of that classic Starr twang! The... read more

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Rougher and rawer than we're used to hearing Dakota Staton – and a tasty little session done with Groove Holmes on organ! The tunes are mostly standards, taken at a slower bluesier pace than on some of Dakota's earlier sides – and Groove gets in plenty of licks on Hammond, sneaking... read more

Bluesy vocals from Dakota – recorded for the Groove Merchant label, but with a stripped down and mellow sound that's more like her older recordings. Norman Simmons is on piano, leading a quartet that includes saxophonist Peter Loeb – and Simmons' piano really brings a wonderful aspect... read more

Quite an unusual record from singer Carol Stevens – a singer who often vocalizes wordlessly, in an eerie, haunting way that's really compelling! Carol's got a breathy voice, and if she was singing the words, she'd no doubt come off as a bit of a sexpot – but here, working with... read more

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Genius work from a singer who makes us proud to live in the Windy City – vocalist Milton Suggs, who emerges here as a hell of a writer and arranger too! Milton's easily one of the best new voices in jazz we've heard in years – filled with a rich sense of imagination on his lyrics and... read more

Beautiful duets between vocalist Milton Suggs and pianist Willie Pickens – two Chicago generations coming together beautifully in a very intimate setting! Unlike some of Sugg's other work, which is all self-penned, this set features some Ellington standards – done in a wonderfully... read more

Yma Sumac on ESP Records – a unexpected meeting that's given us a rare concert performance from 1961! The CD features Yma singing live in Romania – working with backings from longtime partner Moises Vivanco, on a set of tracks that mixes older Peruvian roots with some newer, jazzier... read more

One of the earliest Capitol albums by otherworldly singer Yma Sumac! As with Yma's other records, the album features many original tunes written by Moise Vivanco – her frequent musical collaborator at the time, and the force behind much of the stronger South American musical elements of the... read more

Hardly the surf music set you'd expect from the title – but still a set that's plenty surf-washed, thanks to a great choice of exotic numbers for the record! The Surfers are a vocal group, not a guitar-based instrumental combo – and they harmonize with a mixture of jazz and pop modes... read more

A groovy groovy treasure! The work of The Swingle Singers is well known to any fan of 60s French tunes – as their groundbreaking approach to vocalese had a huge influence on other pop, easy, and soundtrack work of the time. This nicely-done set features jazz scat versions of tunes by all... read more

One of our favorite albums by the Swingle Singers – a really cool batch of tracks that has them working with compositions by French composers – rococo tunes that have a bit more of a flourish for them to work with their vocal trickery! The sound is great, and tunes are short, very... read more

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An excellent set that has the vocal talents of the Swingle Singers backed by the sweet and mellow instrumentation of the Modern Jazz Quartet! Given that John Lewis & Co were essentially local residents in Paris for so many years, it's amazing it took them until 1966 to hook up with Ward... read more

Sylvia's Decca recording with backing by the Ralph Burns Orchestra, tracks include "Lilac Wine", "My Ship", "Woman's Intuition", "I'm So Happy I Could Cry", "Experiment" and "Honey In The Honeycomb".... read more

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Grady's most obscure album – and one that's got much more of a jazzy tip than his other ones. Richard Tee plays electric piano, and the band includes Billy Butler, George Coleman, and Ron Carter – all of whom do their best to keep things hip, and not fall into some of the schmaltzier... read more

Vocal jazz, but with plenty of tripped-out touches – hardly what you'd expect from a Norwegian group with plenty of Christian leanings! That's Why were one of the key groups to reform the sound of church music in Norway at the end of the 60s – and work here with a unique hybrid of jazz... read more

Vocal jazz, but with plenty of tripped-out touches – hardly what you'd expect from a Norwegian group with plenty of Christian leanings! That's Why were one of the key groups to reform the sound of church music in Norway at the end of the 60s – and work here with a unique hybrid of jazz... read more

A long-overdue compilation dedicated to the work of the great soul jazz vocalist Leon Thomas. If you don't know Thomas' own work, you might recognize him as the vocalist on some of Pharoah Sanders' great recordings, like "The Creator Has A Master Plan" and "Hum Allah Hum Allah".... read more

Wonderful work from Leon Thomas – easily one of his greatest albums ever, and a set that was recorded at the same time he was working with Pharoah Sanders! Thomas really rose to fame on Sanders' classic "The Creator Has A Master Plan" – and this set really takes off from that... read more

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Two sweet bossa groovers from singer Pat Thomas – both of them with backings by Lalo Schifrin! The tunes were pulled from Pat's album of the same name on MGM – issued here in a pic sleeve by Verve, with "first vocal version in English" next to "Desafinado"!... read more

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One of the most beautiful albums ever from the great Mel Torme – and a set that's a bit different than his other work for the Bethlehem label too! The set features Mel singing to lush backings from arranger Al Pellegrini – who brings in a mode that definitely lives up to the blue tones... read more

One of the most beautiful albums ever from the great Mel Torme – and a set that's a bit different than his other work for the Bethlehem label too! The set features Mel singing to lush backings from arranger Al Pellegrini – who brings in a mode that definitely lives up to the blue tones... read more

An incredible album from Mel Torme – easily his best set ever, and a record that helped raise the bar for all other singers back in the 50s! A key part of the success of the set is the presence of Marty Paich as an arranger – as Marty swings the whole thing with a fluid groove that's... read more

An incredible album from Mel Torme – easily his best set ever, and a record that helped raise the bar for all other singers back in the 50s! A key part of the success of the set is the presence of Marty Paich as an arranger – as Marty swings the whole thing with a fluid groove that's... read more

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One of the best-ever Mel Torme jazz vocal albums – right up there with his best Bethlehem recordings! The set was recorded with Marty Paich's Dek-tette, who set the tone perfectly for the warmly perfect style of The Velvet Fog – and who, like Mel, manage to be totally polished, yet... read more

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A wonderful little album by Mel Torme – easily one of his best albums of the 50s, despite the tighter focus implied in the title! Although the set's a tribute to Fred Astaire. the album's got a very similar feel to Mel's classic album with Marty Paich's Dek-Tette for Bethlehem –... read more

A wonderful little album by Mel Torme – easily one of his best albums of the 50s, despite the tighter focus implied in the title! Although the set's a tribute to Fred Astaire. the album's got a very similar feel to Mel's classic album with Marty Paich's Dek-Tette for Bethlehem –... read more

One of our favorite-ever albums from Mel Torme – a set that sparkles with the same smooth swing as his best late 50s dates for Bethlehem records! Like those sets, this one features Torme's voice really taking off over some tight jazzy charts – arranged by Johnny Williams, Shorty Rogers... read more

An incredible album from Mel Torme – easily his best set ever, and a record that helped raise the bar for all other singers back in the 50s! A key part of the success of the set is the presence of Marty Paich as an arranger – as Marty swings the whole thing with a fluid groove that's... read more

One of our favorite recordings ever of George Gershwin's Porgy & Bess – done by Bethlehem Records in the mid 50s, and featuring nearly every one of the label's great talents at the time! The choice of the lead characters is a bit odd – as Mel Torme plays Porgy and Francis Faye... read more

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