Vocalists — All Formats  

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A seminal classic from Michael Franks – one of those records that's almost a whole genre unto itself, and which set a whole new tone for the male voice in American music! The style here is light and jazzy – almost an evolution of modes first begun by Kenny Rankin, and served up here... read more

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Sure, Rickie Lee Jones went onto become a bit of a cliche in later years, but this early album's still got an undeniable power – and was a great breath of fresh air, at a time when it seemed like most of modern music was forgetting its roots! What is it with the LA scene from the 60s onward... read more

All you need is love – that, and some great vocals and backings as well! Anita Kerr really gets groovy on this little set – taking the famous sound of her harmony quartet into some great late 60s territory – a range of pop tunes hinted at by the Beatles reference on the cover... read more

Hard to imagine Anita Kerr being turned on – especially given her school marm-ish look on the cover – but the album's a pretty darn groovy set, and one that certainly shows Kerr picking up some of the best easy elements of the 60s! The Burt Kaempfert touch is heard here especially in... read more

Warm wonderful whitebread work from the King Family! A great example of the way the large King ensemble really shone in the space of a concert performance – filling up the space well with all the different voices in the extended family, and shifting into different groupings that keep things... read more

Hildegard Knef isn't always the hippest singer in the world, but this album is plenty darn groovy – a real masterpiece of baroque pop that really stands out from her other recordings! The session was done in close collaboration with arranger Hans Hammerschmid – with all original lyrics... read more

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Great stuff – one of Flora Purim's more R&B-sounding albums from the 70s, produced by George Duke with an appreciation for Flora's Brazilian jazz roots, but with a smoother sound that's in keeping with Duke's own work of the time! The combination is pretty sweet – a professional... read more

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Some of the dreamiest pop ever recorded at Warner Brothers during the early 60s – the full album to back up Joanie Sommers' excellent hit single "Johnny Get Angry". The tune's the epitome of the girl pop sound of the time – and it's backed up by lots of other nice numbers... read more

A great little record that's way more jazz than some of Joanie Sommers' other albums – thanks to arrangements from Marty Paich and Tommy Oliver – both of whom help things stay lively, even when sweet – and almost give the album a similar feel to some of the best Bethlehem or Mode... read more

A whole new dimension of pop from the lovely Joanie Sommers – an album of bossa tunes, recorded with strings and backing by the great Laurindo Almeida! The style is wonderfully sweet – and works perfectly with Joanie's gentle vocals – and although not all the tunes are strict... read more

An album of season-themed tunes – similar to Julie London's Calender Girl album – although not as month-specific. Stan Applebaum's on hand to help with arrangements, and his styles here are a mix of jazzy backgrounds and some fuller, lusher styles that still have plenty of space for... read more

Joanie's second album for Warner Brothers – and a date that features some especially nice backings from Neal Hefti, who helps swing Sommers into some great jazzy territory, but always with that playful Hefti touch that we love so much! Instrumentation is always interesting, even underneath... read more

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Hardly the surf music set you'd expect from the title – but still a set that's plenty surf-washed, thanks to a great choice of exotic numbers for the record! The Surfers are a vocal group, not a guitar-based instrumental combo – and they harmonize with a mixture of jazz and pop modes... read more

Can 60s pop get any better than this? It's hard to think so – given the near-perfect sound of this album, and its unique blend of soul, vocal, and mainstream modes! The album's only the second in the career of Dionne Warwick, but she's already at the top of her game – singing with a... read more

A unique concert album from Dionne Warwick – proof that her talents weren't always restricted to Burt Bacharach arrangements in the studio! The setting is the classy Olympia Theater in Paris, and the style is a bit more open than on Dionne's studio albums – with less material by... read more

Dionne Warwick's making a bit of a break from formula for this album – by singing a batch of tunes from films and shows, none of which were written by Burt Bacharach & Hal David! Yet despite this change from earlier records, the album's still got a sound that's strongly in keeping with... read more

An album that collects a number of groovy tunes by Dionne – some from movies she starred in, some from soundtracks she recorded, and others from films that she never had a hand in at all! Arrangements are by Burt Barcharach, Pat Williams, Garry Sherman, and Bobby Scott – and titles... read more

Dionne's working with Memphis producer Chips Moman, in a mode that's clearly designed to give her more credibility with the hipper soul scene at the end of the 60s! Burt Bacharach's still in the shadows, but Moman's the real genius on this set – working with Dionne to create a style that's... read more

Five albums into Dionne Warwick's classic run for Scepter Records, and she's still sounding great – head and shoulders above most other female pop singers of her generation, with a style that really sets a whole new standard for the time! Burt Bacharach handled most of the arrangements here... read more

Dionne Warwick's missing from the cover of this album, but the record still managed to be one of her biggest of the 60s – thanks to a near-classic selection of tunes, and sublime arrangements from the mighty Burt Bacharach! There's a confident, mature approach to the record that's arguably... read more

Wonderfully mature work from Dionne Warwick – one of her last few albums for the Scepter label,with a sense of maturity, poise, and grace that tops even Dionne's earliest classics for the label. She's still working heavily here with Burt Bacharach – who produced and arranged most of... read more

The final Warner Brothers album from Dionne Warwick – and a smooth, sophisticated affair done with full arrangements from Michael Omartian! The sound's still not as pop disco as you might expect from the time, and Dionne's gentle vocals are often cast in backings that step along nicely with... read more

Quite an unusual album for Dionne Warwick – a late 60s effort that has her returning to her gospel roots, and singing with backing from The Drinkard Sisters – a group originally founded by Dionne's mother, and which featured a young Cissy Houston! The sound here isn't as strictly... read more

Sensitive, but never sleepy – a perfect balance between gentle pop and deeper soul – served up with masterful arrangements and production from Burt Bacharach! The album's an early treasure in Dionne's 60s run for Scepter Records – an album that features a bit less Bacharach/David... read more

Dionne's certainly winning the "soulful" tag on this albums – working with Memphis producer Chips Moman, in a mode that's clearly designed to give her more credibility with the hipper soul scene at the end of the 60s! Burt Bacharach's still in the shadows, but Moman's the real... read more

A surprise mid 70s hit for Dionne Warwick – a warm and bubbling bit of soul, done with uptown maestro Jerry Ragovoy in a perfect AM pop style! The centerpiece of the album is the super-hit tune "Then Came You" – a duet with The Spinners produced and arranged by Thom Bell at... read more

Not so much a soundtrack, as it is a great set of Bacharach/David tunes, with arrangements by Burt, Manny Albam, and Pat Williams, structured around the title hit, and featuring tunes with a similar somber quality. Gone is the dreamy optimism of some of Dionne's earlier albums – and in its... read more

Seminal later work from Dionne Warwick – an album that perfectly sums up her evolving genius at Scepter Records! Windows Of The World continues the very successful Bacharach-led arrangement scheme – but also features Dionne deepening things a bit more vocally, and also hitting some... read more

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