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Partial matches: 28
Partial matches1
CD, LP, Vinyl record album cover art
Nancy AmesLatin Pulse ... LP
Epic, Mid 60s. Very Good ... $9.99
Nancy sings some sweet Latin groovers in Spanish – backed by groovy 60s arrangements from Joe Sherman! The feel here isn't quite as driving as on her classic "Mas Que Nada" album – but it does have a similar style – sort of blending easy 60s vocals with swinging pop Latin rhythms, all in a style that's pretty darn groovy, especially on the upbeat numbers! Tracks include Spanish versions of "Yesterday", "That Kiss", "A Taste Of Honey", "Call Me", and "Shadow Of Your Smile". LP, Vinyl record album
(Side 1 has a mark that clicks a bit on tracks one through three. Cover has light ring & edge wear, a small split on the bottom seam, and some discoloration on the back along the opening.)

Partial matches2
CD, LP, Vinyl record album cover art
Susan BarrettSusan Barrett ... LP
RCA, 1966. Very Good ... $3.99
A lesser-known swinger on the RCA label from the 60s – a vocalist who hearkens back to the imprint's female sessions of the 50s, but who brings in some groovier touches as well! Backings are by Marion Evans, who helps Susan's full vocals find some nice spaces in the tunes – sometimes bold and dynamic, like Marion Montgomery – other times a bit more warm and flowing up from the bottom, in the mode of some of the more mature 60s jazz singers. There's a great hint of sadness on most numbers – and titles include "My Man", "Walking Happy", "The Carnival Is Closed Today", "Bewitched", "Mas Que Nada", "It Had To Be You", and "You'd Better Love Me". LP, Vinyl record album
(Spine has a spot of tape & a small rip. Back cover has WGN Library letters.)

Partial matches3
CD, LP, Vinyl record album cover art
Ewa BemBe a Man ... LP
Polskie Nagrania (Poland), 1981. Very Good+ ... $14.99
Straight ahead and swinging jazz vocals from Ewa Bem – a session that's sung both in English and her native Polish, and which features backings by the lively Swing Session combo, led by trumpeter Henryk Majewski! Tracks are mostly short and upbeat, and although the standards here are familiar and done with a tone that's a bit too eighties at times, the other Polish numbers are pretty darn great – colored with deeper tones and more imagination than the English numbers, in a way that makes us wish we understood the language! Titles include "Tylko Dni", "Wyznanie Wieczorne", "Dzien Dobry Mr Blues", "Groovin High", "The Man I Love", and "Rob To Co Chcesz". LP, Vinyl record album

Partial matches4
CD, LP, Vinyl record album cover art
Tony BennettListen Easy ... LP
MGM/Verve, 1973. Near Mint- ... $4.99
A real "lost" session from Tony Bennett – recorded after his long stint at Columbia, but before his own label – although the set's produced by Tony himself! Don Costa handles arrangements, and titles include "If I Could Go Back", "Love Is The Thing", "Rain Rain", "The Hands Of Time", "Once In A Garden", and "Tell Her It's Snowing". LP, Vinyl record album

Partial matches5
CD, LP, Vinyl record album cover art
June ChristyBig Band Specials ... LP
Capitol, 1962. Very Good- ... $1.99
A very different album than usual for June Christy – one of her last for Capitol, and a very swinging, upbeat affair! As the title implies, June's singing a set of tunes made famous during the glory days of the big bands – tracks associated with Duke Ellington, Tommy Dorsey, Artie Shaw, Benny Goodman, and others – all given a nice reworking here by June, in a style that's got a hipper, swinging California kind of groove! Arrangers on the set are Bill Holman, Bob Cooper, and Shorty Rogers – and they all keep things light and above board – shaking away the bluer tones and quieter moods of some of June's other records, taking her vocals back to the highly swinging style that first brought her fame in the 40s. Titles include "Frenesi", "Time Was", "Good Bye", "Night In Tunisia", "Stompin At the Savoy", "Prelude To A Kiss", and "Skyliner". LP, Vinyl record album
(Rainbow label mono pressing. Side 1 has some marks that play short clicks. Cover has some wear, a sticker, and a small sticker on the top seam.)

Partial matches6
CD, LP, Vinyl record album cover art
Noel CowardNoel Coward At Las Vegas ... LP
Columbia, 1955. Very Good+ ... $7.99
One of our favorite vocal albums of the 50s – an incredibly witty live set from Noel Coward, recorded in Las Vegas, with a very different style than some of his other records! The Noel Coward you'll hear here is still steeped in the mannered wit of his earlier plays, but he's also let himself go considerably – working in front of a live audience with an eager ear for well crafted lyrics and innuendo. The songs are mostly numbers from Coward's earlier shows, but they're sung in a hip swinging loungey style that really gives them legs – moving them past their staid roots into strong 50s vocal territory. Includes 2 great remakes of Cole Porter numbers – "Let's Do It" and "Begin The Beguine", both with Coward's own lyrics – plus "Uncle Harry", "A Bar On The Piccola Marina", "World Weary", and "Mad Dogs & Englishmen". LP, Vinyl record album
(Grey label Masterworks label pressing, with 6 eye logo and deep groove. Cover has a small sticker on front.)

Partial matches7
CD, LP, Vinyl record album cover art
Noel CowardNoel Coward In New York ... LP
Columbia, 1956. Very Good+ ... $4.99
A very cool album from Noel Coward – a talent you're probably more familiar with as a playwright, but who also happens to be quite the entertainer! This album is one of two great sets that Coward recorded live in the US in the mid 50s, and they really show him opening up a lot from earlier recordings – singing with an ease and swinging style that adds a whole new level to his classic compositions. It helps that Peter Matz is handling the backing and arrangements – jazzing up Noel's tunes with a nice 50s style – and the live setting of the recordings make them come off well, especially as the audiences are very enthusiastic! Titles include "Wait A Bit Joe", "Why Must The Show Go On", "I Like America", "Luisa", "I Went To A Marvelous Party", and "20th Century Blues". LP, Vinyl record album
(6 eye Masterworks pressing with deep groove. Cover has seam splitting and a peeled spot on front.)

Partial matches8
CD, LP, Vinyl record album cover art
Bing Crosby & Buddy BregmanBing Sings Whilst Bregman Swings ... LP
Verve, Late 50s. Very Good- ... $4.99
Excellent later vocals from Bing Crosby – a set that features some great jazzy backings from Buddy Bregman, who really updates the Crosby sound! LP, Vinyl record album
(Original orange label pressing. Cover has masking tape on the seams, with a some pen and a corner rip on the back.)

Partial matches9
CD, LP, Vinyl record album cover art
Dancing VoicesDancing Voices Go Latin ... LP
MGM, 1963. Sealed ... $12.99
The Dancing Voices go Latin – but in ways that are often much more bossa-inflected than the usual New York groove! The maestro here is Marty Manning, who takes a mixed male/female chorus of singers, and turns them into a zippy, swinging sound – thanks to the use of 21 microphones in the studio, billed on the cover as the group's "21 Channel Sound"! Tunes are crisp and clear, and really provide a nice 60s update on the older chorus style – one that's light years from the sweeter, more sentimental modes of the 50s – and which often has some great jazzy soundtrack touches too. There's some great percussion and piano in the backings, plus a bit of horns too – and titles include "Desafinado", "Besame Mucho", "San Juan", "Brazil", "The Breeze & I", "Amor", "You're A Sweetheart", "There Must Be A Way", and "I Feel Much Better Now". LP, Vinyl record album

Partial matches10
CD, LP, Vinyl record album cover art
Sammy Davis, Jr.That's All! ... LP
Reprise, 1966. Very Good 2LP Gatefold ... $3.99
The greatest entertainer ever? We think so – and this 2LP set offers Sammy D in the best possible way to get him: live, and in the very familiar turf of the Sands Hotel. This live album, and it's counterpart (At The Cocoanut Grove, also on Reprise) are, in our opinion, Sammy's best recordings – because they feature him ripping through a bunch of material, doing lots of great impressions and medleys, and really swinging with a tight little combo led by Michael Silva, the drummer. The groove is really jazzy – way jazzier than on some of Sammy's studio LPs from the time – and he runs through a range of material from pop tunes to standards, done in a style that's far different than you'd expect for the titles. The vocals are tight, heartfelt, but also given a professional little finesse that really makes them sparkle. Titles include "Ain't I", "Another Spring", "On A Clear Day", "As Long As She Needs Me", "Any Place I Hang My Hat Is Home", "The Lady Is A Tramp", and 2 fantastic medleys with lots of jazzy songs. Heck, Dean Martin never got a chance to cut a double live album – and Frank really ever did one – so given that Sammy got a chance to do two of them, you've gotta figure the format really worked for him! This is the real Mr. Entertainment, and you owe it to yourself to hear him as he really was. LP, Vinyl record album
(Original mono pressing. Cover has some ring & edge wear, a bit of aging inside the gatefold, and some splitting on the top seams.)

Partial matches11
CD, LP, Vinyl record album cover art
New Dena DeRoseWe Won't Forget You – A Tribute To Shirley Horn ... CD
High Note, 2014. New Copy ... $14.99 16.98
Dena DeRose serves up a tribute to the great Shirley Horn – and works here with the kind of hip jazzy combo that Horn definitely would have loved! Like Horn, DeRose both sings and plays piano – plus a bit of Hammond on a few tracks too – and in addition to core trio instrumentation on bass and drums,t he set also features tenor work from Eric Alexander, trumpet from Jeremy Pelt, and baritone from Gary Smulyan – each players who drop in on certain tracks and make things shine wonderfully – like those key instrumental solos on later Shirley Horn records for Verve. Dena's own vocals and piano are great, though – perfectly timed to replicate that soulful swing that always set Shirley apart – a richness of feeling that's never overdone, and which always knows how to groove even at the most expressive moments. Titles include "Sunday In New York", "Big City", "Don't Be On The Outside", "Quietly There", "A Time For Love", "The Great City", and "Wild Is Love". CD

Partial matches12
CD, LP, Vinyl record album cover art
Double SixSwingin Singin! ... LP
Philips, 1962. Very Good+ ... $6.99
Great early stuff by this swingin' French vocal group! These guys swung as hard as American groups, like Lambert, Hendricks, and Ross – but they stuck to hipper, jazzier material, and had a driving sound that never let up! The group is led by singer Mimi Perrin, who also handed the arrangements – and it features French jazz greats Ward Swingle and Eddy Louiss. Includes some great jazzy versions of "Naima", "Boplicity", "Westwood Walk", and "Early Autumn". LP, Vinyl record album
(White label promo.)

Partial matches13
CD, LP, Vinyl record album cover art
Julie DriscollJulie Driscoll 1969 ... LP
Polydor (UK), 1971. Very Good ... $29.99
Julie's come a long way from her years with Brian Auger here – stepping out in a freer sound that marks the shift in the British scene from beat group grooving to jazz-rock jamming. The session features a host of likely suspects – including Keith Tippett, Elton Dean, Brian Godding, Nick Evans, and Chris Spedding – and Julie's vocal style is finely tuned to match the craft of the players on the set. She's a lot more open-ended in her singing, with less of the R&B inspired approaches of the late 60s, and more of the expansive vocalizations that were showing up in the work of other European vocalists of the 70s. Titles include "Leaving It All Behind", "Break-Out", "A New Awakening", "Walk Down", and "I Nearly Forgot – But I Went Back". LP, Vinyl record album
(Canadian pressing. Cover has some wear.)

Partial matches14
CD, LP, Vinyl record album cover art
Frank D'RoneAfter The Ball ... LP
Mercury, 1960. Very Good ... $1.99
One of the few albums ever cut by singer Frank D'Rone – an excellent vocalist in the Pal Joey mode! Frank hailed from Chicago, and was a second (or third) tier singer – a bargain basement Sinatra, with a rougher style that actually has a great edge, and which recalls the tougher days of barroom gigs for singers who weren't so lucky as those with their name in lights. Billy May handled the arrangements on the set, giving D'Rone a swinging, jazzy kind of feel that pushes the record a bit farther than his other Mercury album from the 50s – and the whole thing's brings a nice punchy kind of feel to tracks that include "It's You Or No One", "Warm All Over", "After The Ball", "Oh Look At Me Now", and "Why Can't This Night Go On Forever". LP, Vinyl record album
(Black label mono pressing, with deep groove. Cover has a spot of tape on the spine, a ripped corner on the back, and some pen on the back. Lable has a sticker.)

Partial matches15
CD, LP, Vinyl record album cover art
Chiemi EriChiemi & Delta Rhythm Boys ... CD
King (Japan), 1961. Used ... $9.99
One of the more unusual albums we've ever heard from Japanese vocalist Chiemi Eri – a set done in collaboration with the famous Delta Rhythm Boys quintet from the US – pictured here on the cover in unusual Japanese outfits! Backings are by the large group of Nobuo Hara, who really knows how to make the proceedings swing – and the set begins with Chiemi alone, first in a medley of tunes that includes "A Guy Is A Guy" and "C'Est Si Bon", then on a haunting version of "Sanosa" – a Japanese geisha song with a really soulful quality. Then, the Delta Rhythm Boys come in – and do this really cool job of harmonizing along with Chiemi's vocals – on titles that include "Marina", "Soran Bushi", and "It's Only A Paper Moon" – before Eri then cuts them loose, to sing on their own on tracks that include "Mack The Knife", "Historia De Un Amor", and "Alright OK You Win" – all surprisingly swinging, thanks to Hara! CD
(SHMCD pressing, includes obi.)

Partial matches16
CD, LP, Vinyl record album cover art
Georgie FameShorty ... CD
CBS/Rev-Ola (UK), 1970. New Copy ... $6.99
An excellent little album from British vocalist Georgie Fame – one that has him moving way past the simple beat group sound of his roots, into a sophisticated style that mixes jazz vocalizing, hard grooving, and lots of rock/R&B influences! Georgie's still got his Mose Allison-inspired vocal style, but the band behind him is a lot more open-ended, and grooves along freely in these great organ riffing rhythms – open-ended and very swinging on some numbers, but in a way that's different from Fame's rougher-edged roots. Titles include "Oliver's Gone", "Somebody Stole My Thunder", "Fully Booked", "Inside Story", "Seventh Son" and more. CD

Partial matches17
CD, LP, Vinyl record album cover art
Laika FatienLook At Me Now! ... CD
Body & Soul (France), 2004. Used ... $6.99
A really wonderful little record – equal parts jazz and soul, and recorded with the same warmly flowing vibe as the best recent work from Carmen Lundy or Dee Dee Bridgewater! The style is jazz vocal, but it's definitely got a hip sort of twist – one that inflects each tune with a strongly rhythmic energy, and a sense of energy that's way more than simple torch songs and ballads. Like Carmen Lundy, Laika Fatien has a way of really inhabiting a tune – making it her own, warming things up, and letting the whole thing overflow with life, love, and a never-failing sense of righteousness. Instrumentation here includes piano, tenor, guitar, bass, and drums – and the whole thing is beautifully produced with a small combo feel that few jazz singers seem to touch these days! Titles include versions of Joe Henderson's "Shade Of Jade" and "Serenity", Wayne Shorter's "This Is For Albert", Abbey Lincoln's Throw It Away", and Nicholas Payton's "Zigaboogaloo" – all of which feature original lyrics by Laika! Other tracks include "Where Are The Words", "Bird Alone", "I Hear Music", and "Just Say Goodbye". CD

Partial matches18
CD, LP, Vinyl record album cover art
Ella FitzgeraldNewport Jazz Festival – Live At Carnegie Hall (with bonus tracks) ... CD
Columbia (Japan), 1973. New Copy 2CD ... $24.99
A great set from Ella Fitzgerald – recorded at Carnegie Hall during a stretch when Fitzgerald was hitting new worldwide fame, and singing a lot of groovy contemporary tunes – but done here in a very old school style that hearkens back to Ella's earliest days in the jazz world! The orchestra here is that of Chick Webb, directed by Eddie Barefield – who brings a vintage swing to the music that's mighty nice, and free from some of the more modern modes of some of Fitzgerald's studio work of the time. The live setting allows for Ella to open up nicely on some tunes – especially some of the medley numbers, which may well be some of the most entertaining on the record. Ella sings with some backing from Ellis Larkins on piano on a few numbers – and a few other tracks are instrumental, with work by Tommy Flanagan on piano, Eddie Lockjaw Davis on tenor, and Al Grey on trombone. Titles include "Stardust", "Some Of These Days", "I've Gotta Be Me", "C Jam Blues", "Smooth Sailing", "Indian Summer", and "Lemon Drop". 2CD set features lots of bonus tracks that weren't on the original album – a total of 33 titles in all! CD
(Blue Spec CD2.)

Partial matches19
CD, LP, Vinyl record album cover art
Ella FitzgeraldThings Ain't What They Used To Be (And You Better Believe It) ... LP
Reprise, 1971. Very Good+ ... $4.99
Ella gets groovy – and we love it! This album's one of a rare few that has Ella Fitzgerald breaking the mode of her more traditional vocal sessions – a surprising groover that features Gerald Wilson backing Ella with a great blend of soul, jazz, and bossa styles! By the time of the session, Wilson had honed his craft on a strong run of 60s albums for Pacific Jazz – creating a trademark groove that pushes all instruments in the group tightly together, while allowing just the right breakout modes for soloists like Dennis Budimir or Harold Land to spice things up alongside Ella's vocals. Nearly every track on the album has a nice little bounce at the bottom, and even older chestnuts are strongly transformed into a much later, groovier sound for the set. Titles include "Sunny", "Mas Que Nada", "Man & A Woman", "Manteca", "I Heard It Through The Grapevine", and "Days Of Wine & Roses". LP, Vinyl record album
(Cover has some wear.)

Partial matches20
CD, LP, Vinyl record album cover art
Four FreshmenFour Freshmen & Five Trumpets ... LP
Capitol, Late 50s. Very Good+ ... $4.99
Strong work from the Four Freshmen – a great album of jazz harmony vocal tracks, done in a similar manner as their classic Trombones session for Capitol. This one's got Dick Reynolds of the group handling the arrangements – with a brace of west coast trumpet players, and a jazzy rhythm section that includes Milt Raskin and Jack Marshall. Tracks have an amazing approach to the material – with the kind of mindblowing vocal parts that Brian Wilson always claimed as an inspiration, and which (dare we say it) are handled here at this early date with more sophistication than he ever used! Titles include "Got A Date With An Angel", "Goodbye", "Laughing On The Outside", "There Will Never Be Another You", and "Give Me The Simple Life". LP, Vinyl record album
(Original turquoise label pressing. Cover has splitting on the top and bottom seams.)

Partial matches21
CD, LP, Vinyl record album cover art
Four FreshmenFunny How Time Slips Away ... LP
Capitol, Early 60s. Very Good+ ... $3.99
Brilliant harmony vocals by the Four Freshman! A jaunty 1964 session that has the Freshmen moving into territory they'd explore more deeply on their work for Liberty Records – expanding into a range of new styles for the 60s, and working here with some nicely groovy arrangements from Jimmie Haskell and Shorty Rogers! There's some nice use of electric bass and guitar on a few tracks – giving them a bit more of a romp than usual – and a few others feature some nicely-recorded tinkling piano that trips alongside the vocals with a breezy 60s edge, including a few with country western tinges. Titles include "Don't Make Me Sorry", "My Baby's Gone", "Charade", "Wake The Town & Tell The People", "Funny How Time Slips Away", "Hold Me", "We've Got A World That Swings", and "Tears In Our Eyes". LP, Vinyl record album

Partial matches22
CD, LP, Vinyl record album cover art
Four FreshmenSwingers ... LP
Capitol, Early 60s. Very Good ... $4.99
A rare one from The Four Freshmen – an album that never turns up on vinyl, and is some of their best work of the 60s! The group is working in a tight jazzy mode – layering their harmonies with arrangements that are a bit more sophisticated than some of their earlier pop, but which also have a more straight jazz sound in parts. The overall feel is great, and you can't beat the boys great harmonies! Titles include "Lulu's Back In Town", "Lullaby Of Birdland", "Dynaflow", "Taps Miller", "I'm Gonna Go Fishin", and "Let's Take A Walk Around The Block". LP, Vinyl record album
(Rainbow label pressing. Cover has splitting on the top seam and spine, with an ink stamp on back.)

Partial matches23
CD, LP, Vinyl record album cover art
Lee HazlewoodLHI Years – Singles, Nudes, & Backsides 1968 to 1971 ... CD
LHI/Light In The Attic, Late 60s/Early 70s. New Copy ... $12.99 15.99
Amazing sounds from Lee Hazlewood – some of his most offbeat, unbridled recordings ever – and that's saying a lot if you've already heard his classics for Mercury, MGM, and Reprise! The package here brings together rare work from Lee's own LHI label – packaged beautifully with a rich set of notes, session details, and some amazing photos that follow in the spirit of the nutty-looking cover image! Hazlewood's voice is sublime throughout – that deeper-than-deep quality that always leaves us breathless – perfect for the sly wit and and "aw shucks" sensibility of the tunes – and also for unlocking the growing adult sensuality that Lee was letting into his work at the time. A few female singers step forth in that great Hazlweood duet mode – Nina Lizell, Suzi Jane Hokom, and Ann Margret – who each sing on a few tracks – but Lee's in the lead on most numbers, and titles include the previously unreleased "I Just Learned To Run" – plus "The Bed", "Sleep In The Grass", "The Night Before", "If It's Monday Morning", "Won't You Tell Your Dreams", "Hey Cowboy", "No Train To Stockholm", "What's More I Don't Need Her", "Trouble Maker", and "Nobody Like You". CD

Partial matches24
CD, LP, Vinyl record album cover art
Jon HendricksRecorded In Person At The Trident ... LP
Smash, Mid 60s. Very Good ... $19.99
Great live set recorded by Jon Hendricks during a time when he was making his home in the artsy community of Sausalito, on the San Francisco Bay. The set's recorded at the town's tiny Trident club, where Jon played for a while on a very regular basis, and the feeling is very relaxed and comfortable. The band includes players who would go on to make more of a name for themselves in the 70's – like Noel Jewkes and Flip Nunez – but the real focus is on Jon's rich, raspy, always-swingin' vocals. There's a lot of nice uptempo tracks that demonstrate his agile vocalese skills, including readings of "Yeh Yeh", "Watermelon Man", "Gimme That Wine", "Stockholm Sweetnin", and "Jon's Mumbles". LP, Vinyl record album
(Gold label promo. Side 1 has a mark that clicks a bit on track three. Cover has ring & edge wear, a bit of splitting on the bottom seam, and some stains and promo stamps on the back.)

Partial matches25
CD, LP, Vinyl record album cover art
Jon Hendricks & CompanyLove ... LP
Muse, 1982. Very Good+ ... $0.49
Jon's going back to the Lambert, Hendricks, & Ross format here – working with a group of singers known as Company (featuring family members Michele and Judith Hendricks), running through vocalese versions of jazz tunes with the same solo line trading style used by LHR in the 50s and 60s. The songs are pretty hip, and the backing is mostly small combo or trio instrumentation. Titles include "Love", "Tell Me The Truth", "The Swinging Groove Merchant", "In A Harlem Airshaft", "Willie's Tune", "Lil Darlin", and "Bright Moments". LP, Vinyl record album
(Includes insert.)

Partial matches26
CD, LP, Vinyl record album cover art
Billie HolidayBillie Holiday At Jazz At The Philharmonic (Japanese paper sleeve edition) ... CD
Verve (Japan), 1945/1946. New Copy ... $18.99
Some of the earliest Billie Holiday work for Verve Records – material recorded in a mid 40s Jazz At The Philharmonic session, already showing the great setting the label was able to allow! Billie's voice is wonderful – really coming into its own mature modes – and backing is by a small combo that features the excellent Willie Smith on alto, plus Milt Raskin on piano, and Red Callender on bass. Milt plays solo behind Billie on a classic reading of "Strange Fruit" – and other tracks include "Billie's Blues", "All Of Me", "Body & Soul", and "The Man I Love". CD
(SHMCD pressing.)

Partial matches27
CD, LP, Vinyl record album cover art
Annisteen AllenFujiyama Mama ... CD
Rev-Ola (UK), Late 40s/Early 50s. New Copy ... Just Sold Out!
Seminal sides by one of the first great female singers of R&B – the mighty Annisteen Allen, a vocalist who was first known for her great work in the band of Lucky Millinder, but later stepped out on her own as an even bigger solo act! Annisteen's got a style that predates Ruth Brown, LaVern Baker, and other key 50s R&B singers – a mode with roots in swing, but delivery that's much harder-hitting overall – perfect for the transitional R&B years in which she worked! The collection features key sides by Allen recorded for the King and Capitol labels – packaged together with great notes on her full career, and a huge set list that's extremely comprehensive. CD features 28 tracks in all – with titles that include "Mine All Mine", "Yes I Know", "Mr Trumpet Man", "Too Long", "Lies Lies Lies", "Down By The River", "My Brand Of Loving", "Wheels Of Love", "Fujiyama Mama", "Nothing Can Replace You", "I've Got Troubles", "Hard To Get Along", and "Slow But Sure". CD

Partial matches28
CD, LP, Vinyl record album cover art
Ella Fitzgerald & Billie HolidayNewport Years Volume 1 (aka Ella Fitzgerald & Billie Holiday At Newport) ... LP
Verve, 1957. Very Good ... Just Sold Out!
Two of the biggest singers who ever worked for Verve Records – captured perfectly at the Newport Jazz Festival in 1957! Ella Fitzgerald steps out with a strong, lively groove on the first half of the set – swinging things with a looser, more upbeat quality than on some of her mellower Verve studio sets of the late 50s – really grooving it up with small combo backing from the trio of pianist Don Abney! Billie Holiday also gets some small combo backing too – a hip trio with Mal Waldron on piano, Joe Benjamin on bass, and Jo Jones on drums – often a bit more laidback than the group on Ella's sides, but in a great way that helps Holiday hit a very intimate sound, even before this large audience. Ella sings "This Can't Be Love", "Body & Soul", "April In Paris", "I Got A Crush On You", and "Airmail Special" – and Billie sings "Nice Work If You Can Get It", "My Man", "Willow Weep For Me", and "Lady Sings The Blues". LP, Vinyl record album
(White label promo, with a small sticker on each label. Cover has a light mark from sticker removal on the back.)
 
 
 



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