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Vocalists — All Formats  

Search: Burton Greene


Possible matches: 2
search match 1.  
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new Patty Waters — College Tour ... CD
ESP, 1966. New Copy .... $10.99 12.99 Temporarily Out Of Stock
One of a rare few albums ever from singer Patty Waters – an extremely experimental vocalist who was part of the mid 60s ESP Records scene! Patty was one of the first to ever go way past conventional singing – and work more in a vocalizing style that had just begun in avant classical – often more concerned with sounds and shapes than melody and music! Sometimes, though, she hits a surprisingly soulful note – almost a touch of Nina Simone's righteousness, before moving into more experimental territory once again. Waters is almost the Cathy Berberian of the jazz vocal world – and works here with a hip ESP lineup that features either Dave Burrell, Burton Greene, or Ran Blake on piano – depending on the track – plus Giuseppi Logan on flute, Perry Lind on bass, and Scobe Stroman on drums. The set was recorded live, but with great fidelity that really respects the subtle moments of Waters' vocals – and titles include "Wild Is The Wind", "Song Of Clifford", "Song Of The One I Love" and "Song Of Life With Hush Little Baby".

search match 2.  
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new Patty Waters — Patty Waters Sings ... CD
ESP, 1966. New Copy .... $6.99 15.99 Temporarily Out Of Stock
One of 2 ESP sessions by Patty Waters – one of the most groundbreaking vocalists of the 60s, and a singer with a style that mixed equal parts jazz and folk! In a way, Patty's got a sound that's somewhat like Nina Simone at her best – in that she dominates a tune completely, singing as if she's speaking – and infusing it with a raspily personal mode that goes far deeper than simple interpretation. The difference, of course, is that most of Waters' material is all original, so the themes aren't nearly as restrictive as some of the covers that Simone had to re-interpret – but there's certainly a mode here that explores freedoms within limits, and which should have made Waters a much bigger influence in her generation. All material on the set was recorded during a 1966 tour of the state colleges of New York – with backings by Burton Greene on piano, Steve Tintweiss on bass, and Tom Price on percussion – and titles include "Moon Don't Come Up Tonight", "Why Can't I Come To You", "You Thrill Me", "Sad Am I Glad Am I", and "Black Is The Color Of My True Love's Hair".
 
 
 
 

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