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One of the weirdest records ever on ESP – a dreamy mix of vocals from this family-based group – set to jazz-based instrumentation, over rhythms that range from funky to bossa! The singing's a bit rough at times, but that's part of the charm – as The Leavitts have an earnest,... read more

A beautiful little record from singer/guitarist Bruce Lewis – a virtually unknown talent who worked in the northern Kentucky scene of the 80s, and who steps out here with a very unusual sound! Lewis sings with a nice touch of 80s augmentation – not commercial, but kind of electric... read more

A fantastic album – with a really groovy approach! The record is the only one we've ever seen from arranger Jean Leccia – and it's got a two-vocal lead approach that's pretty darn great. Soul singer Pat Henderson joins up with male vocalist Ed Whiting – in a style that's part... read more

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Key early work by Abbey – no so much the "blue" album you'd guess from the title, but a session that's filled with the kind of anger and emotion that makes us love her so much when she's this good! The group here is very hip – an ensemble brought to the date by her then-partne... read more

3 song sampler Lincoln's album, including "A Child Is Born", "People In Me", and "The Music Is The Magic".... read more

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Mark Lindsay's getting a bit shaggy on the cover of this one – and his music is too! But that change is a nice one – a deepening of the mature modes that Lindsay brought to his sound after leaving the Raiders, steeped here in some of the best adult pop modes of the time! In a way, the... read more

A beautiful groover from Chicago singer Oscar Lindsay – a deep-voiced vocalist who's clearly inspired by Billy Eckstine, but who also opens up here in a hipper small combo mode! Oscar's vocals are great – rich, but never sleepy – and with enough range to rate the "sophisticat... read more

One of Julie London's wildest albums – and one of her sexiest too! The record has Julie running through the calender – singing a song a month, dedicated to January, February, March, and so on – a really great concept for a record like this, in ways that set the album apart from... read more

One of the last albums in Julie London's legendary run for Liberty Records – a perfect cap to a phenomenal catalog, and one that still shows London very much at the top of her powers! The backings here are by three different talents – Don Bagley, Kirk Stuart, and Allyn Ferguson –... read more

A great set by Julie London, from her maturing years when she was working with arranger Ernie Freeman! The End Of The World follows nicely from Julie's interpretation of the big pop hit of the same name – in territory that's sad and dreamy, but in a different way than her earlier albums on... read more

One of the greatest early albums by Julie London – a record that features sublime jazz backings from the Jimmy Rowles Orchestra, in a mode that gets way past the "breathy girl with subtle guitar" sound of her first few for Liberty! Rowles' backings bring in some really nice horn... read more

A landmark album in 50s vocal jazz – spare, moody, and evocative tunes from Julie London – sung in a stripped-down setting that few other singers would dare at the time! The sound of the set is as sexy as the cover – intimate, personal, and breathily sung in a mode that comes... read more

Looking like she does on the cover, it's hard to imagine Julie London being a lonely girl – as she's very seductively posed, with that slinky bare shoulders look that no doubt helped many of her early Liberty sides sell so well! But apart from the cheesecake, the record's one of Julie's... read more

A set that has Julie London still working in the breathy and mellow style of her late 50s classics – with very spare backings that really let Julie's vocals take center stage, and often a nice guitar line in the front of the mix, picking its way through the tunes right behind Julie's voice! ... read more

Hard to imagine that Julie London would ever have to ask anyone to make love to her – at least not when she looks as sexy as this on the cover! The album's a key early classic for Liberty – still very fragile, personal, and up-close enough to make you think you might just be able to... read more

Sweet, sophisticated musings from Julie London – a set that has her taking on some of the coolest tunes from the first half of the 60s – including a fair bit of soundtrack themes too! Backings are by Richard Wess and Ernie Freeman, who each have their own distinct flavor – and... read more

On Sophisticated Lady, Julie London's got her hair up, and is wearing a classy gown – so you can bet that the feel of the record definitely follows through with the "sophisticated" promise of the title! Things are as mellow as on London's early classics for Liberty, but there's a... read more

A very hip album of vocal jazz – recorded by the underground singer Barbara Long, a righteous east coast talent who cut a very small amount of work during the 60s. This set's got Long backed by a small group that includes Booker Ervin, Billy Howell, and Nat Phipps – and Ervin's tenor... read more

Very cool work from Claudine Longet – a record that really has her stretching out a bit from the 60s – moving into some more sophisticated, adult styles that are totally great! The set's still got the same fragile sweetness of her previous albums – thanks to Claudine's trademark... read more

Early Brit pop from Jerry Lordan – best known as the songwriter of a host of hits for bigger artists in the pre-Beatles years – stepping out here in an album of his own! Jerry's a singer with a surprising degree of charm – not a full-on rocker, but more of an old school vocalist... read more

A nice little record with a sound that's a bit like some of the more compelling vocal Verve projects at the end of the 60s – no surprise as it features arrangements by Albert Gorgoni, who worked with Astrud Gilberto – and audio direction from Brooks Arthur!... read more

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A beautiful album from Jon Lucien – one that's been far too neglected over the years! This was Lucien's second album for Columbia – and it's a wonderfully strong effort that fuses together jazz, soul, and Brazilian styles, in a manner that recalls some of his best work for RCA –... read more

Amazing work from the great Jon Lucien – and probably his best-ever record! The album has Jon hitting a totally unified vision of spacey soul – bringing in elements of Brazilian music and touches of his Carribean roots, fusing them together with a sweet jazzy style and one of the most... read more

Excellent jazzy soul stuff by one of our favorite singers of all time! Jon's in wonderful form here – working in arrangements that are a bit smoother and more modern soul oriented than his earlier work for RCA, but handled in such a way that they only bring out more richness in his... read more

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A great little album from Pat Lundy – an enigmatic talent who crops up a number of times over the years – but always on different record labels, and always with a slightly different sound and style! This album's one of Pat's best – and has her working in a sophisticated soul... read more

A landmark album of the 60s – and a record that forever put Gloria Lynne on the map! The album's got a sense of poise and class that was almost a genre into itself – one that crossed Gloria over big with the title hit version of "I Wish You Love", but which was also supported... read more

Titles include "The Whisperers", "It May Sound Silly", "I Understand", "After All I've Been To You", "I Love You Yes I Do", and "It Seems To Me I'm Just A Woman In Love". Arrangements by Hal Mooney.... read more

One of the grooviest albums of the late 60s – a lost vocal treasure from the team of Dave MacKay & Vicky Hamilton! The pair were sort of like a hip version of Jackie & Roy – usually singing together on their tracks, with a mixed male/female vocal approach that sounds totally... read more

Features a bit of bossa nova in some of the arrangements – a nice change for Gisele!... read more

An under-discovered vocalist from the 50s – the great Nancy Malcomb, a singer we'd rank right up there with Chris Connor's best at the time! Nancy's got a very jazzy approach to her work – no surprise, as she plays piano as well as she sings – with support here from a great small... read more

Bits of jazz and bits of soul, perfectly folded together with a raspy brilliance that really grabs our attention – a subtle depth of singing that almost takes us back to Nina Simone at times, but which also has some leaner 21s Century styles that are mighty nice too! Malia's vocals alone are... read more

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Titles include "Agua", "Soul Food To Go", "Capim", "Notes From The Underground", "Jungle Pioneer", and "The Zoo Blues".... read more

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Way way more than just a simple "jazz meets Broadway" session – as Shelly's working here with vocals by Jack Sheldon & Irene Kral, and arrangements by soundtrack maestro Johnny Williams – in a style that completely recasts the score! The album's got a really dynamic kind... read more

Sublime sounds from the great Tania Maria – a killer blend of jazz, bossa nova, and wonderfully soulful vocals – all served up in a style that takes us back to Maria's best European sides of the 70s! The sound is no surprise, given that the album was partially recorded in Paris –... read more

A real classic – one of Tania Maria's greatest American albums, and a sublime blend of styles that shows that her move to the US was not in vein! The group's an easy going west coast Latin ensemble with Eddie Duran on guitar, and the style is a breezy Brazilian one – perfectly situated... read more

A really special album from Tania Maria – one that features only the bass of Eddie Gomez for accompaniment, which makes for an even more personal sound than usual! Tania's vocals are wonderful – that jazzy, breezy style we first fell in love with back in the 70s – effortlessly... read more

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A really beautiful set of South American vocal work – a set that draws equal parts inspiration from the styles of Venezuela and Brazil – with a touch of Chilean influence as well – all wrapped up in a style that's warm and slightly jazzy, but with a real edge as well! Maria... read more

Early work from British vocalist Lena Martell – a full Decca album, plus a batch of rare singles as well! The Someone New set is amazing – recorded with jazzy backings from Johnny Keating, in ways that are quite different than other British girl singers of the time – much more... read more

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Lovely vocals from British singer Millicent Martin – working here in an easygoing mode with lush backdrops from Tony Osborne! Millicent's big fame at the time was her key appearance in The Boy Friend – and she's definitely got a style here that echoes the era of that show – not... read more

Two gems from Johnny Mathis' mid 60s years at Mercury Records – one classic album, and another previously unreleased session! First up is Love Is Everything – an album that's got Johnny working with arranger Glenn Osser – who always seemed to set the right tone to unlock the best... read more

A pair of gems from Johnny Mathis' years at Mercury Records – back to back on a single CD! First up is So Nice, an album that definitely lives up to its title – with a sound that extends strongly from the lushness of Mathis' early 60s recordings, but which also has a bit of a nod to... read more

A sweet 80s set from Johnny Mathis – one of those great later albums when he brought a good deal of soul into the mix! The feel here is almost more modern R&B than the vocal jazz mode that first brought Johnny fame – and it turns out that the Mathis mode is wonderful for such a... read more

Two Johnny Mathis gems from his years at Mercury Records – back to back on a single CD! Sweetheart Tree is a unique album – in that it represents some unusual London sessions from Johnny Mathis – material recorded in the UK with different arrangers than usual – including... read more

A pair of Mercury Records albums from Johnny Mathis – on CD for the first time ever! Tender Is The Night is tremendous work from Johnny's short years on Mercury – a set that has the singer hitting a new level of maturity in his music – thanks in part to arrangements from Don... read more

A pair of Mercury Records albums from Johnny Mathis – back to back on a single CD! First up is This Is Love – a record that really sparkles, thanks to backings from Allyn Ferguson, done in that perfect mix of soft strings and shimmering brass that seems to work best for the vocals of... read more

A classic from Johnny Mathis' second run at Columbia! Up Up & Away is Mathis' first set back at the label after a brief hiatus – a record that shows a newly mature style that's wonderfully suited for Johnny's amazing voice! Mathis tones are every bit as perfect as before – but he's... read more

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Obscure batch of jazzy pop originals by this obscure singer from Indianapolis. Jimmy's clearly trying for a Lou Rawls Capitol sort of style, but he's also got a voice that's a bit raspier and blusier than Lou. Most of the tracks are originals by Jimmy, and titles include "Searching",... read more

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One of the most righteous albums ever issued by the always-righteous Tribe Records label of Detroit – a really collective effort, one that features ensemble vocals and spiritual jazz – all pulled together by pianist Harold McKinney! The album showcases a group named Voices Of The... read more

One of the most righteous albums ever issued by the always-righteous Tribe Records label of Detroit – a really collective effort, one that features ensemble vocals and spiritual jazz – all pulled together by pianist Harold McKinney! The album showcases a group named Voices Of The... read more

A great illustration of the genius of Carmen McRae in the 70s – a record that easily shows why Carmen was hipper than most of her contemporaries from two decades before! The set has the vocalist somehow managing to still stick in a straight jazz style, without going for cheaper soul routines... read more

A great illustration of the genius of Carmen McRae in the 70s – a record that easily shows why Carmen was hipper than most of her contemporaries from two decades before! The set has the vocalist somehow managing to still stick in a straight jazz style, without going for cheaper soul routines... read more

Carmen McRae really opens up on this sweet 70s set for Blue Note – expanding past the traditional jazz of her roots, and even some of the groovier work of her Atlantic years – into a sweeping, contemporary sound that's all adult, all the way! The vibe is great – in the same... read more

Carmen McRae really opens up on this sweet 70s set for Blue Note – expanding past the traditional jazz of her roots, and even some of the groovier work of her Atlantic years – into a sweeping, contemporary sound that's all adult, all the way! The vibe is great – in the same... read more

An excellent album from Carmen McRae – one of her hippest records ever, and a great set of vocal gems that often gets overlooked! Arrangements are by Benny Carter, Shorty Rogers, and Oliver Nelson – and the album's got a swinging groovy style that pushes Carmen past her straighter jazz... read more

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A gorgeously and lush batch of material cut with the Peter Matz Orchestra – with a surprisingly intimate feel! The strings soar, but the percussion is fairly spare and often a little bit off kilter – while Carmen emphasizes her phrasing and more earthy tendencies with any empty... read more

One of Carmen McRae's great 60s albums for Atlantic Records – a set that's still strongly jazz-based overall, but which seems to have an extra dose of soul at the bottom! The approach is a bit like the best late 60s sides by Nancy Wilson or Marlena Shaw – rooted in jazz, but hipper... read more

A rare jazz vocal album from Dave Brubeck – one that has the famous pianist working here with Carmen McRae – who served up a hose of vocal versions of some of Dave's best compositions! The format is a great one – a really fresh take on the Brubeck idiom, and a setting that makes... read more

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Quite an unusual album from Helen Merrill – but a set that also shows that quite early on, she was a singer with a keen ear for working on larger concepts too! Merrill first rose to fame as a cool-voiced singer in the 50s, but she does a surprisingly great job here with country tunes as well... read more

Fantastic early work from Helen Merrill – with some of the best backings we've ever heard for her chilling vocals! The record has a core jazz group made up of Hank Jones on piano, Milt Hinton on bass, Barry Galbraith on guitar, and Sol Gubin on drums – and they're augmented by string... read more

A wonderfully moody album from singer Helen Merrill – recorded with backing by pianist John Lewis, in an overall feel that's got some of the styles that Lewis forged with the Modern Jazz Quartet! The tunes are familiar ones, mostly, but arranged in a style that's got wonderfully sad and... read more

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The shrill goofy vocalist lays down a second album of groovy camp tunes that'll make your dog cover his ears! There's a few lame tracks on here, but there's also some great ones, like her versions of "Girl From Ipanema" and "Monday, Monday". Mod arrangements by Fred Bock and... read more

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The full range of Mina's pop genius of the 60s – some upbeat groovers, some offbeat swingers, and some mellower cuts that glide forth with her wonderful vocals in Italian! Although she never cracked the charts here, Mina was easily one of the best female singers on the European scene of the... read more

A sweet rarity from the lovely Mina – a great replica of one of her best singles from the early 70s – featuring the kind of amazing vocals that have always made her work unlike anyone else!... read more

Echoey pop from the Italian scene of the early 60s – a record that already sparkles with dynamic vocals from the legendary Mina – but which also has some great studio touches too! There's a lively, optimistic mix of modes going on here – electric guitar that rings out boldly next... read more

Dreamy pop from Italian diva Mina – sweetly soaring strings and groovy 60s pop touches – horns, galloping percussion and other upbeat touches on a few tracks, though a few more are piano and voice centered numbers with a touch of melancholy! The album features great arrangements by... read more

Breezy Brazilian tunes – sung by Italian singer Mina, in a way that recalls some of the best of Elis Regina's work from the late 60s! The track selection is great – and the album features many popular groovers like "Canto De Osshana", "Upa Neguinho", "Que... read more

Beautiful stuff – and a record that shows a real maturation in Mina's vocals – a move away from some of the simple pop of the early years (even though that was pretty darn great), and into the territory of an all-adult vocalist with a really wide range! Backings are by Augusto Martelli... read more

Early in the career of Italian singer Mina – but a record that's filled with the sort of well-sung pop numbers that made her huge on the European scene of the 60s! The style here is a bit fuller than some of Mina's later work – arrangements that sometimes echo American pop modes of the... read more

Great pop sounds from the lovely Mina – an Italian singer of the 60s whose powers easily rival those of French chanteuses like Francoise Hardy, Brigitte Bardot, or France Gall! The tunes here have a nice undercurrent of rock and pop elements under larger arrangements that often allow Mina to... read more

One of the grooviest European singers of the 60s – the lovely Mina, who could swing with the best of the British and French scene of the time – yet who also had a wide vocal range that was also used in famous soundtracks, too! This cracker of an album really displays the full range of... read more

Playful pop from Mina – a great Italian singer who made some really wonderful records from the late 50s onward! This early set is a real gem – a sprightly mix of larger arrangements with rock and pop inflections – all served up in this optimistic blend that really fits the mood... read more

A warm and wonderful live date from vocalist Martha Miyake – one of the most important Japanese jazz singers of the 70s – and an artist with a great command for phrasing in English! Backings here are by a tight piano trio – and Miyake's got this mellow-toned, open-ended style... read more

Warm jazz vocals, and some great instrumentation too – thanks to work from the sublime 70s bassist Isao Suzuki! Singer Noriko Miyamoto's on the cover, but the album's got the same great glow as Isao's other albums of the decade – a really refreshing approach to jazz arrangements, with... read more

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A great look at the lesser-known side of the career of UK vocalist Matt Monro – one that features rare EMI singles, obscure album tracks, and other usual bits all pulled together in one overstuffed 2CD set! The package is a great antidote to all of the overdone hits collections of Monro's... read more

Oh for the days when you could go to a club and hear a singer like this – peppy, jazzy, but also able to put over a sad and dreamy tune when she wants to. Marian only recorded a few records, and this one's probably her best – a jaunty set of tunes with arrangements by Charles Albertine... read more