A great collection of one of the most exciting points in the career of reedman Paul Horn – a set that brings together two albums recorded for the World Pacific label in the mid 60s! First up is Paul Horn In India – a record in which Horn opens up in a really cool way – definitely moving past his early modern jazz years, to become one of the first American jazzmen to explore the sounds of India! The album features Horn blowing flute on some great long tracks – stretching out with this sense of sound that's really amazing – almost more tonal texture than his previous jazz sense of melody – often moving slowly, with slight phase shifts that are really compelling – and working alongside spare instrumentation from Indian musicians on tabla, tamboura, and violin! The tracks are all ragas that spin off with a free but rhythmic sound – and titles include "Raga Vibhas", "Raga Tilang", "Alap", "Manj Khamaj", and "Raga Desh". Paul Horn In Kashmir is easily the trippiest of Paul Horn's 60s experiments – and even more far-reaching than his Paul Horn In India set! This one has a very similar feel to Paul's Indian session, but it's much more transcendental – with long tunes that spin out amidst sitar, tabla, and vocals – going for a meditative approach that's a great complement to Horn's work on the alto flute. The jazz component to the session is very subdued, but given the overall quality of the album, we're not ones to complain! Vocals are by Shri Chunilal Kaul, and titles include "Raga Ahir Bhairao", "Tabla Solo IN Teental", "Raga Kerwani", and "Alap In Raga Bhairav". CD
Heads ... CD BGO (UK), 1972. New Copy ....
$9.9916.98Out Of Stock
A really wonderful third album from Osibisa – and a record that really crystallizes the group's sound into a trademark blend of African roots and more progressive-styled jamming! There's a mode here that's perfect for the cross-cultural London of the post-colonial 70s – a style that brings many strands of music into the capital, and mixes them up with some of the headier styles going down at the time. Bits of highlife echo alongside more tribally-based percussion – but most of the instrumentation on the set also has a strong ear for jazzy changes, especially during the flute and keyboards passages that make the record so great. Titles include "Kokorokoo", "Che Che Kule", "Sweet Sounds", "Sweet America", and "Do You Know". CD