Folk/Country — All Formats  

Some of the most tripped-out music ever from The Holy Modal Rounders – and that's saying a lot, given the nature of the group! This unique early album on ESP features two side-long tracks – both of which are mini-suites of sort, and filled with odd sounds, weird themes, and a strange mixture of hippie instrumentation and sci-fi experimentation! The group for the record is a quartet – with the core combo of Peter Stampfel on violin and vocals and Steve Weber on guitar, augmented by playwright Sam Shephard on drums and Lee Crabtree on piano and organ – plus extra vocals from the trio of Antonia, Barbara, & Wendy. The music is in the best free-thinking style of other rock on the ESP label in the 60s – and titles include "Jimmy & Crash Survey The Universe" and "The Second-Hand Watch".

A pair of overlooked gems from 70s singer/songwriter Marty Cooper – an artist who definitely leans towards the country side of the spectrum, but also comes across with more of a mellow rock feel too! A Minute Of Your Time is a 1972 set for the Barnaby label – one that beautifully mixes Cooper's raspy vocals with tunes that run from country twang to jazzier lines – especially on the tunes that feature sweet electric piano, and a bit less acoustic guitar. There's a knowing wink to some of these tunes – almost an echo of Lee Hazlewood, although Marty's a lot more sincere – and titles include "The Indiana Girl", "I Wrote A Song", "Mama Was A Cowgirl", "Cowboys & Daddies", and "To Say Goodbye To Anne". If You Were A Singer is a German-only album from the end of the 70s – but one that has Marty Cooper still working in the best mellow modes of his earlier work – kind of a commentary on country music and country ideals, nestled in a style that's real enough to have appeal to the mainstream it's commenting on. Titles include "Wine Wine Wine", "Stephen", "Like A Gypsy", "A Second Hand Song", and "Ten Dollar Room". CD features one bonus track – the previously unissued "The Biplane Evermore".

A rare album by the legendary guitarist John Fahey. Despite a cheesy cover, and the proclamation that the record features Fahey "and his orchestra", the record's mostly just has Fahey's spare haunting guitar – although a few tracks have some larger arrangements, with sort of that Burbank-kitsch old time sound that was so popular with Van Dyke Parks and the Warner crew. Titles include "Bucktown Stomp", "Om Shanthi Norris", "Beverley", and "Horses".

A pair of classics from John Hartford – with bonus tracks too! First up is Aereo Plain – a groundbreaking album from the young John Hartford – not really folk, not really country – but a unique hybrid of both, and done with a good ear for unique sounds as well! Hartford's a really unique artist, especially at this key point in his career – and he's working here with producer David Bromberg, who himself was also helping to reinvent acoustic music at the time. The Warner Brothers placement of the record is key – as Hartford's got this sense of the past, mixed with the irony of the present – one which strongly echoes some of the hip rock contemporaries on the label, particularly the up and coming brand of post-Sunset LA talents. Titles include "Turn Your Radio On", "Up On The Hill Where They Do The Boogie", "First Girl I Loved", "With A Vamp In The Middle", and "Tear Down The Grand Ole Opry". Next is Morning Bugle – a record that's even rootsier than John's first for Warner – with just a bit of bass backing from Dave Holland, and excellent guitar from Norman Blake next to Hartford's own banjo. As before, the lyrics have this really unusual bent – steeped in images of the past, but with the sensibilities of the present – particularly the left-leaning politics of the early 70s time in which the album was recorded. Titles include "Streetcar", "My Rag", "Old Joe Clark", "On The Road", "Howard Hughes Blues", and "Got No Place To Go". 2CD set features 8 bonus tracks too – including "Airport Floor", "Back Up & Push", "Flower Power Died", and "Weave & Way".

Kelly Hogan makes a huge step up to Anti- – home to fellow traveler Neko Case and some of her heroes and heroines, from Mavis Staples and Bettye Lavette to Booker T and Tom Waits – and with I Like To Keep Myself In Pain, Kelly's made a better record for Anti- than any of them! If you're unacquainted with Kelly Hogan (which is forgivable if you're not a Chicagoan...maybe), she's always singing and performing, though rarely recording – for herself, anyway. Not only is Hogan's first new album in years near-perfect, she makes it sound easy! A love for country soul and the best kinds of 60s vocal pop inform the style, but she makes it all her own – and that's especially impressive given the diverse crop of songwriters she interprets. Truly one of best albums from a solo singer in recent years – in any genre! Booker T, Dap-King Gabriel Roth, and longtime Hogan-friend Scott Ligon play on the record, and songs include "Dusty Groove" (it's not about us, though if it's possible to be flattered by a coincidence, we'll take it), "We Can't Have Nice Things", "Daddy's Little Girl", "Golden", "Ways Of This World", "Plant White Roses", "Whenever You're Out Of My Sight", "Pass On By" and more.

The first solo album from folk-country singer and songwriter Catherine Irwin in a decade – and as much as we wish she'd put one out every year, we'll take what we can get – especially if the occasional record is as moving and beautiful as Little Heater! If you don't know this already, Catherine is the other principle voice of Freakwater – a band that doesn't get nearly as much credit for turning city folk onto country-leaning folk music as they've deserved over the years. There's a wearily soulful quality to Catherine's songs that sets her pretty clearly apart from other writers – which is especially impressive, given that she draws from traditional influences – and comes up with a mood that's really all her own. Recorded by Tara Jane O'Neil. Titles include "Mockingbird", "Dusty Groove" (Irwin's Dusty Springfield-inspired song that Kelly Hogan adapted into a gorgeous country soul anthem. . .and it's done by Catherine herself as a stripped-down, beautiful folk ballad), "Hoopskirt", "Sinner Saves A Saint", "We Must Also Love The Thieves", "To Break Your Heart", "Nightshade", "Pale Horse/Pale Rider", "The Whole Of The Law", "The Banks Of The Ohio" and more.