Books — All Formats  

A pretty well-done look at the effect of recording technology on music in the 20th century – with an especially strong focus on the way that classical has been shaped by the evolution in sound! Author Arved Ashby definitely writes here from an academic perspective, but has a way of making the information really come alive – even if, like us, you don't have a great understanding of the artists and works involved – but have an ear that's been trained on a lifetime's worth of records! There's plenty of pop reference points too – crucial to an understanding of the way that technical shifts impacted all sorts of music – and the book features a huge section of notes at the back as well. 316 pages, softcover.

The Beach Boys – day by day, year by year, presented in a very compelling diary format that really gets past some of the overblown mythos about the group! Author Badman goes for a "just the facts" sort of approach – and lists key days in the group's career from the 60s onward – with most of the details given to important stretches before 1970, but some key information from later decades too. Each entry is dated, with specific information on what the Beach Boys were involved in on that day – recording, rehearsing, touring, etc – with a surprising amount of vintage photos and other bits to support the text. Perhaps most compelling is the book's frequent use of Musicians Union sheets for recording sessions – listing session players and their details (including, oddly, social security numbers!) – which really helps illuminate the way that the records were being made. 399 pages, softcover, with black and white images.

A unique account of the oft-told history of Chess Records by author Rich Cohen – focusing on the business acumen the the Chess Brothers, and the brazen approach that brought the music of juke joints to the mainstream. Cohen doesn't pull any punches when it comes to the exploitational side of the Chess story, telling the story of the Chess Brothers and the artists that changed music forever, with a focus on the facsinating and complicated business behind it. Hardcover, 220 pages.

Amazing images from the universe of Sun Ra – a mixture of rare photographs and mural images painted by Aye Aton – sometime percussionist with the Arkestra, and a heck of a great painter too! The book begins with these stunning full color photographs of Ra on the set of Space Is The Place – images from 1972 that echo the cover of the album of the same name, but which feature a costumed Ra in a number of different settings – including a few parking lot shots that make him look like a true visitor from the cosmos, briefly walking on our planet! The bigger second half of the book features photographs of murals painted by Aton (who's also known as Robert Underwood) – all of them spacey and trippy, and in a similar spirit to the Saturn Records album covers – except these were all painted on walls and ceilings, in very vivid colors. Aye painted many images in the Arkestra commune in Philly – and other paintings appear to be from the south side of Chicago – and all work here is seen by the wider public for the first time ever. Archivist John Corbett provides an essay with the book to situate the work – and the whole thing's a vivid visual treat for any fan of Sun Ra!

We love The Creation, but never knew their full story until now – a really compelling tale that not only gets at the greatness of their music in the 60s, but which also explains why they never reached the sort of fame they deserved! The story here is incredibly detailed – not just fan fluff pulled from vintage music mags, but well-researched information, fleshed out by surviving group members, producers, and key contemporaries and later influences too – plenty of details that will have you going back to your Creation records and hearing them all over again in a very different light! The book is almost 400 pages, with some black and white photos, and a helpful discography at the back.

If you liked the first volume of this essential book, you'll love this revised edition – because it's almost 3 times bigger, and stuffed with great new features! The book's a lifetime labor of love for Freddy Fresh – an extensive discography that's got to be the most definitive book on early hip hop we've ever seen! The vintage of the titles listed in the book is 1979 to 1994 – and as Freddy says in the preface, there's a few records listed that may fall outside the rap genre or that time span, including some disco and electro numbers – but that's okay by us! The book's got tons of label scans – plus entries listed alphabetically by label and then in order by catalog number – and this exhaustive project reads like your dream want-list for years and years to come. Plus, in addition to the label and record listings, there's appendices with old school flyer scans, top picks from DJs and producers all over the globe, lists of resources for finding records and Freddy's own personal lists for records, including his "5 star" rated records, and songs and singles arranged by topic. An absolute must-have for any die hard fan of hip hop! Revised edition is 3 times bigger than the first one – 740 pages, with over 1500 new photos, and also features an updated section on bootlegs vs originals, New York City record store photos, info on overseas labels, an Ebay auction guide, a comprehensive cross-index, and lots more great bits.