Brazil — All Formats  

Breezy, yet innovative work from Kassin – who is still best known (in our parts, anyway) for the run of teriffic trio sets he made with Moreno Veloso and Domenico in the 00s – and it's really high time for him to gain a broader audience of his own all around the world. This could be the album that does it, as it's truly excellent. Help us spread the word, please! The tunefulness at play is purely infectious – timeless sunshine pop hooks and overall catchiness, with buzzing, avant touches on the edges that push it into weirder, but no less accessible realms. Percussion, guitar, vibes, Rhodes, horns and flute are often in the mix, with easygoing vocals by Kassin and backup singers. Includes "Mundo Natural", "Potassio", "For a De Area", "O Que Voce Quiser", "Calca De Ginastica", "Sorver-Te" and "Quando Voce Esta Sambando" and more.

A sweet funky classic from 70s Brazil – one of those records that's found thousands of funky fans over the decades – and which still continues to please! The set's the best-eer from Orlandivo – a soulful singer whose set up perfectly here with funky backings from the great Joao Donato – working on organ and Fender Rhodes for the set, and hitting the same soulful styles as his own great 70s albums! Grooves have a sunny feel, but these jazz funk undercurrents that are completely infectious – wicked interplay between the bass and drums, guitar and keyboards – set to vocals from Orlandivo that clearly borrow some of Jorge Ben's soulful influence too. Other players include Sivuca on accordion, Durval Ferreira on guitar, and Helcio Milito on percussion – and titles include "Um Abraco No Bengil", "Palladium", "A Felicidade", "Tudo Joia", "Juazeiro", and "Bolinha De Sabao" – plus the great "Tamaco No Samba", which is a thinly disguised version of "Samba Blim".

Breezy, yet innovative work from Kassin – who is still best known (in our parts, anyway) for the run of teriffic trio sets he made with Moreno Veloso and Domenico in the 00s – and it's really high time for him to gain a broader audience of his own all around the world. This could be the album that does it, as it's truly excellent. Help us spread the word, please! The tunefulness at play is purely infectious – timeless sunshine pop hooks and overall catchiness, with buzzing, avant touches on the edges that push it into weirder, but no less accessible realms. Percussion, guitar, vibes, Rhodes, horns and flute are often in the mix, with easygoing vocals by Kassin and backup singers. Includes "Mundo Natural", "Potassio", "For a De Area", "O Que Voce Quiser", "Calca De Ginastica", "Sorver-Te" and "Quando Voce Esta Sambando" and more.

A hip Afro Funk combo from Brazil – and one who burn just as strongly as some of the other best groups on the global scene! The percussion here is especially great – super-tight, and wrapped up with these infectious basslines that already hook us in before the horns, guitar, and keyboards get going – a rhythmic intensity that really makes the whole album sparkle! Production is mighty nice too – never too clean or contemporary, yet also not going for a funk band style either – just right in the middle, in a way that sounds tremendous. All tracks are nice and long – and titles include "Eru", "Malunguinho", "Obatala", "Emi Yaba", and "Afrodisiaco".

A sweet funky classic from 70s Brazil – one of those records that's found thousands of funky fans over the decades – and which still continues to please! The set's the best-eer from Orlandivo – a soulful singer whose set up perfectly here with funky backings from the great Joao Donato – working on organ and Fender Rhodes for the set, and hitting the same soulful styles as his own great 70s albums! Grooves have a sunny feel, but these jazz funk undercurrents that are completely infectious – wicked interplay between the bass and drums, guitar and keyboards – set to vocals from Orlandivo that clearly borrow some of Jorge Ben's soulful influence too. Other players include Sivuca on accordion, Durval Ferreira on guitar, and Helcio Milito on percussion – and titles include "Um Abraco No Bengil", "Palladium", "A Felicidade", "Tudo Joia", "Juazeiro", and "Bolinha De Sabao" – plus the great "Tamaco No Samba", which is a thinly disguised version of "Samba Blim".

A sweet funky classic from 70s Brazil – one of those records that's found thousands of funky fans over the decades – and which still continues to please! The set's the best-eer from Orlandivo – a soulful singer whose set up perfectly here with funky backings from the great Joao Donato – working on organ and Fender Rhodes for the set, and hitting the same soulful styles as his own great 70s albums! Grooves have a sunny feel, but these jazz funk undercurrents that are completely infectious – wicked interplay between the bass and drums, guitar and keyboards – set to vocals from Orlandivo that clearly borrow some of Jorge Ben's soulful influence too. Other players include Sivuca on accordion, Durval Ferreira on guitar, and Helcio Milito on percussion – and titles include "Um Abraco No Bengil", "Palladium", "A Felicidade", "Tudo Joia", "Juazeiro", and "Bolinha De Sabao" – plus the great "Tamaco No Samba", which is a thinly disguised version of "Samba Blim".