Brazil — In Stock — LPs  

While in the post fusion years when lite jazz was beginning to take off a lot of jazz and fusion artists got a bit lost, Azymuth continued to make a number of fine recordings, some of the best of their career. Bertrami and crew continue to groove along in their tight Brazilian fusion mode, with a... read more

One of Azymuth's best-remembered albums from their American years on Milestone – a really killer classic that beautifully blends Brazilian and American styles of fusion! There's a simple, elegant feel to these tunes that takes off nicely from the group's previous album for Atlantic in Brazil... read more

Wonderful early work from Maria Bethania – an album that's put together with a very sophisticated sound, and a really powerful feel overall! The orchestrations are relatively baroque – sometimes using strings in odd ways, other times bringing in bits of voices – all very much in... read more

Titles include "Mariana Mariana", "Pra Dizer Adeus", "Ronda", "Coracao Ateu", "Olhos Nos Olhos", and "Cheiro De Amor".... read more

One of the better early bossa albums by Bonfa, and one that doesn't have the sleepy quality that you find on some of his other records. Luiz' guitar is backed by a nice little combo, and the tracks have a lively rhythm, with occasional vocals, and some nice flute solos from time to time. The... read more

An overlooked gem from Chico's mid 80s period – a record filled with strong and subtle songs, often backed by some nicely jazz-tinged arrangements from Cristovao Bastos! The album's not as revolutionary as some of Chico's earlier records, but it more than makes up for that with an incredibly... read more

Charlie Byrd gets some top-shelf treatment here – in a wonderful album of tunes by Antonio Carlos Jobim, all recorded with full backing arrangements, and sound quality that's a lot better than some of Byrd's previous albums! The setting has Charlie's acoustic guitar right up front in the mix... read more

A collection that Milestone issued in 1973 that includes tracks from three of Byrd's early 60s Bossa Nova records – Latin Impressions, Bossa Nova Pelos Passaros and Once More/Charlie Byrd's Bossa Nova. Byrd and his unamplified guitar are joined by Keter Betts on bass and Bill Reichenbach on... read more

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Titles include "Gabriela's Song", "Lenda", "Obsession", "Velho Piano", "Guararapes", "Desenredo", "The River", and "Like A Lover".... read more

A classic bit of jazzy fusion from Chick Corea and the legendary Return To Forever group that included Flora Purim and Airto! The sound of the album influenced a generation, and although the album was overlooked by groovers for years, partly due to its success, it still sounds surprisingly fresh... read more

One of her better albums of bossa nova stuff, given a bit of a 70's twist, and with the kind of percussive edge that you might expect from a title like "A Bahia". Mike Ribas arranged, and with performance by Sebastio Tapajos and Pedro Dos Santos. Tracks include "Ossain", "... read more

A great batch of early samba tracks from Paulinho Da Viola – a set that features some great fuller backings from Maestro Gaya, in a way that really warms up the sound! The appeal of Paulinho's vocals and guitar from other early 70s albums is still very firmly in place – and Gaya adds... read more

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Great early work from Joao Donato – the US issue of some recordings that (we think) made up the Polygram album Muito A Vontade. The tracks were recorded in Brazil, with Donato on piano, and rhythm by Milton Banana drums, Sebastian Neto bass, and Amaury Rodrigues on bongos and pandiero. The... read more

An incredible batch of Brazilian fusion – cut by keyboardist Manfredo Fest, and one of the few records he ever waxed in the US during the 70s! The record mixes Fest's soaring Brazilian groove with a tight soulful set of arrangements by Jerry Peters – a bit club-oriented, with a similar... read more

The historic meeting of Stan Getz and Brazilian guitarist Joao Gilberto, with the surprisingly popular inclusion of Joao's then-wife Astrud. The record created a sound that was copied endlessly, and which catapulted Astrud to unbelievable fame worldwide – even though she was only included in... read more

One of the best of the Stan Getz bossa nova sessions – and a record that features the great Laurindo Almeida on guitar – playing with more virtuosity than either Charlie Byrd or Joao Gilberto did on their collaborations with Getz! The record's got a driving rhythm section, with lots of... read more

A wickedly wonderful album by Jobim – recorded in LA in the mid 60s, and a perfect meeting of styles that makes for one of his most compelling albums of the 60s! Jobim sings and plays over pillowy-soft arrangements by Claus Ogerman – lightly dancing numbers that weave strings and... read more

An incredibly pure moment of genius from Jobim! Features one of the best versions of "Aqua De Marco" ever, done up in these haunting blue chords, backed by great baroque orchestrations, which descend and trail off, then come sweeping back in. The whole album's just as great, with... read more

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Although Herbie and Joao are listed together in the artist credits together for the record, they don't really play together on the record – as did Joao and Stan Getz on their album together. Instead, they trade off tracks of bossa nova material, recorded with Jobim in Rio – Joao's by... read more

You know, despite the fact that this one was recorded in the mid 80s, when we felt that Tania's great jazzy vocal style was being buried in excessive arrangements – in retrospect, it's actually got some darn nice moments. These include the great "Tanoca Vignette", a lively number... read more

One of Tania Maria's sweet early LPs for Concord, with a nice modern Brazilian groove that differs from her earlier bossa LPs from the 70's, but which still has a beautiful melodic fusion feel to it. Tania plays piano and keyboards, and she's joined by a smooth Bay Area ensemble that includes... read more

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Classic work from this Brazilian singer – with titles that include "Suas Maos", "Mundo Vazio", "Saudades De Mim", "Bom E Querer Bem", "E Preciso Dizer Adeus", and "Maria Que E Triste".... read more

The start of a legend – and the very first album by Sergio Mendes' Brasil 66 group, proudly brought to the world through the godlike talents of a young Herb Alpert! Sergio was no stranger to the recording studio by the time of this set, but the record marked a real shift in his music –... read more

One of Sergio Mendes' most electric outings from the 70s – a tasty mixture of LA fusion, Brazilian rhythms, and the group's unique twin female vocal lead! The mix of sounds is wonderful – and makes for a really solid album that shows how much soul Sergio had soaked up in the decade he'd... read more

A beautiful Japanese package – featuring A&M material, but in a completely unique cover, with lavish production!... read more

Sort of a repackaging of the Brasil '65 album on Capitol – done here in a pressing by Pickwick that features a very psychedelic cover! The record's a mixed bag of tracks that has some bossa piano trio stuff, plus some vocal cuts with Wanda De Sah, the alto and flute of Bud Shank, and the... read more

Live set recorded in 1983, with large arrangements by Wagner Tiso that feature a string section behind a smaller rock group that includes Tiso, Robertinho Silva, and Helio Delmiro. Milton plays guitar, and his voice is still in fine form. Gal Costa sings a tiny bit – and the record includes... read more

70s samba magic from Clara Nunes – one of those singers who managed to make an already deep genre sound even better! The set's got a simple and honest approach that's really fresh, and never too overblown – allowing Clara to be expressive without falling into cliche, very much in the... read more

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Not the most authentic Brazilian album you'll ever find – but a great batch of bossa jazz tracks! The set was put together in New York by pianist Bill Potts, and it features some great work by Zoot Sims on tenor, Louie Ramirez on percussion, Chano Pozo on conga, and a special unnamed guest... read more

Sadness on guitar – a perfect title for Baden Powell's work on his chosen instrument, especially the way he could bring a simple but emotive style to his music! Powell's work on guitar here is often quite spare, but beautifully handled – set up with rhythms by a small combo that... read more

Great stuff – one of Flora Purim's more R&B-sounding albums from the 70s, produced by George Duke with an appreciation for Flora's Brazilian jazz roots, but with a smoother sound that's in keeping with Duke's own work of the time! The combination is pretty sweet – a professional... read more

Titles include "Angel Eyes", "Flora Nova", "A Esperanca", "Las Olas", "Bodas De Prata", "Good Morning Heartache", "Nothing Will Be As It Was", and "Light As A Feather".... read more

A classic batch of Bay Area Brazilian grooves – recorded in the sweet breezy electric style of the Fantasy studios, and featuring the vocals of the lovely Flora Purim in the lead! The session's got a great mix of Brazilian and American fusion players – including Airto (of course!), Ron... read more

A set from 1989 that somehow manages to return to the style that Flora used a bit more often on 70s California albums – still electric and fusion-based, but freer and more open – in the manner that we first came to love in her work! Titles include "The Sun Is Out", "The... read more

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A killer set of grooves recorded live by this legendary Brazilian guitarist – and a record of his that we've always sold extremely well over the years! The setting is a stripped down stage at the Monterey Jazz Festival – where Sete grooves in an open-ended fashion with only bass and... read more

Classic 70s work by Simone – a wonderful Brazilian singer who was one of the few females to follow strongly in the Milton Nascimento style that inspired countless male vocalists of the time. The album's got some great songs – and includes tunes written by Chico Buarque, Danilo Caymmi... read more

Darkly brilliant work from Simone – a real standout singer in late 70s MPB, working here with a sound that draws heavily from the legacy of the post-Tropicalia scene! Simone's music has a really moody feel overall – arranged by Gilson Peranzzetta and Nelson Ayres with some gently jazzy... read more

Titles include "De Frente Pro Crime", "Degosto", "Quatro Paredes", "Qui Nem Jilo", "Proposta", and "Bodas De Prata".... read more

The first pairing of Elza Soares and Miltinho is a delight throughout – a set that follows on the Brazilian duet style of the time, but seems to handle things with even more charm and flair throughout – never just forcing the two singers together in the company of a tune, but really... read more

An incredible album by the Tamba 4 – one of 2 albums the Brazilian bossa combo did in the US for A&M Records, during the brief time when they were expanded to a quartet from the original Tamba Trio lineup! The set is completely sublime – a wonderful mix of the group's trademark... read more

Beautiful stuff – and a record we never tire of hearing! This album's a sublime extension of the earlier Brazilian style of the Tamba Trio – in a set that has them adding a fourth member, and picking up some cool new sounds from producer Creed Taylor! The set brings the group's... read more

Titles include "Planta Baixa", "Escravo Da Alegria", "Verra Il Giorno", "Boca De Noite", "Tua Imagem", and "Signorina".... read more

Rare Italian work from Toquinho – a sweet trio session with electric bass and drums!... read more

One of our favorite albums ever from Walter Wanderley – a set that's much more complicated than his earlier trio records for Verve – and which really expands the sound with a host of added elements! Wanderley's core organ bossa groove is amplified wonderfully here with the addition of... read more

Some of the earliest work ever recorded by keyboardist Walter Wanderley – but a set that shows his sweet bossa talents already in full swing! The groove here is light an airy – recorded with a similar sense of space as his better-known sides for Verve, but done with a feel that's a bit... read more

An incredible gem from Walter Wanderley's years in Brazil – a Quarteto Bossamba recording that features Wanderley on both piano and organ, often overdubbed at the same time for a very cool sound! The style is quite different from most of Wanderley's better-known records in the US – and... read more

An album that not only broke the bossa big in the US – but a set that also really helped transform the sound of the organ in jazz! Not only is the record a key meeting of bossa rhythms and jazz organ – transplanted hugely to the US after a big initial Wanderley run in 60s Brazil –... read more

A strange lost "comeback" album for Walter Wanderley – but a great one! The set was recorded recorded in the US in the early 70's, and with the same sweet electric sound that Wanderley was using on his last A&M/CTI albums! Walter plays organ and electric piano, and the group... read more

A rare bossa session by Wanderly – recorded early in his career in Brazil, and issued here in the US by World Pacific. It's as tight a batch of bossa organ grooves as any of Wanderley's best albums from the 60's – and he's playing with a larger lineup than usual, which adds a lot to... read more

Features great work from the classic years – including "Fio Maravilha" by Jorge Ben, "Um Frevo Novo" by Caetano Veloso, "Quando O Carnaval Chegar" by Nara Leao, "Cacada" by Chico Buarque, "Esse Cara" by Maria Bethania, "Alo Alo Tai Carmen... read more