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Seminal sounds from John Cage – his groundbreaking Sonatas & Interludes of the late 40s – performed here with a rich sense of tone and timing by James Tenney! The performance is easily the most striking we've ever heard of these short pieces – and really bring out the magical... read more

The compositions of Cornelius Cardew, performed here with a distinctly Chicago inflection – in a relatively recent performance that is partially conducted by Art Lange, and featuring Jim Baker on Arp, Carrio Biolo on vibes, Jeb Bishop on trombone, Fred Lonberg-Holm on cello, and Jeff Parker... read more

Really beautiful vocal work from Corinne Chatel – spare tunes that mostly feature overdubbed vocal passages, sung wordlessly, often with a very musical feel – yet one that's quite offbeat too! There's a quality here that really reminds us of some of our favorite Meredith Monk work from... read more

Amazing stuff! This is a totally cool bit of early electronics from the late 60s – and the music is dark and spooky, with lots of weird wild harsh electronics (if you know Dissevelt's other albums, you'll know what we mean!) The whole thing sounds sort of like a mad robot playing a crazy... read more

Morton Feldman pays great tribute to Samuel Beckett here – with music full of dark shadows and lonely shapes, almost a perfect soundtrack for any of Beckett's works on stage! The instrumentation here is all a bit muted – played by the Ensemble Modern, but not credited individually... read more

An amazing collection of string quartet work composed by Morton Feldman – played to perfection by the Ives Ensemble, who really know how to get the right spirit out of the music! Most of these pieces are filled with space – notes that often ebb slowly into silence before the next one... read more

One of the most obscure chapters in the career of Ennio Morricone – important avant garde work recorded in the mid 60s, just at a point when he was beginning to rise in soundtrack fame! The ensemble is a key Italian modernist group featuring Morricone, Giovanni Piazza, Mario Bertoncini,... read more

A classic 70s outing from The Gruppo Di Improvisazione – historically important Italian avant collective, similar to AMM or MEV – with a really groundbreaking approach to their sound! We say "sound" here instead of "music" – because the album's filled with... read more

Srong work from Boris Hoff (tenor and soprano sax, sine tones and harmonium), Steven Hess (drums and electronics), Keefe Jackson (contrabass clarinet & tenor sax) and Juun (piano) – recorded at Chicago's Experimental Sound Studios in April of '10. Slow building atmosphere and tense... read more

A really well-titled collection – given that it features the most important steps in the long musical journey of Pierre Henry – easily one of the most important electronic musicians of the 20th Century! The package offers a heck of a lot of amazing music for the price – and is... read more

One of Freddie Hubbard's wildest records ever – a really unique experiment with electronics, and a set that sounds way different than his other albums for Atlantic, Blue Note, or CTI! The key factor here is experimentalist Ilhan Mimaroglu – who adds lots of electronics and processed... read more

Really beautiful little songs by Charles Ives – a great illustration of some of the more charming corners of his compositional catalog! The work here is all adapted by Sebastian Gottschinck – who conducts the small chamber ensemble on the session, which also steps out on a few... read more

Amazing work from French film composer Michel Magne – a set of more serious compositions, but all of which still have the great ear for odd sounds and subtle humor we love in his soundtracks! The centerpiece of the set is his "Musique Tachiste" suite from 1959 – an extended... read more

A set of performances dedicated to Thelonious Monk – yet music that's quite far from anything by Monk that we've ever heard before! Yet there's also a definite Monkish inspiration going on here – a sense of space and timing that resonates in different, often drawn-out ways –... read more

Very open, freely expressive interplay here – between singer Andre Pabarciute, bassist Mark Tokar, and percussionist Klaus Kugel! The trio are all European players from a space that's almost beyond jazz – working here in some very textural, sonically-sensitive modes – definitely... read more

Landmark music from Steve Reich – a set that takes his previous experiments in minimalism and phase shifting, and moves them into a highly percussive mode! The rhythms here become melodies – the sorts that you'd hear on other Reich keyboard albums, but played live with incredible... read more

Two amazing albums from sound library maestro Patrice Sciortino – experimental, but also pretty darn groovy too! Percuplusions features tunes that often mix odd rhythms and weird keyboard parts – sometimes electric harpsichord, sometimes an instrument that may well be prepared piano... read more

Mighty weird electronic sounds from Gary Sloan and Clone – an Alaska act from the start of the 80s, working with a really unique mix of styles that includes some electrified harmonica on most tracks! The core sounds are in more familiar electronic territory – Fender Rhodes, Arp, moog,... read more

Amazing electronics from Laurie Spiegel – a set that's wonderfully on the cusp of analogue expression at the end of the 70s – tuneful, not noisy – rich in texture, yet never too dark – and warm, but never in a mellow sort of new age way! At some level, a record like this... read more

Pioneering efforts in experimental music from Karlheinz Stockhausen and Pierre Boulez – provacative, influential 50s material from these towering figures compiled for this CD from El Records. Stockhausen's "Etude Concrete" and Nr 5 Zietmasse (Time-Measures) For Five Woodwinds kick... read more

An amazing collection of experimental sounds from the European scene of the postwar years – key electronic and musique concrete recordings from some of the most important composers of the 20th Century! The package is a great introduction to this important stretch in music – and... read more

The minimalism of Erik Satie, handled by the maximalism of the Vienna Art Orchestra – at first glance a seeming mismatch, but instead a record that really opens up Satie's music strongly – and also makes for one of the Vienna Art Orchestra's most memorable moments! The large group is... read more

A fantastic self-released album by the enigmatic Roland Young – an unusual blend of organic sounds and slight electronics – all put together with the careful creativity of older albums by members of the AACM! Roland plays all the instruments here himself – in a set of tracks that... read more

Recent recordings from Roland Young – the reedman who made some amazing indie records a few decades back – still committed to richly organic sounds all these many years later! Roland's working here totally by himself, but overdubs instruments to create a cool layered sound – one... read more

One of John Zorn's best-known "game" pieces – served up here in both a studio and live performance! Zorn doesn't play anything on the recordings, but acts as the "prompter" – a conductor of sorts, encouraging improvisations from a variety of players that include Jim... read more

Synthetic symphonics from electronic experimental ground breakers – with ground shaking rhythms, spacey soundscapes, fuzz, hums, echoes, loopy tape effects and more! Features Herbert Eimert, Bruno Maderna, Karel Goeyvaerts, Pierre Boulez and Eimert-Beyer. Titles include "Klangstudie... read more