Soundtracks — In Stock  

Mod 60s all the way – as the film stars Michael York, Rita Tushingham, and Lynn Redgrave! The score is by John Addison, and actually more than half of the numbers are vocal ones – featuring the girls singing in series of whimsical tunes that are sort of a 60s take on the Merry Old... read more

A sweet funky set from the 70s – originally recorded as a sound library session, but handled by Italian soundtrack maestro Alessandro Alessandroni! You might know Alessandroni's music best from the 60s, and this set is a later updating of the same groove – one that brings in a bit more... read more

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Ann-Margret at her grooviest – singing the super-groovy theme from The Swinger – perhaps her greatest film appearance ever! There's a mod bounce to the album that goes way way beyond any of Ann's other albums of the period – thanks to arrangements from Marty Paich, Quincy Jones,... read more

Music from the film of the same name – with some extracts from the film, too!... read more

This one's got it all – fuzzy instrumentals, sweet harmonies, and some nice trippy parts too – all wrapped up in a set that's easily one of the best Tower Records rock soundtracks of the 60s! Most of the schlocky biker soundtracks from the time are already pretty darn great – but... read more

What can we say? This is one of the greatest soul soundtracks ever! In a market that was dominated by the big-selling Shaft and Superfly albums, Roy slipped in this masterful blend of jazzy vibes and wah wah funk that's easily one of the best-composed records of the blacksploitation genre! The... read more

What can we say? This is one of the greatest soul soundtracks ever! In a market that was dominated by the big-selling Shaft and Superfly albums, Roy slipped in this masterful blend of jazzy vibes and wah wah funk that's easily one of the best-composed records of the blacksploitation genre! The... read more

What can we say? This is one of the greatest soul soundtracks ever! In a market that was dominated by the big-selling Shaft and Superfly albums, Roy slipped in this masterful blend of jazzy vibes and wah wah funk that's easily one of the best-composed records of the blacksploitation genre! The... read more

What can we say? This is one of the greatest soul soundtracks ever! In a market that was dominated by the big-selling Shaft and Superfly albums, Roy slipped in this masterful blend of jazzy vibes and wah wah funk that's easily one of the best-composed records of the blacksploitation genre! The... read more

A mid 60s spy soundtrack by Luis Bacalov – and a mighty one it is! OSS-77 Operazione Fior Di Loto has sequences ranging from a heavy, dramatic sweep, to strings & keys-spun tension, loungey jazz, eerie organ, bits of bossa and beyond – in other words, a pitch perfect and full scale... read more

A rare and great one from Luis Bacalov – his soundtrack for Una Questione D'Onore – fleshed out with bonus tracks for a first-time complete release! It's a mid 60s effort that pairs lush strings and grittier, oddball touches – soaring arrangements and stripped town pulpy... read more

A dark little western soundtrack from Luis Bacalov – one that's quite brooding overall, despite a rather catchy vocal tune on the title! There's some very odd instrumentation here – watery piano lines, floating bits of guitar, off-tuned strings – all used at different intervals,... read more

Two rare French soundtracks by Luis Bacalov – an artist we normally know for his work in Italian cinema! Le Juge has a great sense of drama right from the start – then steps into some moodier, more spacious numbers – all in a really wonderful style that echoes some of the best... read more

An Italian film set in the US – also released under the title Black Is Beautiful, with some sweet funky sounds to match! Half the record's got the usual bag from Luiz Bacalov – numbers that echo his Italian soundtrack roots, especially the comedic side – but these cuts are mixed... read more

An unusual version of this album – not the soundtrack, but a special radio promo, recorded on opening night – with interviews with Burt Bacharach and Jerry Orbach – plus snippets from other folks like Neil Simon, Herb Alpert, Sidney Lumet, Ben Gazzara, Milton Berle, and even Burt's... read more

An obscure and wonderful chapter in the career of Burt Bacharach – material penned for a 1967 TV musical starring Rick Nelson and Joanie Sommers – all of it perfect 60s Bacharach pop all the way through! The plot of the musical is a bit silly, but the performance isn't – tightly-c... read more

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A brilliant funky soundtrack – with great work from a number of different artists! The Buddah soul stable came out in full force for this soundtrack, including Harvy Fuqua, The New Birth, Barbara Mason, and Horace Ott – as well as the little known group Badder Than Evil! They play on... read more

A really wonderful later score from John Barry – and key proof of the maturity he really hit in his music during the 80s! There's a style here that goes way beyond most of his soundtracks of the 60s – and even of the 70s – a depth of feeling and jazzy approach that's almost like... read more

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Really early sounds from the great John Barry – a huge amount of tracks recorded with his combo for the Drumbeat TV show in the UK! The program had a strong focus on the emerging rock and roll sounds of the late 50s – and the John Barry Seven were a perfect group to provide musical... read more

The soundtrack that put John Barry over the top – and to many, THE James Bond soundtrack! The album chills from the first notes of the haunting title theme – the majestic "Goldfinger", sung by Shirley Bassey with a tone that's as dangerous as a razor-sharp hat spinning... read more

The soundtrack that put John Barry over the top – and to many, THE James Bond soundtrack! The album chills from the first notes of the haunting title theme – the majestic "Goldfinger", sung by Shirley Bassey with a tone that's as dangerous as a razor-sharp hat spinning... read more

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Quite an unusual soundtrack from Les Baxter – not just because it's a rare one done for an early 60s horror film, but also because this presentation of the music features a handful of very long songs – rather than the usual shorter film score numbers! In a way, the music works like one... read more

Fantastic funkiness! Although Les Baxter's best known for his easy listening work in the late 50s/early 60's, this 1969 biker flick soundtrack is a motherlode of funky funky tracks, and a veritable cornucopia of breakbeats! Highlights include the classics "Hogin' Machine" and "Hot... read more

Eerie early 60s material from Les Baxter – his soundtrack work for Roger Corman's American International feature The Man With X-Ray Eyes – plus Corman's Morella entry in the Poe-themed anthology Tales Of Terror! The Man With X-Ray Eyes is one of those groovy soundtracks where the mood... read more

A great little record that's kind of a prequel for Rubber Soul – filled with short, tuneful tracks that would flower more deeply on that later album – and often served up with a bit more wit and adult consciousness than in any of the group's earlier records! One of those records that... read more

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A split set of soundtracks – both penned for films directed by Jean-Louis Bertuccelli! Richard Rodney Bennett really charms us with his score for L'Imprecateur – easily one of his most carefully creative film pieces of the 70s – and really nicely balanced between space and sound,... read more

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Two bold soundtracks from Elmer Bernstein – back to back on a single CD! First up is The Shootist – a late John Wayne western, but scored with a very classic feel – that driving, dramatic, very Americanist mode that Bernstein brought to his best action scores for the west in the... read more

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Tripped out electronics meet progressive rock jamming – all in a weird and wonderful film score from the early 70s! The record's one of the best by French experimentalist Philippe Besombes from the time – and it's got a style that sort of starts in the territory of Francois De Roubaix... read more

Fantastic funk from the Italian scene – penned for a cop movie that was also known over here as The Hired Gun! The style here is even more of a cut above than usual for Italian crime – really on a par with the best American work of the period, particularly some of the extra-hip stuff... read more

A pair of Italian comedy soundtracks – both put together with a very unique feel! The scores on both sets is by the trio of Franco Bixio, Fabio Frizzi, and Vince Tempera – well known from edgier work on other soundtracks – but coming across here with some really unusual elements... read more

A pair of soundtracks from Claude Bolling – both pretty darn great! La Gitane is a really fresh one from Claude – a score that echoes both his ear for acoustic swing of the 30s, and his blend of mixing jazz and classical modes – yet all the tracks somehow come across with a feel... read more

Fred Bongusto comes up with a plenty playful score for this goofy 80s film – the story of civilization, but from the perspective of a loser! The music moves between serious scoring and more whimsical numbers – the latter of which feature more of the 80s elements, especially keyboards,... read more

A wonderful soundtrack from Booker T & The MGs – a record that's probably much better remembered than the film for which it was written! The tunes show a whole new depth for the group – a style that still has some of the charm of their previous hits, but which also takes off in... read more

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One of the later albums cut by the Brady Bunch crew – a bit towards the end run of the show, and with a feel that's arguably hipper than some of their other records! The arrangements are by Al Capp, and have a nice bass bounce at the bottom – almost hitting a light funk style at times,... read more

Ah, yes, it's a sunshine day, alright – and this batch of groovy, polyester 70s TV pop fits just right! God help us for admitting this, but these goofy, well arranged, dumb fun numbers from the Brady Kids 70s LPs are a heck of a good time, and a pretty true distillation of 70s vanilla pop... read more

Wild! Greg, Marsha, and the kids do a surprisingly great job on this set of sunshine pop tunes arranged by the great Al Capps. The set list includes their classic "Drumemr Man", plus "It's A Sunshine Day", "In No Hurry", "Playin The Field", "Love Me... read more

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An odd little soundtrack of 50s-sounding tunes! The film, in case you don't know it, was an early low budget JD film – set in Brooklyn at the end of the 50s, with Sylvester Stallone in the lead. The budget appears to have been so low that they couldn't afford to pay for using the big hits... read more

An excellent biker soundtrack – very different than the usual bag! For this one, Tony Bruno has come up with some great instrumentals – many of them jazzier than you'd think, and a few with some nice funky Capitol instrumental touches – not so much studio fuzz guitar, as they are... read more

Heist films always provided some of the best soundtracks of the 70's, and this one (starring Robert Shaw and Richard Roundtree, and issued in the US as Diamond Shaft) is no exception! Roy Budd rises to the groovy occasion and scores some excellent moments that match a light orchestral sound with a... read more

An unusual horror soundtrack from the great Roy Budd – one scored a few years after his better-known work in the UK, but done with a similarly top-shelf style! As you might guess from the title, the film's got a sense of humor – and Roy's music definitely echoes that as well –... read more

Nice funky 70s instrumentals, composed by Alan Tew, and performed by the group Bullet – a hip electric combo with a tight sound library feel. The overall style reminds us of Lalo Schifrin or Quincy Jones cop show work from the early 70s – with some tasty keyboards, plenty of riffing,... read more

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While some of this material was released later by Carlos in a different recording, this is the soundtrack to the film, with several orchestral songs and the Gene Kelly version of "Singin In The Rain" included next to Carlos' electronic versions of Beethoven and his own great work for the... read more

Wonderful sounds from the great John Carpenter – one of those records that reminds us that his music is often just as important as the images he puts on the screen! Carpenter's music for The Fog follows nicely in his work for other films – particularly Halloween – in that it's... read more

Wonderful sounds from the great John Carpenter – one of those records that reminds us that his music is often just as important as the images he puts on the screen! Carpenter's music for The Fog follows nicely in his work for other films – particularly Halloween – in that it's... read more

Amazing work from John Carpenter – still a dedicated soundtrack composer long into his film career – and always a master of spare, spooky electronics! The instrumentation here is a bit evolved from some of his earliest classics – different keyboards and electronics developed... read more

Lots of older songs, nicely messed up by the Chips – which creates lots of yelling from Dave! Titles include "Chim Chim Cher-ee", "Alvin's Harmonica", "Witch Doctor", and "What's New Pussycat?".... read more

A more obscure late 60s outing – with a bit less of David yelling at Alvin than we'd like – but still a set with some nice numbers, including "Que Sera Sera", "Chim Chim Chere-ee", "The Roses Of Success", and "The Bare Necessities".... read more

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A sublime mid 70s soundtrack from Stelvio Cipriani – quite upbeat and playful grooves, with timeless Italo soundtrack styles mixed with some 70s dancefloor sounds! Due Cuori Una Cappella is a romantic comedy, which you might deduce pretty quickly from the upbeat groove. The title them has... read more

One of the most sentimental scores we've ever heard from Stelvio Cipriani – but one that also hangs onto all of his great 70s mellow modes as well! Often, Cipriani's 70s sounds are turned towards love and sex – but here, they're cast towards a heartbreaking narrative that's underscored... read more

A striking soundtrack for this Italian horror film – not really a zombie flick exactly, but one with a very similar bent – scored by the great Stelvio Cipriani with loads of cool keyboards and rhythms! The horror mode's definitely of the John Carpenter generation – which means... read more

A sweet score for this Italian sex comedy of the late 70s – put together with a great mix of disco and more playful styles from the great Stelvio Cipriani! Cipriani virtually invented the slinky, sexy European soundtrack a few years before – so here, he updates his style a bit for the... read more

Libidinous grooves from the great Stelvio Cipriani – a set of tracks that hangs nicely between a late 70s club style and some of the slinkier sounds we've heard on Stelvio's other work! The album's got a vibe that definitely lives up to its image and title – and although the first few... read more

That's a pretty darn goofy cover for this early 80s Italian soundtrack – a record that's done with some pretty goofy music to match! The great Stelvio Cipriani serves up plenty of his trademark keyboards – but this time around, they're used in a way that's more playful than some of his... read more

Lovely languid work from Stelvio Cipriani – a set that has a number of those slinky, sexy tracks we always love in his 70s soundtracks – often with keyboards slow-stepping over strings, in a way that's got plenty of Euro sex in the mix! A few more tunes get a bit upbeat – almost... read more

Lost greatness from Stelvio Cipriani – a racing soundtrack, but one that's scored in the same modes as some of his best crime and police work from the 70s! Cipriani's definitely in that best "exploitation" groove here – sometimes using a bit of disco or club, sometimes laying... read more

Sublime Italian soundtrack funk – and one of the greatest albums ever from 70s maestro Stelvio Cipriani! The music was scored for a schlocky horror film about a giant octopus – but Cipriani's approach here goes far beyond its roots – beautifully blending together tightly... read more

Finally – the long overdue release of one of the funkiest soundtracks ever! The music to Black Belt Jones has always been the stuff of legend – mostly only issued as a promo single back in the 70s, but funky enough that it's ranked among the best soundtracks of the decade! The score... read more

One of Cy Coleman's best records from the 60s – a swinging little soundtrack that's awash in all his best jazzy tendencies – the modes first honed up at the Playboy Penthouse, and expanded even more on a range of 60s scores! The film's a bit forgotten – a goofy 60s comedy... read more

A rare score from French arranger Michel Colombier – penned for an equally-obscure film directed by the great Jacques Demy! The album follows the same musical style as some of Demy's better-known work from the 60s – like Umbrellas Of Cherbourg or Young Girls Of Rochefort –... read more

A rare early soundtrack from Bill Conti – penned for an obscure Italian film in the years before his 70s blockbuster film scores – and done with a groovy groovy sound that's really outta sight! The style is much more mod than we've ever heard from Bill – funky in parts, and... read more

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When we were impressionable little arty tykes, this was one of our favorite soundtracks. It's got some beautiful Satie-esque tracks that feature solo piano by Vladimir Cosma, plus some weird Euro electronic stuff that has a nice cold feel to it. Also features a few tracks from the opera "La... read more

When we were impressionable little arty tykes, this was one of our favorite soundtracks. It's got some beautiful Satie-esque tracks that feature solo piano by Vladimir Cosma, plus some weird Euro electronic stuff that has a nice cold feel to it. Also features a few tracks from the opera "La... read more

One of the most insanely wonderful soundtracks from the late 60's – filled with weird instrumental touches and sublimely groovy vocals that really match the mad spirit of the film! Although Bob Crewe's best known for his work as a producer for bigger names in the 60s, he really shines here... read more

One of the groovier soundtracks that Mike Curb ever recorded – a light batch of easy numbers with some electric bass and/or guitar at the bottom – tripping with a bit more punch than you might expect, and floating with some really wonderful instrumental touches at times! In a way, this... read more

A totally cool score from Philippe D'Aram – one that's heavy on electronics, amidst the usual horror movie moods – which gives the music a cold, stark feel that's really amazing – incredibly spooky at points, and nice and spacey at others! D'Aram doesn't just use the usual... read more

A wicked double-header – a pair of rare French vampire soundtracks, packaged together in a single CD! First up is Fascination – a totally cool score from Philippe D'Aram – one that's heavy on electronics, amidst the usual horror movie moods – which gives the music a cold,... read more

Groovy stuff! The album features Johnny Dankworth's fab score for Modesty Blaise – the sexy slinky British queen of international adventure, played by Monica Vitti in the 1966 film. The soundtrack's got some great jazzy numbers, a few variations on the theme, and some weird groovy tracks... read more

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A groovy little soundtrack – put together by the DeAngelis brothers for one of the earlier pairings of Terence Hill and Bud Spencer – with a sound that's arguably better than most of their later soundtracks! There's plenty of playful elements in the mix – the kind of jaunty... read more

Two spooky soundtracks – back to back in a 2CD set! First up is the world premiere of the score for A Town Called Hell – music that's never been presented on record or CD before, and which marks a crowning achievement for composer Waldo De Los Rios – music that mixes the best... read more

A really well-penned western score from Francesco De Masi – put together in ways that are even richer and more vivid than usual! The tunes are short, but really work some scene-setting magic in just a short space – leaning heavily on the full range of soundtrack drama while mixing in... read more

A soaring, joyous score from Francesco De Masi – not nearly as dark as some of the other spaghetti western soundtracks of the time – and filled with the sort of proud, bold sounds you might expect from a more mainstream American western! There's still plenty creative going on in the... read more

Horns, harmonica, and more – all wrapped up beautifully in the hands of soundtrack maestro Francesco De Masi! The core music for Arizona Colt is done with these soaring brass parts that really recreate the scope of the scene – bursting forth in full, yet gentle modes that really... read more

An excellent 70s Italian film score – penned for a political thriller, but handled with a fair bit of sweet and lovely themes! The album's one of the best we've ever heard from Francesco De Masi, and it nicely mixes his usual strong talents for action with a bit more warmth that befits the... read more