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Lost Philly soul from the end of the 70s – great falsetto vocals from the mighty Matt Covington! Covington was the lead singer in the Philly Devotions, but somehow shines even more brightly on his own – with a gentle, heartfelt style that's almost more east coast early 70s soul than... read more

A crossover classic from Deborah Cox – a record that's filled with plenty of tuneful tracks, yet sung with a surprising depth of soul! Production is top-shelf on most numbers – and is often in that great 90s mode that's reintroducing warmer sounds that had slipped out of soul music the... read more

A crossover classic from Deborah Cox – a record that's filled with plenty of tuneful tracks, yet sung with a surprising depth of soul! Production is top-shelf on most numbers – and is often in that great 90s mode that's reintroducing warmer sounds that had slipped out of soul music the... read more

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A great mix of jazz and soul from Randy Crawford – and a 90s set that almost takes us back to the best sounds of her early career in the 70s! The work here is nicely relaxed – not trying for a hit, even when things are smooth or a bit uptempo – especially given the mis-steps that... read more

Rich, proud work from Randy Crawford – sung with the mature mix of jazz and soul that made her one of the more sophisticated mainstream singers of her generation! The album's heavy on mellower cuts, but it's never too sleepy – thanks to a slow-burning sensibility that Randy uses to... read more

Randy Crawford at the height of her powers – working here with a sweet jazzy vibe! Windsong features Randy singing with relatively full arrangements – smooth, but never too slick – and done in a way that really lets her vocals take command of the entire set. Titles include "... read more

Randy Crawford and Joe Sample – a mighty wonderful combination who've made some great studio sessions together – working here in an even more organic live concert setting! The album's got a stripped-down, back-to-basics approach – Joe just playing acoustic piano and working with... read more

One of the grooviest albums ever cut by Papa John Creach – a set that mixes his bluesy roots with some stoner funk and rock elements from the early 70s! Creach is on vocals and violin, and working here with a host of famous luminaries – including Grace Slick, Carlos Santana, Paul... read more

Smooth jazzy soul from this massively overlooked group from the 70s! Although many know their bigger recordings on Sussex, these Polydor sides are much more appealing to us, and have a nice jazzy soul sound that's similar to work of groups like Side Effect – with a mixture of harmony soul... read more

Forget the "funk" in this album – because the best bits are the mellow ones! Crème D'Cocoa are one of those groups pushing slick bass-heavy funk when they should stick to the mellower cuts – which they do nicely on this album, in a smooth male/female harmony style that... read more

A sweet and smooth batch of modern soul tracks – arranged and produced by Tony Camillo, and the only album we've ever seen by this obscure east coast group! The set's got a really nice jazzy flourish – part New York club, part mellow studio soul – and the overall presentation of... read more

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Great early work from Andrae Crouch & The Disciples – just the kind of soulful set that made the group a big crossover act at the time! Although gospel at heart, the record's got a nicely secular feel in approach – a style that's a bit like some of the other larger group soul of... read more

A smooth later groover from Crown Heights Affair – a lot more 80s sounding than the group's classic work, but in a way that's actually totally great! CHA were never shy of hitting a mainstream sound – and early in the group's career, they traded harder funk for smoother disco –... read more

Uptempo soul from Europe, of the sort that would soon turn into Euro-disco, but which at this point was still a melding of different musical influences showing up in the Euro clubs, a fair number of them percussive funky ones. Tracks are short, and titles include "Love To Dance This One With... read more

A mellow soul classic from Chicago – and one of the last great records to come out of the city's hip 70s soul scene! We know very little about Crystal Winds – save for this excellent record, one of the few titles issued on the short-lived Cash Ear label, a south-side imprint in the... read more

A massive set from Nigeria's CS Crew – and a set that definitely lives up to its title! The bass is super-heavy on these grooves – way more so than on other Afro Funk records of the time, and in ways that easily match, if not beat, the early best by Fatback Band and Kool & The Gang... read more

A massive set from Nigeria's CS Crew – and a set that definitely lives up to its title! The bass is super-heavy on these grooves – way more so than on other Afro Funk records of the time, and in ways that easily match, if not beat, the early best by Fatback Band and Kool & The Gang... read more

Classic club track from Chantal Curtis – produced with a sweet disco sound, courtesy of Pierre Jaubert, and mixed here by Glen Black!... read more

The best of a handful of albums that the one-time Prince bassist put out in the early 80s – a record that made a splash via the great Prince-penned "The Dance Electric" – possibly a blessing and a curse for AC, as Prince was so huge at the time that the record going public was... read more

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It's easy to survive the 80s when you've got an army of future-suit cats behind you – and given the groove here, it's clear that Andre Cymone was doing way more than just surviving back in the day! The set's a super-tight batch of 80s grooves – with a sharp sound that comes from lots... read more

A collection of rare projects from southern club artist Cyril Walker – a great batch of early 80s groovers with a decidedly indie feel! The tracks are heavy on beats and keys – and the rhythms are on the more electro side of boogie – still nice and bouncy, with a definite ear for... read more

A later effort from James D-Train Williams, but still plenty darn great – and proof that his groove was still one of the strongest in 80s soul music! The style of the set follows from Williams' best earlier work – a bit of bounce at the bottom of most of the tracks, but never too much... read more

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Rare hard funky soul from early 70s titans Damn Sam The Miracle Man – and some of the rawest, fiercest funk we've ever heard! Damn Sam is actually a group – spearheaded by vocalist OC Tolbert – a man with a roaring voice and righteous delivery that could tear through brick –... read more

Mad homegrown soul from the enigmatic Darondo – a brief Bay Area star back in the 70s, and also host of TV comedy and children's shows! Darondo only ever saw release of 3 singles, but they're all pretty darn great – a weird mix of funk, soul, and sly slinky grooves – very unique... read more

The great lost Darondo album – amazing Bay Area funky soul from a singular talent – and material that we did not even know existed! It was cut for Ray Dobard's Music City label – purportedly in just a couple of marathon sessions – most of which we've never heard before now,... read more

Legendary Bay Area soul numbers by Darondo – as re-edited/remixed/liberally-adapted by Tall Black Guy and Dandy Teru! First up is Tall Black Guy's take on "I Don't Want To Leave" – which uses Darando's "Sure Know How To Love Me" as it's source material. The breezy,... read more

The first-ever release of this lost soul treasure – a rare session from a late 70s group from Tulsa, recording in LA at the studio of Sly Stone! The set's got a groove that's way more than you'd expect from any Oklahoma combo – a mature, modern soul sparkle that's totally great –... read more

A lost album from 70s funk diva Betty Davis – and one that's every bit as essential as her music released back in the day! The set was recorded hot on the heels of Betty's classic Nasty Gal album – but it's got a groove that's almost more in the territory of her first two records on... read more

A lost album from 70s funk diva Betty Davis – and one that's every bit as essential as her music released back in the day! The set was recorded hot on the heels of Betty's classic Nasty Gal album – but it's got a groove that's almost more in the territory of her first two records on... read more

Killer work from Betty Davis – one of the most impressive female funk talents ever! If you ever needed a definition of funk, this record may well be it – snapping drums, sharp-edged guitars, and sex-filled basslines that slink and slide all over the bottom of the grooves – a... read more

Killer work from Betty Davis – one of the most impressive female funk talents ever! If you ever needed a definition of funk, this record may well be it – snapping drums, sharp-edged guitars, and sex-filled basslines that slink and slide all over the bottom of the grooves – a... read more

Sweet disco and soulful jazz – the only album we've ever seen from Copeland Davis, a great talent on the piano, and a mellow soul singer with a clear inspiration from Marvin Gaye! The album's a pretty unusual one – in that the overall groove is instrumental, mostly tight rhythms and... read more

Sweet disco and soulful jazz – the only album we've ever seen from Copeland Davis, a great talent on the piano, and a mellow soul singer with a clear inspiration from Marvin Gaye! The album's a pretty unusual one – in that the overall groove is instrumental, mostly tight rhythms and... read more

Forget blues, because Geater Davis is a soul singer through and through – a really incredible southern talent with a deep soul sound that few others can match! Although Davis didn't record nearly as much as his contemporaries, he's got a sound that matches or beats them – a raw, raspy... read more

An incredible collection of work from the vastly-overlooked Geater Davis – and a set that definitely lives up to its title! Geater Davis is a tremendous singer from the south – but one who barely ever got his due back in the 70s – even though these recordings for the tiny House... read more

Prime symphonic disco from the mighty John Davis and his well-named Monster Orchestra! The set's got a dramatic flourish that still mixes in plenty of live instrumentation – including keyboards and flute from John, plus some nice congas from Larry Washington! John sings lead vocals on most... read more

The debut album from Tyrone Davis – a supreme achievement for the Chicago soul scene of the late 60s, and a record with a sound that would set the standard for years to come! Tyrone had been bumping around as a blusier singer before this set – but here, working with arrangements by Don... read more

The debut album from Tyrone Davis – a supreme achievement for the Chicago soul scene of the late 60s, and a record with a sound that would set the standard for years to come! Tyrone had been bumping around as a blusier singer before this set – but here, working with arrangements by Don... read more

A late 70s gem from Tyrone's years on Columbia Records – one that shows both sides of his talents for the label! The set starts out with an extended clubby groover called "Get On Up (Disco)" – a bumping sort of number that's clearly trying to push him into Johnnie Taylor... read more

Our favorite album ever from Tyrone Davis – even if it's completely different than most of his other work too! The set's got a wonderfully smooth feel right from the start – a mellow-grooving, slow-stepping approach that works perfectly for Tyrone's wonderful vocals – pushing... read more

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Obscure bit of spiritual soul by Wayne Davis, who also recorded another record for the Black Fire label (home of Oneness of Juju). Roberta Flack guests on this album, and gives him the thumbs up in the notes on the back, and the whole thing's got the same sort of jazzy soul feel of her first album... read more

An excellent EP – featuring only 3 tunes, but all very soulful! Davis Import sounds more like a disco group, but the label bills the group as Davis Brothers – which is much more in keeping with the sound of the record, as it's got a warm and mellow harmony feel. There's a great late... read more

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A pair of killers from Dayton – two albums back to back on a single CD! First up is Dayton – the first album by this excellent 80s groove ensemble – and a key part of the Ohio funk scene of the end of the 70s! Forget the more famous funk acts you may know from Ohio, because... read more

A massively wonderful album from Dayton – an album that has the group really getting their groove together – still sticking a bit in the older funk mode from the past, but also bringing in some warmer, deeper touches to their music too! There's a solidness here that's undeniable –... read more

A massively wonderful album from Dayton – an album that has the group really getting their groove together – still sticking a bit in the older funk mode from the past, but also bringing in some warmer, deeper touches to their music too! There's a solidness here that's undeniable –... read more

A massively wonderful album from Dayton – an album that has the group really getting their groove together – still sticking a bit in the older funk mode from the past, but also bringing in some warmer, deeper touches to their music too! There's a solidness here that's undeniable –... read more

A killer start to the 80s for the Dazz Band – with great tunes in a funky mode as well as more measured group soul numbers – and it all adds up one of their best albums ever! Tunes like the opener "Shake It", plus "Shake It Up" and "Magnetized" bring the... read more

Dazz Band keep it plenty live on this early 80s gem – a killer set from the group's hit run for Motown! The set's got a bouncy groove that's very much in the best Motown funk style at the time – lots of bass at the bottom, and plenty tight on production – but never as smooth or... read more

Dazz Band keep it plenty live on this early 80s gem – a killer set from the group's hit run for Motown! The set's got a bouncy groove that's very much in the best Motown funk style at the time – lots of bass at the bottom, and plenty tight on production – but never as smooth or... read more

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Titles include "Cheek To Cheek", "On The One For Fun", "Stay Awhile With Me", "Nice Girls", and "A Love Song".... read more

The Dazz Band may be wild and free in the title, but the album's tighter than ever – a lean, focused approach to the Dazz Band sound – done here with loads of 80s production and instrumentation in the mix! The rhythms are heavy with drum machine lines – often mixed with keyboard... read more

Amazing grooves from Dazzle – disco at the start, but a lot more righteous too – thanks to some great keyboards in the mix! "Explain" is worth the price of the single alone – fast bassline at the start, then these spacey keys that only get better as the track moves on... read more

A much-needed look at the mighty Sugar Pie DeSanto – a singer who really rocked Chess Records back in the 60s! DeSanto came to the label already boasting one hell of a groove – a rock-solid sense of rhythm that made all of her tunes groovers right from the get-go – and a raw... read more

A stone pop soul winner from DeBarge – the kind of record that made the group a heck of a lot of money back in the 80s, and which sounds surprisingly great to our ears today! The record features lots of electro arrangements – fuzzy keyboards and bass pedals grooving around in a way... read more

A stone pop soul winner from DeBarge – the kind of record that made the group a heck of a lot of money back in the 80s, and which sounds surprisingly great to our ears today! The record features lots of electro arrangements – fuzzy keyboards and bass pedals grooving around in a way... read more

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A surprisingly great album from DeBarge – proof that the group really had something great at the start! Much as we'd like to dismiss DeBarge for their dated costumes and silly covers, the group still stands as one of the strongest pop acts from early 80s Motown – and have an undeniably... read more

A wonderful gem from Leon Dubouse – a singer whose voice is definitely the fine instrument promised in the title! The set's obscure, but put together with a really top-shelf approach – a mellow groove that's often a bit funky, too – even when warmly gliding on Leon's soulful... read more

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A pretty cool collection produced by Ossie Davis and Ruby Dee – focusing on famous speeches by important female African-Americans – mostly focusing on the civil rights era, but also featuring an early speech by Ida B Wells. Ruby reads the speeches, and works include "I Am A Black... read more

The only full album ever recorded by the legendary Sam Dees – an artist who's probably best known for his songwriting skills on other records, but who really shines here as a lead star on his own! Dees' approach is wonderful – a bit rootsy, with some slight southern soul elements... read more

The only full album ever recorded by the legendary Sam Dees – an artist who's probably best known for his songwriting skills on other records, but who really shines here as a lead star on his own! Dees' approach is wonderful – a bit rootsy, with some slight southern soul elements... read more

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A beautiful bit of funky rocking soul – and the one and only album by the Deirdre Wilson Tabac – a group whose name is as strange as their grooves are funky! The group are best known for their well-compiled track "I Can't Keep From Cryin Sometimes" – an uptempo jazzy... read more

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Delegation really hold onto their groove in this rock-solid second set – an album that burns with vibrant energy right from the start – but all in ways that are really a cut above the usual uptempo soul of the time! Rhythms are a key part of the sound, but it's the trio's vocals that... read more

Delegation really hold onto their groove in this rock-solid second set – an album that burns with vibrant energy right from the start – but all in ways that are really a cut above the usual uptempo soul of the time! Rhythms are a key part of the sound, but it's the trio's vocals that... read more

Delegation really hold onto their groove in this rock-solid second set – an album that burns with vibrant energy right from the start – but all in ways that are really a cut above the usual uptempo soul of the time! Rhythms are a key part of the sound, but it's the trio's vocals that... read more

A sweet duo groover from Delegation – easily the group's most obscure album, but also one of their best! The set's got loads of great keyboards and basslines – much more electric than the mode used on the group's earlier records, but handled with a great deal of class – never... read more

Sublime soul through and through – 2 classics from The Delfonics, back to back on a single CD! First up is self-titled record The Delfonics – the third album in an amazing early run from The Delfonics – the kind of work that set a whole new standard for group soul in the 70s! A... read more

A groundbreaking album of vocal group soul – right from the first note! The record kicks off with the sublime "Ready Or Not, Here I Come" – which starts with fierce stepping strings that are actually funky, then soars into some of the best harmonies the group ever put to... read more

A groundbreaking album of vocal group soul – right from the first note! The record kicks off with the sublime "Ready Or Not, Here I Come" – which starts with fierce stepping strings that are actually funky, then soars into some of the best harmonies the group ever put to... read more

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2 great later gems from The Dells – both essential sides of their later catalog! I Touched A Dream is an especially tremendous record – a bit smoother than before, but still much more daring vocally than most other harmony groups at the time, cutting through some smoother arrangements... read more

A wonderful album – and unlike anything else the Dells ever recorded! Instead of their usual harmony soul and doo wop work, this album's a swinging jazz vocal workout – with the group harmonizing more in a Four Freshmen mode than a streetcorner one. The approach works wonderfully for... read more

One thing you have to remember about The Dells – they always sound great! Even here, in later years, their sound is superb – a rich, deep approach to harmonies that's still head and shoulders above most other groups in the business! The production on the set is by Norman Harris and... read more

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Although this is sort of a cheapo budget issue that looks unofficial, it's a decent compilation of some of The Dells' early doo-wop sides for Vee Jay, just about all of which are pretty tough to find on vinyl in any format. The group's work for Vee Jay was some of their best, and this set includes... read more

Raw funk and southern soul from DeRobert & The Half-Truths – a combo from Murfreesboro, TN who've knocked us out with a few very promising 45s – delivering in full on Soul In A Digital World! The title sums up the group's mission pretty well – blending raw, dirty live funk... read more

12 remixes: "No,No, No Part 2 (Wyclef Jean extended version)", "Emotion (Neptunes rmx)", "Bootylicious (Rockwilder rmx)", "Say My Name (Timbaland rmx)", "Bug A Boo (refugee Camp rmx)", "Dot (E-Poppi mix)", "Survivor (rmx feat. Da... read more

Like many of their Detroit contemporaries, the Detroit Emeralds made a move to up-tempo club sounds towards the end of the 70s – but also like some of the better groups in the city (like the Fantastic Four), the Emeralds had the vocal strength to make the move and still keep a bit of soul in... read more

One of the undisputed masterpieces LPs of 70s soul! William De Vaughn may never be remembered for anything else – and the poor guy will always be mistaken for Curtis Mayfield by record shoppers everywhere – but he really out-Curtised Curtis on the super-dope original version of "Be... read more

While we have more or less dismissed a lot of the Celluloid world music productions from the 80s in the past, we look back now and realize that was pretty much just purist snobbery. This Laswell produced album of funky afro grooves doesn't have the same hard African funk that we dig so much about... read more

Funky Bo Diddley – one of Bo's key early 70s sessions for Chess Records – all of which have him stepping out in a much harder groove than years past! The sound here is relatively tight – with Diddley guitar and vocals on top of some larger arrangements from Bob Gallo –... read more

Heavy funk from the legendary Bo Diddley – one of his amazing comeback albums from the early 70s for Chess, all of which are plenty darn great! For this set, Bo's traded in the scratchy guitar mode of his classic work for a sweeter, tighter funk-based sound – a groove that's supported... read more

Heavy funk from the legendary Bo Diddley – one of his amazing comeback albums from the early 70s for Chess, all of which are plenty darn great! For this set, Bo's traded in the scratchy guitar mode of his classic work for a sweeter, tighter funk-based sound – a groove that's supported... read more

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Nasty nasty funk from the great Bo Diddley – one of his rare funky 70s classics for Chess – produced by Johnny Otis with a really tripped-out groove! The album's got an edge that seems to go even farther than some of Bo's other Chess work at the time – and picks up the full-on... read more