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Bloodstone's augmented here by a heck of a lot of studio players – more than enough to fill out the needs of the soundtrack to this so-so film from the mid 70s. A few cuts still have the group singing in their better harmony style, but more than a few numbers are remakes of 50s vocal group... read more

A killer late set by Bloodstone – one that holds on to all the excellent harmonies they brought to their 70s work, but which pushes their groove forward in a whole new direction! There's a warm modern glow to the set – one that works perfectly with the vocals – and the quintet... read more

Excellent stuff from Blow Fly – and a great bit of funk that's a hilarious parody of disco! Blow's band funks it up with riffs that you'd hear from The JBs, BT Express, or other groups of the time – while Blow himself sings these very off-color, and very funny lyrics that rip off the... read more

Here's a record we wish they would have used for the soundtrack to Happy Days – Blowfly cashing in on the 50s craze in the 70s, and offering up his own off-color version of a number of classic oldies! The sound is pretty darn goofy, but also has links to Blow's roots as singer Clarence Reid... read more

Well of course the guy's a porno freak – after all, his albums of the 70s were as close to audio porn as you'll ever get! And on this album, Blowfly's certainly keeping things below the belt – working in a style that's a bit tighter than before, and with some nice P-Funk touches, plus... read more

Blowfly changes up his groove nicely for the 80s – taking on a tightly-stepping approach to funk that's clearly inspired by some of the changes on the west coast scene – using Zapp-ish rhythms in a mode that ends up working pretty darn well for his off-color spoken lyrics! There's... read more

The start of a tremendous run from Blue Magic – easily one of the greatest harmony groups of the 70s, a quintet we'd place in a rare class with heavy hitters like The Stylistics or The Moments! The album's smooth and sweet, but never slick – perfectly arranged by the great Norman... read more

Blue Magic getting a bit bolder than before – adding in some heavier funk that takes them past the mellow moments of their earliest years – yet still serving up some great harmonies in the process! The change is a subtle one – heard on some of the album's more hard-grooving... read more

Sublime work from Blue Magic – a record that still has them singing in the sweet harmony sound of earlier records, but which also picks up a fuller sound and a bit of a groove – thanks to stone Philly arrangements by Norman Harris and Ron "Have Mercy" Kersey! A number of... read more

A strange but great chapter of The Blue Notes – working here without Harold Melvin or Teddy Pendergrass, but still sounding pretty great on their own! This version of The Blue Notes is a male quartet – not the Melvin group with Sharon Paige who were recording for ABC – and they... read more

One man psychedelic funk jams from Blue and his Bluefunks project – bass player for the ATL's hip hop funk band (who backed Outkast live) – doing his own thing here on HomeCookedTapeHissInfestedFunks! Blue's heavy bass groove leads the way, boundlessly straddling genres and making his... read more

An obscure single taking off from a groove borrowed loosely off Zapp's "More Bounce To The Ounce" and adding a sort of quasi-rap vocal over top, that sounds more like George Clinton type vocalese than any sort of hip hop.... read more

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A really unique chapter in the career of percussionist Willie Bobo – a rare one-off album for Blue Note – done with a sweet Cali vibe all the way through! Bobo plays his usual percussion, but also sings a bit too – in this charming style that's never too overdone – a deeply... read more

Incredible work by Willie Bobo – a slamming record of hard funky instrumentals, one that sounds different than any of his other albums! The record's a killer all the way through – a mixture of Latin and deep 70s funk, one of the few perfect fusions of the styles, held up beautifully... read more

Angela Bofill's sublime first album – a mixture of jazzy soul and soulful jazz, all put together with a sound that's really a cut above most of her contemporaries! As with Jean Carn or Phyllis Hyman, there's a sophistication to Angela's sound here that indicates roots in much hipper... read more

Angela Bofill's 3rd album for Arista – a tight set of 80s modern and pop soul tunes, arranged and produced by Narada Michael Walden with some jazzy touches in the right moments! Angie's taking things to a sophisticated soul level with this one – stepping out on a few ballads with a... read more

A righteous bit of soul – one of the only non-jazz albums we've seen on the Muse label, and a really great session that reminds us of work by Alice Clark and Esther Marrow – two other overlooked 70s soul singers who also recorded for jazz labels! Rickie's got a deep soul approach to... read more

Wicked uptempo funky instrumentals from the great Hamilton Bohannon! The record captures him at a perfect point – when he was taking advantage of the changing dancefloor scene to open up his groove a bit, but before he got lost in some of the triple-time tempos that ruined later albums. ... read more

A nice disco record from Hamilton Bohannon. The album mainly contains uptempo dance numbers but there are a few slower songs like "Daddy's Little Son" – a dedication to his son whose picture is on the cover of the album. The other tracks are "Andrea", "But What Is A... read more

A killer bit of early funk from the great Hamilton Bohannon – and quite possibly his best album! The album's much better than some of his later LPs – with a slower funk sound than Bohannon's fast disco of the late 70s, and a wild approach to rhythm that mixed together scatter-shot... read more

A surprisingly great album by Booker T – recorded after his Memphis years with The MGs, and his duets with Priscilla – and done in a sweetly mellow style that has Booker emerging as a whole new style of songwriter! As with all the post-MG albums, Booker sings lead vocals on all tracks... read more

A surprisingly great album by Booker T – recorded after his Memphis years with The MGs, and his duets with Priscilla – and done in a sweetly mellow style that has Booker emerging as a whole new style of songwriter! As with all the post-MG albums, Booker sings lead vocals on all tracks... read more

Sublime sounds from Booker T & The MGs – the group's first five albums, laid out in one totally package! The progression in Memphis soul here is wonderful – as the package starts with the initial Green Onions set – a record that grew out of a famous jam from Book and the... read more

A great little album from Booker T & The MGs – recorded in the post Green Onions years, at a time when the group was really coming together – with a tightness that perfectly illustrates their sublime Memphis instrumental groove! The album's heavy on guitar and organ, as you'd... read more

A legendary album of Memphis soul – and a full length set that helped redefine the sound of instrumental music in the 60s! The record's a monumental follow-up to Booker T & The MGs' huge hit single "Green Onions" – an extremely seductive organ-based instrumental that the... read more

Booker T's definitely getting a bit funky with this one – stepping off with the incredible title cut, a tune which really complicates the groove from the earlier years! The sound is still solid Memphis soul, with a raw instrumental vibe – but the grooves are even better than before,... read more

A great little record from Booker T and group – often overlooked amidst the range between Green Onions and Melting Pot, but a very strong album of soulful Memphis instrumentals all the way through! Book's organ is bubbling hot, and the band's tight rhythm style works in a perfect laid-back... read more

A sweet sweet set of electric 70s funk – recorded by Booker T during a brief, but well-needed reunion with the MGs! The sound here is quite different than Stax-era MGs – as Booker plays a range of keyboards, not just organ – and the grooves have these great jazz funk touches at... read more

A wonderful soundtrack from Booker T & The MGs – a record that's probably much better remembered than the film for which it was written! The tunes show a whole new depth for the group – a style that still has some of the charm of their previous hits, but which also takes off in... read more

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Massive work from Bootsy Collins – one of his best-ever solo albums, and a perfect summation of the P-Funk groove – focused strongly through Bootsy's own sense of stardom! George Clinton worked with Collins on production, and the album's as tight as the best Parliament or Funkadelic... read more

Bootsy Collins' first solo album as a leader – and a masterpiece of slow bassy funk that set the tone for countless other groups to come! Bootsy steps into the spotlight with a tremendous amount of confidence and personality on the record – emerging as the one real star that could... read more

Bootsy's still keeping the P-Funk flag flying high at the end of the 70s – arguably stepping out here with a sound that's got more of the Parliafunkadelicment elements intact than some of George Clinton's other spinoff groups! The tracks are long, and plenty jamming – still with plenty... read more

One of the hippest records ever to come out of Chicago – the sole recording by Boscoe, a group who was even more obscure and experimental than contemporaries like The Pharoahs or Artistic Heritage Ensemble! Like those groups, Boscoe has a very unique, very visionary approach – one that'... read more

One of the hippest records ever to come out of Chicago – the sole recording by Boscoe, a group who was even more obscure and experimental than contemporaries like The Pharoahs or Artistic Heritage Ensemble! Like those groups, Boscoe has a very unique, very visionary approach – one that'... read more

Tripped out fusiony funk – with lots of great solo work! These guys have kind of a jazz rock approach (hence the "both worlds" name!) – one that makes for some tight bass and drum work, lots of choppy guitar, and spacey keyboards interlaced with some funkier horn solos. The... read more

The rare self-titled set from the Bobby Boyd Congress – a killer combo with roots in early 70s Long Island, but relocated to France to make this killer set! The group is lead by tenor sax player and lead vocalist Boyd – although this set is heavy with instrumental passages. We're... read more

A landmark album from Boyz II Men – and a set that shows that the classic harmony style was alive and well into the 90s! Although the production and rhythms here are somewhat contemporary, the vocals have a classic approach all the way through – maturing masculine soul styles that are... read more

Smooth, chart R&B and new jack slow jams from one of the iconic groups of mid 90s urban radio in English and Spanish versions from the original album. Jimmy Jam and Terry Lewis, Dallas Austin, Babyface and the Darp Inc crew provide syrupy backing for the Boyz's sweet 90s soul harmonies. ... read more

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Gritty, powerful raw soul from Charles Bradley – the full length debut from the 62-year-old Brooklyn singer – backed perfectly by The Menahan Street Band! It's incredible, a record that sounds just as rawly emotional and impeccably soulful in 2011 as it would have in 1971 – much... read more

Damn amazing work from Charles Bradley – an instant soul classic for all generations, as you'll hear from the very first note! Not only are Bradley's vocals incredible – the kind of once-in-a-long-time approach he brought to his debut – but the backings and production are... read more

Damn amazing work from Charles Bradley – an instant soul classic for all generations, as you'll hear from the very first note! Not only are Bradley's vocals incredible – the kind of once-in-a-long-time approach he brought to his debut – but the backings and production are... read more

Our favorite album by this overlooked 70s soul group! The album's a real club stormer from the old days – a soaring blend of upbeat tunes with a sound that's righteous and smooth, and never cloying. These guys are kind of riding on the high of an Earth Wind & Fire kind of groove –... read more

A set that definitely lives up to its title – a stone stormer from Brainstorm – one of the tightest funky ensembles of their generation, and one of the few who could go deep while still laying down a groove! The set's got a perfect balance of modes – enough of the appeal of... read more

A set that definitely lives up to its title – a stone stormer from Brainstorm – one of the tightest funky ensembles of their generation, and one of the few who could go deep while still laying down a groove! The set's got a perfect balance of modes – enough of the appeal of... read more

15 classic tracks from Brass Construction – featuring mid 70s tunes lifted from the group's well-selling albums on United Artists! The tracks are a blend of disco, soul, and funk – with more than a bit of the horn-heavy groove that earns the group their "brass construction"... read more

A classic set that goes "slam" from the very first note – and which helped to set the pace for countless ensemble funk acts to come! Brass Construction had a wonderful sound that was the best-realized version of the east coast indie club combos of the mid 70s – funky at the... read more

Brass Construction's fifth album, and the group's still grooving harder than most of their contemporaries! The legendary Randy Muller is still fully in charge here – serving up his trademark lean, mean arrangements that compress all elements of the music firmly on the beat – all in a... read more

The second album from Brass Construction – heavy horns, basslines, and stellar dancefloor grooves – a stone classic! The first one was totally great, but they cast a wider stylistic claim on II – their trademark funky sound is still very firmly in place, but they bring more to... read more

A lesser-remembered gem from Brass Construction – and a tight bit of 80s groove that builds nicely on the group's ensemble funk work of the 70s! The group's still quite large, with a brassy finish that befits their name – but there's also a nice undercurrent of funky guitar, bass, and... read more

A landmark set from a group who only ever gave the world two albums – but who've gone on to have a huge influence over the years! This initial offering from Breakwater is a masterful blend of jazzy fusion and mellower soul – a sound sifted together so perfectly, it really tops the rest... read more

No splashdown here – as Breakwater are every bit as soaringly soulful as they were on their debut set! The groove here is that perfect blend of jazz and soul that only a few groups in the 70s really got right – maybe Pleasure, or The Blackbyrds – and most certainly Breakwater,... read more

No splashdown here – as Breakwater are every bit as soaringly soulful as they were on their debut set! The groove here is that perfect blend of jazz and soul that only a few groups in the 70s really got right – maybe Pleasure, or The Blackbyrds – and most certainly Breakwater,... read more

Seminal work from The Brecker Brothers – 6 of the group's best albums, plus the two Blue Montreux live albums – packaged together in one very cool set, in tiny LP-like sleeves! The self-titled Brecker Brothers album is the first super effort from the team of Randy & Michael Brecker... read more

That's Brenda & Herb, not Peaches & Herb – Herb Rooney and Brenda Reid of the excellent 60s group The Exciters – grooving together here in a really full-on vocal approach that's clearly inspired by the best aspects of Ashford & Simpson! Tracks have a lush, full feel –... read more

Great stuff – and possibly the best album ever by this classic harmony soul group! The style is wonderful – with Brenda's sweet voice in the lead, and backing by the all-male Tabulations. The overall approach was used by Gladys Knight & The Pips for years, but we've always liked... read more

Classic work from Brick – a group who went onto become surprisingly successful during the 70s with a hot Atlanta blend of funky soul and uptempo club grooves. The group has a feel that would be taken up heavily a few years later by LA funk combos – particularly those on the Solar label... read more

A killer debut from Brick – the start of a massive run at the end of the 70s, a time when the group was easily one of the biggest acts to come out of the up-and-coming Atlanta scene! Like some other Atlanta acts of the time, Brick had a way of fusing older funky soul on a tighter modern... read more

A killer debut from Brick – the start of a massive run at the end of the 70s, a time when the group was easily one of the biggest acts to come out of the up-and-coming Atlanta scene! Like some other Atlanta acts of the time, Brick had a way of fusing older funky soul on a tighter modern... read more

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An overlooked killer from Brick – the group's fourth album, but every bit as tight and funkier as earlier sets! Brick's Atlanta-bred groove is very much in place here – that lean, mean approach to funk that made them a standout right from the get-go – almost setting the scene for... read more

A funky female duo from the P-Funk empire – one of George Clinton's few girl-based projects of the 70s, and a group who are markedly more funk-based than Parlet! Vocals are by the duo of Lyn Mabry and Dawn Silva – but the main sound of the set comes from the tightly crafted rhythms... read more

A funky female duo from the P-Funk empire – one of George Clinton's few girl-based projects of the 70s, and a group who are markedly more funk-based than Parlet! Vocals are by the duo of Lyn Mabry and Dawn Silva – but the main sound of the set comes from the tightly crafted rhythms... read more

Wow, we knew almost nothing about this record! Freddy Briggs is the main force behind Coldwater Stone – as he wrote and produced all the tracks, and sings lead vocals throughout the record. His style's sort of a mix of funk and soul, and he works in the heavier style that was used by some... read more

A tremendous bit of harmony soul from Chicago – one of the few cases where the Windy City really gave the east coast a run for its money – and the landmark album from teen soul quartet Brighter Side Of Darkness! Although young, Brighter Side managed to bring a depth to their work that... read more

Brilliant work from this long-lost Barry White protege! Tom Brock was one of the leading lights in Barry's stable of sweet mid 70s soul talents – a great writer who contributed songs to the legendary Gloria Scott album, and a heck of a great mellow soul singer on his own – with a style... read more

Funky keyboard tracks from Julius Brockington – a mad early 70s figure who not only cut some wild funk, but who also ended up doing a fair bit of gospel work in later years. This set's a good bit of stoner funk tracks – in the wilder mode of the Perception/Today label – and it's... read more

Wild funky keyboards from Julius Brockington – a player who worked a bit on both soul and gospel albums during the early 70s, and one of the odder talents in the funky music business. The album's got a nicely off-kilter sound – and most of the tracks are original compositions. Julius... read more

Deep southern soul from vocalists Chuck Brooks, Joe Wilson and George Soule – a both gritty and and some sweeter material cut at Malaco Studios, mostly in the early-to-mid 70s – with some rare 45 numbers, and others that were never issued at all! The Chuck Brooks tracks are wonderful... read more

Very raw, very rootsy stuff from Big Bill Broonzy, issued by Columbia (strangely enough) as part of their Adventures In Sound series. The packaging and the notes have the usual smug Columbia "serving up the best in roots culture for white liberals" tone – but the set's actually a... read more

Rough and raw work from Big Bill Broonzy – well-done sides that feature Bill on vocals and acoustic guitar, recorded in Paris in the early 50s, and issued here in a US package on the Scepter label! There's a pretty earthy feel to most of the tracks – a real "crossroads" feel... read more

Smooth ensemble funk – somewhere between Earth Wind & Fire and Average White Band – not bad on the vocals, which are mostly sung harmony style, but lacking a bit of an edge on the grooves, which never really seem to catch. Titles include "Top 40 Band", "Soul... read more

Smooth jazzy soul from the Brothers – still sounding wonderful at this point, producing themselves for the record, and using the best parts of all those lessons they learned from Quincy Jones! The bass is a bit down in the mix for this album – a good move, considering that 1981 was... read more

Smooth jazzy soul from the Brothers – still sounding wonderful at this point, producing themselves for the record, and using the best parts of all those lessons they learned from Quincy Jones! The bass is a bit down in the mix for this album – a good move, considering that 1981 was... read more

A excellent album of southern funk – and darn rare, too! We know almost nothing about the Brothers, but they're a 14 piece combo with a tight ensemble funk sound that clearly shows roots of both the Memphis and Muscle Shoals scenes where the album was recorded! There's a lot of fuzzy guitar... read more

Breakout brilliance from Bobby Brown – the album that really showed the world he could stand on his own strongly after leaving New Edition! Given the tight production from LA & Babyface, among others, the sound here is hardly cruel – and instead, the album's got a catchily... read more

A swirling blend of soul, funk, and jazzy grooves – and a super-rare album that we've never seen in the original! Supposedly, backing on the record is by the British Afro-Funk group Assagai – which sounds right to us, because there's a nice rolling conga groove on many of the tracks. ... read more

An 80s collection of some of James' best King funk singles from the late 60's – with a monster set list that includes "I Can't Stand Myself When You Touch Me", "Don't Be A Drop Out", "Let Yourself Go", "Bring It Up", "Lickin Stick", "Give... read more

A stone classic from Brother James – a wonderful 60s album build around the incredible track "Cold Sweat", served up here in a massive two-part version, and surrounded by a good range of material that really show James in a great variety of styles! The Godfather's vocals burst out... read more

A stone classic from Brother James – a wonderful 60s album built around the incredible track "Cold Sweat", served up here in a massive two-part version, and surrounded by a good range of material that really show James in a great variety of styles! The Godfather's vocals burst out... read more

DJ Muro's digging James Brown – and we're digging the massive way he mixes together the music! The set's way more than another James Brown compilation – and instead, it feels more like a love letter to The Godfather – served up in music made by James himself, and some of his key... read more

One of the few James Brown 12" singles ever, and a rare promo issue that features 2 cuts from James' Jam/1980s LP. Both cuts have an uptempo funk sound, and "The Spank" is a pretty decent attempt by James to capture the modern dancefloor.... read more

A great double-length album from James – filled with a wide range of cuts that are brought together only by his genius, creating an insane mix of grooves that's totally entertaining throughout! Features a long version of "Get On The Good Foot", plus other excellent bits like "T... read more

A great little album by James Brown – and very different than his other work! He cut this one with the groovy Dee Felice Trio – a jazz-based combo that he recorded on their own for King, on another very rare, very excellent record. The band's in similar form here, although not... read more

A bit of a comeback for James Brown – a mid 80s outing recorded with Dan Hartman, who gives the record a "contemporary" sound that's definitely a great way to slide James in with the younger crowd at the time! The style's still funky, but has more street soul elements too –... read more

Reissue of one of the grooviest of the James Brown instrumental albums recorded for Smash. Unlike some of the other weaker albums on Smash, this one's got a great batch of material, most of which are originals, and not weak covers of pop stuff. Plus, the tracks are longer than usual, which gives... read more

Reissue of JB's wildest album, with a crazy cover that shows him running away from the devil, and great gatefold inner photo with him standing amidst a bunch of declarations of "Hell". Weird mix of music, but includes the epic 13 minute version of "Papa Don't Take No Mess", as... read more

A real killer from James Brown – and one of his most open-ended LPs of the early 70s! The record's got tracks that kind of go a lot further than those on many of James' other albums (except maybe Payback, which has loads of long cuts) – and it includes an extended 9 minute reading of... read more

A great lost album from James Brown – and totally funky! The record's got a super-hip cover that shows James standing in a blue room with three fine foxy ladies, and the words "I Can't Stand Myself When You Touch Me" are emblazoned across the top – and the whole thing's as... read more

Funky funky funky! A nice one on King that shows the direction James Brown would take in the 70s – a bit harder and more funky than before, with even more of a focus on the instrumental talents of the ensemble! The band here is super-sharp – playing with that tightly focused, highly... read more

Quite possibly THE James Brown album of the mid 60s – a solid set of hard-grooving tracks, based around the monster title hit "I Got You (I Feel Good)"! The tune's one of those numbers that has been used a gajillion times over the years in commercials and promos – but which... read more

Quite possibly THE James Brown album of the mid 60s – a solid set of hard-grooving tracks, based around the monster title hit "I Got You (I Feel Good)"! The tune's one of those numbers that has been used a gajillion times over the years in commercials and promos – but which... read more

Massive – and one of the best James Brown compilations ever, filled with rare and unreleased material! This completely essential set features tracks pulled from James' best years ever – the mighty early 70s, when he was working with the JBs, and laying down tracks that would forever... read more

James Brown, proud and loud – a smoking 60s album that provides a great link between his earlier styles and his freer roots – with a brilliant blend of funk, soul, and a touch of raw R&B! Given the power of The Godfather at this point, there's no denying that even the older cuts... read more

James Brown, proud and loud – a smoking 60s album that provides a great link between his earlier styles and his freer roots – with a brilliant blend of funk, soul, and a touch of raw R&B! Given the power of The Godfather at this point, there's no denying that even the older cuts... read more

A definite mother from James Brown – the kind of all-funky album that few of his contemporaries could ever hope to match! If you've ever doubted the sheer raw power of James at the end of the 60s, the first few notes of this one will definitely make you a convert – and the stretched-out... read more

A definite mother from James Brown – the kind of all-funky album that few of his contemporaries could ever hope to match! If you've ever doubted the sheer raw power of James at the end of the 60s, the first few notes of this one will definitely make you a convert – and the stretched-out... read more

Further genius from James Brown at the start of the 70s – a record that's starting to show some of the more open-ended grooves he'd explore with the JBs on their own albums – longer, stretched-out tracks that are way more than simple funk and soul! There's a sense of freewheeling... read more