Better days, indeed – as the set takes us back to our favorite club sounds of the late 70s – thanks to careful crafting from maestro Al Kent
! The album's got a solid, soulful approach that's totally great – a return to a time when making dance music involved a full range of instrumentation – from tightly snapping drums and bumping bass, to fuller jazzy horns, and even a bit of strings! Al Kent
brings them all together wonderfully – and manages to make a sound here that's really quite authentic – a batch of grooves that easily feel like they've been lifted from a stack of rare club 12" singles, and which hardly feel contemporary at all. There's a bit of vocals on the set from time to time – mostly in a soulful chorus mode – but overall, the style's more focused on the instrumentation, and often built around some really wicked basslines that recall the funkiest rhythms from the P&P scene. A treasure throughout – and one of the few contemporary club sets we can recommend to any digger of older disco – with tracks that include "Get It Boy", "Canal Street Bus Stop", "Rock Freak Boogie", "Keep On Doin Whatcha Doin", "Feel The Music", "Funky Funky Beat", and "Makin Love".