Soul — All Formats  

Great late 70s work from Jimmy Smith – two albums back to back on a single CD! One of our favorite later albums from organist Jimmy Smith – and a set that cooks heavily in a wicked blend of jazz, funk, and soul! The style's a bit like the groove that Johnny Hammond hit during his Gears period – arranged by Eugene McDaniels and Alan Silvestri, with an approach that's somewhere between Larry Mizell and Skip Scarborough – tight grooves, bits of vocals, yet plenty of room for Smith's keyboard solos to take off over the top! Players include Herbie Hancock on piano, Alan Silvestri on guitar, and Lenny White on drums – but the main star is Jimmy – who's grooving massively over the top of the album, with soaring solos that are some of his best work from the late 70s. Our favorite track on here is a masterful take of "Can't Hide Love", but there's a lot of other nice funky tracks like "Slippery Hips", "My Place In Space", and "Give Up the Booty". Unfinished Business is mighty soulful business from the great Jimmy Smith – a set for Mercury Records that updates his sound slightly, yet also hits some classic Hammond lines too! Jimmy plays a bit of acoustic piano and keyboards in addition to his classic organ – and works here in a setting that's tightly arranged, yet mostly small combo – with work from Ray Crawford on guitar, Nolan Phillips on tenor and flute, and added percussion from Buck Clarke and Stephanie Spruill. Rhythms step along nicely in kind of a 70s take on 60s soul jazz modes – leaving lots of room for Jimmy to open up on his solos – but there's also a few other more ambitious moments, including a great take on "Serpentine Fire" arranged by Ronnie Foster – and a warmly wonderful "Stevie" – which is a suite of tracks dedicated to Stevie Wonder. Other titles include "8 Counts For Rita", "Blues For Charlie", "Until It's Time For You To Go", and "Norristown PA".

One of our favorite later albums from organist Jimmy Smith – and a set that cooks heavily in a wicked blend of jazz, funk, and soul! The style's a bit like the groove that Johnny Hammond hit during his Gears period – arranged by Eugene McDaniels and Alan Silvestri, with an approach that's somewhere between Larry Mizell and Skip Scarborough – tight grooves, bits of vocals, yet plenty of room for Smith's keyboard solos to take off over the top! Players include Herbie Hancock on piano, Alan Silvestri on guitar, and Lenny White on drums – but the main star is Jimmy – who's grooving massively over the top of the album, with soaring solos that are some of his best work from the late 70s. Our favorite track on here is a masterful take of "Can't Hide Love", but there's a lot of other nice funky tracks like "Slippery Hips", "My Place In Space", and "Give Up the Booty".

Bessie Smith by LaVern Baker – a great blend of modes that really comes off great! Instead of sounding like a throwback blues album, the set comes across with a nice degree of contemporary class – thanks in part to a jazzy presentation that's a bit different than some of Baker's other music of the time – and which sports reeds from Sahib Shihab, tenor from Paul Quinichette, trumpet from Buck Clayton, and trombone from Jimmy Cleveland! Baker's voice is in fine form in this comfortable setting – and really works magic with tracks that include "After You've Gone", "Preaching The Blues", "Empty Bed Blues", "Back Water Blues", and "Gimme A Pigfoot".

The first album by John Edwards – a richly talented vocalist who would go onto become the lead singer of the Spinners in later years, singing on some of their last big hits. This album's a very different effort – and features John singing in a deep Southern Soul style, mixed with the smoother production of the Hotlanta scene. The real strength of the record, though, is the songs – as John sings a great set of tracks by writers like Sam Dees ("I'll Be Your Puppet", "Claim Jumpin", "Stop This Merry Go Round"), Jimmy Lewis ("Careful Man"), Floyd Smith ("You Were Made For Love", and Bobby & Linda Womack ("It's A Groove"). Nice stuff, and the production and arranging's as strong as the writing!

A rich tribute to one of the greatest indies of the south – especially back in the 50s – Jackson's mighty Ace Records – home to a rich array of R&B, early rockers, and rootsy music too – all served up here in a mightily overstuffed compilation! The set brings together a few unreleased tracks alongside Ace singles and other obscurities – a rich testament to the strength of the label back in the day – and their great ear for sounds from surrounding scenes as well – as the music here has plenty of echoes of Memphis and New Orleans too! The package is heavy on obscure gems – and titles include "Baby Say You Will" by Jesse Allen, "Hey Hey Baby Come Home" by Albert Scott, "Well I Never Get Tired" by Johnny Fairchild, "Educated Fool" by Huey Piano Smith, "Roll On Train" by Elton Anderson, "Doing The Rock & Roll" by Calvin Spears, "Classy Lassie" by Alvin Red Tyler & The Gyros, "I'm Packing Up" by Earl King, "Love's Like A River" by Charles Brown, "Roll Em Back" by Eddie Bo, and "Love Is My Business" by Bobby Woods. CD features 9 more bonus tracks from the original album – with titles that include "Shed So Many Tears" by Elton Anderson, "You Aim To Please" by Jimmy Clanton, "Sea Cruise" by Huey & Jerry, "Baby It's Love" by Johnny Angel, and "Rock" by Lee Dorsey.

R&B, gritty blues, and some killer tenor talents – a wicked collection of vintage masters from legendary indie United Records! Musically, the package is very much on a par with Ace/Kent collections of this type – the sort that might feature material from King or Modern/RPM Records from the same vintage – and our hat's off to Delmark for doing such a great job of bringing back these crucially overlooked sounds from Chicago! Titles include "Cool Leo" by Leo Parker", "Cut That Out (alt)" by Junior Wells, "Organ Grinder" by Jimmy Coe, "Walking Home" by JT Brown, "Let's Get High" by Morris Pejoe, "Crazy Walk" by Tab Smith, "In The Dark" by Grant Jones, "Nona" by Paul Bascomb, "Goodbye" by The Pastels, "Tiny's Boogie" by Tiny Grimes, "Sophisticated Lady (alt)" by Jimmy Forrest, and "Come In The Room" by Robert Anderson.

An excellent bit of slick jazzy soul! The session was headed up B Baker and Lance Quinn, and it's a swirling mix of funky fusion, played by a group that includes Jimmy Ponder, Lonnie Smith, Jimmy McGriff, and Eddie Daniels. Two cuts have lead vocals – "It's Where You're Coming From", which features Lew Kirton, and "Dreamer", which features Gene Scott – but the strongest part is the jazzy playing, very much in the mode of a slick Fantasy Records sound from the late 70s. Includes the jazz funk classic "Snowblower", plus "Carousel" and "Spirit Level".

Storming soul from Don Gardner & Dee Dee Ford – one of the hardest-hitting duos of the early 60s, and a pair who set the tone for countless other acts to come! The style here is definitely soul, but steeped in plenty of R&B too – partly from Dee Dee's smoking work on Hammond, and the way her vocals come together with Don's – almost more live than any other studio work of its type – with a spontaneous vibe that always kept the Gardner/Ford singles mighty interesting! Don had worked previously with Jimmy Smith and Groove Holmes as the organist in his group – but when Dee Dee hit the mix, the sound really took off – as Gardner's rich vocals found their perfect counterpart in the energy of the young keyboardist and singer. The set's one of the best we've ever seen to bring together their work for the Fire label – with 23 tracks in all, including long and short versions of "I Need Your Loving" – plus "Tell Me", "TCB", "I Got A Notion", "Honey Sweet", "Let's Go To The Party", "You Said", "The Quicker The Better", "Bad Luck", "Does He Or Doesn't He", and "I Got A Man".

Rare hillbilly gospel, bluegrass and Good Word treasures in other styles from the 30s onward to around the mid 70s (though skewing largely to the period between) – great stuff from a couple recognizable acts and many more that are fresh to our eyes and years! Where The Soul Of Man Never Dies features both fun and more profoundly righteous numbers alike by The Delmore Brothers, Rev Harold Smith, Curt & Faye Bartmess, Blue Sky Boys and many more. Includes "Dust On The Bible" by The Blue Sky Boys, "Where The Soul Of Man Never Dies" by The Anglin Twins, "No Drunkard Can Enter There" by The Delmore Brothers, "Joy Bells In My Soul" by Charlie Monroe's Boys", "I Want To Rest" by Brother Claude Ely, "Electricity" by Jimmy Murphy, "Set Your Watch" by Curt & Faye Bartmess, "Crying Holy Unto The Lord" by Martha Carson and more.