Soul — LPs




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Possible matches: 32
Possible matches1
CD, LP, Vinyl record album cover art
New James BrownPopcorn ... LP
Polydor, 1969. New Copy (reissue)... $9.99
A tremendous turning point in the career of James Brown – and an album that points the way strongly to the even deeper funk of the 70s! The album's a hard-wailing batch of instrumental tracks played by the legendary James Brown Band of the late 60s – the pre-JBs ensemble that's gone onto have possibly even more funky influence than the Godfather's combo in the 70s! James plays organ on the set – and supposedly a bit of guitar and drums (according to the notes) – but one of the main stars here is Pee Wee Ellis, whose alto lines really cook up some of the best tracks strongly. Yet possibly even more amazing is the overall rhythmic conception – tight, focused, and always on the money – snapping with a sharpness that's mindblowing even all these many years later – a whole new dimension in funky expression, hardly ever matched since! Titles include "Soul Pride (parts 1 & 2)", "The Chicken", "Sudsy", "The Popcorn", "In The Middle (parts 1 & 2)", "The Chase", and "A New Shift". LP, Vinyl record album
Also available Popcorn (LP sleeve edition) ... CD 16.99

Possible matches2
CD, LP, Vinyl record album cover art
New Roberta FlackFirst Take ... LP
Atlantic, 1969. Near Mint- ... $6.99
What can we say? We've heard this one a million times, it sold over a million copies – but it's still incredible! The record is Roberta's first, and it features her in a mellow trio format, augmented by some occasional larger arrangements by William Fischer. At most points, though, the sound is incredibly spare – with vocals that are much more soulful than any of Roberta's other records, and a sound that hints at Nina Simone, but which has it's own jazzy groove and deep sense of feeling. Includes the classic funky version of "Compared To What", plus "Angelitos Negros", "Our Ages Our Our Hearts", and "Tryin Times". LP, Vinyl record album
(Record club pressing. Cover has remnants of a sticker on front.)

Possible matches3
CD, LP, Vinyl record album cover art
RB GreavesRB Greaves (Atco) ... LP
Atco, 1969. Near Mint- ... $4.99
The amazing debut of RB Greaves – a soul singer with a difference! RB struck big with this album on late 60s Atlantic Records – yet despite production at Muscle Shoals, and arrangements from Arif Mardin, the sound here is quite different than most of his contemporaries – and certainly not the southern soul you'd expect! Instead, Greaves goes for a crackling quality that really showcases his trans-American roots – a vibe that's almost like Johnny Nash at points, and has a similar way of embracing a whole host of different sounds at one time – not just late 60s soul, but some other undercurrents of pop, and even some occasional folksy or island flavors as well. The album's standout hit is the legendary "Take A Letter Maria" – a cut that broke big on both sides of the tracks, and which is one of the most compelling story songs of the time. Other tunes include "This is Soul", "Ballad Of Leroy", "Ain't That Good News", "Home To Stay", and "Birmingham Alabama". LP, Vinyl record album
(Cover has a cutout notch.)

Possible matches4
CD, LP, Vinyl record album cover art
Terry Huff & Special DeliveryLonely One ... LP
Mainstream, 1976. New Copy (reissue)... $9.99
A heartbreaking classic from Terry Huff and his Special Delivery group – a hip 70s harmony soul ensemble who deliver some wonderful backup on the set! The record's a stone east coast classic from way back – arranged and conducted by Al Johnson, with a vibe that's a slightly more polished take on the harmony modes used by George Kerr over at All-Platinum – still never slick or commercial, but that great indie blend of heartbreaking vocals and deeper male sensibilities. Terry Huff has a high-end vocal approach that's great – never cloying or too-sweet, but nicely crackling and almost in a Ralfi Pagan mode at points. Huff wrote most of the songs, and titles include "Poochie", "The Lonely One", "When You're Lonely", "I Destroyed Your Love", "That's When It Hurts", and "Why Doesn't Love Last". (In case you didn't notice, this guy's pretty broken up about love!) LP, Vinyl record album
Also available Lonely One ... CD 11.99

Possible matches5
CD, LP, Vinyl record album cover art
Esther PhillipsAlone Again, Naturally ... LP
Kudu, 1972. New Copy (reissue)... $11.99
One of the deepest soul sets from Esther Phillips' 70s years on Kudu Records – a set with some nicely gritty grooves and a surprisingly earthy feel at times – especially when compared to some of her other albums of the time! Backings are by James Brown's old reedman, Pee Wee Ellis – and although there's some of the usual Kudu electric funk in the mix, there's also some deeper soul elements too – a vibe that's often a bit laidback and open, almost more Atlantic Records at points – which is a mighty good fit for Esther's wonderful voice! As usual for Kudu, the players are an all-star lineup – one that includes Richard Tee on keyboards, George Benson on guitar, Maceo Parker on tenor, and Bernard Purdie and Billy Cobham on drums – and Don Sebesky's also on deck a bit, to sweeten a few tracks up with light strings. The album's got a great version of Bill Withers' "Use Me" that features a tasty break in the intro – and other titles include a great version of "Alone Again (Naturally)", plus the cuts "Let's Move & Groove", "Cherry Red", "Let Me In Your Life", and "You & Me Together". LP, Vinyl record album
Also available
Alone Again, Naturally ... LP 6.99
Alone Again, Naturally (with bonus tracks) ... CD 11.99

Possible matches6
CD, LP, Vinyl record album cover art
Esther PhillipsAlone Again, Naturally ... LP
Kudu, 1972. Very Good+ ... $6.99
One of the deepest soul sets from Esther Phillips' 70s years on Kudu Records – a set with some nicely gritty grooves and a surprisingly earthy feel at times – especially when compared to some of her other albums of the time! Backings are by James Brown's old reedman, Pee Wee Ellis – and although there's some of the usual Kudu electric funk in the mix, there's also some deeper soul elements too – a vibe that's often a bit laidback and open, almost more Atlantic Records at points – which is a mighty good fit for Esther's wonderful voice! As usual for Kudu, the players are an all-star lineup – one that includes Richard Tee on keyboards, George Benson on guitar, Maceo Parker on tenor, and Bernard Purdie and Billy Cobham on drums – and Don Sebesky's also on deck a bit, to sweeten a few tracks up with light strings. The album's got a great version of Bill Withers' "Use Me" that features a tasty break in the intro – and other titles include a great version of "Alone Again (Naturally)", plus the cuts "Let's Move & Groove", "Cherry Red", "Let Me In Your Life", and "You & Me Together". LP, Vinyl record album
(Cover has some wear.)
Also available
Alone Again, Naturally ... LP 11.99
Alone Again, Naturally (with bonus tracks) ... CD 11.99

Possible matches7
CD, LP, Vinyl record album cover art
PrinceControversy ... LP
Warner, 1981. Very Good+ ... $9.99
Classic Prince – an album that signaled an end to the first part of Prince's storied career, leaning heavily on his fascination with new wave, mixed with the r&b grooves and 70s funk of his earliest LPs. Prince is definitely in a transitional mode here, the easy politics of the punk era – "Ronnie Talk To Russia", "Controversy" – are less controversial than Prince's frank sexuality on the record – best heard on tracks like "Jack U Off", "Do Me, Baby", and "Sexuality" – but the unbeatable pop groove of the title cut definitely points the way to Prince's big chart success to come. LP, Vinyl record album
(Missing the poster.)

Possible matches8
CD, LP, Vinyl record album cover art
Gil Scott-HeronMind Of Gil Scott-Heron ... LP
Arista, 1978. New Copy (reissue)... $9.99
A great little live album – one that's quite different than Gil Scott-Heron's double-length set for Arista – and a set that serves as a key bridge between his early protest work and his emerging vocal sensibility! The set features a fair bit of longer spoken passages – but unlike the earlier records, which often have a raw protest kind of sound – this one's more put-together, with Gil speaking in front of hip crowds in a more sophisticated tone. Musical elements come into the mix at points, really fleshing things out – but the stunning side of the record is Gil's ability to really expand on an idea at length, and continue his exploration with much more sophistication than before. Titles include "The New Deal", "Jose Campos Torres", "Bicentennial Blues", "H20 Gate Blues", and "The Ghetto Code". LP, Vinyl record album

Possible matches9
CD, LP, Vinyl record album cover art
StarpointIt's So Delicious ... LP
Elektra, 1983. Very Good+ ... $3.99
A bit tighter and more conventional soul than earlier work by Starpoint, but still pretty darn great too – and great proof that the group were more on top of their bag than other funky combos of the type! Renee Diggs is strongly out front on vocals throughout – lending her sweet sound to the flurry of electro keys and beats that make up most of the instrumentation here. The instrumentation's almost got some echoes of the Minneapolis funky soul scene at the times, but echoes the group's older sound at other points – and although a few tracks are quite hook heavy, they're never too poppish or cloying. Titles include "Behind Your Back", "Don't Be So Serious", "Put Your Love On Me", "It's So Delicious", "Let Go", and "I Got The Love". LP, Vinyl record album

Possible matches10
CD, LP, Vinyl record album cover art
Betty WrightI Love The Way You Love ... LP
Alston, 1972. New Copy (reissue)... $9.99
A breakout album by Betty Wright, the record that spawned the cut "Clean Up Woman" – the choppy funky track that really pushed her over the top in a big way, and which has remained fresh for years –thanks to a strong sample history in hip hop! That cut's more than enough reason to buy the record – but the whole LP's great – and features loads of other original tracks written by Clarence Reid and Willie (Little Beaver) Hale, hitting hard in a sweet 70s Miami soul style – titles that include "I Love the Way You Love", "I'm Gettin' Tired Baby", and "Pure Love" – plus a groovy cover of "Ain't No Sunshine". One of the turning points in the emerging Miami soul scene of the 70s – soon to provide a second home to Atlantic Records! LP, Vinyl record album
Also available I Love The Way You Love ... LP 14.99

Possible matches11
CD, LP, Vinyl record album cover art
Betty WrightI Love The Way You Love ... LP
Alston, 1972. Very Good- ... $14.99
A breakout album by Betty Wright, the record that spawned the cut "Clean Up Woman" – the choppy funky track that really pushed her over the top in a big way, and which has remained fresh for years –thanks to a strong sample history in hip hop! That cut's more than enough reason to buy the record – but the whole LP's great – and features loads of other original tracks written by Clarence Reid and Willie (Little Beaver) Hale, hitting hard in a sweet 70s Miami soul style – titles that include "I Love the Way You Love", "I'm Gettin' Tired Baby", and "Pure Love" – plus a groovy cover of "Ain't No Sunshine". One of the turning points in the emerging Miami soul scene of the 70s – soon to provide a second home to Atlantic Records! LP, Vinyl record album
(Original pressing! Cover has a cutout notch, some wear, an unglued top seam, a partially unglued bottom seam, some creasing, and a center split on the spine.)
Also available I Love The Way You Love ... LP 9.99

Possible matches12
CD, LP, Vinyl record album cover art
New Banks & HamptonPassport To Ecstasy ... LP
Warner, 1977. Used ... Temporarily Out Of Stock
Modern soul, but with a bit of a southern twist – a sweet set recorded in Muscle Shoals by the team of Homer Banks and Carl Hampton – and produced by Brad Shapiro with all the great mix of modes he was bringing to records with Millie Jackson and others! The album's got a nice sort of groove – almost with an undercurrent of funk at points, bubbling along nicely with the vocals of Banks and Hampton in a way that's almost similar to some of Tyrone Davis' great work for Columbia – a great update of older southern soul modes, but in ways that still hold onto some of the best roots too. There's a great blend of smooth groovers and mellow midtempo tracks on the set – and titles include "Let's Make Up", "I'm Gonna Have To Tell Her", "Passion & Promises", "Passport to Ecstasy", "Believe", "Loving You", and "We're Movin' On". LP, Vinyl record album
(Cover has some wear and marker on front.)

Possible matches13
CD, LP, Vinyl record album cover art
New CerroneCerrone IV – The Golden Touch ... LP
Cotillion, 1978. Used Gatefold ... Temporarily Out Of Stock
Cerrone's definitely got the Golden Touch here – grooving long and strong, with that mix of cosmic club and warmer disco that made his 70s music so great! The album's a masterpiece all the way through – driven by great percussion from the maestro, and swirled up into a heavenly mix at the legendary Trident studios – with some mighty sweet keyboards that really make the whole thing sparkle! There's a nice undercurrent of fuzz at points, too – hinting at French club to come – and the whole thing's a wonderful standard-setting record that really earns all the accolades it's gotten over the years. Titles include the long funky version of "Rocket In The Pocket" – plus "Je Suis Music", "Look For Love", and "Music Of Life". LP, Vinyl record album
(Original pressing, including the printed inner sleeve.)

Possible matches14
CD, LP, Vinyl record album cover art
New ChangeSharing Your Love ... LP
Atlantic, 1982. Used ... Temporarily Out Of Stock
Sweet modern soul from this great group – one of the brightest points in major label soul during the early 80s! Change, ironically, is a group that went through a number of line-up changes, even in their prime – with the tight, clubby, yet geniunely soulful production a constant. This record is made all the better for the beautifully soulful dual lead vocals of James Robinson and Deborah Cooper. The tracks have deeply layered live instrumentation – keyboards, guitar, percussion, horns and strings – blended seamlessly with early 80s production touches. Includes the hits "The Very Best In You" and "Hard Times (It's Gonna Be Alright)", and others that are just as sweet: "Take You To Heaven", "Oh What A Night", "Promise Your Love","Keep On It", "You're My Number One" and more. LP, Vinyl record album
(Cover has a light stain on the bottom 2 inches.)

Possible matches15
CD, LP, Vinyl record album cover art
New Don Covay & The Jefferson Lemon Blues BandHouse Of Blue Lights ... LP
Atlantic, 1969. Used ... Temporarily Out Of Stock
A cool step sideways for the great Don Covay – a set that still holds onto all the soul of his earlier work for Atlantic – but one that also has Don hitting a rootsier, bluesier mode too! The combo's definitely a blues group at their core, but apart from some harmonica and a bit more twang in the guitar, they come across more like a rough soul combo behind Covay's lead – a quality that comes through especially strong on some of the points where the drums step out a bit more than usual. Our hat's off to Don for making this move – as the record really shows a whole new side of his vocal talents, and has a deeper vibe than he'd go for in his later crossover soul of the 70s. Titles include "Homemade Love", "Steady Roller", "Four Women", "Mad Dog Blues", and "Shut Your Mouth". LP, Vinyl record album
(White label promo. Cover has promo stickers.)

Possible matches16
CD, LP, Vinyl record album cover art
New Papa John CreachFilthy ... LP
Grunt, 1972. Used ... Temporarily Out Of Stock
Nothing that's too filthy here, but an album that's one of the best of Papa John Creach's 70s run – bluesy at points, but a bit funkier at others – with Creach on both vocals and violin, with support from a hip batch of younger players! Arrangements are by Papa John with Miles Grayson and Roger Hamilton Spotts – and titles include "Filthy Funky", "Mother's Day", "Walking The Tou Tou", "No More Country Girls", "Far Out", and "Time Out For Sex". LP, Vinyl record album
(Side 2 has a mark that clicks a bit on track three. Cover has some wear and a partially split top seam.)

Possible matches17
CD, LP, Vinyl record album cover art
New Ronnie DysonLove In All Flavors ... LP
Columbia, 1977. Used ... Temporarily Out Of Stock
Lesser-known material by Ronnie, but some great stuff! Ronnie's older than during his falsetto soul early years – and he's working here with some impeccably mature Chicago soul arrangements by Gene Barge, Gene Page, and Richard Evans. The album's produced by the always-great modern soul dynamic duo of Chuck Jackson and Marvin Yancey (ex-Independents), and it's got an approach that mixes deeply soulful vocals with smoother backings, kind of in the same mode that The Manhattans were using, but with a bit more of a modern tip that points towards the Capitol work by the Jackson/Yancey team. Tracks include "I Want To Be Where You Are", "Sara Smile", "Don't Be Afraid", "I Just Want To Be There", and "Ain't Nothing Wrong". LP, Vinyl record album
(White label promo. Cover has a radio station tracklist sticker, a promo stamp, and some wear.)

Possible matches18
CD, LP, Vinyl record album cover art
New Aretha FranklinAlmighty Fire ... LP
Atlantic, 1978. Used ... Temporarily Out Of Stock
Killer late 70s work from Aretha Franklin – and a set that features production by Curtis Mayfield, in a style that's quite similar to his work with the lady on the Sparkle soundtrack! Aretha somehow sounds deeper here in Curtis' company than on some of her other 70s recordings – and there's a definite Curtom bent to the entire production, given that Rich Tufo handles all the arrangements, and backings feature instrumentation from both him and Mayfield. The album's nicely restrained at most points – never reaching too far to fall into cliche – and Franklin's vocals are as great as ever. Titles are almost all originals by Curtis – and tunes include "Lady Lady", "Almighty Fire", "I Needed You Baby", "Close To You", "No Matter Who You Love", and "I'm Your Speed". LP, Vinyl record album
(Cover has a cuotut notch.)

Possible matches19
CD, LP, Vinyl record album cover art
New Larry GrahamOne In A Million You ... LP
Warner, 1980. Used ... Temporarily Out Of Stock
Larry Graham hits the slow jam generation – stepping aside from his funkier groove for this classic album – a record that gave the world a huge crossover cut in the title track! The main focus here is on Larry's vocals, not his basswork – and he does a surprisingly good job as a modern soul male vocalist on the set – one who's a bit more fragile and human at points than some of his contemporaries – still somewhat smooth, but not always as polished. Titles include the megahit "One In A Million You", plus "There's Something About You", "Forever Yours", "When We Get Married", "I Just Can't Stop Dancing", "I'm So Glad It's Summer Again", and "Sunshine Love & Music". LP, Vinyl record album
(Cover has a light crease on one corner.)

Possible matches20
CD, LP, Vinyl record album cover art
New Etta JamesEtta James ... LP
Crown, Late 50s. Used ... Temporarily Out Of Stock
One of the few full LP collections of Etta James' pre-Chess work for the Modern/RPM label – issued here on their cheapo subsidiary Crown, but filled with great tracks that represent some of Etta's best work of the 50s! The sound here is hard-wailing R&B – very much in the mode of the Atlantic singers of her generation, but done with an earthier feel that points the way towards Etta's soul career in the 60s. Titles include "Hey Henry", "Good Rockin Daddy", "Dance With Me Henry", "Do Something Crazy", "Women", "My One & Only", and "I'm A Fool". LP, Vinyl record album

Possible matches21
CD, LP, Vinyl record album cover art
New Webster LewisLet Me Be The One ... LP
Epic, 1981. Used ... Temporarily Out Of Stock
A jazzy soul masterpiece from Webster Lewis – light years away from the rougher funk he cut at the start of the 70s! The album's beautifully put together – almost perfect at all points, at a level that we'd rank right up there with the best work by Leroy Hutson, Roy Ayers, or other contemporary maestros in the studio. Unlike some of the more commercial artists of his generation – who also came to soul through jazz – Webster doesn't push the hooks too hard, nor try too much for a hit. And instead, he's more than happy to stay in his own righteous space – with a sound that's smooth, but never slick – tight, but not uptight. He's got some great help on the record – including keyboards from Herbie Hancock and Skip Scarborough, guitar from David T Walker, and percussion from Willie Bobo – all of whom keep things cool. Vocals are handled by a number of singers, including Webster himself – and titles include "Bout The Love", "Let Me Be The One", "Love Won't Harm No One", "El Bobo", "Kemo Kemo", "A Quiet Thing", and "Flying High". LP, Vinyl record album

Possible matches22
CD, LP, Vinyl record album cover art
New PerriFlight ... LP
Zebra/MCA, 1988. Used ... Temporarily Out Of Stock
An 80's classic from Perri – a quartet of female singers who are really a cut above most of their contemporaries! The vocals come together in a great mix of harmonies and leads that really points the way towards the En Vogue sound a few years later – and although there's a crossover feel to some of the backings here, the overall sound is a lot less pop than other groups of this nature at the time – still warm and deep at the best moments, and very respectful of the voices. There's a nicely jazzy undercurrent on some tunes, and tracks include "Fall In Love", "The Flight", "I Don't Wanna Lose Your Love", "Eternal Life", "Travels Two", "Secret Weapon", and a great remake of Steely Dan's "Caves Of Altamira". LP, Vinyl record album
(Cover has a cutout notch.)

Possible matches23
CD, LP, Vinyl record album cover art
New Smokey Robinson & The MiraclesWhat Love Has Joined Together ... LP
Tamla, 1970. Used ... Temporarily Out Of Stock
Excellent work by Smokey – recorded with a super-heavy vibe that's very different than his 60s work! The record has an amazingly large conception of arrangements – mostly handled by Smokey, and done in a complicated baroque harmony style that points forward towards his later Quiet Storm sound. Most tracks are covers, but they're redone fantastically – with better vocals than you could imagine! Titles include "What Love Has Joined Together", "My Cherie Amour", "If This World Were Mine", "This Guy's In Love", and "And I Love Her". LP, Vinyl record album
(Original pressing.)

Possible matches24
CD, LP, Vinyl record album cover art
New Oliver SainBlue Max ... LP
Abet, 1975. Used ... Temporarily Out Of Stock
Funky instrumental work from Oliver Sain – grooving hard with a choppy funky sound that was right in the "bus stop" groove! The album's not as over-the-top wonderful as some of Sain's earlier work – and at a few points, the choppy formula sounds just a bit formulaic – but it's still way better than many other funk albums of its time, and it has a raw quality that keeps things nice and real. The band vamps nice and tight, with some great guitar work – and Oliver plays alto, tenor, keyboards, and vibes on the album. Tracks include "Party Hearty", "The Prayer", "Apricot Splash", "Get Up And Hustle", and "London Express". Also features a limp cover of "Have You Never Been Mellow"! LP, Vinyl record album

Possible matches25
CD, LP, Vinyl record album cover art
New SlaveSlave ... LP
Cotillion, 1977. Used ... Temporarily Out Of Stock
Far and away the band's best record! The album's got a fresh funk sound that takes an earlier 70s ensemble style and slicks it down a bit – but thanks to some great drum work by Tim Dozier (Steve Arrington had yet to join the band), and a subtle riffing bass style by Mark Adams, the band had a groove that was quite revolutionary, and which set them apart from the legions of funk imitators that were springing up at the end of the 70s. The high points of the album is the band's seminal "Slide", which is followed up with "Son Of Slide" – and both tracks have these amazing dark repetitive grooves that have really stood the test of time (thanks in part to a famous sample by Tribe Called Quest!) Other tracks include "You & Me", "Party Hardy", "Screw Your Wig On Tite", and "Separated". LP, Vinyl record album
(Cover has a name in pen & some moderate wear.)

Possible matches26
CD, LP, Vinyl record album cover art
New Gino SoccioFace To Face ... LP
RFC/Atlantic, 1982. Used ... Temporarily Out Of Stock
Sweet electric club from Gino Soccio – fairly pop at most points, but still with a hip enough RFC label twist! Gino plays keyboards, sings, and did pretty much everything else – and he's got a good talent for a simple snapping groove that never goes too far over the top. Titles include "It's Alright", "Dream On", "You Move Me", "Who Dunnit", and "Remember". LP, Vinyl record album
(Cover has a radio staion tracklist sticker & a promo stamp.)

Possible matches27
CD, LP, Vinyl record album cover art
New Mavis StaplesOnly For The Lonely ... LP
Volt, 1969. Used ... Temporarily Out Of Stock
Nothing lonely here – as Mavis Staples hits a newly sophisticated groove that's set up in full arrangements from the great Horace Ott, and produced with a nicely sweet touch from Don Davis! The sound is a great example of the changes going on at the new Stax at the end of the 60s – a more mature, adult sort of sound that goes way beyond simple soul – especially the too-sweet style that sometimes dominated female acts during the Stax/Atlantic years. Ott's backings have never sounded better, and at points Mavis almost brings an Aretha-like depth to her vocals – or even better, hits a range that really ranks right up there with some of the best indie female southern soul acts of her generation. Titles include "Don't Change Me Now", "It Makes Me Wanna Cry", "I Have Learned To Do Without You", "You're The Fool", "What Happened To The Real Me", and "How Many Times". LP, Vinyl record album
(Blue label pressing.)

Possible matches28
CD, LP, Vinyl record album cover art
New Jr TuckerJr Tucker ... LP
Geffen, 1983. Used ... Temporarily Out Of Stock
Jr Parker gets some great help from Ray Parker – not that Ray's a family member or anything like that – he's just got a great ear for the kind of groove Jr's going for in his music! Ray produced and plays sweet guitar and keyboards on most tracks – giving the music that great Raydio bounce – which turns out to be a wonderful fit for the youthful Jr's vocals – almost styled in a Michael Jackson mode at points, but a bit deeper at other times too! Titles include "I Was Made For Dancing", "Too Young To Fall In Love", "If It's Love You're After", "Treat Me Right", "Mr Telephone Man", and "Bad Girls". LP, Vinyl record album
(Cover has a cutout notch.)

Possible matches29
CD, LP, Vinyl record album cover art
New Brass ConstructionBrass Construction II ... LP
United Artists, 1976. Used ... Out Of Stock
The second album from Brass Construction – heavy horns, basslines, and stellar dancefloor grooves – a stone classic! The first one was totally great, but they cast a wider stylistic claim on II – their trademark funky sound is still very firmly in place, but they bring more to the plate. The rhythms and percussion have a more globally steeped flare at points on the album, and there's a more smoldering, slightly mellower vibe on some tracks, without sacrificing the funk. The whole thing's fused together wonderfully – with the larger group moving with the energy a much smaller combo – and titles include "Sambo", "Screwed", "Get To The Point", "What's On Your Mind", and "Now Is Tomorrow". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has some light wear & a name in marker.)

Possible matches30
CD, LP, Vinyl record album cover art
New JacksonsDestiny ... LP
Epic, 1978. Used Gatefold ... Out Of Stock
A heavy groove and a heady title that points the way towards Michael Jackson's soon-to-be legendary solo career – all served up in a batch of tracks that resonate nicely with the Off The Wall groove! The sound here really isn't disco or club, but it's a nicely upbeat groove that shows The Jacksons at the top of their game – tightly stepping and often highly rhythmic – and striking a great balance between strong lead vocals and some of the sweeter harmonies that got them going in the past. Titles include the sublime groovers "Blame It On The Boogie" and "Shake Your Body (Down To The Ground)", plus great sleepers like "All Night Dancin", "Bless His Soul", "Things I Do For You" and "That's What You Get For Being Polite". LP, Vinyl record album
(Includes the printed inner sleeve.)

Possible matches31
CD, LP, Vinyl record album cover art
New Gil Scott-HeronMind Of Gil Scott-Heron ... LP
Arista, 1978. Used ... Out Of Stock
A great little live album – one that's quite different than Gil Scott-Heron's double-length set for Arista – and a set that serves as a key bridge between his early protest work and his emerging vocal sensibility! The set features a fair bit of longer spoken passages – but unlike the earlier records, which often have a raw protest kind of sound – this one's more put-together, with Gil speaking in front of hip crowds in a more sophisticated tone. Musical elements come into the mix at points, really fleshing things out – but the stunning side of the record is Gil's ability to really expand on an idea at length, and continue his exploration with much more sophistication than before. Titles include "The New Deal", "Jose Campos Torres", "Bicentennial Blues", "H20 Gate Blues", and "The Ghetto Code". LP, Vinyl record album
(Includes the heavy inner sleeve. Cover has some wear.)
Also available Mind Of Gil Scott-Heron ... LP 9.99

Possible matches32
CD, LP, Vinyl record album cover art
New SpinnersCan't Shake This Feeling ... LP
Atlantic, 1981. Used ... Out Of Stock
The Spinners really sparkle here – thanks to some tight 80s groove production from the team of James Mtume and Reggie Lucas – a pair who really help the group find some great new territory on the record! All the soaring soul of the group's 70s Philly work is still in place – but the overall sound is a bit more adult at points – kind of hitting that 80s modern soul mode that some of the other east coast artists were going for as the disco years died down – a great move for The Spinners, even if it kept them away from the charts a bit (and in fact, maybe that's the strongest aspect of the album – a great sleeper that really begs for rediscovery all these many years later!) Hubert Eaves and Harry Whitaker both play some great keyboards on the set – and titles include "Can't Shake This Feelin", "Knack For Me", "You Go Your Way", "Love Connection", "Didn't I Blow Your Mind", and "Got To Be Love". LP, Vinyl record album
(Cover has a promo stamp, some wear, with a piece of clear tape and some pen on back.)
 
 
 



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