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A standout classic from Fern Kinney – and a set that not only marked a big moment of evolution for southern soul, but also for the Mississippi scene as well! The set was recorded at the Malaco studios in Jackson, but has a vibe that's much closer to some of the TK Records material from Miami... read more

A pair of killers – back to back on a single CD! First up is the killer debut from the Dazz Band – issued way back when they were named Kinsman Dazz, and when "dazz" was a reference to the fact that the group could play both dance music and jazz! That jazzy element is... read more

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An excellent 2nd album from Lew Kirton – a bit smoother than his first one, but still with that great mellow soul sound that we dig so much! Lew's a strong singer in a tradition that includes Leroy Hutson and Leon Ware – sweetly grooving in a warm and mellow style, but also kicking... read more

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Tight 80s soul from Kleeer – one of the group's standout classics, and a set that's produced with kind of a jazzy finish by Deodato, who also plays some nice keyboards on the record! The Kleeer sound is at its height here – tight, warm, and filled with great harmonies on the vocals... read more

A follow-up to the group's massive electro groover "Dirty Talk" – done with the same sort of percolating beats, electro keys, and whispered snakey vocals that really give the subject matter a run for the money! The groove and sound is very similar to the original – and the... read more

It's definitely winning time for Klique – as the trio grooves here with a lean, clean sound that's totally great! Despite the silly jumpsuits on the cover, the group actually have a pretty nice sound in the grooves – one that's kind of a poppy approach to the boogie, filled with plenty... read more

Crazy funk from a crazy-costumed geezer with an equally crazy name! Boobie Knight led an obscure 70's funk outfit that was somewhere between Sly & The Family Stone and The Jimmy Castor Bunch. His group has a definite guitar-heavy sound that's a bit blunted, and a bit fuzzed out at times... read more

A wonderful mid 70s set from Gladys Knight & The Pips – a soundtrack date written and produced by Curtis Mayfield, who really helps bring a lot of depth to their music! Curtis really helps Knight and the group get out of some of their hit cliches of the 70s, and find some hipper space... read more

A great 2-in-1 from Gladys Knight & The Pips – the Claudine and Pipe Dreams soundtracks back to back on a single CD! Claudine is a wonderful mid 70s set from Gladys Knight & The Pips – a soundtrack date written and produced by Curtis Mayfield, who really helps bring a lot of... read more

An amazing blend of raspy vocals, rumbling backings, and hip late 60s Motown soul – proof that Gladys Knight's move to the label was one of the smartest of her career! Thanks to top-shelf production here from Norman Whitfield, Gladys gets a newer sound that's ultra-hip – a bit deeper... read more

Rock-solid Buddah work from Gladys Knight & The Pips – still pretty righteous on the vocal tip, but often a bit fuller and more polished than before! Knight shows a great talent for a mature ballad here – no big hits, but that's part of the charm of the set – as there's a... read more

After hitting big as a singer on the soundtrack for Claudine, Gladys Knight finally got her chance in front of the camera for Pipe Dreams – a record that featured her both as the star on film and on the soundtrack! The styles here are a bit more wider-ranging than the usual 70s soundtrack of... read more

Remixes, collaborations and production work by soulful house legend Frankie Knuckles – a tight 2CD compilation of some his best productions of recent years – including a number of tunes with Director's Cut, legendary voices like Candi Staton, fellow club heavy Joey Negro, Groove... read more

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Long heavy disco tracks with nice touches of African percussion. Cerrone produced, and the tracks include "Africanism", "Tatoo Woman", and "Dr. Doo Dah". European club disco, but not without some nice funky moments – largely due to the percussion!... read more

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Sure, they're a funk act – but Kool & The Gang also have a great way with a ballad, too – and as the 80s moved on, the laidback mode worked just as great for the group as their groovers! This mellow set features a dozen Kool & The Gang ballads – some gentle love songs... read more

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A huge crossover hit for the group – but a pretty tasty dancefloor single as well! Deodato's producing track here – and it's got a nicely compressed sound that pops along the bassline and catchy hook wonderfully!... read more

Blistering funk rock and raw, tightly grooving psych soul from small town Victoria, TX – trailblazing material from Kool & Together. This is an amazing anthology from Heavy Light/Light In The Attic that pulls together material from private press 45s the group put in the early-to-mid 70s... read more

A nice one from Kool & The Gang – and kind of a transitional record for the group – falling directly between the hard funk and spacey jazz inspired earlier work and the chart-ready grooves that would follow soon after! They weren't about to abandon the heavy horn lines and some... read more

Kool & The Gang's a little bit slicker and a little bit smoother on The Force than on earlier classic records – but thankfully, they're still getting on down to the funky sounds! The Force does indeed have more of a spacey boogie than a jungle boogie vibe, but they're still doing what we... read more

Often overlooked amidst the bigger early albums by Kool & The Gang – but a totally solid record of funky stuff that's right up there with their best work! The band is super-tight at this point, grooving along in a hard drum, heavy bass, wah wah guitar frenzy – and even the vocals... read more

A shameless dancefloor cash-in move – but with a few nice touches! You all know the big title cut "Ladies Night", so we won't bother to describe it – but we can say that the group wisely hooked up with Deodato, who produced, mixed, and even played keyboards on the album. ... read more

A funky later classic from Kool & The Gang – not as hard and heavy as their early work, but still plenty darn great! And while "Ladies Night" is a well-known hit, there's always great bits on the track that we always fall in love with again – like the tightly compressed... read more

It's the mid 70s, and Kool & Co not only keep the funky groove up, but also expand their style into a moogy style that adds a nice dimension of spacey soul to their rich palette of funk. The funkier cuts – like "Street Corner Symphony" and "Rhyme Tyme People" –... read more

It's the mid 70s, and Kool & Co not only keep the funky groove up, but also expand their style into a moogy style that adds a nice dimension of spacey soul to their rich palette of funk. The funkier cuts – like "Street Corner Symphony" and "Rhyme Tyme People" –... read more

Fantastic live stuff from the classic early period of Kool & the Gang! The set swings mightily with a sound that's hardly matched on some of their studio albums, and the band proves that their tightness isn't just a batch of studio tricks as they blow away the crowd at the Sex Machine night... read more

Sure, this one's got "boogie" in the title – but don't let that scare you off! The album's carved in the same hard funky style as mid 70s hits like "Hollywood Swinging" or "Jungle Boogie" (both from earlier albums) – and in fact, the "boogie" in... read more

Way more than just a "boogie" album – as you might think from the title – and much more a hard-hitting batch of funky tunes, mixed with some even cooler laidback numbers! The album follows heavily off the style of Wild & Peaceful – mixing together the group's older... read more

After this one, there was no turning back for Kool & The Gang! The record has them bringing their underground funk sound to the masses – with a choppy riffy groove that stands out almost as a public challenge to all the other pretenders that had been cropping up on major labels during... read more

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Nice popping electro Italian euro-disco.... read more

An unusual set from Kracker – a record that's possibly more rock/pop at the core, but one that definitely shares some of the soulful touches of other albums on the Dash label too! The group dress like a funk band on the album's flipside photo – and they've got vocal interplay that's... read more

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Early material from Kevin Saunderson and Juan Atkins.... read more

Poppy passion from Krystol – a sweet 80s trio with a definite way with a hook! The set's got a well-balanced mainstream sound – one that helps the vocals find a fullness right away, either on the leads or harmonies – both woven together over the top of the tight, beat-heavy... read more

Bumping, bouncing soul from Krystol – one of the strongest female groups of the 80s, and one of the few who really helped push the sound further at the time! The groove here is equal parts funk and soul – and has a brashness that a girl act wouldn't have had a decade before –... read more

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Contemporary work from Uku Kuut – but grooves that have the same great feel as some of his rare material from the 80s! Most of us folks first discovered Uku's work on PPU's excellent compilation of his home studio recordings from years back – and it's great to see that he's still going... read more

Not the classic disco tune "I Feel Love", but instead a great modern groover from Uku Kuut – one that has these great stepping keyboards over beats, with a vibe that's just like some lost instrumental street soul cut from the mid 80s! The tune spins perfectly at both 45 and 33... read more

One of the later, post-Fantasy albums by the LA Boppers – a great one for Mercury! Bop Time has some of their nice smooth two step harmony vocals set amidst jazz-tinged arrangements – with plenty of funk in the mix, too – especially in those killer basslines! Augie Johnson... read more

The last record we've ever seen by this funky vocal combo – and every bit as tasty as their early work for Fantasy Records! Part of the reason for that is because the group's getting production here from Augie Johnson – who picked up plenty of funky jazz touches through his work with... read more

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A late 70s gem from Patti Labelle! Although the album's recorded right in the height of the disco years, Patti's really shining on the mellower cuts – hitting a serious soulful side that shows that her move to a solo act really let her move into more sophisticated material. There are... read more

Includes "Love Symphony", "Living Double", "Look To The Rainbow", "What Can I Do For You", "If You Don't Know Me By Now", and "Where I Wanna Be".... read more

Very early work by Patti LaBelle – working here with the young Bluebelles group, but in a setting that still points the way towards the Labelle sound of the 70s – given that the quartet also features vocals from Cindy Birdsong, Sarah Dash, and Nona Hendryx! The style is a great mix of... read more

What can we say? Despite the stupid appearance of the band, "White Horse" was a classic breakdance/electro track that crossed over so big it had kids in Kansas running out to by parachute pants and squares of linoleum to play along with the kids in the Bronx. Despite that runaway hit... read more

Some of the deepest soul to ever come from a Detroit label – a great run of singles cut by Denise LaSalle for the Westbound label – all of them pretty darn wonderful! Denise has roots that start in Mississippi, and she spent plenty of time in Chicago – so by the time she hit... read more

The first album by the second group to call themselves the Last Poets – and as fierce a document of their rich talents as you'll ever find – bursting forth with anger and righteousness at a level as tight as Gil Scott-Heron's first album! The group here is the key second lineup of the... read more

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A later album from the Last Poets – recorded after their classic run in the 70s, but still pretty nice overall! The record's a bit of an unusual one, in that it shows a bit of the creeping "street" element that the Poets would absorb into their work after being dubbed as the "G... read more

One of the Last Poets greatest albums – and one of their most sophisticated as well! Gone are the rough-hewn rhymes of the group's first album, and in their place are better arranged, more thought-out tracks that mix in a wealth of musical influences – and which expand the group's... read more

A second great comeback set from Latimore – working beautifully with producer George Chocolate Perry, who helps him hit a groove that's just like his classic 70s work for TK! As with those records, the vibe here is a laidback blend of blues and soul – lots of great electric piano work... read more

An overstuffed collection of greatness from Latimore – an extended set that's filled with warm soulful classics from the 70s – and a few more gems from later years too! Latimore's always had a really unique approach – steeped in southern soul, yet delivered with some slightly... read more

Sweet late 70s grooves from Latimore – a bit less bluesy than at the start of the decade, but in a mighty nice way! The set's got loads of warm undercurrents – and shows Latimore pushing his southern soul roots into a modern soul mode – with surprisingly great results – a... read more

Latimore couldn't help being a soul genius – and even on a record like this, which didn't really yield any hits, he still comes through loud and clear, with a deep rich soul voice, backed by some great mellow soul arrangements. The album includes a great slow mellow version of "I Get... read more

Classic soul from Bettye Lavette – with some her best recordings ever – a batch of tunes cut in Memphis with Lelan Rogers for the Silver Fox label in '69 & '70! The Betty heard here is a lot harder than on her earlier soul sides – recorded with a raw power that could easily... read more

Bettye Lavette's best record yet for Anti- – a modern classic from a bonafide legendary southern soul singer – and she sounds as wonderful as she has in years! If her voice has picked up some grit over the years, it's no less beautiful – and the experience only enhances the... read more

Bettye Lavette's best record yet for Anti- – a modern classic from a bonafide legendary southern soul singer – and she sounds as wonderful as she has in years! If her voice has picked up some grit over the years, it's no less beautiful – and the experience only enhances the... read more

A classic deep soul set from Eloise Laws – an early album recorded for Invictus Records, and done with stellar production from Brian Holland! The title cut's a monster, one of the best tracks on the label from the 70s – with some wonderfully spacey keyboards, funky drums and bass... read more

A pair of classics from Ronnie Laws – back to back on a single CD! On Mr Nice Guy, Laws really makes a big move into the soul field – quite a big record for him back in the day, and a set that helped him reach an even wider audience at the time! Ronnie sings as much as playing sax on... read more

Titles include "Red Bulbs", "Menage A Trois", "Sugar Babe", "Love Is All I Need", "Brown Eyes", and "It's Me".... read more

Jesse Saunders has some fun with an 8-bit sampler and little vocal bits referencing the Amityville Horror film (we think) over this spare, almost electro-sounding early Chicago house cut.... read more

A great modern soul album – and the new release from Maysa Leak, the lovely voice behind some of Incognito's best albums! If you know Incognito, you can guess the sound here – but the overall approach is different, with a lot more emphasis on soul sounds and jazzy arrangements, all... read more

Killer work from Ledisi – one of the best underground soul singers alive! This album has Ledisi opening up her bag a lot from her Soulsinger debut – moving into some more jazz-based material, sung with a sweet mellow vibe that still retains all the soulfulness of earlier work, yet... read more

An excellent bit of modern soul – very much in the vein of Jill Scott, Laurnea, N'Dambi, or some of the other current underground divas from the US indie soul scene! Ledisi's got a heck of a voice – very rich and mellow, in a style that reminds us a bit of classic work by jazzy soul... read more

A wicked little soundtrack that's about as badass as you can get for the 70s – the obscure score for the black answer to Warren Beatty's famous Shampoo! The music on the set is really great – sparer than usual for a blacksploitation soundtrack, with lots of nice instrumental tracks... read more

A 60s LP that compiles Julia's earlier sides for Capitol – a mixture of jump blues, swing, and R&B, recorded with players that include Red Norvo, Benny Carter, Vic Dickenson, and Baby Lovett. Titles include "Last Call For Alcohol", "After Hours Waltz", "King Size... read more

A 50s LP that compiles Julia's earlier singles for Capitol – a mixture of jump blues and early R&B, done with some nice jazzy touches that give the tracks a Kansas City groove. Titles include "Last Call For Alcohol", "I Was Wrong", "Tell Me Daddy", "Ain'... read more

Sublime soul from the mighty Laura Lee – one of the best deep soul singers of the 70s, even though she recorded with the mostly-northern team of Holland Dozier Holland! The set shows that the trio really knew how to change it up after leaving Motown – and although Lee had recorded for... read more

A standout set from the great Laura Lee – a deep soul singer with power to rival the greatness of Aretha Franklin, but one who's also got a funkier punch to her music too! The album's a great blend of late 60s female southern and tight 70s bad sister funk – a style that's a bit like... read more

An excellent batch of hard soul grooves from the great Laura Lee! This one was her first for the Hot Wax label – and it's got the raw quality of her earlier singles for labels like Chess, with a hard vocal style that's very much in the Aretha Franklin/Fontella Bass camp – plus some... read more

A beautiful batch of gospel work from Shirley Ann Lee – a vocalist who originally worked the spiritual circuit in a trio with Candi Staton! The album's an unusual one – put together partly as a way of promoting Shirley's music to a larger audience – which means it's got a few... read more

A great little groover on Brunswick – with that kind of choppy club funk feel that you'll also find on some of the label's other obscure 12" singles, like the classic "You Are The One", by AMFM. The track's got a very nice groove – and the hook's enough to keep the track... read more

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Early grooves from Leon Pattillo – later a club maestro, but working here in a much rootsier style at the head of Leon's Creation – an ultra-cool funk combo from San Francisco! The album's got a groove that really lives up to the promise of its title – a heady brew of funky... read more

An album that follows nicely in Ketty's style of the 60s – mixing together soul with more serious vocal work – but handled here with some groovier 70s touches! Ketty's clearly heard the work of singers like Nina Simone and Melba Moore by this point, and is going for a more righteous... read more

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Some very nice pop soul tracks by this lovely vocalist from the 60s! The record features a core group of backing by the Ronnie Brown trio, plus some larger arrangements by Lincoln Mayorga. The sound is nice and soulful, with a bit of a jazzy touch – in the manner of some of Nancy Wilson's... read more

A beautiful bit of mainstream soul from Gerald and Eddie Levert – two of the best male voices from two generations, working beautifully here in a laidback set of tracks! The vibe's almost like that direction taken by the O'Jays in the early 80s – that time when their ballads were... read more

Near-perfect work from Barbara Lewis – one of our favorite female talents of the 60s – and an artist whose blend of soul and sophistication went onto influence a huge generation of singers in years to come! The album's a key collaboration with Detroit producer Ollie McLaughlin –... read more

The best-ever collection of work we've ever seen from Barbara Lewis – and the first set to really give the soul singer her due! Lewis was a hell of a vocalist back in the 60s – an artist who could be classy one minute, and gutsy the next – often working with key production from... read more

A fantastic lost album from one of the 60's most under-rated female singers – done in a style that's far hipper than Barbara's work for Atlantic! The set's got a vibe that's totally great – proud and righteous – stepping out in a mode that shakes off the sweetness of Barbara's... read more

A wonderful album from Linda Lewis – certainly one of her best from the early days, and a completely captivating mixture of soul, jazz, and rock that sparkles like Minnie Riperton's best work from the time! The album's got a sweet LA sound – with Linda's great vocals up front in the... read more

One of the best-ever albums by this lovely soulful singer! Linda Lewis had an amazing style that was somewhere in between Minnie Riperton, Joni Mitchell, and Ellen McIlwaine – meaning that she mixes soul, folk, and a bit of jazz into her own unique vibe. This album's a gem, and is filled... read more

One of the best-ever albums by this lovely soulful singer! Linda Lewis had an amazing style that was somewhere in between Minnie Riperton, Joni Mitchell, and Ellen McIlwaine – meaning that she mixes soul, folk, and a bit of jazz into her own unique vibe. This album's a gem, and is filled... read more

Two electric killers from Ramsey Lewis – back to back in a single package! Funky Serenity is sweet electric funk from Ramsey – one of his best from the 70s, and a set with Lewis on Fender Rhodes, electric harpsichord, and other keyboards, grooving away in an open-ended 70s mode that... read more

A nicely done compilation of pivotal work from the great Ramsey Lewis – focusing on his work for Columbia/CBS Records from the 70s and early 80s – and very well chosen at that! Of course the title comes from Ramsey's iconic album of the same name, and this 2CD set features a few tracks... read more

Genius jazzy soul from Webster Lewis – one of his amazing late 70s sets for Epic Records! By this point in his career, Lewis had honed his keyboard craft to perfection – and on albums like this one, he laid down some excellent smooth soulful fusion that soared in a righteous way that... read more

A jazzy soul masterpiece from Webster Lewis – light years away from the rougher funk he cut at the start of the 70s! The album's beautifully put together – almost perfect at all points, at a level that we'd rank right up there with the best work by Leroy Hutson, Roy Ayers, or other... read more

The earliest work we've ever heard from keyboardist Webster Lewis – and a set that's quite different than his late 70s groovers for Columbia Records! The music here is equal parts jazz, soul, and funk – spun out of over a set of long tracks recorded in Oslo at the start of the 70s... read more

Classic club from Webster Lewis – and much more of an all-out disco affair than some of his later work! The record introduces Lewis' all-encompassing style – as he writes, arranges, and produces the album at a level that easily matches that of Barry White – who would later emerge... read more

Webster Lewis takes off wonderfully here – finding a completely unique groove that's equal parts club, soul, and fusion! The album's almost as sublime as Roy Ayers' best from the time – and has a similar balance that's perfectly done – a depth of thought that goes way beyond... read more

An obscure group, but a wonderful one – and an ensemble we really wish we could hear more from! Yet thankfully, they've given us this wonderful album from the start of the 80s – a soaring, soulful set that seems to pick up the funky torch dropped by Earth Wind & Fire – and... read more

A Brit soul classic from Light Of The World – and a set that has the funky group working strongly with producer Augie Johnson! Given Johnson's background with Wayne Henderson, the move is a great one for the group – one that really helps them bring out the best warm sounds from their... read more