Soul — In Stock  

Special edits by Mr K.... read more

... read more

Recorded pre "Conga", when Miami Sound Machine were cutting club cuts with less of a Latin groove than their later hits. "Different Kind of Love" is the cut here – as it's got a nice kind of gangster funk feel, with a rolling electric groove.... read more

A sweet sweet set of rare tracks from start of the 80s – all recorded in the far-out locale of Rock Island, IL – but done with a funky groove to rival the best sounds coming out of New York or Minneapolis at the time! Midnight Express were a regional show band, and they've got a bass-he... read more

A seminal bit of funk rock from this well-connected group who bubbled under considerably during the late 60s and early 70s, but never seemed to cross over big. The best cuts on the album have a heavy funk sound, similar to the group's funky 45s – with the sax of leader George Patterson Jr... read more

Heavy heavy funk from this hard-rocking group! The Midnight Movers were a tripped out combo who used a heck of a lot of guitar work in their grooves – and who also had a 4-part sax section that riffed heavily over the beats, creating a mad wailing approach that was as hard and full-on as any... read more

One of THE psychedelic funk masterpieces of the early 70s – a guitar-heavy set with a very fuzzed up feel – one that's halfway between the work of Fugi and some of the best early sides on Westbound Records! But more than just guitar-heavy funk, Midnight Movers also have a fair bit of a... read more

Real 80s groove soul – with polished sound that's got a bit of a jazzy flavor in it, thanks mostly to the competent instrumentation of the band. Titles include "You Satisfy Me", "Just A Little Bit", "Heavy Rotation", "Start It Up", "Sweet... read more

An excellent collection of work by Mighty Hannibal – aka King Hannibal, aka Hannibal – a great soul singer from the sock-boogaloo late 60s years! At his prime, Hannibal recorded some excellent singles that have a finger-popping funky feel – very tight combo instrumentation mixed... read more

Mike's come a long way from his early soul days with Dennis Coffey – working here to lay down a set of spacious disco tunes with a dreamy finish – really stretching out with the same sort of glide you'd find in the best Philly club at the time! The record's actually quite strong on the... read more

A dramatic disco classic from Detroit legend Mike Theodore – stepping out here with all the force you'd expect from the title! "High On Mad Mountain" is a symphonic disco classic – using strings, congas, and lots of percussion to set up the groove – as guitar and... read more

... read more

A landmark crossover album – featuring Buddy Miles' mixed Freedom Express group, and a heavy jazz-rock sound that would soon dominate the charts with other groups. Buddy's drums are super-heavy, even if his vocals always get us the wrong way. Includes the original recording of "Them... read more

A masterpiece from SF rocker Steve Miller – and a perfect summation of the years of blues, soul, funk, and rock he'd been soaking up in the Bay Area scene! The album crossed over instantly with the massive cut "Fly Like An Eagle" – already great on its own, but supported here... read more

... read more

Bubbling 80s soul from Stephanie Mills – a set that has the singer's vocals really working strongly with some catchy rhythms that nicely balance between the clubs and the charts! Stephanie's almost in Deniece Williams territory here – working with a groove that's got plenty of... read more

An early 80s cooker from Stephanie Mills – not exactly "without mercy", as you might guess from the title – but instead a great slow burner that really does a great job of opening up her voice! Mills moves here in a perfect space between the late disco years and commercial... read more

Soaring soul from Stephanie Mills – one of the lady's all-time hits, and for good reason too! The album really gives Stephanie's great voice a lot of focus – an upbeat, uptempo groove that sets her firmly on the dancefloor, but always with a touch of class – and a lot more depth... read more

Soaring soul from Stephanie Mills – one of the lady's all-time hits, and for good reason too! The album really gives Stephanie's great voice a lot of focus – an upbeat, uptempo groove that sets her firmly on the dancefloor, but always with a touch of class – and a lot more depth... read more

Sweet, smooth, and soulful sounds from Mint Condition – still very much at the top of their game, and running strong with that tight harmony style that's always made them a favorite 'round these parts! The album's got a great balance between mainstream tightness and indie soul looseness... read more

A great, rare early album by The Miracles! The album features the group back when they still had a female member, who gives the band a beautiful high harmony sound in tandem with Smokey Robinson's falsetto vocals. The reissue includes the great original cover – and loads of nice original... read more

The Miracles move to Columbia Records – and pick up a whole new groove in the process – a much richer sound than previous records on Motown, with a soaring style that really works great for the harmonies! Billy Griffin's vocals are really coming into their own – as is his... read more

An overlooked groover from The Miracles – a late 70s set for Columbia Records, and one that's got a sparkling sound throughout! The album really has the group hitting some great modern soul modes for the set – arrangements by David Foster that push them forward even more, and which... read more

Jackson soul from McKinley Mitchell – more polished than his earlier work, but still with that Chimneyville/Malaco late 70s southern style that was the best heir to 60s work in Memphis and Muscle Shoals. Tracks include "Open House At My House", "You're So Fine", "The... read more

A lost soul treasure – never-issued recordings from the legendary Phillip Mitchell – one of the greatest songwriters of the 70s southern soul scene! Mitchell only ever issued a rare few albums under his own name – which makes this collection of early 70s work even more valuable,... read more

The long-overdue full length debut from Phillip Mitchell – an artist who cut some great singles over the course of the 70s, and also wrote a fair bit of classics for other, bigger name acts! Phillip did some of his earlier work of the decade in both Memphis and Muscle Shoals – but he... read more

A classic set of smooth 70s soul from an under-recognized genius! Phillip Mitchell is a bit like his Atlantic Records contemporary Sam Dees – in that he wrote a lot of material for other singers, recorded a handful of singles, and worked mostly in the southern scene – but he also had a... read more

A mod little record from trumpeter Willie Mitchell – a set that's as groovy as it is soulful, with a vibe that's somewhere between 60s instrumental outings on Verve and Atlantic Records! Tunes are a mix of soul and pop numbers, handled by Mitchell's combo with some mighty tight drums and... read more

A smoking selection of work from Memphis giant Willie Mitchell – some of the funkiest tracks he ever recorded, stuffed together in one mighty set! Willie's probably best know for his famous studio work for Ann Peebles and Al Green – but on his own, Mitchell can carve out a cooker like... read more

Willie Mitchell's definitely on top with this smoking little set – a record that seems to allow even freer interplay between the members of his group – in ways that make the album one of Mitchell's jazziest efforts of the 60s! The players of the group are getting a bit of credit on the... read more

They definitely got the title right on this one – as the set's a solid batch of soulful instrumentals all the way through – one of our favorites from the great Willie Mitchell! Willie's got a lot more bite here than on some of his famous warmer productions in the 70s – a gritty... read more

Willie's Soul Bag is pretty darn deep – a tight mixture of trumpet-heavy originals – all given sock-solid Hi Records soul production! The album's one of Mitchell's most smoking – and in addition to a few well-chosen covers, the set's also got some great originals –... read more

A killer from Willie Mitchell – harder, funkier, and a lot more soulful than most of his other records from the 60s! The groove here is sock-soul, and most cuts have a hard and tight funky 45 approach. Willie was really cut loose on this one – freed from his usual standard of... read more

Killer funky organ – and 100% Dynamite! Jackie Mittoo is one of the all-time great organists – as essential to Jamaica as Booker T was to Memphis, or Jimmy McGriff was to New York. He's legendary these days as the player who completely transformed the Hammond sound with his unique... read more

Killer funky organ – and 100% Dynamite! Jackie Mittoo is one of the all-time great organists – as essential to Jamaica as Booker T was to Memphis, or Jimmy McGriff was to New York. He's legendary these days as the player who completely transformed the Hammond sound with his unique... read more

Massive Miami grooves from Robert "Rocky" Mizell – not one of the Mizell brothers from the west coast, but a Florida artist with a sound that's equally nice! The album's the only one we've ever seen from Rocky, and it's got a sweet TK Records groove all the way through –... read more

A righteous group soul classic from the 70s – the one and only album from The Modulations, and a lasting classic that almost beats the multiple album runs of some of their contemporaries! The group's a southern harmony quartet at their core, but they also get some really great backings on... read more

The one and only album by Moment Of Truth – a short-lived group with a mighty east coast club groove! The set soars with a sound that's in the mode of the best Philly work of the mid 70s – clubby, but not too caught up in disco cliches, and handled with plenty of soul on the vocals and... read more

Sweet sweet sweet soul from The Moments, and one of their rare early albums for the Stang label! The tracks are all beautiful New Jersey harmony soul, of the sort that The Moments and others put on the charts in a large way during the early 70s – and the band's smoothing their act up a bit,... read more

A real lost gem from Motown – and a whole lot more! Greetings! We're The Monitors is the only full album ever cut by The Monitors – a 3-man, 1-woman vocal group who were in a popular Motown mixed harmonies mode. The quartet had a wonderfully strong vocal presence – blasting... read more

Seminal Afro Funk from Monomono – a killer combo from singer/percussionist Joni Haastrup, with a groove that's right up there with the best acts on the Lagos scene of the 70s! There's a nice degree of warmth in the music – thanks to some complicated guitar and basslines, which don't... read more

Massive music from Monomono – and a set of Afro Funk put together with a wonderful criss-crossing of sounds! The style here isn't just the familiar grooves you might expect – and instead, there's almost a post-colonial vibe going on – an ear towards London, and another towards... read more

Massive music from Monomono – and a set of Afro Funk put together with a wonderful criss-crossing of sounds! The style here isn't just the familiar grooves you might expect – and instead, there's almost a post-colonial vibe going on – an ear towards London, and another towards... read more

... read more

A monster stormer from Vince Montana! The track "Heavy Vibes" is a great club track from the early 80s – with a hard rolling vibes sound that links Roy Ayers' 70s jazzy work with later programmed vibes-heavy house tracks. The club mix is especially great, and the cut's a real gem... read more

Much funkier than most grooves we'd associate with the Montreal scene of the 70s – and a thinly-veiled disco remake of "Soul Finger", complete with strutting trumpet! The sound here is a lot more club based than the Bar-Kays original hit, and the tune also has chorus vocals –... read more

One of Jackie Moore's best albums ever – and a tight batch of deep soul tunes produced by 70s maestro Brad Shapiro! Jackie's vocals are wonderful – full of feeling, and delivered with an honest, upfront quality that really ranks with some of the best southern soul singers of the time! ... read more

A classic set of 70s crossover deep soul – recorded in the mode of similar work by Betty Wright or Laura Lee, and done with a similar mix of raw southern vocals and tighter production! About half the work was handled by the team of Dave Crawford and Brad Shapiro – working in the... read more

An amazingly soulful set of folk tunes from the late 60s – the only album we've ever seen from singer Jerry Moore, and a real rarity from the ESP label! Moore's got a style that's somewhere between Terry Callier and Tim Buckley – earthy and acoustic one minute, but stepping out with... read more

... read more

Melba Moore is on fire here – eschewing ballads altogether for the first time – and lighting up a scorching late disco vibe! Burn is a tight, club-ready soul set from '79 that finds Melba with more input on the songwriting than she had on previous records. It's also a nice step in a... read more

An overlooked set from Melba Moore – an Epic session from the start of the 80s, and one that's served up with a nicely understated groove! There's a bit of disco in the mix, but the sound's never too far over the top – and in a way, Melba's working in the same sophisticated territory... read more

A album of club tracks, as you might guess from the title, but every bit as strong as Melba More's other work from the late 70s! The album's got some top-shelf club help throughout – including production from Van McCoy and McFadden & Whitehead, the latter of whom also contributed a few... read more

Melba Moore's still very much in command of her stage presence here – working with the kind of positive, powerful energy that first got her noticed many years back! The setting is a relatively professional one – with a full band on stage providing accompaniment, and even taking over a... read more

Soaring soul from Melba Moore – a singer who really came into her own with this sweet 70s album! Melba always had a great voice, right from the start – but here, she's working with arrangements and production by Van McCoy – updating her sound with a bit of a clubby groove, in a... read more

A peach of a record from Melba Moore – one that's produced by Eugene McDaniels, who helps find a tight funky sound that unlocks some of the most righteous elements in Moore's vocals! Like some of McDaniels' best productions of the time, there's a good sense of balance here – a way of... read more

The vocals of Melba Moore, and some great Philly soul rhythms – put together with tight arrangements from McFadden & Whitehead, who give Moore a similar approach to some of the best Philadelphia International records of the time! There's a really nice sense of balance to the record... read more

An excellent early Rudy Ray Moore album – with tasty musical backing on just about every number, and some great routines that are extremely tight. The backing's not totally funky, but it does give Rudy's party humor a really strong approach – especially on his classic presentation of... read more

Classic stuff – Rudy's first album, and a fitting launch to his famous career of party records and live club performances! The cover's got Rudy in front of a nude black model, laying back on the couch, and encouraging him to do the thing that's implied by the title – but the record... read more

Quite possibly THE mother of all funky soundtracks – the legendary score to Rudy Ray Moore's classic first Dolemite film! The record's been referenced for years, and all the hype is totally right – because the whole thing's overflowing with funky tracks both vocal and instrumental... read more

Quite possibly THE mother of all funky soundtracks – the legendary score to Rudy Ray Moore's classic first Dolemite film! The record's been referenced for years, and all the hype is totally right – because the whole thing's overflowing with funky tracks both vocal and instrumental... read more

... read more

A Capitol classic from Meli'sa Morgan – filled with sweet 80s grooves, and delivered with a style that's nicely lighter than some of her contemporaries! Morgan can still manage a nice hook when she wants, but the album's also got her working as a richer soul artist overall – eschewing... read more

Meli'sa Morgan doing what she does best – pushing the envelope for mainstream soul, but often in really subtle ways! There's a majestic sweep to these tunes that's a real surprise – a class and care that takes Morgan's music past some of her poppier contemporaries, and which always... read more

... read more

... read more

A really unique album from funky drummer Alphonse Mouzon – a set that has him putting away some of the guitars used heavily on other Blue Note records, in exchange for a keyboard-heavy groove that almost sounds a bit like Gene Harris a the time! In addition to drums, Alphonse solos a fair... read more

... read more

Proof that the move to soul was actually a great thing for James Mtume – because although the set's miles from his spiritual jazz work of the 70s, it more than makes up for that shift with a sophisticated approach to 80s soul! The group's a small one, with lots of keyboards from Mtume, and a... read more

Smooth and jazzy soul from the team of James Mtume and Reggie Lucas – two of the finest producers and arrangers in their field! The set brings together tracks recorded by the pair with a host of different artists across a host of different labels – offering for the first time a true... read more

Early 70s ensemble funk from Mugo – a DC group made up of students from McKinley Tech High School – combining tightly energetic, fairly sprawling instrumentation and soulful vocals – a number of unreleased tracks from the sessions that also produced their rare 70s single, newly... read more

A self-titled set from the mighty Music Machine – a studio ensemble who were as important to the sound of European club music in the 70s as Instant Funk and MFSB were to the Philly scene in the US! The Machine features a host of players who'd previously backed Donna Summer and other Giorgio... read more

One of the more unusual records on Sue from the 60s – an all-instrumental outing, recorded by Juggy Murray in tribute to the late Dr Martin Luther King Jr! The music is done in a larger orchestral mode that's much more soundtrack-oriented than Juggy's other work – with less (or none)... read more

One of the last great funk albums from King Records! People Are Together was cut in the early 70s, but it's done with a crackling sharp sound that's very much in the mode of the best late 60s James Brown albums for the label! Mickey Murray is from Augusta, GA – James Brown's hometown –... read more

One of the last great funk albums from King Records – a set recorded in the early 70s, but done with a crackling sharp sound that's like the best late 60s James Brown albums for the label! Mickey Murray is from Augusta, GA – James Brown's hometown – and his approach is similar to... read more

Clearly riding on the success of the Memphis Horns' LPs of the mid 70s – but not a bad bunch of funky tracks! The famous horn section from Muscle Shoals takes the helm – or is at least taken to the helm by Barry Beckett, who played keyboards, produced, and arranged the LP. The tracks... read more

A novelty group if there ever was one, but still a big hit today.... read more

Two excellent Patrick Adams produced numbers get a little extra mixing help from Francois K on this nice little dance 12".... read more

A great little album – even if it tries to promise too much! The set bills itself as "the swinginest Hammond organ album since the birth of psychedelia" – and while that sort of a claim is so high that nobody could ever match it, the album is a great batch of offbeat soul... read more

A funky session headed up by wayward P-Funkster Jerome Brailey – a cooking little record with a quality that's right up there with some of the other George Clinton projects of the time! George didn't have anything to do with this one – at least not from what we can tell from the notes... read more

Bubbling euro-electro disco from Italy, and if you're anything like us, this stuff is like popcorn – we just can't get enough!... read more

The amazing legacy of Alicia Myers – two classic MCA albums, back to back on a single CD! First up is the self-titled Alicia – a set that's right up there with Myer's recordings with the group One Way, but with some deeper, more personal touches as well! Production is by Kevin McCord... read more

A great record by east coast funky soul group Mystic Merlin – and a diverse one, with some jazzy uptempo club tracks, and others on the funkier edge of that style – excellent work from this oft-overlooked band on Capitol! There's a bit of that nice, smoothed out group soul sound that... read more

A standout classic from one of the all-time overlooked greats – the sublime Mystic Merlin, a group who cut a handful of killers in the early 80s! The group's biggest claim to fame is a young Freddie Jackson on vocals – but they're honestly much more an ensemble act than a backup for a... read more

A standout classic from one of the all-time overlooked greats – the sublime Mystic Merlin, a group who cut a handful of killers in the early 80s! The group's biggest claim to fame is a young Freddie Jackson on vocals – but they're honestly much more an ensemble act than a backup for a... read more

Excellent electric 70s work from The Mystic Moods! The record moves way past the sleepy sexy easy sound of their early albums – and it's got some great keyboard work and a few great funk tracks. "Honey Trippin" is one of these – a great groover with a sound that's almost in... read more

A fantastic bit of spiritual jazz funk – and one of the rarest 70s albums on Fantasy Records! The group's headed up by Nat Adderley Jr (son of the famous Nat Sr) on keyboards and vocals – and the ensemble is a hip, young collective with an approach that reminds us of work by Oneness Of... read more

... read more

... read more

Definitely the sort of album to make you feel better – given the tight, soulful sounds of Ndugu Chancler and this Chocolate Jam Company! The album's got roots in jazz – Ndugu's a drummer with work on countless other albums – but also steps out with plenty of soul, too –... read more

... read more

The legendary vocals of Aaron Neville – heard here in one of his most old-school sessions in years! The songs are all vintage R&B – material that even pre-dates Neville's famous years in New Orleans soul, and which goes back to a late 50s/early 60s genre that seems to fit Aaron's... read more

A vivid visual follow-up to Aaron Neville's album of the same name – a sweet set in which he takes on classics from the 60s soul generation, all with a different vibe than any older music Aaron ever made! The live performance features a guest appearance by Paul Simon on one track, but... read more

2 long-overdue classics from New Birth – back to back on a single CD! Ain't No Big Thing captures the group near the beginning of their career – when they were sort of a funky soul army, featuring the instrumental talents of The Nite-Liters, the vocal strength of a number of excellent... read more

Great early stuff by the New Birth – with a sound that's a lot funkier than some of their other records! The sound of the album shows how the band had a great formula for taking original tracks and covers, and redoing them with their unique group sound that gave them a good party feel. This... read more

A classic album by this righteous soul collective – and one that shows them taking a strong step away from their work at RCA with Harvey Fuqua. This one has the group (ever-enormous as always!) absorbing some of the other elements of modern soul that were floating around at the time –... read more

Way more than just another soul group – as The New Birth are almost big enough to be their own sort of soul music village – complete with different neighborhoods along the way! Vocals are handled by the combined groups of The Mint Juleps and Now Sound – gals and guys that soar... read more

... read more

... read more

A dark classic that broke out of the underground and forever transformed the world of dance music! "Blue Monday" has this infectious bass/keyboard riff that you'll recognize immediately – and which you've heard emulated a million times in electro house tracks from later on in the... read more