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Delegation really hold onto their groove in this rock-solid second set – an album that burns with vibrant energy right from the start – but all in ways that are really a cut above the usual uptempo soul of the time! Rhythms are a key part of the sound, but it's the trio's vocals that... read more

Delegation really hold onto their groove in this rock-solid second set – an album that burns with vibrant energy right from the start – but all in ways that are really a cut above the usual uptempo soul of the time! Rhythms are a key part of the sound, but it's the trio's vocals that... read more

Delegation really hold onto their groove in this rock-solid second set – an album that burns with vibrant energy right from the start – but all in ways that are really a cut above the usual uptempo soul of the time! Rhythms are a key part of the sound, but it's the trio's vocals that... read more

A sweet duo groover from Delegation – easily the group's most obscure album, but also one of their best! The set's got loads of great keyboards and basslines – much more electric than the mode used on the group's earlier records, but handled with a great deal of class – never... read more

A groundbreaking album of vocal group soul – right from the first note! The record kicks off with the sublime "Ready Or Not, Here I Come" – which starts with fierce stepping strings that are actually funky, then soars into some of the best harmonies the group ever put to... read more

A groundbreaking album of vocal group soul – right from the first note! The record kicks off with the sublime "Ready Or Not, Here I Come" – which starts with fierce stepping strings that are actually funky, then soars into some of the best harmonies the group ever put to... read more

We can't help but favor the Dells earlier soul work, but later disco numbers like the a-side of this nice single, and the sophisticated title track off the I Touched A Dream LP, a more downtempo cut, are no less great!... read more

A later effort from the Dells, cut around the time ABC was having some great luck with the Detroit soul of The Dramatics – and also recorded in Detroit, with production work by the likes of Al Perkins, Rudy Robinson, and Calvin Carter, the Dells' old boss at Vee Jay. The tunes have a... read more

2 great later gems from The Dells – both essential sides of their later catalog! I Touched A Dream is an especially tremendous record – a bit smoother than before, but still much more daring vocally than most other harmony groups at the time, cutting through some smoother arrangements... read more

One thing you have to remember about The Dells – they always sound great! Even here, in later years, their sound is superb – a rich, deep approach to harmonies that's still head and shoulders above most other groups in the business! The production on the set is by Norman Harris and... read more

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Although this is sort of a cheapo budget issue that looks unofficial, it's a decent compilation of some of The Dells' early doo-wop sides for Vee Jay, just about all of which are pretty tough to find on vinyl in any format. The group's work for Vee Jay was some of their best, and this set includes... read more

Raw funk and southern soul from DeRobert & The Half-Truths – a combo from Murfreesboro, TN who've knocked us out with a few very promising 45s – delivering in full on Soul In A Digital World! The title sums up the group's mission pretty well – blending raw, dirty live funk... read more

12 remixes: "No,No, No Part 2 (Wyclef Jean extended version)", "Emotion (Neptunes rmx)", "Bootylicious (Rockwilder rmx)", "Say My Name (Timbaland rmx)", "Bug A Boo (refugee Camp rmx)", "Dot (E-Poppi mix)", "Survivor (rmx feat. Da... read more

Like many of their Detroit contemporaries, the Detroit Emeralds made a move to up-tempo club sounds towards the end of the 70s – but also like some of the better groups in the city (like the Fantastic Four), the Emeralds had the vocal strength to make the move and still keep a bit of soul in... read more

One of the undisputed masterpieces LPs of 70s soul! William De Vaughn may never be remembered for anything else – and the poor guy will always be mistaken for Curtis Mayfield by record shoppers everywhere – but he really out-Curtised Curtis on the super-dope original version of "Be... read more

Genius work from William De Vaughn – recorded years after his classic "Be Thankful" album, and with a different, modern soul feel – but equally great in its own sort of way! The album came 6 years after De Vaughn's classic crossover hit of the mid 70s – and it's got the... read more

While we have more or less dismissed a lot of the Celluloid world music productions from the 80s in the past, we look back now and realize that was pretty much just purist snobbery. This Laswell produced album of funky afro grooves doesn't have the same hard African funk that we dig so much about... read more

Funky Bo Diddley – one of Bo's key early 70s sessions for Chess Records – all of which have him stepping out in a much harder groove than years past! The sound here is relatively tight – with Diddley guitar and vocals on top of some larger arrangements from Bob Gallo –... read more

Heavy funk from the legendary Bo Diddley – one of his amazing comeback albums from the early 70s for Chess, all of which are plenty darn great! For this set, Bo's traded in the scratchy guitar mode of his classic work for a sweeter, tighter funk-based sound – a groove that's supported... read more

Heavy funk from the legendary Bo Diddley – one of his amazing comeback albums from the early 70s for Chess, all of which are plenty darn great! For this set, Bo's traded in the scratchy guitar mode of his classic work for a sweeter, tighter funk-based sound – a groove that's supported... read more

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Nasty nasty funk from the great Bo Diddley – one of his rare funky 70s classics for Chess – produced by Johnny Otis with a really tripped-out groove! The album's got an edge that seems to go even farther than some of Bo's other Chess work at the time – and picks up the full-on... read more

Nasty nasty funk from the great Bo Diddley – one of his rare funky 70s classics for Chess – produced by Johnny Otis with a really tripped-out groove! The album's got an edge that seems to go even farther than some of Bo's other Chess work at the time – and picks up the full-on... read more

An incredible full album from Dinosaur L – the legendary New York dancefloor project of Arthur Russell! The group's a punky, funky, chunky amalgam of bass thumping, guitar riffing, keyboard filling, and sax honking – all very much in the spirit of Russell's best quirky club work of the... read more

An incredible album from Dinosaur L – the legendary New York dancefloor project of Arthur Russell! – fleshed out and expanded more than ever before by Sleeping Bag and Get On Down Records! The group's core sound is a punky, funky, chunky amalgam of bass thumping, guitar riffing,... read more

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A long-overdue recognition of the blues contributions of Willie Dixon – a set that pulls him out of the indie ghetto and pushes him firmly into the mainstream with this key release on Columbia Records! Yet despite that placement, the style is nicely down home – a strong recreation of... read more

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The best collection we've ever seen on Ernie K Doe – a really massive set that not only features all the tracks from his early years on the New Orleans soul scene, but also includes his great comeback album from 1970 too – plus some killer cuts from the mid 70s as well! Allen Toussaint... read more

Smoking stuff – and one of Bill Doggett's best albums away from the King record label! The style here is even tighter than on King – somewhere in a space between 60s soul jazz and soul instrumental modes – with Doggett's organ right out front in the mix, stepping along some great... read more

Funky funky Hammond – a rare late 60s album from organist Bill Doggett, done with some help from James Brown – and a set that's unlike anything Doggett ever recorded before – or since! There's a blasting groove to the record right from the start – thanks to help from The... read more

A nice little groover from Bill Doggett – recorded after his years at King Records, with a sound that's even more jazz based than his original work! The set features Doggett hitting the Hammond hard, on short instrumental grooves with a mixture of soul jazz and R&B lines to them. ... read more

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A hip little look at Lee Dorsey's best music of the late 60s and 1970s – and a set that features some really great surprises! The core of the collection is some of Lee's funky work recorded with Allen Toussaint on production, and the Meters helping out in the backing – the kind of... read more

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Sublime work from one of our favorite groups ever on Salsoul Records – the amazing harmony quartet Double Expsoure – soaring out here in a set of Philly gems produced by Norman Harris! The album's got a wonderful sound right from the start – rich in rhythms, yet also soaring on... read more

One of the hottest locker rooms in town – thanks to sublime Salsoul grooves from the always-great Double Exposure! The album's got a bouncy groove that's topped by the quartet's wonderfully warm harmonies – easily some of the best from the disco generation, served up in a careful... read more

One of the hottest locker rooms in town – thanks to sublime Salsoul grooves from the always-great Double Exposure! The album's got a bouncy groove that's topped by the quartet's wonderfully warm harmonies – easily some of the best from the disco generation, served up in a careful... read more

A wonderful album – one of those underground classics that seems to show up in everyone's record collection, even though it was never a huge chart hit. Double Exposure are part of the "second wave" of East Coast vocal groups – and like their contemporaries, they mix the sweet... read more

A sterling set from the great Will Downing – and a record that definitely has the master at the top of his game throughout! The package features some songs from his recent trilogy of EP releases – Yesterday, Today, and Tomorrow – but also includes five new songs too – and... read more

The warm soul sound of today – courtesy of the legendary Will Downing! The set's the second in Downing's trilogy of soulful expression EPs, and it's got a wicked sound that's even better than the Yesterday volume – all original tunes by Will, co-written with Chris "Big Dog"... read more

Will Downing, the next chapter – quite possibly the greatest entry in his trilogy of Yesterday, Today, and Tomorrow albums – and filled with fresh grooves that really let Will take off strongly! The vocals are sublime (could we expect anything less from Downing?) – and the... read more

One of Lamont Dozier's true 70s classics – an amazing album of baroque soul with an undeniable groove – kind of the best aspects of Detroit soul, wrapped up together! The arrangements here are fantastic – a mix of strings and soul that surpasses any of Lamont's previous albums,... read more

Fantastic soul from Lamont Dozier – his first LP as a solo artist, and one of the best debuts of the 70s! The record has a quality that's impossible to describe accurately – but it's kind of a post-Motown full-on approach to soul that mixes strings, piano, and that wall of sound groove... read more

A sweet mellow groover from the mighty Lamont Dozier – a set that's not nearly as well known as his earlier work of the 70s, but one that has the Motown man still riding strong! In contrast to the fuller, clubbier grooves of Dozier's ABC work, most of the tunes here are a bit more laidback... read more

Dr. John's second record, cut back in the days when there was a lot more freakiness to his bag – as you'll notice by his eyeballs in the photo on the back cover! The tracks are wild, funky, and messed-up New Orleans R&B filtered through a heavy dose of psychedelics – a unique... read more

The best record in years – maybe decades – from the legendary Dr John – and a set that stands up strongly next to the messed-up Crescent City vibe of his 70s classics! Big thanks are due to Black Keys' guitarist Dan Auerbach – who produced and supervised the whole recording... read more

The Dramatics hit an 80s groove mood here – and as on their clubbier sides from the end of the 70s, the vocals are still wonderful – and more than anything, the set's a strong soul-based set that still has the group at the top of their game! Ballads actually sparkle the best here... read more

One of the excellent recordings made by The Dramatics at ABC – great group soul gems that are sometimes overlooked because they didn't yield as many hits as earlier sets – but which are stellar records nonetheless! This one's got all the right elements firmly in place – killer... read more

One of the excellent recordings made by The Dramatics at ABC – great group soul gems that are sometimes overlooked because they didn't yield as many hits as earlier sets – but which are stellar records nonetheless! This one's got all the right elements firmly in place – killer... read more

Ron Banks, L.J. Reynolds, and crew deliver up a set of tracks that probably aren't their strongest work of the 70's – but which still have a nice mellow soul sound, thanks to great Detroit production by Don Davis. Tracks include "She's A Rainmaker", "Things Are Changing",... read more

Fantastic early work from The Dramatics – an amazing blend of sweet soul harmony vocals, Memphis soul production, and some other-worldly songwriting that far surpasses later work of the group. This album's one of the band's most righteous, with a mixture of Curtom-type message cuts and... read more

One of their best, and a real masterpiece of 70's group soul. The arrangements are sweet, but the group is as hard as they ever were, but free to soar in their singing with the massive arrangements provided by the Detroit Groovesville crew. Ron Banks and LJ Reynolds are in perfect form, and this... read more

Sweetly smooth grooving from The Dramatics – tighter than their years at Stax, but still tremendous stuff vocally – with a sound that mixes the rough and the sweet like nobody else! The album features works by a number of different producers – including group members Ron Banks... read more

Excellent middle period work by the Dramatics – recorded after their years at Stax, with a slightly smoother groove, and featuring some great tunes that really sparkle! By this point, the group were hitting a Detroit modern mode – with less of the rough edges of the Stax work, which... read more

Funky dancefloor material – with production by Norman Whitfield, and vocals by Yvonne "Taka Boom" Brumbach. The groove is somewhere near the vein of late Undisputed Truth – and although the group is wearing these silly costumes on the front the album's less disco than you... read more

Sweet Chicago soul from this ex-lead singer of the Drew-Vels! The tracks are arranged and conducted by Phil Wright, and they have a pretty nice groovy soul feel – in the Capitol mode of the late 60s. The record's got a fair number of covers, like "I, Who Have Nothing", "What... read more

A dozen of the biggest numbers from the seminal vocal group, including "There Goes My Baby", "(If You Cry) True Love, True Love", "Dance With Me", "This Magic Moment", "Save The Last Dance For Me", "I Count The Tears", "Some Kind Of... read more

The third in The Drifters' early 70s revival run in the UK for Bell Records – and possibly the strongest album of the bunch! The lineup of the group has changed a bit, but the sound here is still the same – a nice 70s update of the group's earlier sound – in a way that still... read more

Seminal work from the post-Clyde McPhatter version of The Drifters – a sublime batch of singles that really showcase all that's great from the second chapter of the group! The set's way more than a "best of" – as it was the only full album to feature most of these cuts –... read more

A wonderful album of hip jazzy vocals from Urszula Dudziak – an amazing singer who was sort of Poland's version of Flora Purim! Like Flora, Urszula had a fierce scatting and riffing style that broke way past the work of earlier female jazz singers – and she always applied this style to... read more

A great collection of deep soul work by singer Doris Duke – one of the lesser-remembered talents from her day, but an emotive diva who could sing with the best from Memphis or Muscle Shoals. The set features 12 tracks produced by Jerry "Swamp Dogg" Willams (who also arranged and... read more

A wonderful album from George Duke – and one of our favorite records from his legendary years at Columbia! George Duke's always had plenty of Brazilian elements in his music – but this album really brings them all together – offering up a perfect blend of Duke's keyboards and... read more

A sweet bit of modern funk from George Duke – working here in a mode that's definitely tighter and more soul-based than his trippier albums of the early 70s – but also in a groove that's pretty darn sweet! George wonderfully blends together his jazz roots and some of the wider soul... read more

A sweet bit of modern funk from George Duke – working here in a mode that's definitely tighter and more soul-based than his trippier albums of the early 70s – but also in a groove that's pretty darn sweet! George wonderfully blends together his jazz roots and some of the wider soul... read more

Heavily layered work from George Duke – a record that seems to push all his influences and aspects at once, sometimes getting in the way of each other, but sometimes making for some very nice grooves! The best tunes on the set are those that have a bit of space in them – letting Duke... read more

One of George Duke's best albums for the MPS label – and a set that has a sound that's a little bit more soul than before! The album uses a fair bit of vocals alongside Duke's funky keyboards – but in a way that's not nearly as smooth as some of his albums for Epic, and which still... read more

An underappreciated soul set from George Duke for Epic – his Rendezvous from '84 – an engagement worth keeping! Given the mid 80s release date, you might be expecting a whole lot of programming and drum machine action – there's a bit of it, but this is a really lively set with... read more

Funky funky funky! The Duke Of Burlington were a lost Italian combo from the 70s – but on their best cuts, you'd swear they were an American group like The Meters or The Nite Liters! The band mix up hard heavy piano, funky drum breaks, choppy guitar, and some nice soulful flute solos –... read more

Mad funky genius, a revolution in sound indeed! This lost album of funky piano craziness by the Duke of Burlington seems like it might be a sound library album or production music set, but it goes way beyond even the best of those! Lots of breakbeats, funky riffs, and groovy bass stuff with a... read more

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Ian Dury takes his spastic rhythm style to Jamaica, where he adds in Sly & Robbie to the mix, and gets produced by Chaz Jankel. Not his classic stuff, but pretty nice anyway. Tracks include "Spasticus (Autisticus)", "The (Body Song)", "Lonely (Town)", and "Fu... read more

One of the few rare albums cut by Chicago soul jazz singer Jean DuShon, an artist that Chess really tried to push in the mid 60s, but who never really seemed to make it. This one's a nice set of intimate jazz vocal tracks, sung with the Herman Foster trio, and covering a range of material from... read more

A great lost bit of mid 70s Motown – a pair of should-be classic albums by Dynamic Superiors – in a single set! Dynamic Superiors were a great harmony group with an east coast sound – quite different from the usual Motown combo in that their vocals were often allowed very free... read more

Sweet group soul from The Dynamic Superiors – one of the few late 70s comers who still held onto that great falsetto lead that was big in the earlier part of the decade! The album does a great job of mixing funky numbers with sweeter, mellower cuts – in ways that also kind of bridge... read more

Quite possibly the greatest record ever from Clifton Dyson – a solo effort that has him stepping away from his Dyson's Faces group, and emerging as a heck of a great singer on his own! The album's got a warm modern soul feel throughout – much more mid 70s indie than you'd guess from... read more

A pair of overlooked gems from Ronnie Dyson – both of which show there's way more to love than just his early hits! On Love In All Flavors, Ronnie's older than during his falsetto soul early years – and he's working here with some impeccably mature Chicago soul arrangements by Gene... read more

Sublime spiritual soul from Dyson's Faces – a mid 70s east coast group headed by singer/songwriter Clifton Dyson, an ensemble that was equally well suited to uptempo groovers and mellow harmony soul! The vocals here are especially great – handled beautifully by the group with an... read more

The second incredible album from Dyson's Faces – one of those underground 70s groups that should have been huge! The set's got a soaring sound that's even more righteous than the group's debut – a quality that glows wonderfully with the quartet's mix of male and female voices – a... read more

Stellar grooves from Charles Earland – a great mix of jazz, soul, and funk – put together in a way that's quite different from his previous records on Prestige or Mercury Records! The sound here is tight 80s soul – put together by Tom Tom Washington, who gives the whole thing a... read more

A great little groover from keyboardist Charles Earland – and an album that definitely lives up to its title! There's plenty of street sounds going on here – lots of modern R&B modes that echo the changing styles of early 80s soul music, especially on the east coast! And as part... read more

Genius, pure genius! It was hard for Earth, Wind & Fire to go wrong at this point – and the album's a stellar blend of jazz, funk, and soul, all done in that perfect style they'd hit by the mid 70s. And even though this one was a monster album, of the type that you see in everyone's... read more

Genius, pure genius! It was hard for Earth, Wind & Fire to go wrong at this point – and the album's a stellar blend of jazz, funk, and soul, all done in that perfect style they'd hit by the mid 70s. And even though this one was a monster album, of the type that you see in everyone's... read more

Earth, Wind & Fire's first album – recorded at a time when the group recently had ties to the Chicago soul and jazz scenes, and a range of experience that ran the gamut from work with Sun Ra, the Artistic Heritage Ensemble, The Pharoahs, Ramsey Lewis, and countless other influential... read more

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Great stuff! Although a live album, Gratitude is one of Earth Wind & Fire's greatest from the mid 70s – a very tight batch of grooves that proves that Maurice White & Co. could play just as well on stage as they could in the studio – and the noise of the crowd going wild is... read more

A tremendously beautiful album – and a righteous anthem of power and growth that seems to open itself up to us more and more over the years! Earth Wind & Fire are at their height here – mixing together soul and funk with a set of influences that includes African percussion and... read more

A rare promo pressing of one of Earth Wind & Fire's biggest hits!... read more

The Powerlight is burning bright – Maurice White, Philip Bailey, and the rest of the group still very much in classic formation! Even on a post-70s set like this, Earth Wind & Fire still manage to come up with tracks that beat the rest of the ensemble funk groups that grew up in their... read more

Amazing! Earth Wind & Fire's ultimate moment of the 70s – and a perfect blending of all their influences that stands as a lasting tribute to their super-huge effect on soul music! The record features all aspects of the band coming into perfect cohesion – bassy funk, mellow soul,... read more

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Righteous soul – and the only record ever cut by East Coast – a group led by Larry Blackmon, featuring early vocals by Gwen Guthrie! The style is very hip – a mixture of funk and progressive grooving, all held together with a sound that's young, proud, and which moves easily... read more

A pair of great albums – brought together in one super-heavy package! First up is the legendary East Of Underground record – an uber-obscure LP recorded in 1971 by a group of US Army serviceman at the Armed Forces Network studios in Frankfurt, Germany – originally used as a... read more

A killer batch of work from Eastside Connection – one of the hippest soul groups on the LA scene of the 70s, and a key link to that city's older tradition of Latino soul! Eastside Connection have a sound that's a bit more smooth and aimed at the clubs than earlier LA groups of their type... read more

The Ebonys sing about life, and a host of other groovy topics too – in this lost soul treasure from the 70s! The set is one of only two albums ever cut by The Ebonys – a consistently great group from the 70s, as is testified by their constant popularity in our racks! The quartet has a... read more