Soul — In Stock — 12-inch  

Produced by Timbaland.... read more

Brilliant stuff – and one of the greatest P&P singles ever! Marta Acuna's "Dance Dance Dance" is one of those tracks that we never tire of – a sublime blend of Latin rhythms, warm disco vocals, and that great spacey P&P approach to production! Sweet female vocals... read more

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A great 80s groove track, with a sound reminiscent of Arrington's best work with Slave, with a pumping midtempo groove.... read more

Snapping beats and a really great 80s groove make "Checking You Out" one of Aurra's best tracks! The tune starts out slow, in a way that's perfect for bringing up out of a mix – then the vocals come in with some nice electro undercurrents – really making for a catchy appeal... read more

Rare work from Aurra – recorded right at the tail end of their years at Salsoul Records, and with a groove that's still very tight and in the pocket1 "Satisfaction" is a bassy groover that has plenty of bump way down at the bottom – that leaner groove Aurra used near the end,... read more

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Doobie-doo doobie-doo! One of the catchiest Roy Ayers dancefloor tracks ever – a bassy bumping thumper that wonderfully skirts the line between clubby and funky! The track's got female vocals singing along with the hook – all in a mode that's quite similar to the most uptempo work by... read more

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After "The Bottle", Joe's big remake of the Gil Scott Heron song in 1975, "Rap-O Clap-O" was probably his second biggest club cut. The track's got a very catchy groove – with sort of a stomping beat that Joe used to cook up his own dance. Arranged by the great Marty... read more

After "The Bottle", Joe's big remake of the Gil Scott Heron song in 1975, "Rap-O Clap-O" was probably his second biggest club cut. The track's got a very catchy groove – with sort of a stomping beat that Joe used to cook up his own dance. Arranged by the great Marty... read more

A groovy little version of The Beach Boys' "Here Comes The Night" – updated to a clubbier style from the original version – with soaring strings, dancefloor rhythms, and a bit of keyboards too!... read more

Kenny Dope takes on the funkiest sounds of the Miami Soul generation – on a single that's got more heavy funk than most full albums! Side one features a great edit of Beginning Of The End's "Come On Baby" (aka "Come Down Baby") – a groove that's just as heavy as... read more

A sweet disco cut from Maynard Parker – a cut that really takes on a whole new life here in Kenny Dope's mix! The track starts with some stark, pounding beats – almost pre-house in construction, and peppered with piano riffs and cowbell bits before giving way to some breathy, sexy... read more

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An obscure single taking off from a groove borrowed loosely off Zapp's "More Bounce To The Ounce" and adding a sort of quasi-rap vocal over top, that sounds more like George Clinton type vocalese than any sort of hip hop.... read more

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Another nice track from Began Cekic, with a helping hand from Tee Scott. The groove's popping early 80s sound has a crisp midtempo almost roller skating vibe.... read more

Bass heavy funk from the Brothers Johnson and Quincy Jones. This track was the heavier b-side to their "Strawberry Letter 23" single, but is issued here as a double a-side promo, and while not as completely sublime as that track, it's a mighty commercial funk groove in its own right!... read more

Later stuff from the JBs and James, but still pretty good! "If You Don't Give" is a remake of an earlier track, done here with slightly more modern production.... read more

One of the most soulful club tracks we can remember from the mid 80s – and a cut with a hook that just won't quit!... read more

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Mixed by Jim Burgess.... read more

Many years after his huge club hit "Do You Wanna Get Funky With Me?", but still a nice club groover, with more of an 80s jazzy feel and some nice production assistance from Jellybean Benitez.... read more

Carleen & The Groovers are one of THE monumental groups in the funky 45 scene of the early 70s – and they've got an incredibly tight sound that rivaled the JBs – with hard heavy drums, choppy scratchy guitar, and a blaring horn groove! Vocals are very upfront in the mix, and the... read more

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Loopzilla is from the same species as Atomic Dog – both of them funky enough animals, with post Parliament/Funkadelic P-Funk groove!... read more

"Nubian Nut" is more of the Atomic Dog formula – kind of a popping bass groove that was the inherited legacy of P-funk that every other band was ripping off at the time, and rap-like vocals that George would probably never claim were rap! "Free Alterations" is the real... read more

Man, we really love this song to death – and it's a Spaced Out disco classic that never gets old! Cloud One are at their moogy P&P best with the number – letting things rumble out with a wicked mix of vibes and electronics – all bubbling to the top of the mix with support... read more

A great 80s groove single, with a slightly more mainstream soul approach than we'd expect from Began Cekic, but without sacrficing any club appeal!... read more

An excellent early 80s groover – and a cover of the Police hit, no less! The track takes the original song, and turns it into a space-infused club track – mostly instrumental on both sides, with the vocal chorus just floating around in the background.... read more

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Another cut from the "Smurf" dance era. This one is really more of a roller-skating style record with sung female vocals than a real hip hop record.... read more

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Classic club track from Chantal Curtis – produced with a sweet disco sound, courtesy of Pierre Jaubert, and mixed here by Glen Black!... read more

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Legendary Bay Area soul numbers by Darondo – as re-edited/remixed/liberally-adapted by Tall Black Guy and Dandy Teru! First up is Tall Black Guy's take on "I Don't Want To Leave" – which uses Darando's "Sure Know How To Love Me" as it's source material. The breezy,... read more

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A rare promo pressing of one of Earth Wind & Fire's biggest hits!... read more

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"It Should Have Been Me" is a famous ballad track by Yvonne – done in a slow, building style, with a real weepy southern finish, one of her best tracks ever!... read more

A killer Kenny Dope take on this lost club classic! "I Want To Be Loved By You" is a perfect blend of soul, club, and funk – a track that shows that the underground club vibe of the late 70s wasn't always restricted to the east coast scene of P&P and other labels! The track's... read more

6 raw club tracks with a touch of acid in the classic Trax tradition!... read more

A Chicago house classic, taking off on the riff from the Isaac Hayes tune that's been re-edited and mixed as doubles in clubs for ages and turning it into a new club anthem!... read more

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Larry Heard and Robert Owens what more need we say? Mr Fingers adds his soulful, jazzy touch to a classic classic Chicago house bass line, then Robert Owens lays his rich vocals over the top for a certified classic!... read more

Classic Larry Heard and Robert Owens, from the golden age of Chicago house!... read more

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Funky disco at its best from a lesser known group, blending equal parts uptempo soul, soaring string laden disco arrangements and bottom heavy club grooves, put together without cliché.... read more

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Rare early 70s soul from Cinci! "Doon-Chang" by the female vocal combo 4 Jades has a little bit of a psych funk vibe going on thanks to the guitars – with a funky bassline prominent in the mix, some sax, nicely -grooving organ and solid drums. Still, it's the voices that shine the... read more

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Once upon a time we knew who was behind this great raw original acid track released on the seminal house label Trax, but honestly we can't recall right now, though that doesn't diminish how much we love this percolating Chicago classic!... read more

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A sweet little 80s groover – nice female vocals, a snapping bass-y kind of groove, and a very satisfying overall style that makes for a pretty nice tune!... read more

Nice early jazzy Chicago house, very much in the vein of Mr Fingers.... read more

Peoples Potential funk from the height of the 80s cosmic groove era! "I Like The Way You Do It" is by The Loni Gamble Band feat Lisa Warrington, a funky group tune with a tighter feel than some of the more electro steeped vibes of times with a nice guitar groove and spacey keys.... read more

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The closest that Marvin ever came to a disco single – a 12" version of this long funky track from the Here My Dear album, expanded to 8 minutes for the single, and featuring an instrumental version too!... read more

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A sweet little club track put together by the great Vince Montana – and lifted from the one and only Goody Goody album on Atlantic! The cut's offered here in a disco mixed vocal version, plus a nifty instrumental, which features Montana's vibes, and a lot of soulful sax soloing!... read more

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A massive early 80s electro club groove, with great syn drum beats and some nice soulful vocals over top!... read more

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Another bit of electro grooving from Herbie's Future Shock LP – with lots of space age keyboards, and tweaked up electro beats! Bill Laswell produced and plays bass, too. Herbie's classic version of "Chameleon" is presented here in a 14 minute remix – but one that really... read more

A nice later house track from the Masters At Work for Strictly Rhythm in the label's waning days, but you wouldn't know it from the sound of this cut.... read more

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It's a bit far from the early P-Funk days on the club groover "Not Yet", but "I Think I Got My Thang Together" has an excellent Bootsy-esque groove – with midtempo drums, fuzzy guitar, and some super-slick lyrics with a good hook!... read more