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Promo flexi included with Bucketfull Of Brains Issue 16.... read more

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One of the weirdest records ever on ESP – a dreamy mix of vocals from this family-based group – set to jazz-based instrumentation, over rhythms that range from funky to bossa! The singing's a bit rough at times, but that's part of the charm – as The Leavitts have an earnest,... read more

A beautiful little record from singer/guitarist Bruce Lewis – a virtually unknown talent who worked in the northern Kentucky scene of the 80s, and who steps out here with a very unusual sound! Lewis sings with a nice touch of 80s augmentation – not commercial, but kind of electric... read more

Standout sounds from the 60s pop scene in LA – classic tracks from jangle-pop genius of Gary Lewis & The Playboys! Gary's vocals are plenty catchy, as are the group's rhythms and guitars – but it's also the studio production that really grabs us too – much of which was... read more

A motherlode of mid-to-late 60s Killer – 5 whole albums for Smash Records – I'm On Fire, Return Of Rock, Memphis Beat, Soul My Way and Together (with Linda Gail Lewis) – in a 2CD set! The heart of the collection are the records Jerry Lee cut for Smash from '65-'67 – and... read more

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An amazing little record from the free-thinking scene in Uruguay at the end of the 60s – a strange mix of styles, but a brilliant one too! Limonada only ever cut this one record, but it's a real masterpiece – a blend of 60s beat group instrumentation, candomble rhythms, and some of the... read more

Definite gold from Liquid Blue – an obscure indie group from the 70s, but one with a tight sound that should have made them huge! The style here is partly soul and funk, partly smoother AOR crossover material – but served up with a nice indie vibe that still keeps things fresh, and... read more

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The third album from Little Feat – and one that brings a bit of Crescent City rock and soul into the mix – but it's still Little Feat, so it's got a restless creative energy that's beautifully tough to classify! There's quite a bit of soul influences in the mix – especially the... read more

The last album of the 70s by Little Feat – and it's a strange one! On one hand, Little Feat is revisiting some of their country rock and New Orleans-inspired roots of years past – as well as the self-conciously oddball humor. But they're also working in a tighter, leaner and cleaner... read more

Of course, this is not the last record album – it's not even the last album by Little Feat – but it's a damn good one! The Last Record Album isn't as creatively restless as the previous few albums, with kind of a laidback groove, overall – and we actually really dig Little Feat... read more

The first album from the great, freewheeling, genre-defying Little Feat! This album, like all the others from Little Feat, isn't easy to pigeonhole – rolling from sun-toasted country rock to roadhouse-y blues and beyond – in a way that feels perfectly right and natural. It's not as... read more

A later album from Little Feat – and one that adds some new dimensions to their ever-searching vibe! On Time Loves A Hero, Little Feat takes some surprising steps – even for them – into a bit of a fusiony rock vibe some of the time. Still, the soulful boogie rock and stripped... read more

A later album from Little Feat – and one that adds some new dimensions to their ever-searching vibe! On Time Loves A Hero, Little Feat takes some surprising steps – even for them – into a bit of a fusiony rock vibe some of the time. Still, the soulful boogie rock and stripped... read more

A landmark album of hard-rocking soul – and a record that broke open both genres for a generations to come! The set's about as classic as you can get for Little Richard – filled with killer numbers that jump around boldly in some heavy New Orleans piano-led grooves – all topped... read more

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Rare mid 60s garage rock from Adrian Lloyd – the wild scream-punctuated/Bo Diddley beat inspired "Lorna" and the less manic, but just as great "Got A Little Woman"! The hard-to-find Charger Records single gets much-needed reissue here by Sundazed.... read more

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With a name like this, you'd expect Lollipop Shoppe to be a sweet California band with a sunny pop feel – but instead, they've got a really nasty, nicely gritty sort of feel – kind of Sunset Strip garage rock turned towards more manic modes, a bit like early Love at their best! There's... read more

The genius of 60s pop is hardly summed up better by anyone else than Claudine Longet! This dreamy female singer cut a handful of excellent late 60s albums for A&M – and this gem from 1967 is one of her best! The set's arranged by Nick DeCaro, and produced by Tommy LiPuma – all in... read more

Always-great work from lovely French singer Claudine Longet – a vocalist with a style that's unlike anyone else we can think of! This one's another sublime blend of French 60s pop and sunny A&M production – arranged to perfection by the great Nick DeCaro, with touches that deepen... read more

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Early Brit pop from Jerry Lordan – best known as the songwriter of a host of hits for bigger artists in the pre-Beatles years – stepping out here in an album of his own! Jerry's a singer with a surprising degree of charm – not a full-on rocker, but more of an old school vocalist... read more

A nice little record with a sound that's a bit like some of the more compelling vocal Verve projects at the end of the 60s – no surprise as it features arrangements by Albert Gorgoni, who worked with Astrud Gilberto – and audio direction from Brooks Arthur!... read more

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A really cool record from the late 60s Spanish rock scene – done with a pop-ready simplicity, but accented with some gritty, garage psych touches too! Contrabando features a newer line-up of the group, after Juan Pardo and Antonio "Junior" Morales left the group to for Juan Y... read more

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One of the most striking groups we've heard from the Chilean scene of the late 60s – a quartet who have the groovy garagey sound of their contemporaries, but also manage a darker style overall! The lyrics are in English throughout – something the band always insisted on – but... read more

A mindblowing bit of psych from the late 60s – and a record that has way more to offer than just the usual fuzzy guitar, thanks to key use of moog, theremin, and tape tricks! There's a really freaky feel to the record from the start – a quality that's hipper than most of the... read more

An unusual album from Arthur Louis – and a set that features some surprising guest work from Eric Clapton on guitar! Louis has this raspy style that's not far from Clapton's – and the presence of the famous guitar definitely helps shape the sound of the record too – giving it a... read more

A fantastic record of country harmony spirituals, cut by the legendary Ira and Charlie Louvin, during the height of their years at Capitol! The record's a treasure all the way through – from great cuts like "Satan is Real", "The Drunkard's Room", and "Dying From Home... read more

The soul saving, Satan deterring classic by The Louvin Brothers – plus the excellent Handpicked Songs compilation of Louvin tracks lovingly selected by an eclectic group of indebted artists – in this great 2CD set from Light In The Attic! Satan Is Real is a fantastic record of country... read more

What can we say? This is one of the greatest albums of all time – and it's made even better through the addition of a bunch of previously unissued tracks! The record's got a sound that's completely unique – as crack LA garage punk rock meets Hollywood baroque production, and the... read more

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The last Spoonful long player with chief songwriter/arranger John Sebastian – a solid effort in a (thankfully) similar vein to their earlier classic work, but with hints of the sprawling efforts that blanketed late 60s pop. There's still a few big hits in the mix – "Six O'Clock,... read more

A very cool Elektra compilation – with rare non-Buddah work by the Lovin Spoonful, plus material by Al Kooper, Tom Rush, Paul Butterfield Blues Band, and Eric Clapton & The Powerhouse!... read more

Vinyl version of this favorite from the In The Fishtank series – which sees the teaming of slowcore pioneers low and instrumental mood rock greats Dirty Three.... read more

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Rare, spare and hypnotic post psychedelic material from Ted Lucas – a Detroit reared instrumentalist who studied sitar under Ravi Shankar, and whose alternate guitar tunings lead some fairly straightforward songcraft into the realm of ragas and otherwise hypnotic atmospheres! It's a great... read more

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Wonderful stuff! You probably know Mama Cass as one of the "mamas" in the Mamas & Papas – but she's got an insane pop vision on her own, a mad mix of the sweet, psychedelic, and historic, filtered through the haze of a late 60s LA summer afternoon. File this one next to your... read more

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The early 70s last hurrah for the Mamas & The Papas – who still deliver rich harmonies and a surprisingly creative breadth of styles on this long-delayed final album! The Cali rock scene, and the world at large, were both quite different in 1971 than they were in the late 60s –... read more

Funky, freaky, and freewheeling – a killer 70s set from Baris Manco – and quite possibly the greatest realization of his unique blend of sounds! Some tunes are short, while others are much longer – and Manco seems really set free to experiment here – still using the cool... read more

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A never-issued session from a young Terry Manning – later a big force on the Memphis scene, thanks to his work for Stax and Ardent – but here heard in one of his first musical outings ever, a small trio with just his own vocals and guitars, plus drums and percussion! The recording... read more

A never-issued session from a young Terry Manning – later a big force on the Memphis scene, thanks to his work for Stax and Ardent – but here heard in one of his first musical outings ever, a small trio with just his own vocals and guitars, plus drums and percussion! The recording... read more

If Terry Melcher hadn't given Charles Manson the brush off, this album may well have come out on Columbia in the late 60s, and made Manson the rock and roll star he wanted to be! And while we're as disturbed as everyone else by the history of Charlie's violence, we also have to admit that we're... read more

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A rare album that Rusty Evans cut as Marcus for the Kinetic label – a beautifully produced set of lushly-accent psych folk – in a great package filled with demos, alternate versions and outtakes – in a 2CD set from Lion! Evans may be best remembered for his San Fransisco Sound... read more

A groovy set of surfing stomps performed by The Marketts – some of the best Liberty surf rock ever! This record finds these players pairing up rumbling rhythms and raw percussion with nicely grooving piano and some sweet sax – with some tight, punchy guitar grooves to keep it well... read more

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Weird and wild work from producer/performer Jean-Pierre Massiera – the force behind Les Maledictus Sound, and an even crazier talent on his own! The tracks on this first volume are completely over the top – a psychotic, psychedelic blend of fuzzy guitars, rough percussion, spare... read more

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A timeless take on Cali psych from Maston! It's a pretty sweet take on classic styles – rolling from rawer, eerier takes on the melancholy sunshine of Pet Sounds to even moodier songcraft – with tripped out, though melodic vocal material and some cool instrumentals alike. While the... read more

A Sunshine Pop treasure – and a record that perfectly straddles a few different strands of late 60s pop! The quintet have fabulous harmonies – of the sort rooted in The Four Freshmen, and given a sunny finish by The Beach Boys – but they also move here in a way that prefaces soft... read more

A record of pure genius and one of the greatest albums ever to come out of the British jazz rock scene – in an expanded 2CD package – with BBC and Peel Sessions, plus previously unreleased studio material! Matching Mole was a bit of a supergroup at the time – one that featured... read more

Fantastic work from this legendary British prog/jazz/rock group that featured Robert Wyatt and Phil Miller – with a full CD of bonus material! Little Red Record was originally one of the only two they ever cut, and it sounds like a mix between Wyatt-era Soft Machine material, and some of... read more

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A really nice set from Ian Matthews – who cut his teeth a few years earlier with Fairport Convention – and gets a little help here from fellow Fairporters Sandy Denny and Richard Thompson. Ian's warmth in the vocal department really glows here – and the sound overall brings in... read more

One of the 2 terrific records ex-Fairport Convention singer-songwriter Ian Matthews cut for the Vertigo label in the early 70s – built around Matthews wonderful vocals and acoustic guitars, but with a tighter rhythmic backdrop the the typical post folk trope! The key here is warmth –... read more

A really messed-up blend of soul, rock, and blues – done in a style that's very much in keeping with the genre-busting Fillmore scene of the late 60s! Maximillian are a trio who run through Hendrix-like guitars, deep soul styled vocals, and bluesy riffing – often in the course of the... read more

Glittering sunshine pop throughout! MC Squared has a name that may sound like a weak late 80s crossover rapper, but the group's a killer harmony act from late 60s Reprise Records – produced to perfection by Lenny Waronoker, and given the same mix of tight studio and hip undercurrents that... read more

A full blown duets album by Bonnie Prince Billy and Dawn McCarthy of Faun Fables –co-headlining a straight-up beautiful set of tunes once sung by The Everly Brothers! They're not going for the hits here, rather taking on some of the more unusual Everly originals and covers – which... read more

A full blown duets album by Bonnie Prince Billy and Dawn McCarthy of Faun Fables – co-headlining a straight-up beautiful set of tunes once sung by The Everly Brothers! They're not going for the hits here, rather taking on some of the more unusual Everly originals and covers – which... read more

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An early moment of genius from post-Beatles Paul McCartney – a solo set that's wonderfully diverse throughout – filled with the kinds of cool little twists and turns we loved in his late Beatles records, and in his 70s killers with Wings! There's a newly-emerging sweetness going on... read more

An early moment of genius from post-Beatles Paul McCartney – a solo set that's wonderfully diverse throughout – filled with the kinds of cool little twists and turns we loved in his late Beatles records, and in his 70s killers with Wings! There's a newly-emerging sweetness going on... read more

Sugar sweet pop rock from Paul McCartney & Wings – much more adventurously arranged than most of McCartney's post Beatles releases, Wing-ed or not – and to our ears (and many others), it's also his best post-Beatles album! There's plenty of rave up rock & roll leading into to... read more

Slammin party rock from The McCoys – a garagey group with a sound so catchy, they managed to catch on big on both sides of the charts! The group's well-known title hit is in the lead of this set – but the whole thing's plenty darn groovy, with a tight style that mixes together equal... read more

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Forget the "honky tonk" in the title – because this girl knows how to groove! Ellen McIlwaine's got to be one of the most unique talents of the past 50 years – a skilled guitarist, and great singer – working in a blend of folk, jazz, and soul that lies somewhere between... read more

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A cool contemporary set from Brazil – one that's got a great mix of folksy roots and inventive production – the latter of which comes from some great help in the studio by Kassin! Kassin co-produced the recorded with singer Vitor Patalano – whom himself already has a pretty... read more

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Surprisingly great arty work from this obscure combo – a definite New York downtown vibe, especially on the funky first track!... read more

Includes "The Any Several Sundays", "Touch The Water", "Peerless", "Won't Make You (Sleepy)", and "Peerless II".... read more

A pair of classics from the great Bill Medley – pulled from his key early years on his own! Bill Medley 100% a surprisingly wonderful little record – and a real testament to the blue-eyed soul of Medley! The set's a solo outing that has Bill stepping away from his fame as a Righteous... read more