Rock — All Formats  

Includes her classic version of "Twisted" – plus "Just Like This Train", "Car On A Hill", "Help Me", "Court & Spark", "Down To You", "Free Man In Paris", and "People's Parties".

A rawer, edgier Tom Waits starts to emerge on Blue Valentine – he's still the booze and smoke-stained ballad singer, but he's got a buzzing, electric edge and some bruised rhythms to match! Really great stuff from Waits as he was nearing the end of his excellent run on Asylum. Includes "Somewhere", "Red Shoes By The Drug Store", "Christmas Card from a Hooker in Minneapolis", "Romeo Is Bleeding", "Whistling Past The Graveyard", "Kentucky Avenue", "Blue Valentines" and more.

One of the stellar earlier albums from Tom Waits – with lots of slower, piano-led bluesy and jazzy ballads – on top of the jivey, gravelly charisma of his voice and songwriting. The mix of that gruff voice and the fairly pretty instrumentation is prime Waits, from this period. This is the 40s, 50s and 60s-inspired Waits at his near-finest. Includes "Cinny's Waltz", "Muriel", "I Never Talk To Strangers", "A Sight For Sore Eyes", "Barber Shop", Foreign Affair" and more.

An early one from Waits – his second album – and a great one! Like the rest of his first few records, this is a kind of like a street-savvy, hipster cabaret affair, with less of the eccentricity that would reveal itself later in his career. Still a great record though, rendered with a Bukowski-esque salt of the earth palette. Includes "Fumblin' With The Blues", "Please Call Me, Baby", "Diamonds On My Windshield", "New Coat Of Paint", "The Heart Of Saturday Night", "Drunk On The Moon", "Shiver Me Timbers", "San Diego Serenade", "Semi Suite", "Depot, Depot", and "The Ghosts Of Saturday Night (After Hours At Napoleone's Pizza House)".

One of the all time great albums from Tom Waits – possibly the pinnacle of his earlier drunken poet style of songcraft – and with some of the most achingly beautiful songs he ever laid down! It features the classics "Tom Traubert's Blues" and "Step Right Up" to kick it off, followed by boozy ballads and sly, bedraggled ne'er-do-well tales, and old school strip club-dweller love songs like no others. Other tracks include "I Wish I Was In New Orleans", "The Piano Has Been Drinking (Not Me)", "Invitation To The Blues", "The One That Got Away", "Small Change" and more.

An early one from Waits – his second album – and a great one! Like the rest of his first few records, this is a kind of like a street-savvy, hipster cabaret affair, with less of the eccentricity that would reveal itself later in his career. Still a great record though, rendered with a Bukowski-esque salt of the earth palette. Includes "Fumblin' With The Blues", "Please Call Me, Baby", "Diamonds On My Windshield", "New Coat Of Paint", "The Heart Of Saturday Night", "Drunk On The Moon", "Shiver Me Timbers", "San Diego Serenade", "Semi Suite", "Depot, Depot", and "The Ghosts Of Saturday Night (After Hours At Napoleone's Pizza House)".

Overblown rock from an overblown cartoon – with cuts that include "Reach Out" by Cheap Trick, "Heavy Metal" by Sammy Hagar, "Veteran Of The Psychic Wars" by Blue Oyster Cult, "Mob Rules" by Black Sabbath, "True Companion" by Donald Fagen, and "Working In The Coal Mine" by Devo.

One of the stellar earlier albums from Tom Waits – with lots of slower, piano-led bluesy and jazzy ballads – on top of the jivey, gravelly charisma of his voice and songwriting. The mix of that gruff voice and the fairly pretty instrumentation is prime Waits, from this period. This is the 40s, 50s and 60s-inspired Waits at his near-finest. Includes "Cinny's Waltz", "Muriel", "I Never Talk To Strangers", "A Sight For Sore Eyes", "Barber Shop", Foreign Affair" and more.

A beautiful way to dive right into the some of best work ever by Joni Mitchell – a 10CD set that brings together her first 10 albums in a single set – including her great couple of early efforts for Reprise and her incredible Asylum work from throughout the 70s! These albums travel from gentle folk pop and rock, to an ambitious blend of jazzy experimental instrumental touches as a backdrop – and feature some of very best songcraft of the era by anyone! The titles include Songs For A Seagull, Clouds, Ladies Of The Canyon, Blue, For The Rose, Court And Spark, The Hissing Of Summer Lawns, Hejira, Don Juan's Reckless Daughter and Mingus – and nearly every one is essential!

Crucial early work from Rip Rig & Panic – a set that has the group getting some help from Don Cherry – father of the group's soon-to-be-famous vocalist Neneh Cherry! There's plenty of elements here that almost step out of Cherry's 70s European experiments – elements of world music and electronics mixed with a punky, funky, dubby style that also has elements of jazz. The sound is about as perfect as you can get for the early 80s experimental post-punk years – and titles include "Tax Sex", "Subversive Wisdom", "Storm The Reality Asylum", "Hunger", "Another Tampo Up The Arse Of Humanity", and "Here Gathers Namless Energy".

Pure mainstream 70s pop genius – and the most fully formed of all early Supertramp albums! The set's a masterpiece from start to finish – filled with themes of loss and loneliness, but served up by the group with an incredibly redemptive sense of majesty and power. The keyboards on the set work perfectly with the oddly-timed rhythms of the tunes – and there's a great blend here between high concept and straight ahead pop. Titles include "School", "Bloody Well Right", "Asylum", "Dreamer", "Rudy", and "Crime Of The Century".