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The end of the stairway for Led Zeppelin! A couple of bluesy covers, a strong folk-styled original – and some tried-and-true Zeppelin stormers – on a fairly succinct final album. Early on are a couple of comparatively meditative numbers, and album builds to an exciting, hard-rocking... read more

Led Zeppelin at peak power – mixing hard rock bombast with deep, genuine love for blues and folk guitars! Houses Of The Holy is the essential the blueprint for countless imitators to come – but it's also got smarts, subtleties and creative ambitious that's just plain lost on the... read more

Led Zeppelin at peak power – mixing hard rock bombast with deep, genuine love for blues and folk guitars! Houses Of The Holy is the essential the blueprint for countless imitators to come – but it's also got smarts, subtleties and creative ambitious that's just plain lost on the... read more

Led Zeppelin's final album of the 70s! The band was conscious as ever of modern studio sounds by the this point – and they find a way to deliver their hard blues-inspired heavy rock with some new wave synth and other late 70s touches. It works pretty well, and with songs as great as "Fo... read more

One of the most monumental debuts in rock history! Led Zeppelin pretty much took over rock right from the beginning – which isn't too surprising, given that Jimmy Page had an in-demand guitar heavy for years already – but this one is astonishing to this day. Bluesy hard rock at it's... read more

One of the most monumental debuts in rock history! Led Zeppelin pretty much took over rock right from the beginning – which isn't too surprising, given that Jimmy Page had an in-demand guitar heavy for years already – but this one is astonishing to this day. Bluesy hard rock at it's... read more

One of the most supremely classic of all classic hard rock albums! As huge as the debut was, Led Zeppelin II is the one that proves they were going to be in it for the long haul – not only for their own era, but for the entirety of the rock and roll era! No heavy rock band held some a... read more

One of the most supremely classic of all classic hard rock albums! As huge as the debut was, Led Zeppelin II is the one that proves they were going to be in it for the long haul – not only for their own era, but for the entirety of the rock and roll era! No heavy rock band held such a... read more

The third in Led Zeppelin's spectacular run of early albums – each one either matching or topping its predecessor, depending on one's personal favorite – and a record with an influence that's as massive as the sound! It's got a pair of of Zep's best-remembered songs in "Immigrant... read more

Hard rock perfected! It's around Led Zeppelin IV you can easily say that the group moved up from being incredibly great to flat-out legendary. On IV, they do a bit of what the did on each of the three preceding albums, but rather than starting to repeat themselves, they get better! Amazing. ... read more

Led Zeppelin walk back just a bit on their more stylistically sprawling tendencies for this one – and it's a fine set of hard-grooving rock from these uber-legends! We're not sure if they got some of the more ambitious ideas out of their system with Physical Graffiti, or if they just simply... read more

Arguably one of the greatest double-live albums of the classic rock generation – filled with extra long takes of Led Zep classics, most of which diverge very strongly from their studio versions! The real highlight here is the set's classic "Moby Dick", which features one of the... read more

A pretty sweet batch of soulful, coffee house folk pop from Blue Note upstart Amos Lee – who's clearly being positioned by the label as a potential male Norah Jones – but don't hold it too much against him! Lee's got a husky, strong voice, and he emotes in a natural style with roots in... read more

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The first solo album by Rita Lee – cut back when she was a member of the groundbreaking Tropicalia trio, Os Mutantes! The album's got a very different feel than her work with that group – and has Rita stepping out as a sophisticated pop singer, almost in the way that Nico did on the... read more

A very unusual little record, cut at the height of fame for the team of Jerry Lieber and Mike Stoller! The session's a rare jazz one from the duo – put together to feature different versions of tunes they'd been penning for acts on Atlantic and some of the other big labels of the late 50s. ... read more

Not the out there primal scream of Plastic Ono, and more of an impeccably produced, easy to love landmark from John Lennon! The title track, beautiful as it is, is so heavily ingrained into rock & roll myth making machine that it's become too easy to overlook how great most of the songs on the... read more

Lennon's first proper solo LP, after the breakup of the Beatles, recorded largely by himself, with some help from Yoko, Phil Spector, Ringo Starr, Klaus Voorman, and Billy Preston. One of those pieces of the rock canon that it seems hardly anything needs to be said about it at this point, but we'll... read more

John Lennon revisits the rock and roll canon after years of emotionally charged solo material – a move that was partially imposed by legal necessity, but got even more messed up from there – culminating a solid, set of pure Rock N Roll in '75! Includes sessions produced by Lennon in... read more

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The most polarizing of John Lennon's post Beatles ouvre – the strident, Spector-produced, sprawling mess that is Some Time In New York City – a record that has too much of every idea John & Yoko had at the time, which makes it all the more fascinating after all these years! Angry,... read more

Post-Tropicalia work from Leno – a Brazilian singer who'd worked as part of a duo during the Jovem Guarda years, but who really sounds great here on his own! The style's a bit more straightforward rock than the Brazilian sound of a few years back – a bit fuzzy and compressed at times,... read more

Psychedelic easy listening! This groovy late 60s instrumental session features fuzzy guitars, squeaky moog, heavy drums, and lilting strings – a bit like Pierre Henry, a bit like Francis Lai, and a lot like some of the best Italian sound library themes from the time – pretty weird and... read more

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One of the weirdest records ever on ESP – a dreamy mix of vocals from this family-based group – set to jazz-based instrumentation, over rhythms that range from funky to bossa! The singing's a bit rough at times, but that's part of the charm – as The Leavitts have an earnest,... read more

A beautiful little record from singer/guitarist Bruce Lewis – a virtually unknown talent who worked in the northern Kentucky scene of the 80s, and who steps out here with a very unusual sound! Lewis sings with a nice touch of 80s augmentation – not commercial, but kind of electric... read more

Beautiful 60s sunshine pop from Gary Lewis – sunny melodies and grand pop orchestrations by Jack Nitzsche – and a record that's been terribly overlooked for decades! Gary Lewis & The Playboys had fairly successful run before Gary was called to active service, and he cut this solo... read more

Standout sounds from the 60s pop scene in LA – classic tracks from jangle-pop genius of Gary Lewis & The Playboys! Gary's vocals are plenty catchy, as are the group's rhythms and guitars – but it's also the studio production that really grabs us too – much of which was... read more

A motherlode of mid-to-late 60s Killer – 5 whole albums for Smash Records – I'm On Fire, Return Of Rock, Memphis Beat, Soul My Way and Together (with Linda Gail Lewis) – in a 2CD set! The heart of the collection are the records Jerry Lee cut for Smash from '65-'67 – and... read more

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An amazing little record from the free-thinking scene in Uruguay at the end of the 60s – a strange mix of styles, but a brilliant one too! Limonada only ever cut this one record, but it's a real masterpiece – a blend of 60s beat group instrumentation, candomble rhythms, and some of the... read more

Mark Lindsay's getting a bit shaggy on the cover of this one – and his music is too! But that change is a nice one – a deepening of the mature modes that Lindsay brought to his sound after leaving the Raiders, steeped here in some of the best adult pop modes of the time! In a way, the... read more

Definite gold from Liquid Blue – an obscure indie group from the 70s, but one with a tight sound that should have made them huge! The style here is partly soul and funk, partly smoother AOR crossover material – but served up with a nice indie vibe that still keeps things fresh, and... read more

The third album from Little Feat – and one that brings a bit of Crescent City rock and soul into the mix – but it's still Little Feat, so it's got a restless creative energy that's beautifully tough to classify! There's quite a bit of soul influences in the mix – especially the... read more

The last album of the 70s by Little Feat – and it's a strange one! On one hand, Little Feat is revisiting some of their country rock and New Orleans-inspired roots of years past – as well as the self-conciously oddball humor. But they're also working in a tighter, leaner and cleaner... read more

Of course, this is not the last record album – it's not even the last album by Little Feat – but it's a damn good one! The Last Record Album isn't restless as the previous few albums, with kind of a laidback groove, overall – and we actually really dig Little Feat in a mellow... read more

Of course, this is not the last record album – it's not even the last album by Little Feat – but it's a damn good one! The Last Record Album isn't as creatively restless as the previous few albums, with kind of a laidback groove, overall – and we actually really dig Little Feat... read more

The first album from the great, freewheeling, genre-defying Little Feat! This album, like all the others from Little Feat, isn't easy to pigeonhole – rolling from sun-toasted country rock to roadhouse-y blues and beyond – in a way that feels perfectly right and natural. It's not as... read more

A later album from Little Feat – and one that adds some new dimensions to their ever-searching vibe! On Time Loves A Hero, Little Feat takes some surprising steps – even for them – into a bit of a fusiony rock vibe some of the time. Still, the soulful boogie rock and stripped... read more

A landmark album of hard-rocking soul – and a record that broke open both genres for a generations to come! The set's about as classic as you can get for Little Richard – filled with killer numbers that jump around boldly in some heavy New Orleans piano-led grooves – all topped... read more

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Rare mid 60s garage rock from Adrian Lloyd – the wild scream-punctuated/Bo Diddley beat inspired "Lorna" and the less manic, but just as great "Got A Little Woman"! The hard-to-find Charger Records single gets much-needed reissue here by Sundazed.... read more

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With a name like this, you'd expect Lollipop Shoppe to be a sweet California band with a sunny pop feel – but instead, they've got a really nasty, nicely gritty sort of feel – kind of Sunset Strip garage rock turned towards more manic modes, a bit like early Love at their best! There's... read more

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Early Brit pop from Jerry Lordan – best known as the songwriter of a host of hits for bigger artists in the pre-Beatles years – stepping out here in an album of his own! Jerry's a singer with a surprising degree of charm – not a full-on rocker, but more of an old school vocalist... read more

A nice little record with a sound that's a bit like some of the more compelling vocal Verve projects at the end of the 60s – no surprise as it features arrangements by Albert Gorgoni, who worked with Astrud Gilberto – and audio direction from Brooks Arthur!... read more

One of the most striking groups we've heard from the Chilean scene of the late 60s – a quartet who have the groovy garagey sound of their contemporaries, but also manage a darker style overall! The lyrics are in English throughout – something the band always insisted on – but... read more

A mindblowing bit of psych from the late 60s – and a record that has way more to offer than just the usual fuzzy guitar, thanks to key use of moog, theremin, and tape tricks! There's a really freaky feel to the record from the start – a quality that's hipper than most of the... read more

An unusual album from Arthur Louis – and a set that features some surprising guest work from Eric Clapton on guitar! Louis has this raspy style that's not far from Clapton's – and the presence of the famous guitar definitely helps shape the sound of the record too – giving it a... read more

A fantastic record of country harmony spirituals, cut by the legendary Ira and Charlie Louvin, during the height of their years at Capitol! The record's a treasure all the way through – from great cuts like "Satan is Real", "The Drunkard's Room", and "Dying From Home... read more

The soul saving, Satan deterring classic by The Louvin Brothers – plus the excellent Handpicked Songs compilation of Louvin tracks lovingly selected by an eclectic group of indebted artists – in this great 2CD set from Light In The Attic! Satan Is Real is a fantastic record of country... read more

Arthur Lee and Love's unreleased record from 1973! Black Beauty is a more diverse and soulful set than a lot of what we've heard from Lee's harder rocking 70s years – and it's given a much-deserved top notch release by High Moon Records! It's raw in the best possible sense, with a live feel... read more

What can we say? This is one of the greatest albums of all time – and it's made even better through the addition of a bunch of previously unissued tracks! The record's got a sound that's completely unique – as crack LA garage punk rock meets Hollywood baroque production, and the... read more

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The second LP by one of the greatest sunny singles groups of the late 60s! This was the highest charting LP that the Spoonful had during their career, and it's certainly as strong as much of what the Byrds and others of the ilk were doing at the time, and it's done up right this time with all the... read more

An excellent soundtrack to one of the wildest Woody Allen movies ever made – a weird little film that has Woody dubbing fake English dialogue over a Japanese action picture! The music by Lovin Spoonful is equally great – a bit groovier than some of their other albums of the time –... read more

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Rare, spare and hypnotic post psychedelic material from Ted Lucas – a Detroit reared instrumentalist who studied sitar under Ravi Shankar, and whose alternate guitar tunings lead some fairly straightforward songcraft into the realm of ragas and otherwise hypnotic atmospheres! It's a great... read more

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Proggy mid 70s jazz from Swiss sextet Magog – brilliant stuff with a free-thinking approach that's comparable to some of the diverse jazz rock around Europe and the US at the time, but certainly more strongly rooted in jazz than some of the more experimental-leaning groups! Magog's groove is... read more

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Wow, here's a group with a heck of a fitting name – and man, we KNEW we recognized that voice – it's Mama Lion, fronted by Lynn Casey, who provided the singing voice for the Kelly McNamara character in Beyond The Valley Of The Dolls! Preserve Wildlife is a crazy good rock album with... read more

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The early 70s last hurrah for the Mamas & The Papas – who still deliver rich harmonies and a surprisingly creative breadth of styles on this long-delayed final album! The Cali rock scene, and the world at large, were both quite different in 1971 than they were in the late 60s –... read more

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Funky, freaky, and freewheeling – a killer 70s set from Baris Manco – and quite possibly the greatest realization of his unique blend of sounds! Some tunes are short, while others are much longer – and Manco seems really set free to experiment here – still using the cool... read more

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Manfred Mann's the guy in the lead, but the group's definitely one that's got five faces – thanks to the sharp talents of all the members of the quintet! Drummer Mike Hugg gets things going with a sharp Brit beat, vocalist Paul Jones really gives the songs some shape and a bit of harmonica... read more

The US debut of Manfred Mann – and a heck of a record to introduce the group to the American market! These guys have a mod cooking style right from the start – still with a bit of Brit Invasion jangle in the guitar at points, but much more pointed towards the bluesy currents of the... read more

The full genius of Manfred Mann in all its early glory – a wonderful mix of different roots, mod instrumentation, and groovy expression – all perfectly balanced between the tighter sound of the charts and some of the bigger 60s experimentation to come! We love the different flavors of... read more

A great step forward for Manfred Mann – a record that's deeper, stronger, and nastier than previous efforts – as evidenced by their wicked take on Burt Bacharach's "My Little Red Book"! What the cats do to that tune perfectly sums up their genius at this point – a sharp... read more

The flamingo may be pretty, but the group here is nice and raw – on the last full album to feature the original lineup of Manfred Mann in all its smoking mod glory! Even the familiar title hit takes on a bit of a garagey groove – and other tunes show the group's continuing love of deep... read more

A never-issued session from a young Terry Manning – later a big force on the Memphis scene, thanks to his work for Stax and Ardent – but here heard in one of his first musical outings ever, a small trio with just his own vocals and guitars, plus drums and percussion! The recording... read more

A never-issued session from a young Terry Manning – later a big force on the Memphis scene, thanks to his work for Stax and Ardent – but here heard in one of his first musical outings ever, a small trio with just his own vocals and guitars, plus drums and percussion! The recording... read more

If Terry Melcher hadn't given Charles Manson the brush off, this album may well have come out on Columbia in the late 60s, and made Manson the rock and roll star he wanted to be! And while we're as disturbed as everyone else by the history of Charlie's violence, we also have to admit that we're... read more

Freaky and fuzzy – and a little bit funky too – a rare set by a Fiji group, originally issued only in New Zealand – and just the sort of global rock album we really treasure! The drums are plenty heavy throughout – definitely showing a strong influence from soul – but... read more

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