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One of the later albums cut by the Brady Bunch crew – a bit towards the end run of the show, and with a feel that's arguably hipper than some of their other records! The arrangements are by Al Capp, and have a nice bass bounce at the bottom – almost hitting a light funk style at times,... read more

Ah, yes, it's a sunshine day, alright – and this batch of groovy, polyester 70s TV pop fits just right! God help us for admitting this, but these goofy, well arranged, dumb fun numbers from the Brady Kids 70s LPs are a heck of a good time, and a pretty true distillation of 70s vanilla pop... read more

Wild! Greg, Marsha, and the kids do a surprisingly great job on this set of sunshine pop tunes arranged by the great Al Capps. The set list includes their classic "Drumemr Man", plus "It's A Sunshine Day", "In No Hurry", "Playin The Field", "Love Me... read more

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A set that definitely lives up to its title – a stone stormer from Brainstorm – one of the tightest funky ensembles of their generation, and one of the few who could go deep while still laying down a groove! The set's got a perfect balance of modes – enough of the appeal of... read more

A landmark New York session from Dollar Brand – recorded in the late 70s, with a larger group than usual! Brand spins out some really magical African-tinged jazz grooves – stretching forth in his usual modal mode, but augmented by a great set of horn parts that includes work by Don... read more

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Brand New Heavies back in action – and sounding every bit as great as always! The group still has that sublime mix of soul, jazz, and funk that's made them so great right from the start – a mode that's steeped in classic influences from the 60s and 70s, yet finds a way to come out... read more

Early, early work from the Heavies, with their original singer Jay Ella Ruth, working a tight funky groove that's very much like a slicked up James Brown sound, rather than the poliched modern soul vibe they'd move towards later.... read more

US pressing, with 8 mixes, several by David Morales.... read more

Pure greatness from Brand Nubian at their early best! The Nubes' have made a handful of solid-to-great albums, but none could top this essential debut. Grand Puba, Sadat X and Lord Jamar are on point with the politicized rhymes over classic early 90s jazzed up, funky beats, built from now well... read more

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A tremendous collection of work from Inge Brandenburg – a German jazz singer who never made it big on our side of the Atlantic, but who cut some excellent English language recordings in the 50s and 60s! The package features a great range of tunes from Inge – pulled together to... read more

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Bold bass saxophone sounds from the overlooked Helmut Brand – a German player of the postwar years, and one with a sense of tone and texture to rival that of Gerry Mulligan at his west coast best! The work here is all previously unreleased, but shows Brand as one of the key reed innovators... read more

A Christmas jazz album – even though you might not guess it from the title and cover – and one that really takes a fresh approach to a wide range of Holiday classics! Guitarist Craig Brann isn't content to simply rehash old melodies – and instead really steps out with creative... read more

Sweet 80s groove from Brass Construction – still with Randy Muller at the helm, but with a sound that's a bit more bassy than before! Trademark Brass Construction horns still make an appearance on the set, but there's almost more focus on the keyboards – which, along with the bass,... read more

15 classic tracks from Brass Construction – featuring mid 70s tunes lifted from the group's well-selling albums on United Artists! The tracks are a blend of disco, soul, and funk – with more than a bit of the horn-heavy groove that earns the group their "brass construction"... read more

A classic set that goes "slam" from the very first note – and which helped to set the pace for countless ensemble funk acts to come! Brass Construction had a wonderful sound that was the best-realized version of the east coast indie club combos of the mid 70s – funky at the... read more

Brass Construction's fifth album, and the group's still grooving harder than most of their contemporaries! The legendary Randy Muller is still fully in charge here – serving up his trademark lean, mean arrangements that compress all elements of the music firmly on the beat – all in a... read more

The second album from Brass Construction – heavy horns, basslines, and stellar dancefloor grooves – a stone classic! The first one was totally great, but they cast a wider stylistic claim on II – their trademark funky sound is still very firmly in place, but they bring more to... read more

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Even at an early age, Anthony Braxton was already experimenting with new forms of jazz composition – and this 1968 debut as a leader is filled with the imaginative approaches to music that would make him a key shaper of jazz in the next decade! The tracks here are all quite long, and... read more

One of Braxton's great records for BYG, and like the other one, a very cool session that has Braxton playing in a vibe that shows his AACM roots much more clearly than a lot of other sessions. He's playing here with a number of other Chicago expatriates, including Leroy Jenkins, Steve McCall, and... read more

An amazing moment in 70s jazz – the real rise of reedman Anthony Braxton, yet on a label that was also known mostly for pop, rock, and soul recordings! Braxton on Arista should have been a disaster – but instead, the label gave Anthony a huge amount of freedom – and, if anything,... read more

One of Anthony Braxton's first great recordings with a larger group – a really impressive array of sounds and tones that takes his compositional experiments to the next level! Tunes here are all those complicated Braxton formulas from the 70s – carried out by a host of equally-imaginati... read more

A very angular trio recording from Anthony Braxton – one that features drums from Tony Oxley and bass from Adelhard Roidinger – and a range of great reeds from Braxton! Oxley's presence is especially important here – as the set was recorded in that great late 80s stretch when he... read more

An excellent session for BYG! Anthony Braxton is recorded here with a number of other Chicago AACM players, including Steve McCall, Leroy Jenkins, and Leo Smith. The instrumentation includes an amazing range of oddball sound sources, including Hohner Organ, sirens, logs, mouth organ, sound... read more

Braxton and Ellington appear here as composers of the work, not as performers – but the spirit of both is alive and well in this performance, breaking out in complicated waves of sound that recall the earliest moments of the former, but which are also informed by the concepts of freedoms put... read more

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An incredible little record with a sound that's unlike anything else we've ever heard before – a set that mixes jazzy inflections on vibes, organ, guitar, percussion, and flute – the last of which is played here by a young Hermeto Pascoal! The set was done after Pascoal's work in... read more

A great blend of Brazilian roots and piano jazz – played here by a trio that's all-solid, all the way through – serving up some really wonderful music that never relies on bossa cliches, or any sort of tricks and gimmicks! Instead, there's a really rich mixing of modes – one that'... read more

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The funky titans are at it again! "Deuces Up, Double Down" is a killer new track from the group – an original tune written by drummer Miles Tackett, with a heavy scattershot beat at the bottom, and lots of loud, fast, honking horns over the top. The guitar player's licking away at... read more

A landmark set from a group who only ever gave the world two albums – but who've gone on to have a huge influence over the years! This initial offering from Breakwater is a masterful blend of jazzy fusion and mellower soul – a sound sifted together so perfectly, it really tops the rest... read more

A landmark set from a group who only ever gave the world two albums – but who've gone on to have a huge influence over the years! This initial offering from Breakwater is a masterful blend of jazzy fusion and mellower soul – a sound sifted together so perfectly, it really tops the rest... read more

No splashdown here – as Breakwater are every bit as soaringly soulful as they were on their debut set! The groove here is that perfect blend of jazz and soul that only a few groups in the 70s really got right – maybe Pleasure, or The Blackbyrds – and most certainly Breakwater,... read more

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Soulful fusion from The Brecker Brothers – a set that's one of their standout efforts from the 70s – and a record that went onto influence a whole generation of jazz musicians too! The album features the twin horns of Randy & Michael Brecker, along with alto by David Sanborn,... read more

Seminal work from The Brecker Brothers – 6 of the group's best albums, plus the two Blue Montreux live albums – packaged together in one very cool set, in tiny LP-like sleeves! The self-titled Brecker Brothers album is the first super effort from the team of Randy & Michael Brecker... read more

Some of the earliest work of Jacques Brel – and some of the best as well! The collection is a massive overview of Brel's first recordings in the mid 50s – all original compositions that marked not only a new generation for songwriting in France, but a revision of the role of the male... read more

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That's Brenda & Herb, not Peaches & Herb – Herb Rooney and Brenda Reid of the excellent 60s group The Exciters – grooving together here in a really full-on vocal approach that's clearly inspired by the best aspects of Ashford & Simpson! Tracks have a lush, full feel –... read more

That's Brenda & Herb, not Peaches & Herb – Herb Rooney and Brenda Reid of the excellent 60s group The Exciters – grooving together here in a really full-on vocal approach that's clearly inspired by the best aspects of Ashford & Simpson! Tracks have a lush, full feel –... read more

Great stuff – and possibly the best album ever by this classic harmony soul group! The style is wonderful – with Brenda's sweet voice in the lead, and backing by the all-male Tabulations. The overall approach was used by Gladys Knight & The Pips for years, but we've always liked... read more

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Titles include "Do I", "Always Been The Best", "A Simple Song", and "Save The Children".... read more

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Classic work from Brick – a group who went onto become surprisingly successful during the 70s with a hot Atlanta blend of funky soul and uptempo club grooves. The group has a feel that would be taken up heavily a few years later by LA funk combos – particularly those on the Solar label... read more

A killer debut from Brick – the start of a massive run at the end of the 70s, a time when the group was easily one of the biggest acts to come out of the up-and-coming Atlanta scene! Like some other Atlanta acts of the time, Brick had a way of fusing older funky soul on a tighter modern... read more

An overlooked killer from Brick – the group's fourth album, but every bit as tight and funkier as earlier sets! Brick's Atlanta-bred groove is very much in place here – that lean, mean approach to funk that made them a standout right from the get-go – almost setting the scene for... read more

A funky female duo from the P-Funk empire – one of George Clinton's few girl-based projects of the 70s, and a group who are markedly more funk-based than Parlet! Vocals are by the duo of Lyn Mabry and Dawn Silva – but the main sound of the set comes from the tightly crafted rhythms... read more

Wow, we knew almost nothing about this record! Freddy Briggs is the main force behind Coldwater Stone – as he wrote and produced all the tracks, and sings lead vocals throughout the record. His style's sort of a mix of funk and soul, and he works in the heavier style that was used by some... read more

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