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Do yourself a favor, and splurge on this album – you won't be disappointed! The record is a gem all the way through – a really unique mixture of LA soul jazz and African rhythms, with a sound that's almost like Hugh Masekela sitting in with the Jazz Crusaders! Of course, there's a lot... read more

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A funky fusion classic – and quite possibly Bobby Lyle's most perfectly realized album! The set was Bobby's first full US outing, and it's filled with soaring, riffing keyboards that stretch out into territory explored a few years before by Johnny Hammond and Lonnie Liston Smith! The real... read more

Sweet exotic sounds from the Arthur Lyman group – heavy on vibes and lots of hip percussion – recorded with a gently swaying feel that recalls the best energy of the Hawaiian scene in the postwar years! The set's one of Lyman's early solo dates – recorded Henry Kaiser Aluminum... read more

Cheryl Lynn and Luther Vandross – a tremendous combination that makes for one heck of a great record! Luther arranged and produced the entire set – and he does a great job here of pushing Cheryl Lynn into more upbeat territory without getting too poppy or schmaltzy! In a way, the... read more

A landmark album of the 60s – and a record that forever put Gloria Lynne on the map! The album's got a sense of poise and class that was almost a genre into itself – one that crossed Gloria over big with the title hit version of "I Wish You Love", but which was also supported... read more

Titles include "The Whisperers", "It May Sound Silly", "I Understand", "After All I've Been To You", "I Love You Yes I Do", and "It Seems To Me I'm Just A Woman In Love". Arrangements by Hal Mooney.... read more

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It's like a dream come true! Francis Lai's soundtrack to A Man & A Woman is one of the greatest scores of the 60s – not to mention one of our all-time favorites – and the whole thing's give a nice jazzy finish here by the great Johnny Lytle, who serves up a tasty organ and vibes... read more

Great stuff, and one of the few albums that features pianist Harold Mabern getting down and dirty as a leader! This one's a quintet affair – with Leo Morris (Idris Muhammad) on drums, Virgil Jones on trumpet, George Coleman on tenor, and Buster Williams on bass. Mabern plays a bit of... read more

A funky classic from Galt MacDermot! The record is Galt's score for the blacksploitation film that starred Godfrey Cambridge and Raymond St Jacques – and it's a mix of vocal and instrumental tunes that takes off from the sound of his late 60s work. Melba Moore sings on a few cuts –... read more

One of the most influential musical moments of the 60s – Hair! Hair not only forever changed the concept of musical theater on Broadway, but it also gave the world an incredible array of groovy tunes with odd rhythms – and made a place for composer Galt MacDermot to continue his... read more

A pretty great follow-up to the original Hair soundtrack – featuring tracks that were outtakes from the musical, presented here with notes, a cool gatefold package, and backings conducted by Galt MacDermot himself! The tracks are all pretty great – lots of them short and really messed... read more

One of Ralph MacDonald's two great albums of the late 70s – and a complicated mix of jazz, soul, and a variety of roots elements. MacDonald shows a lot of sides of his personality here – stretching out in the ambitious "The Path" suite, which takes up all of side one, then... read more

Incredibly great work from Machine – an album of disco tunes, but with a hipper, message-oriented feel than most of its contemporaries! The group will forever be known for their classic hit "There But For The Grace Of God Go I" – an infectious groover with a wild lyric about... read more

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Includes "Here Comes The Break", "Dopest Verse", "Ph*ck What Ya Hear" & "Check It Out" which has got Tash & King Tee guesting on it. 9 tracks plus a bunch of the obligatory interludes & so forth.... read more

One of two albums produced by Rudy Ray Moore – the other being The Sensuous Black Man – which define the art of making love from a gender-based perspective. Like Rudy's Sensuous Black Man, The Madam's version features one side of "instructional" dialogue – very XXX-rated... read more

Excellent little small combo record, cut by this obscure funky jazz group for 20th Century – and probably the only thing they ever did! The album's got a number of tight short cuts, played by organ, vibes, and guitar – and titles include "Soul Samba", "Mad Hatters... read more

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The first release in the Madlib Medicine Show series of releases from the prolific genius that is Madlib – this one a full scale collaboration with no nonsense rapper Guilty Simpson – sort of a prelude to Guilty's OJ Simpson LP with Madlib in the production booth! The set is a pretty... read more

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Titles include "Over & Over", "Into The Groove", "Holiday", "Everybody", and "Physical Attraction".... read more

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A bit hipper and less bluesy than some of Taj's other work for Columbia – recorded with his Intergalactic Soul Messengers Band, and a sound that's slyly soulful – and flavored with reggae or otherwise Caribbean influenced rhythms! Music Keeps Me Together has a fairly loose feel, but... read more

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A groovy little set – with titles that include "Spinning Wheel", "Malaguena", "Someone New", "Pink Panther", and "This Guy's In Love With You".... read more

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Before Malcolm would go on to cut the funky Bustin Out Of The Ghetto, he plied the Ska trade, as represented here by these 11 jaunty, skanking numbers, including "Skamania", "Run For Cover", "Hunchback No. 1", "Tiptoe", "Skaramoughe" and "Hopalo... read more

Funky b-boy classic! Sure, Malcolm was a blood-sucking vampire who was hungry enough to exploit any trend he could get his hands on – but in this case, he did all right, and came up with an album that stands the test of time in the breakdance crates. Includes the classics "Buffalo... read more

An excellent obscure album of young, undiscovered and lesser-known Chicago jazz players from the early 70s – like Charles Williamson, Sonny Seals, Tyrone Taylor, and Jodie Christian – all of whom play very nicely, and lay down some hard funky big band stuff. There's 4 nice extended... read more

An under-discovered vocalist from the 50s – the great Nancy Malcomb, a singer we'd rank right up there with Chris Connor's best at the time! Nancy's got a very jazzy approach to her work – no surprise, as she plays piano as well as she sings – with support here from a great small... read more

A great debut from The Malemen – a short-lived group in the recording studio, but one who spent many years on the southern scene as a well-travelled showband! The group have a more modern vibe here than they might on the stage – a sweet 80s groove approach that features plenty of tight... read more

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Wonderful stuff! You probably know Mama Cass as one of the "mamas" in the Mamas & Papas – but she's got an insane pop vision on her own, a mad mix of the sweet, psychedelic, and historic, filtered through the haze of a late 60s LA summer afternoon. File this one next to your... read more

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One of the last groups to get the Norman Whitfield touch in the studio – and a surprisingly nice one too, even if they didn't reach the heights of The Temptations or Undisputed Truth! Mammatapee have kind of a clunky name – possibly the reason for their lack of success – but the... read more

A late Norm Whitfield production from the 80s, with a slick commercial soul groove, that's a bit more lean than a lot of his other work. A bit of an odd sidebar sort of record, but not without a few nice moments. Includes "Dance With Me, Baby", "What You Gonna Do", "Easier... read more

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A surprisingly nice little record by Henry Mancini – one that's quite different than other albums of Hawaiian tunes! The record is much more a soundtrack than anything else – slightly exotic soundscapes arranged by Hank, and featuring the Baldwin harpsichord on many tunes. That... read more

A great Mancini score for one of the goofiest films of the 60s! Peter Sellers stars as the sitar-playing Indian actor Hrundi Bakshi – next to the lovely Claudine Longet, who makes one of her few film appearances – and the whole thing's set to one of the greatest scores ever by Henry... read more

Sure, you've heard it a million times – but it's still a fantastic soundtrack! Mancini's whimsical scoring was a perfect touch for this classic Peter Sellers film – and it's made even better by the LA group of musicians who play the music, including Plas Johnson, Pete Jolly, Shelly... read more

One of Henry Mancini's grooviest LPs from the 70s – a mixture of tight large arrangements with a smooth funky edge, similar to some of his best soundtrack work at the time! The rhythm section is great – with Harvey Mason on drums and Joe Sample on keyboards, and guitar by David T... read more

Harvey's certainly got a sound you can feel – super-fuzzy guitar, played with a heavy sound that's similar to some of Dennis Coffey's best work – but a bit more trippy! For this outing, Harvey's backed by the Pure Food & Drug Act on many of the cuts, and they give him a nice tight... read more

A very unusual little soundtrack – almost more of an audio documentary of the film than a record itself! Although Johnny Mandel's score for the movie was plenty darn great, there's very little of it here – because about 80% of the record features jokes and dialogue from the film by... read more

An amazing 60s soundtrack – one that's infinitely better than the film for which it was written! Johnny Mandel's at the height of his powers here – blending in jazzy elements from his west coast 50s roots with lush strings, shimmering orchestrations, and some complex touches that are... read more

We have to admit we've passed this album up for years and years, as it seems to be rather ubiquitous in these parts, and boy were we mistaken! Side one is mostly instrumental, and sounds like a lost Dexter Wansel album, with sophisticated, spacey post-fusion arrangements and a quasi-futuristic... read more

One is one of their best albums, and has a nice hard funky sound that they didn't always match. The album includes the funky break classic track "Fencewalk", plus other groovers like "Hang Loose", and "Don't Mess with People".... read more

Wonderfully tight work from Mandrill – a real standout from the years at Arista – and a set that seems to take all the key instrumental energy of the Polydor years, and focus it on a soulful groove that's even more soaring than before! The energy is wonderful – very much like the... read more

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Much cooler than you'd guess from the classical-sounding title – thanks to the fact that Roy Ayers plays vibes and Sonny Sharrock plays guitar – and the whole thing was arranged by William Fischer!... read more

An excellent album of Latin material from Herbie Mann – and proof that he's equally great in just about any setting! The album's a rare Columbia Records outing from Herbie – but it's easily one of his greatest of the 60s, thanks to some really smoking arrangements from Oliver Nelson... read more

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Although Herbie and Joao are listed together in the artist credits together for the record, they don't really play together on the record – as did Joao and Stan Getz on their album together. Instead, they trade off tracks of bossa nova material, recorded with Jobim in Rio – Joao's by... read more

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Shelly picks up on a very successful format for his trio of the late 50s – begun with the My Fair Lady album, and followed through with this one – a batch of jazz-based readings of tracks from the hit Broadway musical based on the comic strip Lil Abner. Apart from that bit of history,... read more

A key early entry in the "jazz meets Broadway" genre – and a record that was so successful, it went onto inspire countless imitations! Shelly Manne's working here in a lightly playful trio setting – alongside Andre Previn on piano and Leroy Vinnegar on bass, in a reading of... read more

A 12" LP that brings together 2 different earlier 10" sessions by Manne – groundbreaking work in a freer mode than most of what was going on in LA during the mid 50s! Side one features material from The Three – a 10" session that featured Manne on drums, Shorty Rogers on... read more

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A killer bit of Latin jazz from the 70s – one of the first records issued under the name of percussionist Ray Mantilla, and a really smoking set that features funky flute from Jeremy Steig, bass from Eddie Gomez, and both drums and keyboards from the mighty Joe Chambers! The tunes have a... read more