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One of the best Sonny Criss albums ever – one of our favorites from his late 60s run at Prestige – and that's really saying a lot! The set's a warmly lyrical session that really has Criss opening up, changing up his groove to display the deep growth he'd experienced as a musician in... read more

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Titles include "Dark Star", "Just A Song Before I Go", "I Give You Give Blind", "In My Dreams", and "Carried Away".... read more

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They certainly got the title right on this one – as the album's one of THE soul/gospel crossover albums of the 70s – a masterpiece of majestic soul that's right up there with similar work from the time by Rance Allen and The Mighty Clouds Of Joy. Crouch's vocals are wonderful –... read more

All twelve pieces are played on piano, which is amplified and modified in various ways.... read more

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Uptempo soul from Europe, of the sort that would soon turn into Euro-disco, but which at this point was still a melding of different musical influences showing up in the Euro clubs, a fair number of them percussive funky ones. Tracks are short, and titles include "Love To Dance This One With... read more

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One of the groovier soundtracks that Mike Curb ever recorded – a light batch of easy numbers with some electric bass and/or guitar at the bottom – tripping with a bit more punch than you might expect, and floating with some really wonderful instrumental touches at times! In a way, this... read more

Tremendous work from trumpeter Ted Curson – and one of the few records that shows up often in his oeuvre, but which is every bit as great as his rare and expensive albums! Side one features killer material from Curson's group with tenorist Bill Barron – three cuts recorded in Paris in... read more

The best of a handful of albums that the one-time Prince bassist put out in the early 80s – a record that made a splash via the great Prince-penned "The Dance Electric" – possibly a blessing and a curse for AC, as Prince was so huge at the time that the record going public was... read more

It's easy to survive the 80s when you've got an army of future-suit cats behind you – and given the groove here, it's clear that Andre Cymone was doing way more than just surviving back in the day! The set's a super-tight batch of 80s grooves – with a sharp sound that comes from lots... read more

One of the indie soul killers of the early 80s – one of the few early albums cut for Prelude by James "D Train" Williams, one of the best male vocalists of his time! All the tracks were produced and arranged by keyboardist Hubert Eaves – and that aspect is one of the main... read more

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Includes "Hip Hop Ride", "Mad Props", "No Mercy", "Backstabbers", "No More Hard Times", "Put Me On", "Stayed Away", "Illy Filly Funk", "Grim Reaper", "Reality", "In The City", "People... read more

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With a photo like that on the cover, we've gotta say that we did Pat Dahl too! The set's a relatively obscure little vocal album, cut by a singer we've never heard of otherwise – with a sexy 60s image that either meant that she had a successful live career in small clubs, or was somebody's... read more

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This is the band's hardest funkiest album, and features the amazing breakbeat cut "Dirty Feet", which starts with hard drums, and comes in with off-kilter guitar, in a very Tribe Called Quest-y sort of way! We don't know if this has been sampled by anyone, but man oh man, it should be! ... read more

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Dana Dane's first LP with the title cut, "Delancy Street", "Nightmares", "Cinderfella Dana Dane" plus more.... read more

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With Benny Payne at the piano!... read more

A beautiful bit of funky jazz – very subtle, but one not to miss! Harold Danko plays Fender Rhodes in a tight little group that would be right at home with bigger names in the business at the time, particularly some of the funky combos on CTI or Kudu. Danko's drummer, Jimmy Madison, has a... read more

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Bobby Darin's last studio LP? We think so – and the record's a real lost chapter in his career. Bobby's kind of moving past the self-pity of his folksy years of the late 60s – stepping more strongly with a set of arrangements by Jimmy Haskell and Michael O'Martin, almost soul-like in... read more

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Compelling title, but kind of a mellow record overall – featuring vibes by the enigmatic Darji, and backing by players that include John Lewis, Ray Brown, Rodney Jones, and Mickey Roker. Tracks are longish, and moody – almost in the mode of Milt Jackson work with the MJQ, but not as... read more

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Hard to find vinyl pressing of their second LP, from 1993. Das Efx drop the bliggety-liggety rhyme style here, but keep up the syllabic tempo with tongue tripping rhymes over the head nodding Solid Scheme beats. You've heard us an just about anyone else with an opinion about hip hop history go on... read more

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Classic trio work by Davis, recorded here with Shirley Scott on organ and Joe Newman joining in on trumpet! The cover's got a picture of Joe standing next to Basie, but the set's all Joe's –although it's also very much in a Basie bag. The tunes are all organ/tenor drivers – with short... read more

With Horace Parlan on piano, Reggie Johnson on bass, and Alvin Queen on drums.... read more

Volume 2 of Lockjaw's classic early Cookbook sessions – cut for Prestige in a key transitional moment, when Lock was trying to break past the R&B roots of earlier years, and emerge as a more sophisticated jazz soloist, capable of carrying an idea way past the short format of singles and... read more

A great quartet date – no-nonsense, and a perfect setting for Davis to hit some very classic modes! Eddie plays tenor with Tommy Flanagan on piano, Keter Betts on bass, and Bobby Durham on drums.... read more

A nice little set that combines some of Eddie's rare work for King from the mid 50s! Eddie's tenor is in wonderful form here, working with a real sense of economy on the album's short tracks – a sense that you don't always get in some of his more stretched-out sets for Prestige. Backing on... read more

Classic tenors head-to-head – as Griff & Lock lay out one of their excellent 2 tenor classics from the early 60s! The rhythm section's deeply soulful – with Junior Mance on piano, Larry Gales on bass, and Ben Riley on drums – and the album grooves through some long blowers, a... read more

Another one of the famous live sets that Eddie Lockjaw Davis & Johnny Griffin cut together during the early 60s – recorded at Minton's Playhouse in Harlem, with a very lively audience, and a twin tenor frontline that was quite popular while it lasted! Davis & Griffin groove soulfully... read more

The title's terrible, but the album's a great one – a really classic-styled jam session, of the sort that the Prestige label hardly ever recorded! The session features 4 tenor giants of slightly older vintage – Eddie Lockjaw Davis, Coleman Hawkins, Arnett Cobb, and Buddy Tate –... read more

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Prime symphonic disco from the mighty John Davis and his well-named Monster Orchestra! The set's got a dramatic flourish that still mixes in plenty of live instrumentation – including keyboards and flute from John, plus some nice congas from Larry Washington! John sings lead vocals on most... read more

Wow! An incredible collection of seminal recordings from one of the most important figures in modern music! The list of sidemen and great LPs is almost too long to go over, but in addition to Miles' remarkable Cookin'/Relaxin'/Walkin'/Workin' sessions, there's all of the material issued as Bags'... read more

A session of "collectors items" that Miles Davis recorded for Prestige in the 50s – both dates that were too short to be issued as albums by themselves, combined here into one full length record! The first batch of material is from 1953 – and features Davis working with Sonny... read more

An album that compiles early Miles Davis sides from two different Prestige sessions of the early 50s. One features Miles with a sextet that includes Sonny Rollins, Bennie Green, John Lewis, Percy Heath, and Roy Haynes – on the tracks "Morpheus", "Down", "Blue... read more

A dark blend of acoustic and electric modes from Miles Davis – a set that still has him working with elements of the classic 60s quintet, but which also brings in a stronger emphasis on electric piano too! The rhythms here are really fantastic – ready to burst forth into a whole new... read more

Breakneck live work from Miles Davis – and proof that his famous 60s quintet wasn't only just about mellow and spacious sounds! The set was recorded at the same concert as the album My Funny Valentine – and while that one's mostly ballads, this one's mostly high tempo numbers that skip... read more

What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years,... read more

What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years,... read more

One of the classic early Miles Davis & John Coltrane sessions for Prestige – a well-crafted quintet album that shows Miles finding a stronger voice than ever, and Coltrane beginning to emerge as a key force on his own! Backing is subtle and soulful – handled by the trio of Red... read more

Another bold new direction for the legendary Miles Davis Quintet of the 60s – a set that has some of the angular styles of earlier albums, but also a bit more of the flowing grace to come in the electric years! A key illustration of this is the leadoff track "Prince Of Darkness"... read more

A nice collaboration between Miles and Marcus Miller from the latter part of Miles career. As much of the recording here is overdubbed, with many multiple instruments played by Miller, it doesn't have the improvised vibe of Miles' classic performances, but the songwriting and arrangements are head... read more

A strong collection of sides that Miles recorded for Columbia during the late 50s – most featuring a group that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, and Jimmy Cobb, caught live at the Newport Jazz fest in 1958, playing the tunes "Ah-leu-cha", "... read more

Incredible stuff – and a rare meeting of two giant jazz talents you'd never thought would appear on the same stage! The album features a 1960 concert in Sweden – Miles and Sonny upfront, with backing by the trio of Wyton Kelly, Paul Chambers, and Jimmy Cobb. Tracks are long, fiery,... read more

A slightly misleading record – but a great one nonetheless! From the title and cover, you might imagine that Thelonious Monk and Miles Davis were sharing the stage together at the Newport Jazz Festival – but instead, the album actually features separate performances by each artist... read more

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Wonderful Sammy from his years at Reprise – and a beautiful album cut in collaboration with arranger Marty Paich! Marty had a swinging, jazzy style that always brought out the best in Sam – even on an album of fuller, mellower tracks such as these. The title hit is done by Sammy in a... read more

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One of our favorite Sammy Davis Jr albums ever – filled with gems! There's really a wide scope here, but all the material's great – from the haunting title tune "Lonely Is The Name", to the sunshine pop of "Don't Take Your Time", an amazing cover of the Roger... read more

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One of the harder to find Sammy records, and one of the best! Sammy takes Mel Torme's drippy "California Suite", an extended work about how great California is – and he turns it into an extended chat between Sammy and a friend in a bar in New York City, with twists and turns that... read more

A pretty great record from Sammy – one that has a groovier feel than most of his other work from the time! The cover has Sammy hanging out with a bunch of hippies, and that feel is certainly carried through to the music – arranged by Billy Strange and George Rhodes, with bouncy... read more

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A late 70s gem from Tyrone's years on Columbia Records – one that shows both sides of his talents for the label! The set starts out with an extended clubby groover called "Get On Up (Disco)" – a bumping sort of number that's clearly trying to push him into Johnnie Taylor... read more

Another stone winner from Tyrone Davis – cut during his classic stretch on the Dakar label! During the Dakar years, Tyrone just kept turning out great little soul songs – filled with that raspy emotion that was his unique vocal trademark, and touched with a bit of the blues from his... read more

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Obscure bit of spiritual soul by Wayne Davis, who also recorded another record for the Black Fire label (home of Oneness of Juju). Roberta Flack guests on this album, and gives him the thumbs up in the notes on the back, and the whole thing's got the same sort of jazzy soul feel of her first album... read more

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An excellent EP – featuring only 3 tunes, but all very soulful! Davis Import sounds more like a disco group, but the label bills the group as Davis Brothers – which is much more in keeping with the sound of the record, as it's got a warm and mellow harmony feel. There's a great late... read more

Smooth soul from Cliff Dawson – a singer as classy as his look on the cover, and definitely a cut above most of the mainstream soul artists of his time! The album's an overlooked gem that's very nicely put together – well recorded, arranged with a subtle flair, and usually done with a... read more

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With Sidney De Paris on cornet, Omer Simeon on clarinet, Don Kirkpatrick on piano, and Harold Jackson on bass.... read more

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A really unusual chapter in the career of Jackie DeShannon – an obscure early 70s album done for Capitol Records! The core album is done at a level that mixes both Jackie's soul and post-folk leanings of the late 60s – a style that's sophisticated and often a bit righteous, but also... read more