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A second pressing of the Mode album Frank Rosolino – one of the best albums on that rare label, and one of the best sides by trombonist Rosolino! The group here features Vince Guaraldi on piano, Richie Kamuca on tenor, Monty Budwig on bass, and Stan Levy on drums – and the sound's a... read more

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Titles include "Heartbroken Booper", "Smoke Big Factory", "Hi Rockers", "Herbert's A Loser", and "Back To The City".... read more

A very groovy set of pop-jazz guitar tunes – originally recorded by Metronome Records in Sweden, but issued here by Atlantic. The core of the recording is Gustafsson's guitar trio, but the record also features some larger backing by Georg Riedel that have a nice airy feel to them. While the... read more

Early work from Gwen Guthrie – produced by Sly & Robbie, but with a sweet modern soul sound that's got a lot less of their influence than you'd guess! The sound is much more New York than Jamaica – and that's probably due to some great instrumental backing on keyboards by the likes... read more

Some of the funkiest, clubbiest work we've ever heard from the African scene of the 70s – great grooves that would be right at home on the New York dancefloors of the time! The style here is definitely drawn from disco, yet is a lot more funk-based too – more in the farther reaches of... read more

Bobby in pretty familiar territory – playing mostly trad numbers, in a New Orleans jazz mode, but with some slight Verve 60s touches. Arrangements are by Bob Wilber, and titles include "Lazy Mood", "New Orleans", "High Society", "Tin Roof Blues", "... read more

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A standout 60s soundtrack from the great Manos Hadjidakis – penned for a heist thriller from director Jules Dassin! The music follows slightly off the Dassin/Hadjidakis pairing on Never On A Sunday – using lots of familiar Greek elements, but moving these into more complicated film... read more

Great work from Earl Hagen – one of TV's better composers, as you'll hear from this tight set of tracks! The core mode of the music is crime jazz, but Hagen also adds in a lot of dramatic flourishes and contemplative passages – and the show's exotic locales (Mexico, Japan, Burma, Hong... read more

Nice little soundtrack, written as the follow-up to the 1962 film The Interns. Like that one, there's some nice party sequences here – easily jazzy numbers grooving along nicely, in the style of Hagen's best work of the 60s. Strings mix with jazzy rhythms and some strong instrumental solos,... read more

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Let's get this straight. Merle Haggard SINGS "Okie From Muskogee" but he is not THE "Okie From Muskogee". Nevertheless, this is the record that put the honky in honky tonk. Merle sure pretended to not like hippies back in '69, and story has it he even refused an invitation to... read more

One of the 70s gems on the mighty German Ego label – an incredible small company who seemed to put out nothing but excellent music! The set's led by pianist Joe Haider, and features a quintet with Andy Scherrer on tenor and soprano sax, Ack Van Rooyen on flugelhorn, Gunter Lenz on bass, and... read more

A killer debut from Curtis Hairston – an overlooked 80s soul singer who should have made it big, given the strength of this set! The album's got a tight groove, but is never too commercial – a bit away from other Atlantic soul of the time, thanks to some solid studio help from Kae... read more

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A strong little set of post bop tracks from saxophonist Lenny Hambro – one of two rare albums he cut for Columbia during the 50s, and a tight session with Wade Legge on piano, Dick Garcia on guitar, and Clyde Lombardi and Mel Zelnick on rhythm. The tracks are short, and Hambro's sax work is... read more

One of Chico's earliest albums for Pacific Jazz – a set of tightly arranged tracks with a cool chamber feel to them – featuring a lineup that includes Buddy Collette on reeds, Fred Katz on cello, Jim Hall on guitar, and Carson Smith on bass. Collette, Katz, and Hall are at the height... read more

Different is right – as this obscure early 60s side shows Chico Hamilton really opening up, moving past the modern chamber style of the late 50s, into the freer modal rhythms that characterized his incredible work of the 60s! The group's the beginning of that sound too – with Charles... read more

Amazing, simply amazing – and light years ahead of the staid sounds that Chico Hamilton was cutting in the 50s! Hamilton's one of those players who has an amazing range to his music – almost all of it really incredible, as Chico always shifts things up over time – continually... read more

A wonderful bit of cinematic jazz from the 50s – played by the Chico Hamilton group as part of the soundtrack! The combo was a key part of the LA scene at the time, but are oddly featured as a regular club act in the movie's New York setting – but we'll gladly forgive that geographic... read more

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An early set from tenorist Scott Hamilton – recorded with a great quartet that features either Hank Jones or Tommy Flanagan on piano, plus George Mraz on bass and Connie Kay on drums. David Stone Martin cover, too!... read more

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A really wonderful soundtrack, with loads of groovy tracks! The film stars Jack Lemmon, and the format of the record is similar to the Odd Couple – in that musical tracks are interspersed with dialogue, to keep the feel of the progression of the movie. Side one has some especially groovy... read more

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Post-Mizell, and less jazz fusiony than Johnny's mid 70s work, but not a bad funk album! The title cut's a nice groover that has a sort of sing-song Eddie Harris funk feel, and which features Johnny Hammond complaining about "The System", and how it's out to get him. Other cuts include... read more

Recorded after his classic work with Larry Mizell, and produced by Johnny himself, but still trying to be very much in the Mizell-sounding vein. The group includes Carol Kaye on guitar, Ron Carter on bass, Ndugu on drums, and Bill Summers on percussion – and while the album is as over-the-top... read more

A very groovy set on Lionel Hampton's own label – filled with cool 60s soul jazz numbers – including "Tom Collins", "Greasy Greens", "Sunshine Superman", "A&T", "By By", and "Don't Be So Mean".... read more

Although Lionel Hampton's always best remembered for his storming swing days in the early 40s, we love him on records like this one – an easy open-ended straight jazz session from the 50s, with lots of room for soloing in a much more jazz-oriented vein than you'll hear on Hamp's early records.... read more

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One of Slide Hampton's greatest records of all time – a totally hip batch of tracks recorded with a large group that reminds us of some of Max Roach's ensembles of the early 60s! No surprise, Roach is a key part of the album – pounding away with frenzy on Hampton's 5-part "Drum... read more

A killer 70s soundtrack from Herbie Hancock! The record takes the funky style that Herbie was cutting with the Headhunters, and blends it with some more sophisticated scoring that's top in the 70s action and blacksploitation modes – perfect for the dark theme of the movie's story. There's... read more

One of those albums that always gets lost between the Sextant/Headhunters days – and the later Rockit hip hop records. Herbie's clearly trying to find a voice here – working in a mode that's actually smooth soul on most cuts, mixing keyboards and vocals in a style that's similar to... read more

A seminal jazz funk session of the 70s – Herbie Hancock's legendary meeting with The Headhunters, and a killer batch of tunes that really gave the combo their name! Herbie's playing a wide range of keys here – including Fender Rhodes, clavinet, and Arp – but almost even better is... read more

A brilliant album – and real turning point for Herbie Hancock! After first coming onto the scene as the soul jazz hero between Blue Note funky classics like "Watermelon Man" or "Blind Man, Blind Man" – Herbie emerges here as a concerned modernist with a strand of... read more

Later stuff, but a pretty unique album from Herbie! The sound's a bit smoother than some of the groundbreaking electric albums, but the playing's top-shelf, and the record features a number of jazz funk numbers with soulful vocals – including work by Gavin Christopher and The Waters. Think... read more

The follow up to Herbie's groundbreaking hit album Future Shock. There's some rehashing of themes here, with the remake of "Rockit" called "Hardrock" here – basically the same number with some heavy guitar added and a few different solos – plus similar numbers that... read more

Killer electric work from Herbie Hancock – right on par with his groundbreaking Headhunters set, but a bit spacier too! The album features a Headhunters-solid lineup – with Bennie Maupin on saxes, Paul Jackson on bass, Mike Clark on drums, and Bill Summers on percussion – all... read more

A great little album from Herbie – it that says "previously released" on the back cover, but was actually released with Tootie Heath as leader under the name Kuumba, entitled Kawaida. It's a hip batch of afro-centric jazz, with a Strata East sort of feel: lots of percussion and... read more

Though there are a number of different LPs using the VSOP title in a few different ways, this was the first, a double album recorded live at the Newport Jazz Festival, featuring Herbie leading groups that represented a number of different points in his career. The first lineup later recorded under... read more

A landmark concert from the mid 80s – one held to honor the resurrection of the Blue Note label, featuring a wealth of some of the best players for the label – from the 80s back to the 50s bebop years. This first volume in the 4 LP series features centered around Herbie Hancock and... read more

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One of the few beautiful early albums cut by John Handy for Roulette – and an obscure session that has him playing alto with a quartet that includes a young Walter Bishop Jr. on piano. Handy here is fresh from his work with Mingus – and his alto is filled with fire and emotion, yet... read more

Live solo work by Roland Hanna – a set that starts out kind of slow, as Hanna performs 2 Ellington crowd-pleasers – but which then really takes off as he moves into his own beautiful compositions! These really have Hanna unfolding on the keys, and playing with a rich lyrical quality... read more

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Afro Funk meets 80s groove – and the band's not a bad extension of some of the Afro Funk jams of the 70s. Sipho Mabuse produced, and sings lead vocals. Tracks include "Soul Fire", "Dance", "Liven Up", "Get Funky", and "Party".... read more

A cool large ensemble set from the same Teresa Record scene that gave us great albums by Pharoah Sanders and John Hicks! The group's led by trumpeter David Hardiman – and features a hip rotating lineup throughout.... read more

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An amazing record, from an amazing player – the mighty Rufus Harley, heard here on tenor, flute, and soprano sax – as well as bagpipes, his "trademark" instrument! Don't be put off by the bagpipes, though, because Harley plays in a righteous soul jazz groove, and uses the... read more

One of Harley's beautiful albums for Atlantic, and a record that shouldn't work at all – but it does! Harley plays bagpipes throughout the album, and he does so in a way that sounds nothing like any of the snoozy Scottish assumptions you may have about the instrument. Instead, Harley draws... read more

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Bizarre is right – and incredibly hip too! This was the group's second album – and while it has a lot of similarities with the first, it's also a lot deeper of an expression of their strange blend of harmony vocals, sweet 60s pop, and the nostalgia for the early 20th century that was... read more

A rare post-Warner Brothers album from Harpers Bizarre – but done in a style that's still quite similar to their late 60s classics! Although the album's from the mid 70s, it's got a sweetly conveyed style that's focused strongly on the group's warm harmony style – and which mostly... read more

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A lost classic, and a landmark blending of jazz and world music! The core of the group is that quintet of West Indian alto player Joe Harriott – one of the leading lights of the British jazz scene of the 60s, and a dedicated modernist who was as important to England as Ornette Coleman was to... read more

With Craig Harris on trombone, Don Byron on baritone sax and clarinet, Eddie Allen on trumpet, Anthony Cox on bass, and Ralph Peterson on drums.... read more

Not a great jazz record, but a pretty nice funky soul album by Eddie – who by this point was really electrifying his sax, playing a bit of piano, and even singing in a range of different styles. The best moments are those that kind of push the envelope technique-wise – operating with a... read more

One of the true hit jazz albums of the 60s, and a record that's still pretty darn incredible today! Who'd have thought that a jazz recording of the theme to the film "Exodus" could have been such a hit? It was, and the way Eddie handled it forever transformed the face of jazz. Eddie... read more

A great lost album from Eddie! The record was one of his few cut for Columbia – recorded between his early years at Vee Jay and his hit years at Atlantic – and it's an excellent little batch of cuts, with a tight Chicago soulful grooving sound, and a strong approach that mixes hardbop... read more

Although Exodus to Jazz was probably the biggest album of Eddie's career, we've always been a bit more partial to this excellent LP, a terrific document of Eddie's work from his early days on the Chicago jazz scene. Featuring Eddie's good early group with Willie Pickens on piano, Jo Dorio on... read more

With Eddie on tenor, reed trumpet, and the "Eddie Harris Attachment" – alongside Tete Montoliu on piano, Bo Stief on bass, and Norman Fearrington on drums. Titles include "Encirclement", "Freedom Jazz Dance", "Misty Thursday", "Scandia Skies"... read more

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The "plus one" on the set is Stanley Turrentine – who really warms up the sound nicely! Titles include "Gene's Lament", "Misty", "Uptown Sop", and "Yours Is My Heart Alone".... read more

Sweet sweet keyboards from the amazing Gene Harris – one of his seminal electric sides for Blue Note in the 70s – recorded between his earliest fame in the Three Sounds, and his later return to acoustic styles in the 80s! The sound here is equal parts jazz and soul – as Gene's... read more

Easily one of the best albums by Sugarcane Harris – thanks largely to Johnny Otis, who produced and arranged the set with the same messed-up, genre-crossing style of his own work! Given that Harris both played electric violin and sung in a raunchy bluesy style, it would take a genius like... read more

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A charming batch of mid 60s popular tunes done in loungey, sort of boozy arrangements in some places and uptempo mod in others from Noel Harrison – who went on to have a few hits as well as a successful acting career – tackling Dylan, Lennon/McCartney, and more with a really swinging... read more

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An excellent batch of rare material by vocalist Johnny Hartman, and a very strong set of tracks that shows a side of his work that's often ignored! Usually, Hartman gets cited for his slow, moody, syrupy sound – such as that which he used in his classic recordings with Coltrane. However, we... read more

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Groovier than you might think – but that's what we've come to expect from Jimmie!... read more

What a movie! Bob Hope, Frankie Avalon, and Tuesday Weld on the same screen! But even better, the great Jimmie Haskell handled the music – and he comes up with some excellent touches that make the record groove a bit more than many of its contemporaries. Jimmy contributes some cool... read more

A weird batch of folksy rock tunes – composed and produced by Harley Hatcher for Sidewalk Enterprises, and sounding a lot more like a Sidewalk or Tower soundtrack than something on RCA. The groups are the usual obscurities that would show up on a Mike Curb soundtrack – pictured on the... read more

Perhaps Donny Hathaway's greatest album from the 70s, and certainly the one with the most amazing arrangements! The record was Donny's last studio session, and it's got him working at a level that's far advanced from even his groundbreaking earlier work – using complicated rhythms and... read more

Titles include "Here Comes The Sun", "Some Will Wait", "Patient Lady", "Missing Train", and "End Of The Seasons".... read more

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Very weird soundtrack to this equally weird film that mixes Shakespeare and religion, and which was directed by Patrick McGoohan! Most tracks have a funky folksy style – with lots of guitar, mixed acoustic and electric, as you'd expect to hear in the work of White or Havens. There are a few... read more