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An excellent bit of Latin groove – one of our favorite crossover boogaloo sets from the 60s, and easily some of the greatest work ever by Jimmy Castor! And yes, this is the same Jimmy Castor who's known for his funk albums of the 70s – but back in the day, he was open-minded enough to... read more

Jimmy Castor bursts forward here with a definite supersound – a groove that's different than his fuzzier work for RCA Records, but still equally funky throughout! Castor's still quite the multi-instrumentalist on the record – as in addition to singing lead, he plays plenty of soprano... read more

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Titles include "Gabriela's Song", "Lenda", "Obsession", "Velho Piano", "Guararapes", "Desenredo", "The River", and "Like A Lover".... read more

A landmark session that gathered together just about every hip British jazz and jazz/rock musician of the time – and brought them together into one super-cool orchestra of sound! Robert Fripp produced the record, and Keith Tippett is the overall music director – but the album's got a... read more

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Organist and pianist David Chacksfield and his orchestra tackle a collection of some of the best known Hal David and Burt Bacharach tunes such as "The Look of Love," "Alfie," "Paper Mache," and "Wives & Lovers." Arranged by John Keating and produced by... read more

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A dream of a record from Chad & Jeremy – a fantastic bit of psychedelic pop produced by Gary Usher! The album's got quite a different feel than the rest of the duo's work – as their standard Brit pop style is augmented by lots of extra strings and woodwinds, super-baroque in a... read more

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An obscure record with a silly title – but a seminal batch of southern soul instrumentals, recorded at the height of the Muscle Shoals scene! The record's a really odd one in the Chess catalog – because it's got the feel of a record that should have come out on Atlantic or Capitol, or... read more

The Chambers Brothers may not actually be playing on Mars for this set, but they've definitely got a spaced-out sound – a freaky electric groove that goes even farther than some of their other studio work of the 70s! The set has some of the earthy soulful moments from the group's earliest... read more

This one has the Chambers working in a number of styles, sweating hard in a gritty version of Otis Redding's "I Can't Turn You Loose" and to some funky percussion and call-and-response vocals on "Do Your Thing", and grooving softly on "Guess Who" and others. Other... read more

We're not normally the biggest fans of The Chambers Brothers, but this album's a cracking winner from the mid 70s. Shouldn't be so, given the date and the label, but there's a really funky track on here that's one of their best – the great break cut "Stealing Watermelons", which... read more

Although the cover of the record includes a picture of Eddie's wife, Dinah Washington, and the "Friend" in the title would seem to imply that she's on the album, the set's really just a bunch of hard jazz cuts that showcase Eddie's screaming tenor sax, and which don't include Dinah's... read more

Killer stuff from Gene! After recording a few sadly overlooked albums for Brunwsick, Gene hit big big big with this killer record on Mercury! The record virtually defines the Chicago soul sound of the late 60s – with arrangements by Tom Tom, production by Gene, and a great loping soul... read more

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The first album from Chapter 8 – a set that's probably best remembered for introducing the world to Anita Baker, but one that's also pretty darn great on its own! Chapter 8 have a sharply soulful focus, one that takes them a bit above some of the other mainstream ensembles of the time –... read more

An obscure later album from west coast soul group Chapter 8 – recorded after Anita Baker had left the group to move out on her own, but done for the mid 80s Beverly Glen indie, where Baker had also gotten her start as a solo act! The set's got a feel that's smooth and sophisticated –... read more

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Nice moody set of tracks written by Duke Ellington, and played by a trio that features vibist Teddy Charles, bassist Oscar Pettiford, and pianist Hall Overton. All three men are committed modernists, and they play here without drums, and with a lot of space to lay down some dark edgey arrangements... read more

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Everybody's favorite "cuchi-cuchi" girl shows her musical side in this trashed-out Salsoul set from the end of the 70s! Charo, apart from being well-built, sensual, and not ashamed to show it, is also a pretty decent guitarist, in a Spanish/flamenco mode. She plays a bit on the album... read more

Ok, ok – so Charo was everyone's idea of a joke on 70s TV, but this album's actually a pretty great little session – thanks to help from Vince Montana and the Philly crew! The album has Charo breathily singing and talking most of the lyrics – inflecting them with a slight Latin... read more

The third album from the mighty Chase – proof that the group was still going strong several years after their groundbreaking debut! The grooves here are almost tighter than before – a bit more complicated instrumentally, with some of the trumpets backed off a bit, to leave more room... read more

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With Jeannie Cheatham on vocals and piano, Jimmy on trombone, Dinky Morris on tenor and baritone, Snooky Young on trumpet, and Curtis Peagler on alto and tenor. Titles include "Permanent Solution", "Daddy O", "Goin Down Slow", "Detour Ahead", and "Homewa... read more

We don't know about you, but we never get tired of Cheech & Chong's jokes about reefer and East LA. Loads of classic material on this first LP: "Blind Melon Chillin", "Wink Dickerson", "Acapulco Gold Filters", "Vietnam", "Trippin In Court",... read more

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Excellent stuff – and a rare US issue of Live Ankara, an album that Cherry cut for Sonet during the mid 70s. The set is a super-hip concert performance recorded at the US Embassy in Turkey, featuring a band of eastern-flavored players that includes Okay Temiz on percussion, Selcuk Sun on... read more

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Perhaps the most heavenly of all the Chi-Lites albums, with soaring harmonies leaping all over beautiful Chicago soul production, and loads of great heartbreaking stories unfolding as the whole thing spins away! A true masterpiece from the Chicago scene – and filled with loads of wonderful... read more

An overlooked gem from Chic – a record cut past their initial fame in the discos, and done in a tightly-stepping 80s groove that's totally great! The style here still has plenty of that sharp-edged Niles Rodgers guitar – but the overall sound is cleaner and leaner too – more in a... read more

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Lots of older songs, nicely messed up by the Chips – which creates lots of yelling from Dave! Titles include "Buffalo Gals", "The Alvin Twist", "Twinkle Twinkle Little Star", and "Polly Wolly Doodle".... read more

The Chips take on a whole host of 60s pop tunes – worth it alone for their versions of "What's New Pussycat", "King Of The Road", and "I'm Henry VIII I Am".... read more

A more obscure late 60s outing – with a bit less of David yelling at Alvin than we'd like – but still a set with some nice numbers, including "Que Sera Sera", "Chim Chim Chere-ee", "The Roses Of Success", and "The Bare Necessities".... read more

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The Chipmunks take on The Beatles – in an early version of fab four fun! Titles are almost all early Lennon/McCartney numbers, sung by Alvin and the gang with a surprisingly nice groove!... read more

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One of the best later albums by Chocolate Milk – a bit different than their earlier work with Allen Toussaint, but still bouncing along in a sweet 80s groove, with more than enough traces of their roots as a funky combo! Leo Nocentelli's sitting in on guitar, adding some nice licks to keep... read more

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The birth of modern jazz guitar – seminal sides recorded by Charlie Christian, working in small group format with Benny Goodman, Lionel Hampton, Fletcher Henderson, and even a bit of Basie. Christian's tone on the instrument is fantastic – and even though the style of the tracks is... read more

A great one from June – on a par with the Something Cool album, and featuring arrangements by the great Pete Rugolo! Like that one, this one's a pretty dark effort – filled with some great boozed-up late night vocals. Titles include "Saturday's Children", "I Wished On... read more

Includes "Treat 'Em Right", "Just The Two Of Us", "The Chubbster" & "The Five Deadly Venoms". 12 tracks in all.... read more

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Titles include "Freddy Blue Eyes", "Party Lights", "Foxy", "Dancin Party", "Disappointed", "Party Time", "What Kind Of Party", and "My Turn To Laugh".... read more

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One of Doug Clark's bawdy frat rock-soul party LPs on the Gross label – with his trademark "blue" material for adult listeners, backed up by raunchy R&B riffing! The general style's a bit dated, but it's also the kind of album that paved the way for Rudy Ray Moore in the 70s. ... read more

The first album cut by party favorites Doug Clark & The Hot Nuts – a raw mix of comedy and music, done in the fast-talking style that they served up to countless gatherings in the south! The album's perhaps a bit less blue than some of the later work, but also possibly more compelling... read more

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A quartet of lovely ladies, serving up their renditions of classics from the swing era – all done in sweetly scatted versions! Most numbers begin with these great wordless vocal passages that establish the tunes before the main lyrics come in – setting the scene like the horns in a... read more

An excellent album of strident female soul tracks! Sure, the Clark Sisters were a gospel group – but their crossover single "You Brought The Sunshine" is a massive dancefloor track, with a stepping 80s groove that keeps on going strong, and which has the same crossover sense of... read more

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One of the first albums from guitarist Kenny Burrell as a leader – a date that has him working with players from his hometown scene in Detroit – in case you couldn't guess from the title! Kenny's style here is a bit different than on the Blue Note dates of the time – almost a bit... read more

Stanley Clarke may be on a journey to love – but that doesn't mean that the album's too sweet or romantic! Many tracks here still have the harder edge and sharper lines you'd expect from Clarke's key 70s fusion reputation – the kind of rock-influenced styles that crossed over big at... read more

A bit more high concept than before for Stanley Clarke – almost a suite of sorts, but one that still has some great standout tunes in the mix! Although Clarke used to bring his higher concepts to bear in the space of a single song, this one's more of a full exploration of the character in... read more

Fully-formed genius from Stanley Clarke – his first album for Columbia Records, and already a radical departure from the spiritual jazz of his previous set for Polydor! This Clarke's the one who'd play on countless sets of headphones in the 70s – the bassist who really revolutionized... read more

Time Exposure has a lot of 80s electro funk in the mix, particularly Clarke's impeccable bass lines, which are heavy throughout. Titles include "Play The Bass '10", "Heaven Sent You", "Speedball", "Future Shock" and the great title track.... read more

Great early genius from the Clarke Boland Big Band – proof that Kenny and Francy were onto something great, right from the start! The album really has the group hitting the heights of their MPS years – stretching out way past earlier big band modes, into the hip mix of rhythms and... read more

One of the greatest records ever by this hip jazz ensemble – and one of their most unique! The record has the band grooving hard through two incredible suites of Latin music – Gary McFarland's "Latin Kaleidoscope" and Francy Boland's "Cuban Fever" – each of... read more

A cheap package, but some rare live work by the Clarke Boland group – with Sahib Shihab on flute and baritone, Fats Sadi on vibes and vocals, Joe Harris on percussion, Francy Boland on piano, and Kenny Clarke on drums! Titles include "Night Lady", "Ya Ya Blues", "Jay... read more

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A classic from the undisputed master of the swing jazz jam session! Jumpin' At The Woodside has Buck Clayton recreating a Count Basie vibe, but in a much more open-ended, and long-grooving way! Most of the tracks on the record are nice and long – really opening up with a solo-heavy, jam... read more

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Righteous and rocking soul from Merry Clayton! The set was done in LA with arrangements by insiders that include Jerry Peters, Carole King, and Billy Preston – and features some tight and sometimes funky backing from players that include David T Walker, Wilton Felder, Paul Humphrey, and... read more

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The standout classic from Curtom disco diva Linda Clifford – and an album that showed that Chicago could rival Philly in the clubby groove department! Linda has a proud presence that really matches that of her better-known sisters in the City Of Brotherly Love – and she's singing here... read more

A bit over the top – and the kind of record that might have bankrupted Curtom in its later years! Linda's very much in full-disco mode, singing to long clubby arrangements by Gil Askey that have more strings and less soul than previous efforts. The one saving grace of the album is the cut... read more

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Great post-Parliafunkadelicment work from George Clinton – surely the biggest hit of his albums for Capitol – especially since it features the singles "Atomic Dog" and "Loopzilla"! We'll be honest in saying that at the time this one came out, as die-hard Detroit... read more

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Titles include "Quadrant 4", "Moon Germs", "Stratus", "Do What Cha Wanna", "Panhandler", "Pleasant Pheasant", and "Red Baron".... read more

Tight electric fusion from Billy, with some funky drumming, and some tracks that are a bit more subdued. John Scofield is on guitar, Richard Davis plays bass, and Billy drums, plays moog, and handled most of the arrangements. With "Life & Times", "Siesta", "Earthlings&... read more

A very full-on hard heavy fusion album! Drummer Billy Cobham lays down some massive hard beats, while Tommy Bolin wails away on guitar, Jan Hammer pounds on electric piano, and Lee Sklar noodles on electric bass. 2 cuts feature a different lineup with Joe Farrell and Jimmy Owens – but the... read more

Full throttle fusion from Billy Cobham, the kind of stuff we once winced at because of the really over the top moments of heavy, heavy jamming, but that we find ourselves more sympathetic to these days, probably for the more sublime moments that poke through the onslaught here and there, including... read more

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